Tagged: Superman

Review: This Week in ‘Trinity’ – Part 1

[EDITOR’S NOTE: This week we begin a new regular feature on ComicMix in which we’ll review DC’s latest weekly series, Trinity, featuring a story by comics legend Kurt Busiek and art by one of the industry’s biggest names, Mark Bagley. Join us every week as ComicMix contributor Van Jensen analyzes the most recent issue of Trinity and decides whether the series lives up to the hype. -RM]

A couple years ago, DC made history by undertaking a weekly series and, miraculously, actually getting an issue out on time every week for a year. As much of a success as 52 was, their following weekly, Countdown, was an utter flop.

Now we have the debut of [[[Trinity]]], which instead of following mostly lesser-knowns, focuses intently on the big three: [[[Superman]]], [[[Wonder Woman]]] and [[[Batman]]]. The creative team is as good as it gets, with Kurt Busiek writing and Mark Bagley drawing, so this has the potential for big things.

Will Trinity come through? I don’t know, ask me in a year, when I’ll either be singing DC’s praises or freebasing illicit substances while muttering incoherently.

Introduction aside, how was this first issue? Pretty not too shabby, which is a vague way of saying it wasn’t stellar and it wasn’t horrible. The story so far:

We start out in the cosmos, with a big flaming face screaming, “Let me out!” Turns out the central three heroes have been dreaming about this entity, which they discuss over a way-too-public breakfast in Keystone City.

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ComicMix Six: Celebrity Team-Ups

[EDITOR’S NOTE: In previous editions of ComicMix Six, our contributors have given you their lists of comics’ top political campaigns, the best and worst movies based on comics, and even a few reasons why a Skrull invasion isn’t anything to worry about.

This week, we have a special guest contributor, Vinnie Bartilucci, whose name can often be seen in the comment sections here on ComicMix. We thought he had a great idea for this week’s list, so without further introduction… Take it away, Vinnie! -RM]

Comics work fine all by themselves, in their own little universe. But at some point, just like on television, someone always says, “Hey, let’s bring in a guest star!” 

Maybe it’s because the star in question is a comics fan, or they thought it’d bring the book some publicity if the star help it up on The Tonight Show, or any of the other inspirations that come after a late night of pacing the floor with a stomach full of pastrami. But the real world and the world of comics clashed a lot of times over the years.

sman62-tm-4127706Sure, comics creators would often put themselves in the books – Julie Schwartz made more than a few appearances in the DC titles after the discovery of Earth-Prime, and Stan Lee almost deserves his own ComicMix Six for all the times he appeared in the books. Bob Hope and Jerry Lewis even had their own titles for many years. But it’s the one-shot, “Hey, did that just happen?” crossovers I’m honoring in this article today.

So here they are, in no fixed heirarchy, my ComicMix Six list of the The Best Celebrity Team-Ups in Comics:

 

SUPERMAN AND ORSON WELLES: One of the earliest examples I’m aware of, the creator of Citizen Kane and later spokesman for the Paul Masson Wineries Orson Welles appeared in Superman #62. While working on his latest film, Black Magic, Welles accidentally stumbles across the launch site for an unmanned rocket to Mars, and while exploring the ship, it varooms off to the red planet, not as unmanned as previously presumed.

On Mars, he is confronted by the Martian’s tyrannical leader, “Martler.” Martler had taken that name because of his admiration of the Earth Dictator, and patterned his armies after the Nazi example. Apparently he didn’t get the last few news items… Welles naturally refuses his offer to become propaganda minister of Earth, and forces them to show him how to broadcast to Earth. He beams an impassioned plea home with news of the coming invasion, but you guessed it, thanks to his little prank a few years earlier, people don’t believe him this time. Well, nobody but Superman.

Superman arrives in the traditional nick of time and helps stop the “Solazi” invasion fleet, while Welles keeps the soldiers on the ground spooked with a few cheesy magic tricks, a skill that would serve him well later in life on Merv Griffin. He eventually knocks out Martler, and using him like a puppet, fakes a broadcast (irony!) to the people of Mars telling them to stand down. Martler is banished to an unpopulated asteroid, where we must assume he remains to this day.

 

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Indiana Jones and the Godless Commies, by Dennis O’Neil

Now we know. That Indiana Jones still swings a mean whip.

I liked the new Indy flick better than the critics I read, all of whom said something like, well, okay, it was all right but not up to the earlier entries in the series. Which makes me wonder: what would they have thought if this had been the first Indy flick, instead of the fourth. It’s like those clichés in Hamlet – they weren’t clichés to the greasy-chinned groundlings at the first (or fourteenth, or eighty-third) performance of Shakespeare’s story of a screwed-up kid with severe mama issues. Way back in 1981, Steven Spielberg, George Lucas, and a platoon of talented collaborators took elements from Saturday afternoon serials, silent comedies and maybe a few other sources and combined them in the right proportions to create entertainment that was not only right for the time, but provided a template for a lot of entertainment that followed.

