Tagged: Superman

Everything I Need To Know About Politics I Learned From Superman, by Martha Thomases

  • News
  • September 20, 2008

For the last few weeks, most ComicMix columnists have been writing about politics. I can understand how you, Constant Reader, who came here to read about comics and movies and games, might think this is self-indulgently off-topic. Most of us have an intense interest in politics, and we think this is the most important election in a long time. People’s lives are at stake. But I can understand you frustration.

And then I had an epiphany. Not only did I grow up in a household where we discussed politics over the dinner table (and walking the dog, and taking in the dry-cleaning), but even more important, I gained my political perspective from Superman. The goals, strategies and tactics I discovered reading comics shaped my view of the world. Here’s what I know:

• You never know what you’ve got until it’s gone, whether that’s the planet Krypton or the ozone layer.

• Solar power makes you stronger.

• Drilling for oil in the ocean can upset the homes of your dearest friends, including your first love.

• Billionaire industrialists should not be trusted with positions of power. At best, they are obsessive loners with a mission to avenge their parents. At worst, they try to take over the world and destroy you and everything you believe in. (more…)

On the Road to a Crisis

  • News
  • September 17, 2008

final-crisis-one-ff-1667347So right now, we’re halfway through Final Crisis, a crossover involving the weakening of space and time and all of reality being endangered. In the prelude one-shot DC Universe #0, readers were recapped about the fact that this is the third universal crisis to happen to the DCU (which isn’t entirely accurate and we’ll get into that soon).

But some of you folks may want a little more detail about what happened before this. Why is this the "Final" Crisis? And considering the fact that the previous two crises both involved history being altered, what do the heroes involved truly remember about them?

So here is not only a rundown of the previous crises, but the major events that have led into them and certain side stories that writer Grant Morrison may refer to again very soon. (more…)

Bluewater Announces ‘William Shatner Presents’

  • News
  • September 16, 2008

Bluewater Productions has added William Shatner to their growing line of celebrity endorsed comic books.  Following in the footsteps of Ray Harryhausen, Vincent Price and Roger Corman, Shatner will have comics based on his novels including Man O’ War and Quest for Tomorrow. These will be published as miniseries, continuing the stories with talent yet to be announced.

His TekWar, written with Ron Goulart and an unnamed fourth title round out the commitment between the actor and the publisher. TekWar will also be a continuation. All four are scheduled to come out in the first quarter of 2009, available in comic shops as the hoopla surrounding the reboot of Star Trek edges towards its May 8 release.

The TekWar universe was adapted previously by Marvel Comics in the early 1990s and ran for 24 issues, written solely by Goulart.  Darren G. Davis, president of Bluewater, has promised the ongoing series will be more faithful to the source material which ran in nine novels.  It was also adapted as four telefilms and a one-season syndicated series starring Greg Evigan.

Bluewater’s publisher Darren Davis said in a release, “Mr. Shatner is a savvy businessman and a creative mastermind. We’re honored to be partnering with him and are confident our efforts will create comic books both his fans and ours will embrace.”

“With all of these comics, I have final approval," Shatner told the Los Angeles Times. "This is not a licensing arrangement; this will be me involved very directly throughout the process. They are going to do adaptations of my ideas and also sequels; they will be in the stores in March of 2009. I loved comics as a kid. I used to sit under the sheets with a flashlight and read Superman when I was six in Montreal and now, with the comics as they are today, it’s thrilling, really.”

Of the old Gold Key comic adaptations of Star Trek, Shatner enthused, "Oh, they were great. They always made me look so skinny."

The Theory of Webcomics: What are Webcomics?

  • News
  • September 14, 2008

Help me Wikipedia, you’re my only hope! What are webcomics?

Oh, okay. They’re comics published on the web. That was easy. What else have we got? Over 18,000 exist, few are self-sustaining, blah blah blah, some are like newspaper comics and some are like graphic novels, yadda yadda yadda, sometimes use sprites, pixels, photos or 3D Poser art. Some are funny, some are not; and they cover a wide variety of genres.

But really, what are webcomics? “Webcomics” is the collective name we’ve given to sequential art that appears online. Scott Kurtz’s PvP is a webcomic, as is Scott McCloud’s Zot!, but so are the reprints available from Marvel Digital Comics and the online For Better or for Worse strips. Same name, wildly different products: Kinda like comparing a 1940s Superman story with Neil Gaiman’s Sandman or Harvey Pekar’s American Splendor. They’re all “comics”, but the similarity stops there.

