Tagged: Superman

ComicMix Six: Greatest Joker Victories

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  • July 16, 2008

Sometimes the villain wins.

Sure, you might stick them in jail — or an asylum — for what they’ve done. You could even throw them off a rooftop, leaving them paralyzed for life. But that won’t change the fact that they already did it. They scored a victory, even if it was short-lived.

The Joker is definitely a villain with a better track record than most. Lex Luthor may have become President and nearly destroyed Superman a few times. But he never killed Lois Lane or tortured Ma and Pa Kent. The Clown Prince of Killers, however, has had quite a few shining moments.

What drives this evil mass murderer? Some have claimed the chemicals which altered his pigmentation also damaged his brain. Some have claimed he suffered such psychological trauma and simply snapped. Some believe his brain actually acts on a higher level of perception, forcing him to operate with a logic we simply aren’t equipped to understand. Half of his crimes seem to be a way of trying to bring Batman to his own way of thinking, that there is no hope in the world, only chaos.

The fact that we can argue about the Joker’s sanity (or lack thereof) is part of what makes him so interesting. And so, with the release of The Dark Knight — and the Joker — looming near, we’ve sifted through the long and bloody history of the Harlequin of Hate to find those victories which stand out above the rest. Steel your nerves and enjoy ComicMix Six: The Six Greatest Joker Victories.

And if you’re interested, you may want to check out our related article, 11 Batman Stories to read before The Dark Knight.

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E3 2008: Mortal Kombat Vs DC Universe Gameplay

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  • July 15, 2008

The 2008 Electronic Entertainment Expo is underway. Just to start us off right, Midway released the first gameplay footage from the upcoming Mortal Kombat Vs DC Universe videogame. Since we’ve seen the Mortal Kombatants before, the video wisely focused on the DC Comics characters. Superman, Batman, Catwoman, and Flash were shown in some exciting footage using their unique abilities. For instance, the Flash smashed his enemy through several walls while going through rooms in a few seconds.

But the Mortal Kombat characters got the last laugh as the final moment shown was Scorpion unmasking to perform his famous fire fatality on the Scarlet Speedster. Mercifully, the camera cut away before that happened. Flashes always seem to die in these multiverse crossovers, don’t they?

See the video for yourself below:

 



Video: E3 2008: Mortal Kombat VS DC Universe

New ‘Superman’ Movie Coming?

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  • July 15, 2008

Craigslist in Omaha, Neb., has a fairly mundane looking call for extras for a movie, at least unless you’re interested in the Superman film franchise.

OMEL Courtesy Casting is looking for stand ins and extras, the ad says. But here’s where it gets interesting:

Plot Summary: A sequel to the summer 2006 action-adventure. Bryan Singer returns to direct with Brandon Routh again playing Clark Kent/Superman.

Maybe that Warner Bros./DC meeting from last week really did speed things up. I grew up in Nebraska and have quite a few friends in Omaha, so with any luck one of them will check in on this and see if it’s legit.

(via CBR)

The Knows Have It, by Dennis O’Neil

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  • July 15, 2008

stanlee_t-3780122Right up front this week, let’s publish our (forgive me for shouting) RECOMMENDED READING: Danny Fingeroth’s Write Now Magazine from TwoMorrows.

The issue I’m touting, number 18, dated Summer, 2008, is devoted to Stan Lee on his eighty-fifth birthday and it’s full of tributes and reminiscences about the Smilin’ One, who is without doubt the most influential guy in comics. After dozens of pages by others, writers and artists mostly, there is a special treat, headlined: Stan Lee’s Top Ten Tips For Writers. Well, who among us is going to pass that up?

I won’t presume to reproduce all ten of Stan’s tips, but I will give you a condensed version of the first. Herewith:

Write about things you know. If you don’t know, Google the stuff and start learning. Or else be so vague that no one can pin you down…So, to summarize – be totally factual or else be so vague that you can get away with knowing nothing about your subject.

Okay, we can all accord that an amen. It hearkens back to a subject we explored a few weeks ago, that of the uses of science in science fiction. We agreed, I think, that if a writer is using factual science in a story, said writer should bother to get it right. If the science is not factual, why slow down your pacing by explaining something that doesn’t exist anyway?

Don’t lie – Google! Or hold your peace.

