Tagged: Supergirl

Martha Thomases: Truth, Justice, and the Israeli Way

supergirl-in-israel-6052617

Purim in Israel is not like Purim in my life. Everyone is in costume. Sales clerks at the airport had on three-cornered Haman hats.

I love Purim. It is the story of a hero who saved the Jewish people. Kids dress up as characters in the story — Mordecau, Haman, King Ahasheares, and the hero, Queen Esther.

In Israel, it is more about costumes than specific characters, more like Halloween, a secular holiday.

I was in Caesarea, an ancient Roman city built by Herod. It’s a great place to take your family on a school holiday. There were kids dressed like knights and princesses and Voltron.

To me, the stars of the day were two gutsy girls, dressed like my favorite Kryptonian. It’s the right way to celebrate the story of a brave woman.

REVIEW: Superman Unbound

superman-unbound-e13614670824301-3097221Superman is a science fiction story. What else can you say about the sole survivor of a doomed planet coming to live on Earth? As a result, some of the best stories about the Man of Steel have been science fiction in nature so it’s a wonder that it has taken this long before one of his confrontations with fellow alien Brainiac was brought to the screen. The feature films keep reusing Lex Luthor and General Zod, ignoring the computer construct from the distant world of Colu, who has captured specimen cities from countless worlds, including one from Krypton.

Thankfully, the folk at Warner Animation have recognized his incredible potential, first by reimagining him as a closer part of the mythos in their Superman: the Animated Series and now in Superman Unbound. The core story is lifted from Action Comics #866-870 by Geoff Johns and Garry Frank and collected under the title Superman: Brainiac. To place this in perspective, the story comes after the Infinite Crisis reboot of the DC Universe continuity, meaning Supergirl is still adjusting to being on Earth and neither has encountered Brainiac before.

supunb_08015-e1366919892363-3608045Bob Goodman, who did an admirable job turning The Dark Knight Returns into the previous two films, once more, tackles the iconic characters. Here, he has a far more emotional story to deal with and made only a handful of major modifications, notably downplaying Pa Kent’s role and keeping Lois and Clark single folk. He and director James Tucker make for a good team and the story moves fairly seamlessly but the action pieces are where things fall apart. We’re told repeatedly how utterly Brainiac is and yet he continues to send endless constructs after Superman despite it being obvious that they are ineffective. How shall I put this….it doesn’t make any freakin’ sense except to give the animators something fun to do.

supunb_09699-e1366919706145-8553640There’s tension between Superman and Supergirl over her readiness to be Earth’s protector; there’s tension between Clark and Lois about their relationship being stalled by his overprotectiveness and then there’s the larger problem of Brainiac having stolen Kandor and now attempting to bottle up Metropolis. There are nice resonances established between these three threads and Goodman does a good job making Supergirl and Lois well-defined characters.

Once more Andrea Romano delivers with an excellent vocal cast, bringing verve to Goodman’s script. Castle’s Stana Katic makes for a powerful Lois (and I thought Dana Delany had it nailed) and she’s well paired with her TV costar Molly Quinn, who is a vulnerable teen Kryptonian. Matt Bomer drops his voice to a tone deeper than his usual White Collar character and is almost unrecognizable. On the other hand, Fringe’s John Noble is wonderfully creepy as Brainiac.

supunb_10290-e1366919755886-4873080Tucker, though, botches the character design. Superman’s square jaw is now a tapered, pointy thing that robs him of power. Lois is way too thin for normal proportions and Pa Kent is a caricature of the influential father he should be. Tucker does better with Brainiac and his ship along with the Kandorians (and kudos for the Ultra the Multi-Alien cameo).

Overall, this is a satisfying adventure with a nice emotional undercurrent.

supunbb_15831-e1366919803658-5671011The 75 minute feature is supplemented on the Blu-ray with two nice thirty minute featurettes: Kandor: History of the Bottle City provides the historic context for how this was introduced and how it altered the mythos. Marv Wolfman, Mike Carlin, Bob Goodman, Geoff Johns and Dan DiDio all chime in on the bottle city and its charms. Heath Corson is also included, a writer with no connection to Superman or DC or context provided so he’s an annoying presence. The second piece, Brainiac: Technology and Terror is less successful since there is tremendous confusion between what is said and what is shown. Despite having Wolfman and Carlin to provide some history, everyone goes from discussing the original Silver Age creation to his reimagining in the latter years then skip ahead to his modern day incarnation. But visually, the goateed Milton Fine is seen from the John Byrne era reboot but never mentioned. Similarly, we’re shown images of Brainiac 5 from early Mike Grell Superboy and the Legion of Super-Heroes but he is never mentioned so Brainiac’s legacy in the history of the DCU is also absent.

