Tagged: Tarzan

PULP ARK 2013 GUESTS OF HONOR ANNOUNCED!

  • News
  • October 15, 2012

PRESS RELEASE- FOR IMMEDIATE RELEASE AND DISTRIBUTION

PULP ARK 2013 GUESTS OF HONOR REVEALED!
APRIL 26-28TH, 2013
10/15/12

Pulp Ark 2013, the Official New Pulp Creators’ Conference/Convention in its third year announced today its Three Guests of Honor for the Third year of the convention to be held in Springdale, AR.

“Pulp,” Tommy Hancock, Pulp Ark Organizer and Partner in Pro Se Productions, the company sponsoring Pulp Ark, “is a marvelous, massively diverse field…a style that has transcended its origins in the early 20th Century in cheaply printed magazines and found its way into every medium available to modern fans.  Classic characters and stories are finding new life with readers and enthusiasts today and new tales centered around original characters are exploding onto the scene as well.  This year, Pulp Ark 2013 will celebrate the variety that is Pulp in many ways.   Our Three Guests of Honor most definitely reflect both the differences and the common denominators in Pulp, both classic and new, both originals of today and inspirations of yesteryear.   I am extremely proud to announce that Joe Devito, Martin Powell, and Paul Bishop will be the Guests of Honor for Pulp Ark 2013 this year!”



Martin Powell has been a professional writer since 1986. He received early critical praise with the Eisner Award nominated Sherlock Holmes/Count Dracula graphic novel, Scarlet in Gaslight, which has remained in print for more than twenty-five years.


Powell has since written hundreds of stories in numerous genres, including mystery, science fiction, horror, and humor, and has been published by Disney, Marvel, DC, Moonstone, Wild Cat Books, and Sequential Pulp/Dark Horse Comics, among others, working with such popular characters as Superman, Batman, Tarzan, Lee Falk’s The Phantom, Frankenstein, The Spider, Kolchak the Night Stalker, The Avenger, and more.

He also a prolific author of many acclaimed children’s books, and is the creator of The Halloween Legion. His The Tall Tale of Paul Bunyan won the coveted Moonbeam Children’s Book Award for Best Graphic Novel of 2010.


Martin lives in Saint Paul, MN.


Joe DeVito was born on March 16, 1957 in New York City. He graduated with honors from Parsons School of Design in 1981 and studied at the Art Students League in New York City.


Over the years DeVito has painted many of the most recognizable Pop Culture and Pulp icons, including King Kong, Tarzan, Doc Savage, Superman, Batman, Wonder Woman, Spiderman, MAD magazine’s Alfred E. Newman and various characters in World of Warcraft, with a decided emphasis in his illustration on dinosaurs, Action Adventure, SF and Fantasy. He has illustrated hundreds of book and magazine covers, painted several notable posters and numerous trading cards for the major comic book and gaming houses, and created concept and character design for the film and television industries.

In 3D, DeVito sculpted the official 100th Anniversary statue of Tarzan of the Apes for the Edgar Rice Burroughs Estate, The Cooper Kong for the Merian C. Cooper Estate, Superman, Wonder Woman and Batman for Chronicle Book’s Masterpiece Editions, several other notable Pop and Pulp characters. Additional sculpting work ranges from scientifically accurate dinosaurs, a multitude of collectibles for the Bradford Exchange in a variety of genres, to larger-than-life statues and the award trophy for the influential art annual SPECTRUM.

An avid writer, Joe is also the co-author (with Brad Strickland) of two novels, which he illustrated as well. The first, KONG: King of Skull Island (DH Press) was published in  2004. The second book, Merian C. Cooper’s KING KONG, was published by St. Martin’s Griffin, in 2005. He has also contributed many essays and articles to such collected works as Kong Unbound: The Cultural Impact, Pop Mythos, and Scientific Plausibility of a Cinematic Legend and Do Androids Artists Paint In Oils When They Dream?in Pixel or Paint: The Digital Divide In Illustration Art.


2012 saw the release of Kindle and iBook versions of KONG: King of Skull Island that were accompanied by Part 1 of a cutting edge app version of the book. With the property in full development as a motion picture, other plans include the release of Part 2 of the interactive Kong book app, the beginning of a KONG: King of Skull Island YA series and Kong collectibles for the Cooper Estate.