Now, allow me to add a modest postscript to Mr. Lee’s wisdom.

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Comics’ Greatest Enigma, by Mike Gold

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  • July 14, 2008

bbv11a-5671197If you’re interested in comics creators, it’s been a good couple months for biographies. First, we had Mark Evanier’s Kirby: King Of Comics (Abrams, $40.00); now we’ve got Blake Bell’s Strange and Stranger: The World of Steve Ditko(Fantagraphics, $39.99). We’ve covered Mark’s book extensively, and our very own Rick Marshall did a swell interview last March.

My column today is not really a review of Blake’s book; it’s a blather about comics’ greatest enigma. Blake is the ultimate Ditko historian, and his book (and website, Ditko Looked Up) reflects his passion. It’s well-written, well-researched, and wonderously designed by Adam Grano. If you’re into Ditko or comics history, it’s a must-have. Kudos to Blake; that’s my review.

Steve Ditko is another matter. I can’t say he’s been denied his rightful place in history – his is always the third name in the phrase “Marvel Comics as we know them was created by Jack Kirby, Stan Lee and Steve Ditko and together they brought comic books kicking and screaming to an adult audience.” If he gets short-shrift, it’s because Steve refuses all interview requests, convention appearances, and celebrity signings. He says he prefers to let his work speak for itself, and I’m sure that’s true. He’s also very shy and has no problem with one-on-one (or two-on-one) conversations in his studio, at the publishing houses, or in restaurants. That’s his prerogative.

On the other hand, he’s a public figure – even inadvertently. This makes him subject of many an article, long-winded editorial (like this), and Blake’s book. I’m told he’s not happy with the attention focused on him from Strange and Stranger; having known Ditko. I’m not surprised. Maybe a little disappointed, but again, that’s his prerogative.

I think from the commercial perspective Steve Ditko’s role in the success of Marvel Comics and its transcendence to the college-student market has been severely underrated. It was The Amazing Spider-Man that put Marvel on the map and in the college bookstores. It was Spider-Man that became the first comic book character to achieve icon status since Superman, Batman and arguably Wonder Woman. That’s the first in a generation. And, maybe, the last to date.

As the 1960s progressed Steve became more and more political, embracing the values of a form of Objectivism so fundamentalist that it even scared its founder, Ayn Rand, who asked Ditko to print a note saying his work reflected his values and not necessarily hers. Objectivism, for the Google-challenged, is the philosophy that holds “there is no greater moral goal than achieving happiness. But one cannot achieve happiness by wish or whim. Happiness requires that one live by objective principles, including moral integrity and respect for the rights of others. Politically, Objectivists advocate laissez-faire capitalism. Under capitalism, a strictly limited government protects each person’s rights to life, liberty, and property and forbids that anyone initiate force against anyone else.” (Excerpted from The Atlas Society).

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Comic-Con 2008 Programming

comic_con_logo-4267202Half of the four-day schedule for San Diego’s Comic-Con International 2008 is up and running.

Here’s Thursday. Here’s Sunday.

Obviously, much cool stuff to choose from. Too much cool stuff, in fact. Makes me almost not sad that I won’t make it this year (watch out 2009!).

While we’re on the subject, Variety has a retrospective of the early days of Comic-Con, when film people had little idea how to relate to comics fans.

Although it was more than 30 years ago, for example, I keenly recall a preview of the 1978 feature “Superman,” where the studio rep described the campy villain Lex Luthor, played by Gene Hackman, as a real-estate mogul, not a master criminal. He was practically hooted off the stage.

Gradually, the studios started to wise up, hiring publicists specifically trained to handle Comic-Con’s savvy but easily riled audience. When Ridley Scott’s space-horror film “Alien” was showcased — using little more than a slide show of surrealist H.R. Giger’s jaw-dropping conceptual art — the crowd was blown away.

The Origin of Image Comics?

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  • July 12, 2008

Part of me really just wants to post the image here and leave it at that, but there probably should be some explanation. Over at the San Diego Reader, former Rock n’ Roll Comics co-creator Jay Allen Sanford has put together an illustrated history of the "The Birth of Image Comics" as part of a recurring feature spotlighting some of the local comics talent in the run-up to San Diego Comic-Con. Seen below is Sanford’s interpretation of the reaction from Stan Lee when Rob Liefeld decided to break from Marvel.