We’re going to need a little more granularity: Typically, one will use the phrase “webcomics” to refer to creator-owned properties published originally and/or primarily online. Reprinted newspaper strips would still fall under “newspaper comics”, and reprinted superhero material would still be “print comics” or “comic books”. So our narrowed “webcomics” would include DC’s Zuda Comics, but not Marvel Digital or FBoFW. This is still hazy for cases like Diesel Sweeties, which started on the web, and published both on the web and in syndicated papers simultaneously (with different content) for a time; but it will do.

And that’s the definition I’m typically using and tend to focus on when I talk about webcomics. When I talk about how webcomics make money, I’m thinking about how Kurtz or McCloud would make money, not how Marvel would monetize their website. When I talk about “the most popular webcomics,” I don’t mean Dilbert. The collection of comics that are creator-owned, published online, usually maintained by one or two authors and typically full of geeky content are a community and a genre all their own, and deserve the same singular attention that we give to, say, sci-fi novels.

These are the comics that you find on Keenspot [link: http://www.keenspot.com/], Zuda, Blank Label, Dumbrella, Modern Tales, and similar collectives. These are the comics that get their start on Comic Genesis [link: http://www.comicgenesis.com/], Drunk Duck, or Webcomics Nation.

And yes, these are the comics that obey Sturgeon’s Law much more so than any others—after all, the barriers to entry are very low; anyone with a computer and a bunch of free time can create one. (I myself had a short-lived sprite comic, now gone from the web and never to be seen again.) This means they’re often drawn and written by hobbyists with limited time, no editors, and the occasional limited grasp of spelling and/or grammar. Which is, of course, the other reason I like to talk about them: There are some fantastic gems of comics to be found, if you know where to look.

I’m  going to be picking apart how these comics exist as an art form and what makes them different; discuss how they make money, why some do so much better than others, and which ones you really should be reading. Though be warned: The only thing that sucks up more of your free time that creating a webcomic is reading them.
 

‘Blackest Night’ stealing ‘Final Crisis’ thunder? by Alan Kistler

  • News
  • September 8, 2008

flash-three-generations-7506952

The major event in DC Comics in 2008 is Final Crisis, written by Grant Morrison. Unlike many summer crossovers, Final Crisis is not its own event so much as the third story of a trilogy (the first two stories being the crossovers The Crisis On Infinite Earths and Infinite Crisis).

The opening premise is that all of the New Gods (celestial beings who inhabit a higher dimension) recently seemed to die, except for Darkseid, leader of the evil New Gods. Darkseid has found a way to survive through human hosts, his power fueled by the faith of his new followers under the prophet Libra. Determined to become ruler of reality, he has been resurrecting his sinister forces (an ability Kirby established decades ago) by placing their life-forces in new bodies as well. And since he has now learned the powerful "Anti-Life Equation", a prize he has sought for centuries, he is able to destroy free will in any who hear the equation, thus creating a new army of slaves.

So evil god-like forces have been freely walking among us and because the super-heroes didn’t realize it, they’ve been vulnerable to sneak attacks and manipulations. In short order, John Stewart, Hal Jordan, Batman, Superman and Wonder Woman were all removed from the game board in one way or another.

But this is a Morrison story so that means there are usually layers to be peeled away. There are other things going on as a result of Darkseid now attempting to break the universe down to serve his will. There is, of course, the matter of the Multiversal Monitors, beings charged with maintaining the structure of the multiverse, one of whom is also living among us as a mortal man, unaware of his true nature. And there is the return of Barry Allen, the second Flash, a hero who became energy and merged with the universe even while saving it during the first Crisis over twenty years ago. Barry’s sacrifice saved the universe during that story and in DC Universe #0, it’s implied that the universe itself has brought him back so that he can save it again. It’s also possible he is here as a reactionary force to Libra, who is his opposite number in the sense that this a villain who also seemingly died years while merging with the cosmos.

And Libra and Barry are not the only dead men to show up in this story.

  (more…)

What’s Wrong With Wonder Woman, by Mike Gold

  • News
  • September 8, 2008

ww-1-3961715In this space on Friday and Saturday, my esteemed colleagues Mr. Davis and Ms. Thomases waxed on about the political situation of the day. Whereas there is no more important issue facing us as Americans in this moment in time (and it has considerable impact on non-Americans as well), I will not follow in their wake this week. I’m sure I will in the future.

Instead, I’m going to take a point central to their themes, and those expressed to a somewhat lesser extent by Ms. Riggs last week, and talk about comic books. Specifically, about Wonder Woman.