The Blu-ray has, exclusively, the Kandor feature and four episodes of Superman: The Animated Series and a digital excerpt from the Superman: Brainiac collected edition. The combo pack comes with the Blu-ray, DVD (with the Brainiac featurette) and an Ultraviolet digital copy.

MINDY NEWELL: Paging Dr. House

This past Tuesday, August 30 to be exact, the New York Times ran an article by Dave Itzkoff about the “new” DC reboot. It was called “Heroes Take Flight, Again.”

It’s an interesting article. And its tone is that of a penultimate eulogy. To quote Itzkoff, “Within the DC universe, this new status quo is the result of efforts by the fleet-footed Flash to alter the course of history. But in the real world it is a last-ditch plan to counteract years of declining sales throughout the comics business.”

It’s rather like an episode of House, isn’t it? He wants to try a risky, dangerous, could-kill-the-patient-instead-of-saving-him treatment and everybody around him either has an opinion or just wants to avoid the whole subject. Cuddy is worried about the lawyers and the reputation of Princeton-Plainsboro Medical Center. Wilson is busy psychoanalyzing his friend’s penchant for walking on the edge. Foreman objects mostly because he didn’t think of it first. Chase, having forsaken the medical principle of “first do no harm” a few seasons ago when he killed a dictator who was under his care, pretty much shrugs his shoulders. Cameron is too busy in the ER to get very involved, other than to shake her long blonde hair and hot tush in House’s face and say, “you’re just gonna do what you want anyway.” Taub is caught between his Torah – he who saves a single life, it is as if he has saved the whole world – and probably causing the patient even more suffering if the treatment is allowed, and “Thirteen,” facing eventual horrible death herself thanks to the Huntington’s Disease that stalks her, thinks House is right, because she sees herself in the patient, and she wants to live.

I remember when I first heard of Crisis on Infinite Earths. I was upset. I didn’t understand why DC had to go messing with my childhood. But under the able hands of Marv Wolfman and George Pérez, it was, frankly, a thrilling story. To me, when Marv and George killed Supergirl – and I’m still mightily pissed off about that! – that was it, man, I knew this was going to be a classic.

The only trouble was, it started off a wave of “mega-reboots” over at DC that sounded like “good business” at the time. And now, after some 30 years, only seems to make me, and everybody else, yawn.

Infinite Crisis. Final Crisis. Crisis, My Ass. Yeah, yeah, yeah. Tell me something I don’t know.

‘Cause most of these reboots, start-overs, begin-agains are so obviously an attempt to “save the life of the patient” that it’s insulting to the reader. Jim Shooter is quoted in the Times article as saying “This whole attitude of, ‘Oh, go ahead, start over, reboot,’ people get tired of that…as storytellers, I don’t know where we wandered off to.” I totally agree with him.

S-T-O-R-Y. A narrative. An account. A tale, yarn, legend, fairy-tale, chronicle. Something that stays with you. That for whatever reason strikes a resonant chord within.

Was The Lord of the Rings a business decision? Was Grapes of Wrath? A Tale of Two Cities? The Three Musketeers? Alice in Wonderland? The Man in the Iron Mask? Peter Pan? If I keep on going this will be a column about the Book-of-the-Month club.

I’m hoping this works for DC. I’m hoping the company doesn’t stay alive just to feed the licensees. I’m hoping that I’m thrilled again.

I’m hoping that Dr. Gregory House can pull another miracle out of his misanthropic hat.

TUESDAY: Michael Davis

Sci-Fi Fan Favorite Summer Glau is Supergirl in ‘Superman/Batman: Apocalypse’

Summer Glau knows her audience.

Whether as River Tam in Joss Whedon’s cult classic series and follow-up film, Firefly and Serenity, or as the indestructible android-from-the-future Cameron in Terminator: The Sarah Connor Chronicles, Glau has cornered the market on playing attractive, demure young females with the controlled homicidal power to destroy an opposing legion of trained warriors.

