Tagged: Superman

Exclusive: Hallmark Ornaments to debut at SDCC 2010

Hallmark will return to Comic-Con this summer with a line up of exclusive DC Comics, Star Wars, and Simpsons products for the event to introduce enthusiastic collectors (that’s you,
fanboys…) to the world of “Keepsake Ornaments”. Just in case your calendar isn’t marked yet, Comic-Con
International
falls on July 21-25 this year, at the San Diego Convention Center in California. Here’s the run-down:

75 Years of DC Comics features the publisher’s three most iconic heroes bursting into action from the very comic books in which they made their first cover appearances—Wonder Woman in Sensation Comics No. 1 (January 1942), Superman in Action Comics No. 1 (June 1938) and Batman in Detective Comics No. 27 (May 1939). Limited run of 750. (more…)

New ‘Superman’ and ‘Dark Shadows’ films confirmed in IMAX press release

Warner Bros. is now so committed to getting a Superman film out the door by 2013 that it’s now showing up in press releases from partners.

IMAX, as part of their earnings statement, announced that they’ve signed a deal with Warner Bros. to release 20 films in IMAX format up to 2013. And on the list is a new Superman film.

This would seem to back up that Warner Bros. really is taking the Siegel Estate threat seriously, which states that if a movie wasn’t going to be in release by 2013 they would be in breach and owe the estate a large sum of cash.

Other Warner Bros. movies that will be released in IMAX
are: Legends of the Guardian: The Owls of Ga’Hoole 3D (September 24,
2010); Harry Potter and the Deathly Hallows: Part 1 (3D) (November 19,
2010); Harry Potter and the Deathly Hallows: Part II (3D) (July 15,
2011); Happy Feet 2 (3D) (November 18, 2011); and The Hobbit (December
2013). Warner Bros. and IMAX also plan to release an additional 15 films
over the course of 2011, 2012 and 2013, including Gravity, Dark
Shadows, Fury Road
, and the third Batman movie.

Of course, as we all know, things can happen, production can get weird, and I’m sure that there are ways out of all of those clauses– but it’s still an encouraging sign.

Warner Premiere Formally Announces ‘Batman: Under the Red Hood’

rh-canon-fire-8845946We were teased with the next direct-to-DVD animated feature when Justice League came out a few months back. Personally, we never understood why Jason Todd was resurrected or why DC and Warner Home Video considered this story worthy of adaptation, but here is comes. What follows is the press release with the details:

BURBANK, CA (April 27, 2010) – Batman confronts new enemies, old foes and painful memories when a powerful vigilante with a penchant for violence comes to Gotham City in the intense graphic-novel-come-to-life Batman: Under the Red Hood, the next entry in the popular ongoing series of DC UNIVERSE Animated Original PG-13 Movies coming July 27, 2010 from Warner Premiere, DC Entertainment and Warner Bros. Animation. The full-length film will be distributed by Warner Home Video as a Special Edition version on Blu-Ray™ and 2 disc DVD for $29.99 (SRP) and $24.98 (SRP), respectively, as well as single disc DVD for $19.98 (SRP). The film will also be available On Demand and for Download.

(more…)

Tim Gunn talks comics fashion, part 2

tim-gunn-alan-kistler-9418419Tim Gunn from Project Runway concludes his discussion with us on superhero
fashion as we pass judgment on Superman, Superboy, the Hulk and
others! And what famous comic book character apparently stole one of
Tim’s suits? Find out on the latest installment of Crazy Sexy Geeks!

And be sure to watch the first part!

Crazy Sexy Geeks – Tim Gunn Strikes! Part the 2nd

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SUPPORT US: SizzlerKistler@gmail.com via PAYPAL – This Episode: Alan Kistler and Tim Gunn conclude their discussion on superhero fashion as they pass judgment on: Superman, Superboy, the Hulk and others! And what famous comic book character apparently stole one of Tim's suits? Be sure to watch PART ONE too: www.youtube.com NOTE: We do not own the superheroes being discussed, we just enjoy them.
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Crazy Sexy Geeks FAQS 3 – Green Hornet & Kato!

MUSIC: "Flight of the Bumblee" (obviously, we don't own it). Curious about this Green Hornet guy who's back in comics? Alan Kistler and Jose Ramos explain the decades long of this character who PRE-DATES Superman and Batman and is actually RELATED to the Lone Ranger! Just another installment of CRAZY SEXY GEEKS Frequently Asked Questions!
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2010 Eisner Award Nominations

The list is out. Pretty straightforward, with a few surprises (No Todd Klein or John Workman for lettering? And was Whatever Happened To The Caped Crusader not eligible?)