Presently DeVito is painting covers for The All NewWild Adventures of Doc Savage (written by Will Murray), while also finishing the screenplay and developing imagery for his newest creation, a faction world of truly epic proportions tentatively titled The Primordials.


FB: Joe DeVito-DeVito Artworks


Paul Bishop is a thirty-five year veteran of the Los Angeles Police Department whose career included a three year tour as an interrogator with his department’s Anti-Terrorist Division and over twenty-five years’ experience in the investigation of sex crimes. For the past eight years, his various Special Assaults Units have consistently produced the highest number of detective initiated arrests and highest crime clearance rate in the city. Twice honored as Detective of the Year, Paul also received the Quality and Productivity Commission Award from the City of Los Angeles.

As a nationally recognized interrogator, Paul co-starred with his professional partner, bestselling author and prosecutor, Mary Hanlon Stone, as the regular interrogators and driving force behind the ABC reality show Take The Money And Run from producer Jerry Bruckheimer.  Based on his expertise in the area of deception detection, Paul continues to work privately conducting interview and interrogation seminars for law enforcement agencies, military entities, and human resource organizations.

   
Paul has had twelve novels published, including Hot Pursuit, Deep Water, Penalty Shot, Suspicious Minds, the short story collection Running Wylde, and five novels in his L.A.P.D. Detective Fey Croaker series – Croaker: Kill Me Again, Croaker: Grave Sins, Croaker: Tequila Mockingbird, Croaker: Chalk Whispers, and Croaker: Pattern of Behavior.  All his novels have recently been released in e-book format. 

Paul has also written feature film scripts and numerous episodic scripts for television, including such shows as Diagnosis: Murder, LA Dragnet, The New Detectives, and Navy Seals: The Untold Stories. 

Paul is currently writing and editing the monthly Fight Card series, 25,000 word e-novels, designed to be read in one or two sittings, inspired by the fight pulps of the ’30s and ’40s – such as Fight Stories Magazine – and Robert E. Howard’s two-fisted boxing tales featuring Sailor Steve Costigan.  His latest entry, Fight Card: Swamp Walloper (written as Jack Tunney) will premiere at the 2013 Pulp Ark convention.   He can be found blogging at www.bishsbeat.blogspot.com  and followed via twitter@bishsbeat.  A full list of his novels  is available at http://tinyurl.com/7x8xo5k



“These three,” Hancock stated, “represent a huge variety within Pulp today, but they all also show the commonalities of what Pulp is.  And as far as mediums, everything from books to comics to television to sculpture to painting and more is represented by these fantastic Guests.   It’s a privilege for Pulp Ark to have them as its centerpiece in 2013.”

Pulp Ark is a Writer’s Conference/Convention focused on ‘Pulp’ fiction.  Although defined narrowly by many, Pulp Ark promotes Pulp Fiction as multi genre multi medium storytelling that typically involves action, adventure, larger than life heroes and villains, and a strong focus on both plot and characterization.  “Pulp,” Hancock said, “began as a medium in which many great writers told a lot of wonderful stories and readers could pick ’em up a 100 or more pages at a time for a dime.  Although it’s no longer that necessarily, the sensibilities of Pulp storytelling, the style, the methodology, all the stuff fans have remembered and enjoyed for over 80 years about those kinds of tales, all of that is still around and available from all sorts of authors, artists, performers and companies.  That is what Pulp Ark is all about.”

Pulp Ark 2013 will be held in Springdale, Arkansas April 26-28, 2013 at the Holiday Inn Springdale Hotel and Convention Center in Springdale, Arkansas, 1500 South 48th Street, phone number- 1-479-751-8300.  For a peek at the venue, click HERE!  

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PULP ARK 2013-Springdale, Arkansas!  For further information, go to www.prosepulp.com or contact Hancock at 870-834-4022 and/or proseproductions@earthlink.net.  Expect more Pulp Ark Announcements VERY SOON!

TARZAN NEWS!

  • News
  • September 24, 2012
Art: Joe Jusko

Edgar Rice Burroughs’ Tarzan turns 100 this year, but don’t think celebrating his centennial has slowed down the Lord of the Jungle. Quite the opposite. Here are a few odds and ends from Tarzan’s world happening in 2012 and beyond.