Was the fourth as good as the first (or second, or third?)? That’s me, scratching my head and muttering, I dunno…And, frankly my dear, I don’t give a damn.

Years and years ago, a brilliant science fiction writer told me that Goethe’s criterion for judging art was found in two questions. To wit: What was the artist trying to do and did he succeed in doing it? I’ve never found a good reason to argue with Herr Goethe and by his criteria; Indiana Jones and the Kingdom of the Crystal Skull is a success. We entered the multiplex hoping to be amused, hoping to forget Bush’s ongoing follies and the Democrat’s internecine dogfights and – voila! We were amused and we, temporarily, forgot. Value received. Money well spent.

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Indiana Jones and the Secret to Adventure, by John Ostrander

Spoiler warning: Spoilers. Why did it have to be spoilers?! I hate spoilers. Hate ‘em! Unfortunately, I can’t talk about what I want to talk about regarding the latest Indiana Jones flick unless I spill some beams. So I’m warning you upfront. The spoilers won’t appear until after the break and I’ll give you a final warning before I go into them. If you want to just skip the column this week, I’ll understand… this week. Don’t make a habit of it. I know where I live.

Wait. That didn’t come off right.

Okay, I’ve gotten out the fedora and went off to see the new Indiana Jones flick, Indiana Jones and the Kingdom of the Crystal Skull. As much as I’m a Star Wars fan (and I’d better be – I’ve been writing Star Wars for about eight years now and you can see what I’m doing in Star Wars: Legacy and, yes, that’s a plug), I’m a bigger goon for Dr. Jones. Even before Raiders of the Lost Ark came out, I was a fan because George Lucas talked in interviews about how his new movie originated in his and Steven Spielberg’s love for the old Saturday Matinee Serials. I knew exactly what he was talking about. I loved ‘em, too. Still do.

Saturday Matinee Serials are also known as “chapter plays” and originally were shown in movie theaters on Saturdays as a way of getting the kids to come back, week after week. They would last 12 to 15 chapters and each one would end with a cliffhanger for the hero or heroine with no way out. Of course, when the next chapter appeared, they showed you the segment that they hadn’t previously shown you which allowed said hero/heroine to escape just in the nick of time. The serials date back from the dawn of cinema to the early 50s when they fell prey to the confangled new invention that was to blight/enrich all out lives, television.

And it was there that I discovered the Saturday Serial. The old serials were re-packaged for Saturday Morning TV kid’s fare and, like the old matinees, were part of a package. It was here that I discovered these often cheesy pleasures. I remember Tim Tyler’s Luck – a 1937 Universal jungle adventure adapted from the comic strip of the same name. The strip petered out only in 1996. I also remember Don Winslow of the navy, also based on a comic strip of the time. In fact, it’s amazing how many of the comic strips and books of the time were adapted into serials – Dick Tracy, Superman, Batman, the Shadow (yeah, he had a comics strip), Spy Smasher, and an excellent version of Captain Marvel, among others.
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Netflix Adds Wealth of Comics Films and TV to Online Selection

incrediblehulk-7088548As part of its plan to take over the movie-watching world (or so I hear), Netflix has been increasing the numbers of movies and TV series offered online over its Watch Instantly system.

I had a bit of free time over the weekend to parse the offerings for fellow comic nerds/Netflix members to come up with a watch list (one note: you have to have Internet Explorer to use their viewer).

Not all are comics-related.

  • The Incredible Hulk (with Lou Ferrigno), multiple seasons
  • Quantum Leap, multiple seasons
  • Battlestar Gallactica, the original series
  • The Tick, complete live-action TV series
  • Hellboy Animated: Sword of Storms and Blood & Iron
  • Batman Beyond: Return of the Joker
  • Superman: The Movie and Superman III
  • G-Men From Hell
  • Doctor Who, multiple series and seasons

Bizarro Am Not On Sports Illustrated Cover

 I knew I wasn’t the only person looking at this year’s baseball season and wondering if something unnatural was to blame for the state of the league. Of course, the best indicator of something amiss with the sport is probably the fact that my fantasy baseball team is actually doing well this season… which never happens.

Nevertheless, the strange state of affairs in pro baseball works to the benefit of the comics community as DC announced today that an upcoming issue of Sports Illustrated will feature Superman’s  negative-image nemesis, Bizarro, on the cover.

From the press release:

Superman has appeared on the cover of TIME Magazine. Wonder Woman graced the debut issue of MS. MAGAZINE. And Batman has appeared on a number of magazine covers, most notably LIFE MAGAZINE. Now, classic Superman villain Bizarro, smashes his way onto the newsstands with the latest issue #2263 of SPORTS ILLUSTRATED, which reaches newsstands on May 26. The cover, by comic book superstar Mark Bagley, takes a look at the “Bizarro Baseball Season” and features a member of the Tampa Bay Rays knockin’ the stuffing out of everyone’s favorite Yankee, Derek Jeter.