Since I’m in a name-dropping kind of mood, I should point out that my comments have been heavily influenced by recent conversations with Ms. Adriane Nash, a frequent commenter here at ComicMix, as well as our new editorial proofreader (for those items that come in early enough to be proofread…). And, oh yeah, she’s my savvy and opinionated daughter.

So what’s wrong with Wonder Woman? Positioning. Not unlike what many people think the McCain campaign did by selecting a fundamentalist book burner as their vice presidential candidate, under the theory that women are so stupid they’ll simply vote for one of their own no matter what her position is on the issues. You know, just like the conservatives.

Ahem. Sorry. Back to comics.

Back in the 1940s, Wonder Woman was fabulously successful. She had as much exposure as any DC/AA hero (but not as much as, say, the real Captain Marvel). She had her own title, she starred in a monthly anthology book, she starred in a regularly published giant-sized star-studded superhero thing, and she briefly had her own newspaper strip. All she was lacking was a cheap movie serial.

By the time the 70s rolled around, DC had a hard time giving Wonder Woman away. As of this date, she’s undergone more revisions, reboots (one, quite literally, brought her original boots back), reinterpretations, and make-overs than Madonna. What happened?

(more…)

Superman Timeline

  • News
  • September 4, 2008

As most of us know, this year marked Superman’s 70th anniversary. And as if that weren’t enough to engender conversation about the Man of Steel, Brad Meltzer’s new novel Book of Lies  has prompted quite a bit of discussion concerning Martin Siegel, who died during an armed robbery and whose son Jerome "Jerry" Siegel subsequently wrote the story of a bullet-proof alien who was invulnerable to all frailties.

So with all this talk going around about Superman’s beginnings, we here at ComicMix thought it was time to put together a small Superman time line. Please note, this time line is focused solely on Supermans’ adventures in the comics and not with his stories in other media.

1933 – Jerry Siegel and Joe Shuster publish their story “Reign of the Super-Man." In the story, the title character is a bald homeless man named Bill Dunn who gains telepathic powers from a mad scientist’s experiment and intends to take over Earth. After this, Siegel writes up a new version of Superman who is secreatly named Clark Kent and is, in fact, an alien named Kal-L, son of Jor-L and last survivor of the dead planet Krypton. Shuster does artwork for the comic strip and they begin to submit it. The story is rejected by 17 different publishers over the next five years.

1938 – Superman/Clark Kent is finally introduced in Action Comics #1. Although Siegel has plotted out the name of Superman’s parents and planet, none of these are actually named in this issue’s origin story. Superman is said to have great strength, resistance to conventional injury, and is able to leap 1/8th of a mile.

1939 – In Superman #1, the planet Krypton is finally named in the comics. It is also mentioned that Clark Kent was raised by a kindly, elderly couple. His adopted mother is named “Mary Kent” and it’s said that she and her husband died soon before Clark moved to Metropolis.

1940 – In Action Comics #23, Clark’s newspaper The Daily Star is officially renamed as The Daily Planet and Superman has his first fight with “Luthor, the mad scientist.”

1941 – Superman #10 features our hero actually defying gravity for the first time by hovering in the air. Previous to this, it was always stated in the comics that he could only leap over great distances. Superman #11 confirms that Superman can now fly, just like in the cartoons and radio shows.

1942 – Superman #17 reveals that the Man of Tomorrow has a hidden base known as the Secret Citadel, located inside a mountain range nearby Metropolis.

1945 – The character of Superboy (an adolescent version of Superman) and his hometown of Smallville are introduced in More Fun Comics #101. Initially, this is treated as a separate continuity from the mainstream Superman stories.

1948 – Superman #53 names Clark’s adopted parents as “John and Mary Kent.”

1949 – Kryptonite makes its first comic book appearance in comics in Superman #61 (originally, it was only used in the radio plays). In this story, Kryponite is colored red but in all subsequent stories it is colored green (other forms of Kryptonite with different colors will appear later on). In this same story, Superman finally learns the name and history of his home planet Krypton, even though readers have known such facts for years already. (more…)

Review: ‘Howard Chaykin’s American Flagg!’