Our congratulations to all the nominees. We’ll be starting the betting pools in 3… 2…

Best Short Story
•  “Because I Love You So Much,” by Nikoline Werdelin, in From
Wonderland with Love: Danish Comics in the 3rd Millennium
(Fantagraphics/Aben malen)
•  “Gentleman John,” by Nathan Greno, in What Is Torch Tiger? (Torch
Tiger)
• “How and Why to Bale Hay,” by Nick Bertozzi, in Syncopated (Villard)
• “Hurricane,” interpreted by Gradimir Smudja, in Bob Dylan Revisited
(Norton)
•  “Urgent Request,” by Gene Luen Yang and Derek Kirk Kim, in The
Eternal Smile (First Second) 

Best Single Issue (or One-Shot)
•  Brave & the Bold #28: “Blackhawk and the Flash: Firing Line,” by
J. Michael Straczynski and Jesus Saiz (DC)
•  Captain America #601: “Red, White, and Blue-Blood,” by Ed Brubaker
and Gene Colan (Marvel)
•  Ganges #3, by Kevin Huizenga (Fantagraphics)
•  The Unwritten #5: “How the Whale Became,” by Mike Carey and Peter
Gross (Vertigo/DC)
•  Usagi Yojimbo #123: “The Death of Lord Hikiji” by Stan Sakai (Dark
Horse) 

Best Continuing Series
• Fables, by Bill Willingham, Mark Buckingham, Steve Leialoha, Andrew
Pepoy et al. (Vertigo/DC)
• Irredeemable, by Mark Waid and Peter Krause (BOOM!)
• Naoki Urasawa’s 20th Century Boys, by Naoki Urasawa (VIZ Media)
• The Unwritten, by Mike Carey and Peter Gross (Vertigo/DC)
• The Walking Dead, by Robert Kirkman and Charles Adlard (Image) 

Best Limited Series or Story Arc
• Blackest Night, by Geoff Johns, Ivan Reis, and Oclair Albert (DC)
• Incognito, by Ed Brubaker and Sean Phillips (Marvel Icon)
• Pluto: Urasawa X Tezuka, by Naoki Urasawa and Takashi Nagasaki (VIZ
Media)
• Wolverine #66–72 and Wolverine Giant-Size Special: “Old Man Logan,”
by Mark Millar, Steve McNiven, and Dexter Vines (Marvel)
• The Wonderful Wizard of Oz, by Eric Shanower and Skottie Young
(Marvel) 

Best New Series
• Chew, by John Layman and Rob Guillory (Image)
• Do Androids Dream of Electric Sheep? by Phillip K. Dick, art by Tony
Parker (BOOM!)
• Ireedeemable, by Mark Waid and Peter Krause (BOOM!)
• Sweet Tooth, by Jeff Lemire (Vertigo/DC)
• The Unwritten, by Mike Carey and Peter Gross (Vertigo/DC) 

Best Publication for Kids
• Lunch Lady and the Cyborg Substitute, by Jarrett J. Krosoczeka
(Knopf)
• The Secret Science Alliance and the Copycat Crook, by Eleanor Davis
(Bloomsbury)
• Tiny Tyrant vol. 1: The Ethelbertosaurus, by Lewis Trondheim and
Fabrice Parme (First Second)
• The TOON Treasury of Classic Children’s Comics, edited by Art
Spiegelman and Francoise Mouly (Abrams ComicArts/Toon)
• The Wonderful Wizard of Oz hc, by L. Frank Baum, Eric Shanower, and
Skottie Young (Marvel) 

Best Publication for Teens
• Angora Napkin, by Troy Little (IDW)
• Beasts of Burden, by Evan Dorkin and Jill Thompson (Dark Horse)
• A Family Secret, by Eric Heuvel (Farrar Straus Giroux/Anne Frank
House)
• Far Arden, by Kevin Cannon (Top Shelf)
• I Kill Giants tpb, by Joe Kelly and JM Ken Niimura (Image) 