Art: Tom Grindberg
Art: Tom Grindberg

 EDGAR RICE BURROUGHS COMIC SERVICE-
By signing up for the new Edgar Rice Burroughs Comic Service, you will be able to view New and Coming Tarzan comics as soon as they leave our artist’s desk!

Read the recent All Pulp interviews with Tarzan 2012 comic strip writer Roy Thomas and artist Tom Grindberg.

Art: Sterling Hundley

TARZAN ART TO APPEAR ON NEW USPS POSTAGE STAMP-
CHESTERFIELD, VA – Edgar Rice Burroughs, the author who created Tarzan and a host of other sci-fi heroes a century ago, didn’t get much respect for what was considered pulp fiction at the time. Now, the work of a Chesterfield artist commemorating the prolific author is taking a licking literally.

A brand-new postage stamp showing Burroughs and Tarzan is set to take off around the world. It’s the second U.S. Postal Service stamp drawn by Sterling Hundley, an artist, illustrator and Virginia Commonwealth University art professor. (His first was Oveta Culp Hobby, the first woman to hold a presidential cabinet position.)

Learn more about Sterling Hundley and the new Tarzan stamp here.

OFFICIAL TARZAN STATUES NOW AVAILABLE FOR PRE-ORDER-
Details here.

Art: Joe Kubert

JOE KUBERT’S TARZAN OF THE APES: ARTIST’S EDITION COMING IN SEPTEMBER-

Art: Joe Kubert

Joe Kubert is one of the most lauded artists in the history of comics, a true living legend. He has been a vital creative force since the 1940s and remains so to this day. He has had defining runs on Hawkman, Enemy Ace, Tor, Sgt. Rock, and many others. Among his career highlights is Tarzan of the Apes, and Kubert’s rendition could arguably be called the definitive comic adaptation of the Ape-man.

“To have the Tarzan stories I drew commemorate the 100th anniversary of a strip I fell in love with as a kid is the thrill of a lifetime,” said Joe Kubert, writer and artist of all the stories in this Artist’s Edition.

This Artist’s Edition collects six complete Kubert Tarzan adventures, including the classic four-part origin story. Each page is vividly reproduced from the original art and presented as no comics readers have seen before. For fans of Kubert and Tarzan, this new entry in the Eisner-winning Artist’s Edition line must be seen to be believed!

2012 is the centennial year for Tarzan. Created by master storyteller Edgar Rice Burroughs, Tarzan is instantly recognizable to countless fans around the globe. Other notable creations of Burroughs’ include John Carter of Mars, Korak, Carson of Venus, and At the Earth’s Core.

“I first read these comics when I was 10 years old, and they remain some of my favorite stories ever,” said Editor Scott Dunbier, “this is Joe Kubert at his absolute best.”

What is an Artist’s Edition? Artist’s Editions are printed the same size as the original art. While appearing to be in black & white, each page has been scanned in COLOR to mimic as closely as possible the experience of viewing the actual original art—for example, you are able to clearly see paste-overs, blue pencils in the art, editorial notes, and art corrections. Each page is printed the same size as drawn, and the paper selected is as close as possible to the original art board.

JOE KUBERT’S TARZAN OF THE APE: ARTIST’S EDITION ($100, hardcover, black and white, 156 pages, 12” x 17”) will be available in stores September 2012.
Visit IDWPublishing.com to learn more about the company and its top-selling books. IDW can also be found at http://www.facebook.com/#!/idwpublishing and http://tumblr.idwpublishing.com/ and on Twitter at @idwpublishing.

Art: Tim Burgard

SEQUENTIAL PULP/DARK HORSE COMICS PRESENT TARZAN AT THE EARTH’S CORE-
Coming 2013 – TARZAN AT THE EARTH’S CORE Adapted by Martin Powell and illustrated by Tim Burgard. Tarzan At The Earth’s Core © Edgar Rice Burroughs Inc., Tarzan ® TM owned by Edgar Rice Burroughs Inc. and used by permission. Coming soon from Sequential Pulp/Dark Horse Comics.

Not bad for a guy turning 100, eh?

Joe Kubert, 1926 – 2012

joe_kubert2-8957205Joe Kubert, one of the greatest masters of the comics art form, died today after a short illness, three weeks short of his 86th birthday.