So it was only natural that as her first-ever animated voiceover role, Glau would fit neatly into the role of an uber-powered Kryptonian who falls under the spell of one of Superman’s greatest foes. Glau finds the perfect mix of youthful curiosity, teen angst and alien-turned-Earth-girl aggression as the voice of Kara, cousin of Superman (and ultimately destined to become Supergirl) in Superman/Batman: Apocalypse, the ninth entry in the popular, ongoing series of DC Universe Animated Original PG-13 Movies out this week from Warner Home Video.

Based on the DC Comics series/graphic novel Superman/Batman: Supergirl by Jeph Loeb, Michael Turner and Peter Steigerwald, Superman/Batman: Apocalypse is produced by animation legend Bruce Timm and directed by Lauren Montgomery (Justice League: Crisis on Two Earths) from a script by Academy Award-nominated screenwriter Tab Murphy (Gorillas in the Mist). Produced by Warner Premiere, DC Entertainment and Warner Bros. Animation, Superman/Batman: Apocalypse is now available as a Blu-ray Combo Pack, Special Edition DVD, On Demand and for Download.

Glau’s career has been populated with frequent visits to the fanboy realm, adding regular roles on The 4400 and Dollhouse to her featured gigs on Firefly/Serenity and Terminator: The Sarah Connor Chronicles. The professionally trained ballerina had a seven-episode run on The Unit, and will appear in the upcoming NBC series, The Cape, as well as in the film. Knights of Badassdom.

Following her recording session, Glau freely discussed a number of subjects – from the acting strengths of the Whedon alumni association to her consistent on-set nerves to a strong desire to land more adult roles. Here’s how that conversation went …

QUESTION: Was it easy to find a way to relate to Kara?

SUMMER GLAU:
Kara was a really comfortable fit for me because she’s sort of a girl coming into her own.  A girl becoming a woman and finding out who she is, and so I felt like there were moments when it reminded me of River because she is so powerful, but also young and naïve and a little bit lost. She has this underlying strength that comes from out of nowhere. (more…)

Kevin Conroy Discusses his Return to the Batcave

bat-dog-3968726That loud sound you hear in the distance is the echo of fanboys cheering the return of Kevin Conroy to his benchmark role as the voice of the Dark Knight for the highly-anticipated Superman/Batman: Apocalypse, the ninth entry in the popular, ongoing series of DC Universe Animated Original PG-13 Movies coming September 28, 2010 from Warner Premiere, DC Entertainment, Warner Bros. Animation and Warner Home Video.

Conroy, the voice behind the title character of the landmark Batman: The Animated Series, set a standard that has yet to be contested over the past 20 years. Conroy had already been seen on soap operas and television series like Dynasty and Tour of Duty when he aced his first audition for an animated voiceover role in 1991 – earning the title character role for Batman: The Animated Series. It was a casting decision that sounds as good today as it did back then.

Conroy will share that voice in person as the featured guest when Warner Home Video, UGO.com and The Paley Center for Media proudly present the East Coast premiere of Superman/Batman: Apocalypse in New York on September 23. The West Coast premiere will be hosted in Los Angeles on September 21.

The bi-coastal premieres are just part of the ongoing festivities in conjunction with the release of the film. Included in the activities is “Destination Apocalypse,” an interactive online promotion that allows fans to get even deeper into the mythology of Superman/Batman: Apocalypse.  Fans can access “Destination Apocalypse” at http://DestinationApocalypse.com and explore the many sections including games, quizzes and information about film. Fans can even send Kryptonian messages to their Facebook friends.  In each section, participants virtually “check in” and earn badges to unlock an exclusive video clip from the movie.  In addition, earning badges for participating in the various activities in each section help to unlock exclusive movie poster downloads.

Conway helps lead a Superman/Batman: Apocalypse cast that includes fan favorite Tim Daly (Private Practice) as Superman, as well as Andre Braugher (Men of a Certain Age) as the daunting Darkseid, sci-fi heroine Summer Glau (Serenity/Firefly; Terminator: The Sarah Connor Chronicles), and multi-Emmy Award winner Ed Asner (Up) as Granny Goodness.

Based on the DC Comics series/graphic novel Superman/Batman: Supergirl by Jeph Loeb, Michael Turner and Peter Steigerwald, Superman/Batman: Apocalypse is produced by animation legend Bruce Timm and directed by Lauren Montgomery (Justice League: Crisis on Two Earths) from a script by Academy Award-nominated screenwriter Tab Murphy (Gorillas in the Mist).

Conroy will speak quite a bit during pre-premiere interviews and a post-premiere panel discussion on September 23. But for those fans who can’t attend the sold-out event, here’s some thoughts the actor offered after a recent recording session.