Best Humor Publication
•  Drinky Crow’s Maakies Treasury, by Tony Millionaire (Fantagraphics)
•  Everybody Is Stupid Except for Me, And Other Astute Observations, by
Peter Bagge (Fantagraphics)
• Little Lulu, vols. 19–21, by John Stanley and Irving Tripp (Dark
Horse Books)
•  The Muppet Show Comic Book: Meet the Muppets, by Roger Langridge
(BOOM Kids!)
•  Scott Pilgrim vol. 5: Scott Pilgrm vs. the Universe, by Brian Lee
O’Malley (Oni) 

Best Anthology
•  Abstract Comics, edited by Andrei Molotiu (Fantagraphics)
•  Bob Dylan Revisited, edited by Bob Weill (Norton)
•  Flight 6, edited by Kazu Kibuishi (Villard)
•  Popgun vol. 3, edited by Mark Andrew Smith, D. J. Kirkbride, and Joe
Keatinge (Image)
•  Syncopated: An Anthology of Nonfiction Picto-Essays, edited by
Brendan Burford (Villard)
•  What Is Torch Tiger? edited by Paul Briggs (Torch Tiger) 

Best Digital Comic
• The Abominable Charles Christopher, by Karl Kerschl, www.abominable.cc
• Bayou, by Jeremy Love, http://zudacomics.com/bayou
• The Guns of Shadow Valley, by David Wachter and James Andrew Clark,
www.gunsofshadowvalley.com
•  Power Out, by Nathan Schreiber, www.act-i-vate.com/67.comic
•  Sin Titulo, by Cameron Stewart, www.sintitulocomic.com/ 

Best Reality-Based Work
• A Drifting Life, by Yoshihiro Tatsumi (Drawn & Quarterly)
• Footnotes in Gaza, by Joe Sacco (Metropolitan/Holt)
• The Imposter’s Daughter, by Laurie Sandell (Little, Brown)
• Monsters, by Ken Dahl (Secret Acres)
• The Photographer, by Emmanuel Guibert, Didier Lefèvre, and Frédéric
Lemerier (First Second)
• Stitches, by David Small (Norton) 

Best Adaptation from Another Work
•  The Book of Genesis Illustrated, by R. Crumb (Norton)
• Charles Darwin’s On the Origin of Species: A Graphic Adaptation,
adapted by Michael Keller and Nicolle Rager Fuller (Rodale)
•  Fahrenheit 451, by Ray Bradbury, adapted by Tim Hamilton (Hill &
Wang)
•  Richard Stark’s Parker: The Hunter, adapted by Darwyn Cooke (IDW)
• West Coast Blues, by Jean-Patrick Manchette, adapted by Jacques Tardi
(Fantagraphics) 

Best Graphic Album—New
• Asterios Polyp, by David Mazzuccheilli (Pantheon)
• A Distant Neighborhood (2 vols.), by Jiro Taniguchi (Fanfare/Ponent
Mon)
• The Book of Genesis Illustrated, by R. Crumb (Norton)
• My mommy is in America and she met Buffalo Bill, by Jean Regnaud and
Émile Bravo (Fanfare/Ponent Mon)
• The Photographer, by Emmanuel Guibert, Didier Lefèvre, and Frédéric
Lemerier (First Second)
• Richard Stark’s Parker: The Hunter, adapted by Darwyn Cooke (IDW) 

Best Graphic Album—Reprint
•  Absolute Justice, by Alex Ross, Jim Krueger, and Doug Braithewaite
(DC)
•  A.D.: New Orleans After the Deluge, by Josh Neufeld (Pantheon)
•  Alec: The Years Have Pants, by Eddie Campbell (Top Shelf)
• Essex County Collected, by Jeff Lemire (Top Shelf)
•  Map of My Heart: The Best of King-Cat Comics & Stories,
1996–2002, by John Porcellino (Drawn & Quarterly) 

Best Archival Collection/Project—Strips
• Bloom County: The Complete Library, vol. 1, by Berkeley Breathed,
edited by Scott Dunbier (IDW)
• Bringing Up Father, vol. 1: From Sea to Shining Sea, by George
McManus and Zeke Zekley, edited by Dean Mullaney (IDW)
• The Brinkley Girls: The Best of Nell Brinkley’s Cartoons 1913–1940,
edited by Trina Robbins (Fantagraphics)
• Gahan Wilson: 50 Years of Playboy Cartoons, by Gahan Wilson, edited
by Gary Groth (Fantagraphics)
• Prince Valiant, vol. 1: 1937–1938, by Hal Foster, edited by Kim
Thompson (Fantagraphics)
• Queer Visitors from the Marvelous Land of Oz, by L. Frank Baum, Walt
McDougall, and W. W. Denslow (Sunday Press) 