Best known as the artist of the long-running war feature Sgt. Rock, Joe was almost equally well-known for his work on both the golden age and silver age Hawkman and on such features as Enemy Ace, Tarzan, Firehair, Tor (which he created for St. John’s comics in the 1950s and owned and returned to throughout his life), the Tales of the Green Beret newspaper strip, and numerous other features and countless covers. In his later years he wrote and drew a great many graphic novels, both original creations (Jew Gangster, Fax from Sarajevo, Yossel) and based upon his well-established Tor and Sgt. Rock characters. DC is currently publishing his work as an inker on Before Watchman: Nite Owl, pencilled by his son Andy. He also served as an editor at DC Comics in the 1970s.

Over the years Joe received numerous awards, including the Harvey Awards’ Jack Kirby Hall of Fame and the Will Eisner Comic Book Hall of Fame. These honors are dwarfed by his legion of respecting collaborators, fans, students, and medium fellows.

Perhaps his greatest and most enduring contribution to the medium was his establishment in 1976 of The Joe Kubert School of Cartoon and Graphic Art in Dover, New Jersey, which teaches the craft of comics and boasts such graduates as Timothy Truman, “Rags” Morales, Amanda Conner, Shane Davis, Tom Mandrake, Stephen Bissette, Jan Duursema, Rick Veitch, Matt Hollingsworth, Karl Kesel, Scott Kolins, Steve Lieber, Dave Dorman, Eric Shanower, Alex Maleev, and Bart Sears. His sons, Andy and Adam, received special live-long training from their gifted father.

Joe’s wife Muriel had served as a model — intentionally and, one strongly suspects, unintentionally — lending her image to many of Kubert’s female characters. Muriel passed away in 2008. Their marriage ran an incredible 57 years.

In addition to Andy and Adam, the Kubert family also consisted of sons David and Danny and daughter Lisa Zangara, as well as numerous grandchildren.

A man whose broad smile triggered an enormously infectious laugh, Joe Kubert was one of those artists who looked like he had drawn himself into creation. A fast artist, he often amazed convention-goers by producing a fully-formed intricate Hawkman image in ink within minutes after starting with a couple simple lines drawn on paper. Much of his original art reveals he often did not produce finished pencils, relying upon sketchy blue-lined (non-reproducing) layouts before going on to final inks.

Much can — and will — be said about this pillar of American comics history. For now, we report his passing and our most profound condolences to his family, friends, and students.

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The Point Radio: James Frain From TRON to TRUE BLOOD

From TRON LEGACY to TRUE BLOOD, James Frain has carved out his place in the sci-fi genre and now has even more on his plate including a new car chase thriller, TRANSIT and the LONE RANGER reboot. We talk with James about his new film and why he won’t be involved with a remake of BLADE RUNNER. Plus more Comics In Court – Spidey settles while Tarzan looks for Dynamite.

The Point Radio is on the air right now – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or mobile device– and please check us out on Facebook right here & toss us a “like” or follow us on Twitter @ThePointRadio.

WOLD NEWTON DAY 2011-HANCOCK’S TIPS HIS HAT TO MYTHS OF THE MODERN AGE

  • News
  • December 13, 2011

TIPPIN’ HANCOCK’S HAT-Reviews of All Things Pulp by Tommy Hancock
MYTHS FOR THE MODERN AGE:  PHILIP JOSE FARMER’S WOLD NEWTON UNIVERSE
Various Authors
Edited by Win Scott Eckert
Monkeybrain Books
2005

This is the first review of three today in recognition of Wold Newton Day.   What is Wold Newton Day?  In short, it commemorates the date in 1795 when a meteor crashed into the small English village of Wold Newton.  According to iconic Author Philip Jose Farmer, this meteor crashed as a group of people were passing through the village and radiation from the space borne rock affected the genes of these already mostly fantastic specimens in such a way that their descendants became both the Heroes and Villains of Fiction via mediums of all sorts.  This posit by Farmer led to Sherlock Holmes and Tarzan sharing family as well as hundreds of thousands of others being tangled together in the Wold Newton Family Tree.  Other writers and scholars have taken up the cause of Wold Newton and have developed fantastic tales as well as scholarly works about both Farmer and the wonderful universe he brought into existence.

MYTHS FOR THE MODERN AGE is a wonderful piece of scholarship, a grand escapade into imagination, and a fitting remembrance of a man who with words and ideas literally captivated creators both while he lived and will likely for centuries to come.  In his introduction to the volume, Mr. Eckert, the editor, poses several questions, queries about Holmes, Moriarty, Mowgli, Doc Savage, The Scarlet Pimpernel, and more and although he states that the essays that follow do not answer every question, they prove a good place to start.