(more…)

Superman & Batman Repeat Appearance on Next Animated Feature

As has been unofficially discussed on the net, Warner Premiere continues to exploit DCE’s major heroes. The details on the next release were officially unveiled today in the following press release.

BURBANK, CA, (June 29, 2010) – To save an earthbound Kryptonian, the Man of Steel and the Dark Knight unite once again – this time to battle the powerful forces of Darkseid – in Superman/Batman: Apocalypse, the ninth entry in the popular, ongoing series of DC Universe Animated Original PG-13 Movies coming September 28, 2010 from Warner Premiere, DC Comics and Warner Bros. Animation. The highly anticipated, full-length film will be distributed by Warner Home Video as a Special Edition Blu-Ray™ and 2-Disc Special Edition DVD as well as single disc DVD. The film will also be available On Demand and for Download.

Fan favorites Tim Daly (Private Practice) and Kevin Conroy (China Beach) return to their seminal roles as Superman and Batman, respectively. The celebrity-laden guest cast is headed by Andre Braugher (Men of a Certain Age) as the daunting Darkseid. Sci-Fi heroine Summer Glau (Serenity/Firefly, Terminator: The Sarah Connor Chronicles) provides the voice of Supergirl, and seven-time Emmy Award winner Ed Asner (Up) reprises his Superman: The Animated Series/Justice League role as Granny Goodness.

Based on the DC Comics series/graphic novel Superman/Batman: Supergirl by Jeph Loeb, Michael Turner & Peter Steigerwald, Superman/Batman: Apocalypse is produced by animation legend Bruce Timm and directed by Lauren Montgomery (Justice League: Crisis on Two Earths) from a script by Academy Award-nominated screenwriter Tab Murphy (Gorillas in the Mist).

After a spaceship splashes down in Gotham City Harbor, Batman and Superman encounter a mysterious Kryptonian with powers as great as those of the Man of Steel. The Kryptonian is soon revealed to be Kara, cousin of Superman, who takes her under his wing to educate her about the ways of Earth. However, the villainous Darkseid has other plans. Seeing an opportunity to finally defeat Superman, Darkseid abducts and gains control of Kara, utilizing the powerful Kryptonian to do his bidding. It’s up to Batman and Superman to save Kara, but they’ll have to take the fight to Darkseid within his hostile world – where unknown, deadly threats lurk around every corner, including a brainwashed Kryptonian able to match Superman blow-for-blow.

In addition to the feature film, the Superman/Batman: Apocalypse Special Edition Blu-Ray™ and 2-Disc Special Edition DVD include the third DC Showcase animated short, Green Arrow.  Screenwriter Greg Weisman’s story finds Oliver Queen at the Star City International Airport to pick up his girlfriend, only to be forced into action as Green Arrow to protect the 10-year-old Princess of Vlatava from his old nemesis Merlyn the Magnificent and the League of Assassins. The short features the voices of Neal McDonough (Desperate Housewives) and Malcolm McDowell (Entourage). Bruce Timm is executive producer. (more…)

Women Is NOT Losers

 

 

davis-women-of-marvel-celebrating-seven-decades-1-variant-21-1564691Marvel Comics is a couple months into their “Women of Marvel” promotion, and that raises an issue or two. The whole idea is fine – honor… well… promote the several hundred female characters that toil in the Marvel Universe. Remind the readers
that many are among Marvel’s best. After all, women-starring superhero comics generally don’t sell very well and women-starring superhero movies are, without fail, failures.

I realize there’s a reason why the movies flop. Most of them really suck. Supergirl, Elektra, and Catwoman deserved better. But they stunk up the box office so badly I doubt they’d make a Black Widow solo movie
right now even if Scarlett Johansson had a half-dozen nude scenes.

Well… I could be wrong about that last point.

But the fact is, these are just made-up characters. It is
not intrinsically harder to write, draw, direct and/or act as a woman superhero as it is a man. I understand avoiding crappy movies, but a lot of the women superhero comics are as good as anything on the racks. Given the growing percentage of women readers, you’d think there would be a chance here.

So kudos to Marvel for their promotion. And go to your friendly neighborhood comic book shop and take a super-heroine out to lunch.