And now I feel obligated to share with you the great headline DC’s PR crew came up with for the announcement:

FOR NOT IMMEDIATE RELEASE: BIZARRO NOT MAKE COMIC BOOK HISTORY WITH APPEARANCE ON SPORTS ILLUSTRATED COVER

It’s no secret that I hate hate hate parroting press releases on the site here, but I couldn’t resist passing this one along. You win this round, DC.

A larger version of the image is posted after the jump. (more…)

ComicMix Six: The Best Movies Adapted From Comic Books

In a previous edition of ComicMix Six, I set forth my picks for The Worst Movies Adapted from Comic Books. Now, because a "worst" list is nothing without a "best" list, I’ve assembled another one for you. This time around, I’m casting the spotlight on the opposite of bad movies and highlighting The Best Movies Adapted from Comic Books.

In contrast to the worst films, these stellar examples of cinematic goodness are not only great comic book adaptations, they’re great movies, too. From brilliant direction, exciting visuals that enhance rather than obscure the story, to compelling peformances, these six films deliver in a big way.

They alse showcase adherence to, and reverence for, their source material and represent what happens when talented people who appreciate comics get together to make a movie. Plus, they’re just plain fun to watch.

So now, without further ado and in no particular order, here is my ComicMix Six list of The Best Movies Adapted from Comic Books.

 

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Vogue, by Martha Thomases

There is a special exhibition at the Costume Institute at New York’s Metropolitan Musuem of Art called Superheroes: Fashion and Fantasy. I haven’t been able to go yet, but according to the exhibit’s web site, the show features costumes designed around these groups:

•The Patriotic Body (Wonder Woman, Captain America)

•The Virile Body (they cite The Hulk and The Thing, which sort of creeps me out)

•The Graphic Body (Superman and other characters with logos)

•The Paradoxical Body (Catwoman and other hyper-sexualized heroines)

•The Armored Body (Iron Man, Steel)

•The Aerodynamic Body (The Flash)

• The Mutant Body (they cite Rogue)

• The Post-Modern Body (Ghost Rider, Punisher).

The show and its parties are sponsored by Conde Nast, DC and Marvel, and Giorgio Armani. The opening night was extremely glamorous, with attendance from stars like George Clooney, Julia Roberts, Tilda Swinton, and the Olsen Twins. Heidi has written great stuff about it at The Beat and the Fug Girls are all over it.

Some of these groupings I understand, and some seem to be redundant (really, is Rogue that much different from Catwoman in the way she’s presented in this show?). However, none of them seem to consider superhero garb the way I did, when I was considering being a superheroine.

It’s true that I was designing my costume when I was eight years old, when fashion was not my foremost concern, nor did I need to worry about where I was going to keep my breasts at that time. I wanted something that would allow me to hide in the shadows, mysteriously, even while showing off my beautiful blonde hair (I had a few blonde cousins, and thought all I needed was more time in the sun to achieve the same golden tresses). Midnight blue, I thought, was the perfect color, at least among those choices in my Crayola box. (more…)

When Superheroes Get Old

Geriatric superheroes appear to be all the rage these days, as a number of sites are linking to Italian artist Donald Soffritti’s illustrations of Superman, Spider-Man and a variety of other super-types in their Golden Years. Soffritti’s work is great, and I can’t help but giggle every time I look at his take on DC speedster The Flash.

(And please, for everyone’s sake, don’t tell DC/Warner Bros. about this stuff.)

(via ComicNerd.com)

 

Along the same lines, BoingBoing points us to a similar piece that fast-forwards the age of popular cartoon characters, including Popeye, Felix the Cat and Dennis the Menace (my personal favorite).

 

DC/Warner Bros. Shut Down Childhood Cancer Fundraiser

superdrunk-9327448BoingBoing recently put the spotlight on Warner Bros. decision to shut down a series of original art auctions on eBay benefitting a childhood cancer charity. Apparently, many of the pieces of art in the auction (which the organizer had requested of his contacts in the comics community and they were more than happy to provide) depicted DC characters such as Batman and Superman.

From organizer Thomas Denton’s blog, Say It Backwards:

I just got notice that two of the Superman related auctions have been removed from the site and the rest are probably next. I don’t know what to do now. I have to start canceling auctions and issuing refunds. That means all the fees and such I’m now responsible for which is money i just don’t have, and I have no idea if I’m still obligated to the middleman ebay uses for their charity auctions.

…

I am heartbroken. I am really sorry to any one this is any trouble for. Legally, I was in the wrong. I used their intellectual property without their permission. I’m not going to play the victim on that front. I swear I just wanted to do something good.

Denton offered some further thoughts on the whole kerfuffle in a later post, as well as notice that he would probably be shutting down his site — which had been a vocal supporter of all things Superman and DC over the years — once the dust had settled.

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