Counting the introduction, MYTHS contains 29 works, essays focused on Farmer, his work, and on Wold Newton.   Authors such as Rick Lai, Brad Mengel, Matthew Baugh, Dennis E. Power, Jess Nevins, Farmer himself, and many others fill these pages.  Names like Tarzan, Captain Nemo, Rick Blaine, Lord Rufton, Charlie Chan, Zorro, Chtulhu, Fu Manchu, Joh Carter, and oh so many more dot these pages like spectacular plumage of a grand bird.    Although not a Wold Newton Scholar, I do have a background as a historian and can say that the research and effort to be academic that went into each article is impressive and notable.   These are not people sitting around having fanboy chats, although I’m sure they all have and would do that.  This is instead a serious endeavor to bring true study to Wold Newton as a concept, to Farmer as a Man, and to the duty of imagination in furthering our society.

FIVE OUT OF FIVE TIPS OF THE HAT-You need to know what Wold Newton is?  You want to know more than just the basics?  This is as close to a Wold Newton Textbook as we may ever get.

DYNAMITE ENTERTAINMENT LAUNCHES WARRIORS OF MARS IN FEBRUARY 2012!

  • News
  • November 9, 2011

PRESS RELEASE

THE NEWEST HIT-SERIES IN DYNAMITE’S WARLORD OF MARS LINE OF COMICS!

Cover Art: Joe Jusko

November 9, 2011, Runnemede, NJ – After the incredible critical and commercial success of Dynamite’s Warlord of Mars, Warlord of Mars: Dejah Thoris, and Warlord of Mars: Fall of Barsoom series, comes Warriors of Mars #1! Before John Carter another earthman visited the Red planet: Lt. Gullivar Jones. Now these legendary warriors are brought together for the first time! When Lt. Guillivar Jones happens upon a mysterious old man with a beautiful carpet he soon finds himself transported through space and time to the planet Mars where he meets the beautiful Princess Hera and a ferocious tribe of Red Martians bent on capturing her! Warriors of Mars is written by Warlord of Mars: Fall of Barsoom writer Robert Napton, drawn by Jack Jadson, with covers by the legendary Joe Jusko and will hit comic stores February 2012!

“Gullivar was written first, but Carter cornered the market and became a legend,” says writer Robert Napton. “It’s Gullivar Vs. John Carter-let the battle begin! It’s a thrill to bring these two southern gents together on the same stretch of red turf and let them have at it. But it won’t be all blood and guts. There’s a story to be told. Many have heard of Gullivar of Mars, but don’t know who he is and how he’s a different sort of man from Carter despite being caught in the same otherworldly circumstances. This is one mash-up fans of pulp won’t want to miss.”
“We’ve found a smart and clever way to tie these two pulp heroes together and rescue Gullivar from relative obscurity and place him up on the dais among the greats,” adds Dynamite Editor Joe Rybandt. “We’re going to explore more of the eras of Mars with Gullivar, the past, present and future and Robert Napton has proven himself more than capable of spinning some excellent Barsoomian tales and we’ve paired him with a great new artistic find in Jack Jadson.”

Princess of Mars is an Edgar Rice Burroughs science fiction novel, the first of his famous series, which initially began publication in serialized form within the pages of All-Story Magazine in February 1912. It is also Burroughs’ first novel, predating his Tarzan stories. Full of swordplay and daring feats, the story is considered a classic example of 20th century pulp fiction.

Edwin Lester Arnold’s Gullivar of Mars novel, originally published as Lieutenant Gullivar Jones: His Vacation in 1905, bears a number of striking similarities to Burroughs’ Princess of Mars. Both Gullivar and Burroughs’ protagonist John Carter are Southern United States soldiers who arrive on Mars by apparently magical means (magic carpet in the case of the former, astral projection in that of the latter) and have numerous adventures there, including falling in love with Martian princesses. Gullivar is a more hapless character, however, paling beside the heroic and accomplished Carter. Gullivar, in contrast, stumbles in and out of trouble and never quite succeeds in mastering it.

