Tagged: Superman

Mark Millar not doing Superman movie

  • News
  • October 25, 2007

When Michael Dougherty and Dan Harris (screenwriters for X-2: X-Men United and Superman Returns) stated that they would NOT be writing the new live-action Superman sequel, Warner Bros. Pictures announced they would be looking at new pitches. Mark Millar (Ultimates, Civil War) was immediately vocal in his desire to take on the task. “I want to revamp Superman like Hillary wants thin ankles. Revamping this franchise is what I as given fingers for and so, invited or not, I’m putting my plan together now. I’ve been asked to work on half a dozen screenplays lately, but this is the only one I have ever truly wanted. As most here know, I have literally hundreds of pages of notes and sketches just waiting for this opportunity. This would be my dream gig and, as a fan, I know exactly what this project needs to work. This has to be Superman for the 21st Century, keeping everything we adore, but starting from scratch and making the kids love it as much as the 30-somethings. I would honestly write this thing for free.”

Sadly for Millar, it looks like it’s not going to happen. A couple of days later, he made the following statement: “I spoke to some friends at DC and they explained this has happened with a couple of big Marvel writers in the last couple of years and I absolutely respect that. It’s a business after all and to have a guy writing ‘Fantastic Four’ … which would be mentioned in every article about a Superman movie is not only an insult to their own writers, but makes bad business sense. I have nothing but respect for the DC high-ups and, though obviously disappointed, can absolutely appreciate their position. They’re the custodians of these properties and they obviously know what they’re doing.”

Who will write the new film and whether or not he’ll be an established comic book writer remains to be seen.

Costumes Revealed, by Dennis O’Neil

  • News
  • October 23, 2007

There may be some practical reasons why the grown-for-television superheroes dress in plain clothes rather than the colorful garb of their comic book and movie counterparts.

(For those of you who came in late: we’re continuing last week’s discussion of superhero costumes.)

I remember visiting the set of one of Joel Schumacher’s Batman flicks and watching costumers take a long, long time – 15 minutes? More? – just to fit Batman’s mask on a stunt man, a process that involved putting plastic wrap on the guy’s head and then trimming it after the mask was in place. And that was just the mask. Imagine what efforts went into getting tights, cape, boots and all to fit properly. Dash into a closet – a phone booth? – for a quick change? Maybe not.

Though I have no firsthand knowledge of this, I understand that there is actually a closetful of batsuits for the actor and his various doubles; which one gets worn in a particular scene depends on the scene’s content. Are we fighting? Running? Driving our spiffy car? Standing dramatically silhouetted against the skyline? We must wear the appropriate outfit!

Subtract all this time, effort and expense from the task of garbing your good guy and you have…what? Well, have a look at either of the Batman movie serials made in the 40s for your answer. The Superman and Captain Marvel suits from that era are better, but they don’t approach the panache of the average Curt Swan or Jack Kirby drawing.

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Costumes, by Dennis O’Neil

  • News
  • October 16, 2007

My beloved has just been pushed out of a fourteenth story window and is plummeting toward certain doom. I must rescue her and I will – as soon as I change clothes…

We were discussing, last week, how superheroes are evolving and we agreed – didn’t we? – that, on the whole, with a few notable exceptions, they’re getting grimmer.

They also seem to be changing their taste in wardrobes. None of the current television superdoers wear anything more than normal clothing, albeit sometimes very spiffy normal clothing. Time was, and not so long ago, when…shall we call it unconventional garb was an indispensable part of the superhero thing. Capes, masks, tights, all kinds of bizarre raiment, often in the primary hues that were friendly to the aniline dyes and rather primitive printing presses used to color them.

It began, as did so much superheroish stuff, with Jerry Siegel and Joe Shuster’s Superman. To the best of my knowledge, these pioneers never went on record regarding exactly why they chose this particular visual strategy, but it was a good idea. It gave the their character and immediate and utterly unmistakable image and it separated him from his ordinary brethren as a police uniform or priestly vestments separate the wearers from plain joes and janes, at least when performing unique services. As Peter Coogan wrote, Superman’s outfit “does proclaim his identity.” The costume was obviously a part of Superman’s appeal, and immediate success, and, being no fools, Siegel and Shuster’s army of imitators copied it.

Consider that, for now, the why of superhero costumes. As to the whence…

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More fall classics

  • News
  • October 14, 2007

Our readers aren’t the only ones falling for ComicMix‘s new format. We Phase I-ers are really excited over Phase II as well; that handy-dandy Latest News search box has made doing these weekly wrap-ups easier than ever!  And the powers that be aren’t done tinkering yet!  Here’s what our columnists have offered you this past week:

And don’t forget to click on Mellifluous Mike Raub‘s latest Big ComicMix Broadcasts over there on the right!