Best Archival Collection/Project—Comic Books
• The Best of Simon & Kirby, by Joe Simon and Jack Kirby, edited by
Steve Saffel (Titan Books)
• Blazing Combat, by Archie Goodwin et al., edited by Gary Groth
(Fantagraphics)
• Humbug, by Harvey Kurtzman et al., edited by Gary Groth
(Fantagraphics)
• The Rocketeer: The Complete Adventures deluxe edition, by Dave
Stevens, edited by Scott Dunbier (IDW)
• The TOON Treasury of Classic Children’s Comics, edited by Art
Spiegelman and Francoise Mouly (Abrams ComicArts/Toon) 

Best U.S. Edition of International Material
• My mommy is in America and she met Buffalo Bill, by Jean Regnaud and
Émile Bravo (Fanfare/Ponent Mon)
• The Photographer, by Emmanuel Guibert, Didier Lefèvre, and Frédéric
Lemerier (First Second)
• Tiny Tyrant vol. 1: The Ethelbertosaurus, by Lewis Trondheim and
Fabrice Parme (First Second)
• West Coast Blues, by Jean-Patrick Manchette, adapted by Jacques Tardi
(Fantagraphics)
• Years of the Elephant, by Willy Linthout (Fanfare/Ponent Mon) 

Best U.S. Edition of International Material—Asia
• The Color Trilogy, by Kim Dong Haw (First Second) 
• A Distant Neighborhood (2 vols.), by Jiro Taniguchi (Fanfare/Ponent
Mon)
• A Drifting Life, by Yoshihiro Tatsumi (Drawn & Quarterly)
• Oishinbo a la Carte, written by Tetsu Kariya and illustrated by Akira
Hanasaki (VIZ Media)
• Pluto: Urasawa X Tezuka, by Naoki Urasawa and Takashi Nagasaki (VIZ
Media)
• Naoki Urasawa’s 20th Century Boys, by Naoki Urasawa (VIZ Media) 

Best Writer
• Ed Brubaker, Captain America, Daredevil, Marvels Project (Marvel)
Criminal, Incognito (Marvel Icon)
• Geoff Johns, Adventure Comics, Blackest Night, The Flash: Rebirth,
Superman: Secret Origin (DC)
• James Robinson, Justice League: Cry for Justice (DC)
• Mark Waid, Irredeemable, The Incredibles (BOOM!)
• Bill Willingham, Fables (Vertigo/DC) 

Best Writer/Artist
• Darwyn Cooke, Richard Stark’s Parker: The Hunter (IDW)
• R. Crumb, The Book of Genesis Illustrated (Norton)
• David Mazzuccheilli, Asterios Polyp (Pantheon)
• Terry Moore, Echo (Abstract Books)
• Naoki Urasawa, Naoki Urasawa’s 20th Century Boys, Pluto: Urasawa X
Tezuka (VIZ Media) 

Best Writer/Artist–Nonfiction
• Reinhard Kleist, Johnny Cash: I See a Darkness (Abrams ComicArts)
• Willy Linthout, Years of the Elephant (Fanfare/Ponent Mon)
• Joe Sacco, Footnotes in Gaza (Metropolitan/Holt)
• David Small, Stitches (Norton)
• Carol Tyler, You’ll Never Know: A Good and Decent Man
(Fantagraphics) 

Best Penciller/Inker or Penciller/Inker Team
• Michael Kaluta, Madame Xanadu #11–15: “Exodus Noir” (Vertigo/DC)
• Steve McNiven/Dexter Vines, Wolverine: Old Man Logan (Marvel)
• Fiona Staples, North 40 (WildStorm)
• J. H. Williams III, Detective Comics (DC)
• Danijel Zezelj, Luna Park (Vertigo/DC) 

Best Painter/Multimedia Artist (interior art)
• Émile Bravo, My mommy is in America and she met Buffalo Bill
(Fanfare/Ponent Mon)
• Mauro Cascioli, Justice League: Cry for Justice (DC)
• Nicolle Rager Fuller, Charles Darwin on the Origin of Species: A
Graphic Adaptation (Rodale Books)
• Jill Thompson, Beasts of Burden (Dark Horse); Magic Trixie and the
Dragon (HarperCollins Children’s Books)
• Carol Tyler, You’ll Never Know: A Good and Decent Man
(Fantagraphics) 