Robert Napton has written hundreds of comics. He is currently writing WARLORD OF MARS: THE FALL OF BARSOOM for DYNAMITE. In 2008, he adapted Terry Brooks’ DARK WRAITH OF SHANNARA as a graphic novel and wrote the new BATTLESTAR GALACTICA.
Join the conversation on Twitter with #WarriorsOfMars

To learn more about Dynamite Entertainment, please visit: www.dynamite.net

PULP ADVENTURECON-THE ADVENTURE STARTS IN TWO WEEKS!

  • News
  • October 18, 2011
Pulp AdventureCon
November 5th, 2011
Ramada Inn, Bordentown, NJ
Thousands of rare PULP MAGAZINES, vintage paperbacks and movie collectibles on display in this pleasant one-day show that attracts collectors and exhibitors from as far as New Hampshire and Virginia. Held the first Saturday of November from 10AM until 5PM.

Time: 10 am to 5 pm
Admission: $5
Email us for information — boldventurepress@aol.com
__________________________________________

Update — October 17, 2011
LORD OF THE TREES
ALEX SIMMONS and ERIC BATTLE will be joining us as special guests. As the writer and illustrator team of the syndicated TARZAN newspaper strip, between the years of 2000 and 2002, they provided Lord Greystoke with plenty of challenges of hair-raising thrills.
These strips appeared as part of the story-arc “Day of the Hunter”, which appeared in newspapers across the country from January 6, 2002 – May 19, 2002.
Follow the link to the Official ERB, Inc. and Tarzan® Webzine Site, Bill & Sue-On Hillman’s ERBzine, to read “Day of the Hunter” and more of the Tarzan newspaper strips.
Update — October 18, 2011
As of October 18, 36 tables are spoken for. That leave approximately eight tables remaining. Now is the best time to jump in, if you’ve been stalling. Our erstwhile vendors include Paul Herman, Rich Harvey, Rick Hall, Gary Lovisi, Darrell Schweitzer, Henry Greenbaum, Bruce Tinkel, Gale Heimbach, Ed Hulse, Martin Grams, Rich Greene, Bill Parisho, Brendan Faulkner, John Gunnison, Mike Chomko, Chuck Miller, Eric Battles, Rodger Lowenthal, Nick Certo, Cowboy Tony, Walker Martin, and Mark Halegua.
CLICK HERE … to read about past shows. Walker Martin provides a pretty comprehensive overview of the stuff you missed in 2008.
 
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NEW REVIEW COLUMN AT ALL PULP- PULP CLASSIC!

  • News
  • August 4, 2011

PULP CLASSIC- Reviews by Joshua Pantalleresco
TARZAN OF THE APES by Edgar Rice Burroughs

Ask me to pick my all time Edgar Rice Burroughs creation, and I think most people would say John Carter.  To me, however, Tarzan was Burroughs at his most refined.  There is a level of sophistication in Tarzan that is unsurpassed with any other of Burroughs’ characters.  In fact, I’ll go so far to say that Tarzan of The Apes is probably Edgar Rice Burroughs’ most complex book in terms of character development, as the Tarzan that starts the novel is not the Tarzan that finishes it.  Part origin, part coming of age and part adventure,  I’m amazed with just how layered Tarzan really was, and it makes me realize just why this character is still so popular to this day.

Tarzan of the Apes begins with his parents arriving in to the harsh unforgiving jungle.  Alice and Clayton battle the jungle valiantly, yet ultimately succumb to the harsh terrain, leaving baby Tarzan alone in the jungle, where he is eventually adopted by apes.  The first half of the book is about Tarzan growing up in this environment.  This stuff is among my favorite writing of Burroughs period.  From covering the harsh realities of the jungle, to Tarzan discovering how to use tools, Burroughs does a great job separating Tarzan from a conventional savage and was able to show that Tarzan had a lot of cunning, reason and a little bit of a sense of humor.

One of my favorite scenes is Tarzan discovering his parent’s house and discovering the books in the library.   The fact that he spends his time learning how to read astounded me when I first read it as a kid and still astounds me now.  The thing I tend to hate with Tarzan in most of the television shows is that they make him out to be an above average ape man and nothing more.  I can’t think of anything cooler than the fact that he used a children’s book to teach himself how to read in English.  That’s an incredible feat and I’ve always thought that always having him be the simple ape man he is in most movies and television shows takes away a real important aspect of his character – his desire to become more than he is.

tarzanapes-6184294This facet of him is presented best when Jane enters the story.  He sees her and feels an instant attraction.  He starts communicating with her with the English he learns through letters.  He is sprung into action when one of his local enemies captures Jane, which leads to Tarzan rescuing her.  When he attempts to woo her with a very simplistic approach and is rebuked, he takes the first steps into becoming the gentleman English lord he is descended from.  When she leaves, Tarzan seeks her out, learning more how to communicate, act like a man, and all the while making some acute observations about the ways of men he doesn’t approve of.