 

american-flagg-1794127Howard Chaykin’s American Flagg!
By Howard Chaykin
Dynamic Forces, July 2008, $49.99

Science Fiction has never been quite as successful in comics form as it seemed it should have been. Oh, sure, there have been plenty of vaguely SFnal ideas and premises – from [[[Superman]]] to [[[Kamandi]]] to the [[[X-Men]]] to the [[[Ex-Mutants]]] – but they were rarely anything deeper than an end to the sentence “There’s this guy, see? and he’s….” One of the few counterexamples was Howard Chaykin’s [[[American Flagg!]]], starting in 1983 – that series had many of the usual flaws and unlikelihoods of near-future dystopias, but it also had a depth and texture to its world that was rare in comics SF (and never to be expected in even purely prose works, either).

American Flagg! suffered from Chaykin’s waning attention for a while, and then crashed and burned almost immediately after he finally left the series, with a cringe-making overly “sexy” storyline utterly overwritten by Alan Moore. American Flagg! limped from muddled storyline to confused characterization for a couple of years afterward – but the beginning, when Chaykin was fully energized by his new creation and the stories he was telling, is one of the best SF stories in American comics.

The series has never been collected well, though a few slim album-sized reprints were once available, and may be findable through used-book channels. This Dynamic Forces edition, reprinting the first fourteen issues of the series, is quite pricey. (Especially for a book with no page numbers, and one in which the pages are precisely the size of the original comics – not oversized, as those previous album reprints had been.) This book has a strong, thoughtful introduction by Michael Chabon – which has already appeared in his [[[Maps and Legends]]] collection, presumably due to the delay in the American Flagg! book – a gushing afterword by Jim Lee, and a new short story written and drawn by Chaykin.

(more…)

Getting Screwed, by Mike Gold

  • News
  • September 1, 2008

We’re all familiar with the story of Jerry Siegel and Joe Shuster. They created Superman but nobody would buy it so it sat in a drawer for a few years until an editor remembered seeing the submission and thought it would fill out the first issue of a new title that was lacking a lead story. Siegel and Shuster signed away their rights for something slightly in excess of a hundred bucks, although over the next decade they earned hundreds of thousands off of the property. The trouble is, the publisher was making millions.

Siegel and Shuster were getting screwed. They raised a stink about it and found themselves out of jobs. Later, after several publishing failures Siegel limped back to the offending publisher to work-for-hire for page-rate; Shuster was blind and couldn’t work for anybody.

Batman co-creator Bob Kane saw what was going on and offered to negotiate a contract that would: a) cover himself financially, b) somehow guarantee him sole creator credit, and c) screw the people who made Batman truly unique, people like co-creator Bill Finger and artists such as Jerry Robinson and Dick Sprang. This scenario was repeated by a number of creators who became publishers or intellectual property owners years and years later.

So the moral standard is rather flexible. That’s business. That’s human nature – most businessmen aren’t all that different from Al Capone, who, in fact, was generally more appreciative of his end-users than he was of his competitors. Now, everybody cooperates benignly, being careful to operate out of a sense of mutual self-interest instead of an actual conspiracy that might constitute anti-trust. We’ve just endured eight years of a government that was totally dedicated to this concept. (more…)

Shipping Late, by Martha Thomases

  • News
  • August 30, 2008

This column is unusual in that I’m starting to write it in the doctor’s office. There’s no emergency – it’s just time for my annual mammogram and breast sonogram, and the doctors are running late.

My appointment was for 11 this morning. I arrived at 10:30 because I walked faster than I expected, and because I wanted to get the paperwork out of the way. Also, I’m compulsively early. My mother raised me to believe that if I’m not at least five minutes early, I’m inconveniencing everybody else. My grandmother took this a step further, waiting at the airport in New York before our plane had even taken off from Ohio.

I’ve been here for two hours.

The world is made up of people who are on time and people who are late. I imagine that we each drive the other bonkers. I know that, when I’m waiting for someone to arrive who is more than 15 minutes late (which is the window I allow because, hey, the subway could be screwed up), I’m furious that I might be missing something just because the person I’m waiting for doesn’t have the consideration to think my time is valuable.

I don’t know what people who are late are thinking, but I imagine they are thinking that life is so complicated, and there are so many things that demand their attention, and nothing ever comes out as they plan. Perhaps they also think that meeting times are just an estimate, and it’s no big deal if they are late. Perhaps they think I have nothing better to do than wait for them, and that it’s privilege enough to bask in their glory.

Ahem.

Oddly, I am not bothered when my comics are late. I know that retailers are annoyed – and worse, since it’s their money on the line – but I’m not. When I walk into the comic book store for my weekly fix, I don’t particularly care which books are available. I like enough different kinds of stories that I’ll be able to find something I’ll enjoy reading. Even if it’s a skip week, there will be something I haven’t read, or a new magazine. (more…)

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