Best Cover Artist
• John Cassaday, Irredeemable (BOOM!); Lone Ranger (Dynamite)
• Salvador Larocca, Invincible Iron Man (Marvel)
• Sean Phillips, Criminal, Incognito (Marvel Icon); 28 Days Later
(BOOM!)
• Alex Ross, Astro City: The Dark Age (WildStorm/DC); Project
Superpowers  (Dynamite)
• J. H. Williams III, Detective Comics (DC) 

Best Coloring
• Steve Hamaker, Bone: Crown of Thorns (Scholastic); Little Mouse Gets
Ready (Toon)
• Laura Martin, The Rocketeer: The Complete Adventures (IDW); Thor, The
Stand: American Nightmares (Marvel)
• David Mazzuccheilli, Asterios Polyp (Pantheon)
• Alex Sinclair, Blackest Night, Batman and Robin (DC)
• Dave Stewart, Abe Sapien, BPRD, The Goon, Hellboy, Solomon Kane,
Umbrella Academy, Zero Killer (Dark Horse); Detective Comics (DC);
Northlanders, Luna Park (Vertigo) 

Best Lettering
• Brian Fies, Whatever Happened to the World of Tomorrow? (Abrams
ComicArts)
• David Mazzuccheilli, Asterios Polyp (Pantheon)
• Tom Orzechowski, Savage Dragon (Image); X-Men Forever (Marvel)
• Richard Sala, Cat Burglar Black (First Second); Delphine
(Fantagraphics)
• Adrian Tomine, A Drifting Life (Drawn & Quarterly) 

Best Comics-Related Periodical/Journalism
• Alter Ego, edited by Roy Thomas (TwoMorrows)
• ComicsAlliance, www.comicsalliance.com
• Comics Comics, edited by Timothy Hodler and Dan Nadel
(www.comicscomicsmag.com) (PictureBox)
• The Comics Journal, edited by Gary Groth, Michael Dean, and Kristy
Valenti (Fantagraphics)
• The Comics Reporter, produced by Tom Spurgeon
(www.comicsreporter.com) 

Best Comics-Related Book
• Alan Moore: Comics as Performance, Fiction as Scalpel, by Annalisa Di
Liddo (University Press of Mississippi)
• The Art of Harvey Kurtzman: The Mad Genius of Comics, by Denis
Kitchen and Paul Buhle (Abrams ComicArts)
• The Art of Osamu Tezuka: God of Manga, by Helen McCarthy (Abrams
ComicArts)
• Manga Kamishibai: The Art of Japanese Paper Theater, by Eric P. Nash
(Abrams ComicArts)
• Will Eisner and PS Magazine, by Paul E. Fitzgerald (Fitzworld.US) 

Best Publication Design
• Absolute Justice, designed by Curtis King and Josh Beatman (DC)
• The Brinkley Girls, designed by Adam Grano (Fantagraphics)
• Gahan Wilson: 50 Years of Playboy Cartoons, designed by Jacob Covey
(Fantagraphics)
• Life and Times of Martha Washington, designed by David Nestelle (Dark
Horse Books)
• Queer Visitors from the Marvelous Land of Oz, designed by Philippe
Ghielmetti (Sunday Press)
• Whatever Happened to the World of Tomorrow? designed by Neil Egan and
Brian Fies (Abrams ComicArts) (more…)

April Fool’s Day 2010 Roundup

Let’s see if we caught them all– there have been some real gems this year:

World’s Top Writers Hate Brad Meltzer – Comic Book Resources 

Mark Waid Goes On Rampage At BOOM! Offices, Wounded By Police – ComicMix news 

#aprilfoolscomics – Twitter Search 

Oh, Right…It’s April Fool’s Day: The Best Internet Gags – Humor – io9 

April Fool’s Link Ink: Where Nothing You Read Is Really Happening! – ComicsAlliance | Comics culture, news, humor, commentary, and reviews

April Fools’ Day On The Web : 2010
April Fools 2010: The Definitive List 

Who Will Play J. Jonah Jameson In Spider-Man Reboot? 