(We Could Be) Heroes: Top Ten Rock Songs About Superman, by Martha Thomases

  • News
  • October 13, 2007

What does one hum on the way to the comic book store? If you’re a person of a certain age, with a certain history with certain illegal substances, you probably have a few songs about the original super-hero stuck in the part of your brain that should be storing French vocabulary words.

Even if you aren’t old, you probably listen to a few songs about super-heroes. The Marvel superhero movies have had fantastic soundtracks, even if most of the songs weren’t written specifically for the movies. The Prince Batman soundtrack is a winner (Vicki Vale!), and the Ramones did a fabulous cover of the cartoon Spider-Man theme.

And yet, the Man of Tomorrow is still the foremost inspiration for popular songs. From the alt-folkie to Eminem, there are Superman songs. Alas, some of the more hard-core take a rather literal approach to the term, “super-man” and imagine all kinds of sexual possibilities that seem to have nothing to do with Truth, Justice and the American Way (nor Kryptonian physiology, nor anything human – entertaining, though).

Here is my choice for the Top Ten songs about Superman: (more…)

RIC MEYERS: Fantastic Up Creature – Rise of the Surf’s Comforts

  • News
  • October 9, 2007

ff2-8815270There were rumors to the effect that the first Fox Fantastic Four movie was the victim of studio interference that somehow moved a mid-film confrontation to the climax. But given its success, FF2 would be the full, unadulterated vision of director Tim Story. Right?

Well, with the “Power Cosmic 2-Disc Edition” DVD release of Fantastic Four: Rise of the Silver Surfer, it appears those rumors were merely wishful thinking. If you liked #1, you’ll probably be fine with #2, but if, like me, you felt #1 was lacking, you, like me, may find #2 essentially insupportable in terms of comedy, drama, action, and/or romance.

On the one hand, Sue Storm — a.k.a. Invisible Girl a.k.a. Jessica Alba — is given a nice wardrobe, especially her pre-wedding robe. On the other hand, she’s given Cleopatra’s  make-up and has gotten the same disease as Lois Lane in Superman Returns and Mary Jane Watson in Spider-Man 3 – that is, the safety of the world is nothing compared with her bee-otchy, selfish, superficial ego needs.

But what of the special features, which, nominally, this column’s about? If you’ll remember last time, the first film’s DVD was saved by some above average history of comics and the graphic FF. This time just about the only thing that buoys the effort is the  “Sentinel of the Spaceways: Comic Book Origins of the Silver Surfer Documentary.” There’s also some interest inspired by the “Character Design with Spectral Motion Featurette,” but the rest of the many, many extras are self-congratulatory ego-boo fests for a job mediocrely done.

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DENNIS O’NEIL: Darkness in Four Colors

  • News
  • October 9, 2007

If I want to be reminded of a very good reason for being where I am for the next six weeks or so, all I need do is look out the window. The foliage is always glorious. I wish I were a poet, or Henry David Thoreau, or James Lee Burke, so I could properly celebrate the changing of the leaves.

But I’m not. What I am is a guy who’s had a lot of reason to think about superheroes and – here comes a stretch – they’re changing, too, just like the leaves.

Well, maybe not just like. Actually, whether you think these überpowered gallants are getting glorious or dreary as dishwater is emphatically a matter of opinion. If you’ve already made up your mind about this … permission to skip to another column granted. If you haven’t … some remarks.

They’re getting darker, these superheroes. Grim, tormented, almost tragic. No doubt about that. Just read a few comics, or, if time and/or budgetary constraints don’t allow for a trek to your nearest pop art dealer, turn on the television.

Because one of the major changes in the superhero saga is that they’re no longer the exclusive property of comics (or low-budget film and video enterprises.) There are the big budget theatrical movies, of course. And television is rife with superheroes, and I’m not referring to the Saturday morning kiddie television ghetto, either; I’m talking prime-time network stuff. It’s about money, as it usually is.

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The Girl and Her Dinosaur

  • News
  • September 26, 2007

sa-md-coverwrkng3-2733659Coming this October to ComicMix –The Adventures of Simone & Ajax! This is the story of Simone, a fun-loving 20-year-old girl, and Ajax, her friend who happens to be a small, green dinosaur. Together they find themselves in a series of strange and wacky adventures, taking them to many different lands, times, and places. Simone is not so much the leader of the duo, but more the instigator, looking to have fun and often acting before she thinks, getting herself and Ajax into trouble and so into their adventures. She’s not dumb, just over-zealous. Ajax, the dinosaur, is the more sensible of the two. While deep down he loves adventure, too, he’d rather ponder and worry before leaping into the fray.