ComicMix
editor-in-Chief
Mike
Gold performs a weekly two-hour Weird
Sounds Inside The Gold Mind
ass-kicking music and blather radio show on The Point
every Sunday at 7:00 PM Eastern,
replayed three times during the week (check the website for times). Likewise,
his Weird Scenes Inside The Gold Mind political
and cultural rants pop up each and
every day at the
same
venue. Thanks to Janis Joplin for the headline.

 

#SDCC: DC: Superman: Two Worlds panel

superman-dccomics-art-2286364It’s going to be an exciting year for the Man of Steel: Superman group editor Matt Idelson, writers Geoff Johns (Adventure Comics, Superman: Secret Origins), Greg Rucka (Action Comics), James Robinson (Superman), Sterling Gates (Supergirl), and Renato Guedes (Superman) discussed what the future holds for the current New Krypton status quo and answered fan questions. CBR has the liveblog, but here are some highlights:

  • “Hunt for Reactron” will be a Supergirl/Action
    crossover in October, with both series co-written by Gates and Rucka
    for the arc. “It’s a big story with a lot of big, crazy action. And a
    lot of fighting,” Gates said.
  • Geoff Johns briefly ran down what would appear
    in Adventure Comics, drawing laughter when he mentioned “the good
    Teen Titans.” He also said, “If you don’t like Krypto, don’t read our
    book.”
  • The final three issues of the 12-issue World of
    New Krypton
    will be an arc tying together developments on Earth with
    those on New Krypton.
  • “Coming out of ‘Codename Patriot,’ we’re going to finish the finish
    the book up to #700, with ‘Mon-el, Man of Valor,’ which will see him
    return darker, with a new purpose, and a new costume.”
  • The Superman Annual will be about the history of Daxam with art by Javi Pina.
  • Sterling Gates mentioned September’s Supergirl Annual, which is
    the origin of Superwoman. “Secret Files” comes out in conjunction with
    “Codename Patriot,” with art by Jamal Igle, Francis Manapul, and more.

  • “You’ll see every Legion in Adventure Comics eventually,” Johns said.

There’s a lot more at the liveblog, so go forth.

The Many Lives of Supergirl

supergirl-35-5013179There’s been a lot of confusion about Supergirl recently. Since her re-introduction by Jeph Loeb in the pages of Superman/Batman, she has had a few conflicting stories concerning her nature and origins. And even then, she (and readers) had to deal with the fact that she wasn’t the first to bear that name. Today, Supergirl #34 was released, featuring the new creative team of writer by Sterling Gates and artist Jamal Igle, who promised they would start a new, interesting direction with the character, clearly establishing who she is and what she’s all about.

People, listen to me. The hype is true. This issue is a fantastic jumping-on point. It is written in a way that if you have never read a Supergirl comic before, you will understand what’s going on and who is up to what. There is a small blurb on the title page explaining that Kara Zor-El is Superman’s teenage cousin who came to Earth and tries to fight for "truth, justice and the Kryptonian way." There is an editor’s foot-note by Matt Idleson telling you exactly when this issue takes place in relation to Supergirl’s appearances in other comics (God bless you, Matt).

And for anyone who hasn’t been reading the comic so far, there are quick conversations characters that bring you up to speed on Kara Zor-El and how, ever since she arrived on Earth not too long ago, she has been making a lot of mistakes and stumbling in her journey to become a hero worthy of the legacy of her cousin Superman. To compliment the impressive writing, Jamal Igle’s art, as always, is clean, pretty and very emotive. You completely understand what’s going through the character’s heads even if you don’t look at the dialogue.

If you have any interest in the character or are curious about a young, fun girl with powers, this issue is a must-read. You even get to learn some Kryptonian insults!

Next month, Supergirl #35 is supposed to recap the basic origin of Supergirl, just to clear up things for anyone who’s still confusing her with the previous incarnations who were running around. As Gates said recently at the Baltimore Comic-Con, "Supergirl should be simple. She’s Superman’s cousin. Boom."

But I know you readers out there are curious about past continuity. Some of you remember a Supergirl who wore a t-shirt and mini-skirt or a Supergirl who had wings of fire and claimed to be an angel. And you’re thinking, "Hey, Jack! What’s the deal here?"

Well, look no further, faithful readers! At ComicMix, we enjoy indulging such questions. So, in the same vein of my Road to a Crisis article, I present to you a rundown of the various Supergirls who have graced the DC Universe. Please note, I will be dealing with the Supergirl characters who actually stayed on through multiple stories. I will not be going into detail about how one time Jimmy Olsen wished a Supergirl into existence, etc. (more…)