See? The explanation wasn’t nearly as entertaining as the illustration now, was it?

Also in this edition of the Reader’s "Local Comic Publishers History" lesson:

  • The Birth of Image Comics
  • Pacific Comics: The inside story of a legendary local comic book company (including a history of indie comics and the Creator’s Rights revolution)
  • RIP Dave Stevens, famous former neighbor who created the Rocketeer
  • Don’t Fear the Funnies: A history of censorship in comics
  • The New Kids On The Block VS Revolutionary Comics – illustrated by Superman/Supergirl artist Stuart Immonen

Review: This Week in ‘Trinity’ #6

Things started to coalesce in last week’s Trinity #5, and issue six keeps moving in the right direction with DC’s big three coming to realize there’s a big problem building, and they’re at the center of it.

This issue has dueling narratives, one part featuring Tarot now hiding out from Morgaine Le Fey’s wolf monsters. Tarot continues to see weirdness in her tarot cards, but she dives into it, seeing Superman, Wonder Woman and Batman appear on the cards and in her dreams.

There are some obvious elements in the cards — Superman on The Sun, Wonder Woman on The Earth and Batman on The Moon — but also a few more mysterious ones. Batman appears on The Magician, and Superman shows up on The Hanged Man, with the drawing making him look like Christ on the cross. Hmm…

Meanwhile, the big three themselves are up in the JLA space station trying to figure out what’s going on and not having much luck. The brand left on Diana’s shoulder by another of Morgaine’s monsters gives them worry, and again Kurt Busiek’s character moments are done quite well.

The two narratives come together as the heroes and Tarot both talk over the nature of the trinity, and their identities as heroes, how they each represent different faces of the same ideal. One strange aspect is that in Tarot’s dream, the people around each of the heroes have no faces, like the Question. Hmm…

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Who’s the Best Superhero?

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  • July 10, 2008

Of all the heroes in all of the comics ever made, who is the greatest?

While the answer to that one is easy (it’s Rom: Spaceknight, of course), Chicago’s RedEye Magazine seems to think the question merits a bit more discussion. They’ve put together a bracket-style "Best Superhero Tourney" to choose the greatest superhero, and even went so far as to recruit Stan "The Man" Lee to provide an audio greeting for participants.

Sure, some of the choices are easy (does anyone really think Popeye stands a chance against the Silver Surfer’s power cosmic?), but there are some conspicuously absent characters — including [gasp] Rom! The RedEye crew also loses points for naming two of the groupings of characters the "Nicolas Cage Region" and the "Rosario Dawson Region" — but that one’s forgivable. The absence of Rom, however, should be considered an affront to comics history as we know it.

With that in mind, I think it’s time to do a little ballot-stuffing, folks. Who’s with me? Let’s head over there and make sure Popeye ends up trouncing Superman in the final round.

The first 32-character round ends this Friday, July 11, so register your votes soon — then come back the following week to vote on the "Sweet Sixteen" of characters.

The Real Day Evil Won

Comic books usually fall back on stories of good versus evil, superheroes battling against villains with the fate of the world on the line.

DC Comics is taking a new spin on that with their big summer event, Final Crisis, which posits that the dark side of Darkseid has triumphed, and the heroes are left scrambling. Grant Morrison, the writer of that incoherent mess, would be well served to take a few lessons from an all too true story of evil defeating good.

In the not so recent past, a wealthy Oklahoma businessman swooped in to buy the Seattle Supersonics (my favorite team in my favorite league, the NBA). The new owner, Clay Bennett, agreed to keep the team in Seattle, where the Sonics had won a championship and built a legion of fans.

Gradually, it became clear Bennett wanted all along to steal the team away to Oklahoma City, spurning his supposed "good faith effort" to remain in Seattle. The man who’s supposed to oversee the NBA and prevent things like entire fan bases from being ripped off is commissioner David Stern, at right.

Unfortunately for Sonics fans, Stern and Bennett are old chums, so the commish managed to actually speed along the move, even telling Seattle it was the city’s fault.

The city did all it could to fight back, but ended up not having the muscle, and the Sonics are now history.

We’ll see if Superman, Batman and company end up victorious in Final Crisis. But in the real world, the good guys don’t always win.

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