Simone & Ajax’s adventures take them around the world, and off it, as well as to any time or place, be it Atlantis, the Moon, Santa’s Workshop, Victorian England or the grocery store. Sometimes strange adventure comes to them at their home in the ruins of Rene de Chartre Cathedral. Their adventures are "a bit like the best issues of Cerebus, and a mood that harkens Bone" (Toph, Overstreet’s Fan #21). It’s a buddy strip, but all in all, The Adventures of Simone & Ajax is a fun and exciting comics series that will attract readers of all ages looking for exciting, zany adventure stories.

Creator Andrew Pepoy was born in 1969. After abandoning such worthless pursuits as becoming the President or an accountant, at age 10, he decided to draw comics. Soon after, he met the classic Buck Rogers artist, Rick Yager.

After many years of publishing fanzines, and while still attending Loyola University Chicago, Andrew sold my first professional work and was soon working for Marvel, DC, and other major comic book publishers on such characters as Superman, Spider-Man, Batman, The X-Men, Mutant X, Scooby Doo, Sonic the Hedgehog, The Simpsons, Betty & Veronica, Godzilla, Star Wars, G.I. Joe, and many more. Starting in 1995 I also wrote and drew my own comic book feature, The Adventures of Simone & Ajax.

In 2000, he was asked to redesign the Little Orphan Annie newspaper strip, which he drew for the next year. Andrew is currently working on various comic books, including writing and drawing a revival of Katy Keene for Archie Comics, and developing new ideas for comic books and comic strips.

Andrew lists his influences as “Roy Crane, Dan DeCarlo, Russell Keaton, Bob Lubbers, Matt Baker, Alex Raymond, Charles Schulz, Mark Schultz, Steve Ditko, Enoch Bolles, George Herriman, Henk Kuijpers, Francois Walthery, Wally Wood, Bob Oksner, Don Flowers, and so many more.”

You’ll find Andrew living in a condo with a turret on the north side of Chicago with his wife (and assistant), Chris Atkinson, and two odd cats.

Here’s what Andrew had to say about the upcoming stories.

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BIG BROADCAST: A Girl and Her Dinosaur

ajaxfront-2884329The Big ComicMix Broadcast starts our Second One Hundred with an exclusive preview of another Phase Two Project cooking up FREE from ComicMix. You take a cute girl, toss in a cartoon dinosaur and stir up a lot of wacky adventures and out pops Andrew Pepoy’s The Adventures of Simon & Ajax!

Plus Superman has the Deadline Doom, the Top Ten Comics & Graphic Novels are revealed and we play a game of "Where Did I Hear That Before"??

Simone likes people who PRESS THE BUTTON

JOHN OSTRANDER: The Way I Were

  • News
  • September 20, 2007

spectre_11-2029854For me, it seemed like this week was all about returning home. The news about GrimJack appearing here on ComicMix was broken… well, here on ComicMix. And DC published the first issue of my new Suicide Squad miniseries (Elayne also has a stake in this since her husband, Robin Riggs, is providing wonderful inks over Javi Pina’s pencils for the series). This is my first new issue of Squad in – well, in a long long time.

It’s interesting coming back to a series after a lengthy absence. When I began scripting GrimJack: Killer Instinct a while back, my concern was – would I get Gaunt’s voice right after so long? Not to worry – it was right there – as was Amanda Waller’s over on Squad.

I’ll be writing more about GrimJack as we get closer to the publication date. (October 2, if you’ve forgotten and, by the way, you’ll be able to see it here on ComicMix for free. Always bears repeating.) Today I’m going to talk instead about one other book with which I was closely connected and which, after a lot of thought, I don’t think I’d want to return to on a regular basis.

The Spectre.

Tom Mandrake and I had a longish run on that series which some people at the time said couldn’t be done. For those of you who don’t know the character, he was created in the late 1930s by Jerry Siegel  – co-creator of Superman – and Bernard Baily. Jim Steranko once said the Spectre had the toughest origin in comics – he had to die to get his powers. The Spectre was also the strongest character in the DCU – perhaps in all comics. Only God was stronger and He?She had better be eating His/Her Wheaties.

The concept: the Spectre was Plainclothes Police Detective Jim Corrigan who ran afoul of some gangsters and was dumped into an oil can of cement and dumped in the river. At the gates of Heaven, Corrigan just can’t let it go. The Voice (aka God) lets Corrigan return as a crime fighting ghost who can take an almost human form. His powers were magical – almost divine – and he meted out big time justice. Never more so in a series of stories by Mike Fleischer and Jim Aparo. The vengeance meted out was often horrific.

The Spectre then went through a bunch of different permutations depending on who was writing him when Tom Mandrake and I got him. We had just come off a stint on Firestorm together and were looking for another project and both of us loved the potential of the Spectre. We had very clear ideas of what we should and should not do with him.

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