In the end, he saves Jane from a marriage that would have made her miserable, yet doesn’t walk away with the girl.  All in all, it left me wanting more, just like it did when I first picked up the book years ago.   Tarzan is everything you want in a great story.  Despite the savage setting, there is something we can all relate to in Tarzan in this first book.  It’s one of my favorites.  I can’t recommend it enough.  It’s a solid five out of five stars.

Yeehaw! FORTIER GITS ALONG LITTLE DINOS IN HIS LATEST REVIEW!

REX RIDERS

normal_rexrider-4945227

REX RIDERS
By J.P.Carlson
432 pages
Monstrostities Books
Available June 21, 2011
It was somewhere between the ages of twelve and thirteen that I discovered the classic pulp heroes of old through paperback reprints.  Here were 1930s urban heroes such as the Shadow and Doc Savage while primal, wilderness characters were represented by Robert E.Howard’s Conan the Barbarian.  I also discovered one of the greatest pulp authors of all time, Edgar Rice Burroughs. My entry into Burroughs fantastic worlds was through his Tarzan books like most of the readers of my generation.  Having already become familiar with the Ape Man via movies, it was both a treat and surprise to discover the actual character in Burrough’s purple prose.
Becoming addicted to his work, it was a logical next step to pick up his equally popular John Carter of Mars series starting with “A Princess of Mars.”  On the off chance there is someone reading this that has never had that pleasure, here is a quick recap.  The series tells of an ex Confederate officer named John Carter, who, while mining for gold in the Arizona badlands, is somehow magically transported through space to the red planet Mars. There he finds it inhabited by all manner of beings and monstrous creatures that refer to their world as Barsoom. Carter has one glorious adventure after another, finds his love, the beautiful princess Theja Thoris, and goes on to become the Warlord of Mars.
I devoured those books.  I’d never encountered anything else so filled with action, exotic characters and unabashed imagination as displayed in that amazing series.  Of course the popularity of Burroughs alien tales inspired hundreds of writers to follow in his footsteps, many attempting to duplicate the verve and grandeur of his Barsoom titles.  None ever came close, until now.
From the first chapter of J.P. Carlson’s book, “Rex Riders” that same magical what-if that Burroughs so effortlessly created is evident here.  Set in the sleepy Texas town of Dos Locus, post Civil War, what Carlson brilliantly does is turn the tables on the Carter device and brings an alien romantic hero to Earth in the form of the Rex Rider. 
The book’s protagonist is fifteen year old orphan, Zeke Calhoun, who is being raised on his Uncle Jesse McCain’s ranch.  His two best friends are Bull, McCain’s loyal ranch hand and Stumpy, the old cantankerous and wise ranch cook.  Growing up to be a cowboy is not an easy life and Zeke is constantly butting heads with his uncle, their ability to communicate strained by their ages.  Having never married or had children, McCain finds bringing up a rambunctious teenage boy much more complicated than herding cattle. 
Then one day a live triceratops comes charging down Dos Locos’ main street attacking the arriving stagecoach.  After toppling the coach, the confused, armored beast then goes on a rampage and destroys several of the town’s stores before it is shot by McCain.  Before anyone can even attempt to explain the creature’s presence, let alone existence, the area’s most powerful landowner, Dante D’Allesandro comes along, offers to pay for  the damages and whisks the carcass away. No one gives the incident a second thought.  I give much credit to Carlson’s depiction of good, decent and simple people who would react exactly as he writes them.
Months later, while riding through a nearby valley, Zeke and Stumpy come across a truly bizarre scene.  An alien humanoid lying comatose on the ground, having been shot, and standing over him protectively is a baby Tyrannosaurs Rex with a saddle strapped to its back. With much effort, the two manage to haul the eight foot rider onto the back of his dangerous looking mount and get them back safely to McCain’s ranch.  After the town doctor removes half a dozen bullets from the purple hued alien and he recovers, he relates a fantastic tale to McCain and his crew.
Slim, the name Stumpy gives the alien rider, is from a planet called Ismalis where millions of years ago his ancestors, using amazing transporters, rescued large numbers of the Earth’s dinosaurs when they saw they were in danger of becoming extinct.  Now they thrive on Ismalis and as a Rex Rider, it is Slim’s duty to see they continue to do so.  Unfortunately D’Allesandro has learned that it was via one these transporter platforms, hidden in a nearby mountain cave, that the runaway tryke traveled from Ismalis to Earth.   D’Allesandro then begins to transport a group of cowboys to that alien world to build a  camp from which they can rustle hundreds of trykes and bring them back to our world.  When Slim attempts to stop him, warning that his scheme can only end in disaster for all involved, D’Allesandro’s hired gun, Caleb Cooper, attempts to kill him and his T-rex mount, called Hellfire.
McCain immediately sees the folly of D’Allesandro’s plan and offers his support to the Rex Rider, along with Zeke, Bull & Stumpy.  Together these new allies have to travel to that strange and dangerous world and set things right.  “The Rex Riders” is a deft blend of action, humor and wall-to-wall adventure in a truly original setting.  Reading it was nothing short pure joy, easily recapturing the fun I’d had when first discovering the John Carter of Mars books.  And if that isn’t a cause for celebration amongst today’s pulp readers, I don’t know what is.  In fact, I love this book so much, I’m giving it to my grandson, Alex, assured it will set him on a path I first walked over fifty years ago.  Thanks, J.P. Carlson.  With your first book, you’ve made a loyal fan that is very, very anxious for the sequels. 