Behind The Scenes Of YouTube’s ASCII Prank 

On reflection, not very dangerous: Harlan Ellison’s The Last Dangerous Visions

Locus Online April 1st: 2010: News Summary of the Year To Date

Splash Page
April Fools Day: New Marvel/DC Crossovers, ‘Halo’ Movies, ‘Lost’ Clocks, And Other Fake Stuff! 

April Fools’ Day: Michael Cera Is The Flash! No, Zachary Levi Is! Wait — Neither Of Them Are!

April Fool’s Tweet : Edgar Wright Here 

Zachary Levi Is Front Runner For Lead Role in DC’s The Flash 

April Fools’ Day Roundup: Taylor Lautner Is Superman? Avatar Sues Avatar? Don’t Believe The Hype!

DC and Hot Wheels Announce a Hot New Toy, If You Can Find It

Halo: The Bollywood Epic, and YES… It’s Real.

Nick Simmons Apologizes for ‘Homage’

incarnate-6224599Radical Comics removed it’s comic, Incarnate, from this week’s pull lists, after a Tetsuo-sized avalanche of displeasure emanated from the internet and it’s legion of Otaku. It seems penciler/writer/creator Nick Simmons (you might know his dad, Gene, from the Dr. Pepper commercials…) has paid a little bit to much homage to various Manga series. Covered extensively on Livejournal’s ‘Bleachness’, and reported on by iCv2, the New York Times, as well as Geeks of Doom and numerous others around the web, Simmons’ Incarnate has been under the microscope for a little under a week now. The series (only a 3 issue mini-series) shows uncanny similarities between it and the Manga series Bleach, as well as (to a lesser extent) Hellsing. Some fans even went as far as to note certain plot beats were appropriated from White Wolf’s Vampire: The Masquerade. Everything from character design, to panel layouts, and even dialogue have been claimed to be copies from their respective sources.

In response Simmons released a statement Monday through his publicist:

“Like most artists I am inspired by work I admire. There are certain similarities between some of my work and the work of others. This was simply meant as an homage to artists I respect, and I definitely want to apologize to any Manga fans or fellow Manga artists who feel I went too far. My inspirations reflect the fact that certain fundamental imagery is common to all Manga. This is the nature of the medium.

I am a big fan of Bleach, as well as other Manga titles. And I am certainly sorry if anyone was offended or upset by what they perceive to be the similarity between my work and the work of artists that I admire and who inspire me.”

Now, let’s be fair, for fairness’ sake. The world of comics is rife with appropriation and homage. Those who don’t find similarities between Superman, Hyperion, The Sentry, Supreme, Samaritan, and The Plutonian might want to clean off their bifocals. Thanks largely in part to the current industry trend of gigantic crossover mega-events, homage covers are beyond trendy. Where might Arthur Suydam be today if not for his Marvel Zombies covers (Ok, he’d probably be doing just fine, but still…)? Where might DC be if a hero can’t cradle another dead hero in their arms? Heck, Kurt Busiek’s Astro City is imprinted by Homage Comics! Given the mountain of evidence collected by the fans though, Nick Simmons’ series might have been given a direct ticket to the quarter bin. Nick Simmons won’t get to collect $200 when he passes GO either. But we’re sure his father might be able to loan him a few bucks. So long as someone buys a couple extra Kiss Kaskets.

So, ComicMixers, we implore you to discuss! Did Nick go to far? How far is too far when it comes to homage? And why does Superman seem to have more analogs than changes of costume?

‘It’s A Bird… It’s A Plane… It’s Superman!’ the movie (musical)

its-a-bird-its-a-plane-its-superman-4139527We here at ComicMix would like to remind people, in the age of talks of Christopher Nolan consulting on the Superman movie franchise (with David S. Goyer rumored to have a script called The Man Of Steel) that Superman Returns wasn’t nearly as bad as it could have been.

As a point of reference, we would like to show you what the state of the Superman franchise was like just a few years before Christopher Reeve took over the role. This is the televised version of the Broadway musical of It’s A Bird… It’s A Plane… It’s Superman! entitled, simply, Superman (and now I know why all the ads called it Superman The Movie).

If you’re at home on a snow day today, check it out.

Interestingly enough, MTV Splashpage reports that the play is being completely revised and updated (by setting it in the 1930s?) by Roberto Aguirre-Sacasa, a comic book writer going back to his roots as a playwright. It’s a Bird…It’s a Plane…It’s Superman will run June 18 – July 25, 2010 at the Dee and Charles Wyly Theatre in Dallas, Texas.