DENNIS O’NEIL: Continued stories (continued)…

  • News
  • June 19, 2007

dennyoneil10013-1076167(If) you’re…young; you don’t remember a time when continued stories were rare. But until Stan Lee made them standard procedure at Marvel in the 1960s, they were next to unheard-of.

Those words seem familiar to you? Certainly not, unless you read this department’s blather three weeks ago, when I began a discussion of continued stories in comics, where they – the words – appeared in a slightly different form. And in reprinting them, in a column which is – let’s face it – a continuation of a previous one, I’ve tried to deal with a paramount problem writers face when doing continued narratives: clueing in readers who either don’t remember the earlier stuff or are new to the series.

There is a difference between continuing characters and continuing stories. Continuing characters have been with us a very long time. Even if you ignore the many tales of the various gods and goddesses, those rascals, you can find a continuing character as early as 428 BC, give or take a few years, when Sophocles followed up his smash hit Oedipus Rex with a sequel featuring the same poor bastard, Oedipus at Colonus. Then, over the centuries, there have been various adventures of King Arthur’s knights and other heroes. But these were not continued stories, not exactly. An adventure or episode ended and the characters went into Limbo and reappeared to solve new problems and encounter new hassles. That kind of storytelling continued through the invention of high speed printing, which made books relatively cheap and accessible at about the same time that a lot of people were learning to read.

107_4_0060-1620829Which brings us to the pulp magazines, a publishing form that began about 1910 and was one with the dinosaurs by the middle 50s. A lot of these cheaply produced entertainments featured continuing heroes. (We’ve discussed perhaps the greatest of them, The Shadow, in this department earlier, and I won’t be surprised if he gets mentioned here again.) Meanwhile, over in another medium, movies were also featuring continuing heroes, ranging from that loveable scamp Andy Hardy to a legion of bad guy quellers, including noble cowpokes and suave detectives. And…in yet another medium, that newfangled radio was presenting weekly dramas about cowboys and detectives and police officers and even federal agents, like the movies only more often. And…here might be an appropriate place to mention comic strips, which began doing stories, as opposed to daily jokes, in 1929 with Burne Hogarth’s comic’s adaptations of Edgar Rice Burroughs Tarzan, and since the introduction of Chester Gould’s Dick Tracy in 1931, were sometimes stretching plots over many weeks.

Those were continued stories featuring, of course, continuing characters. But there were others…Oh my goodness, look! We’re almost at the limit of our allotted word count and we have so much more to discuss. I suppose I could go on for a couple of paragraphs more, but that wouldn’t begin to exhaust the topic, so I guess we’ll just have to – yes! – continue this next week.

RECOMMENDED READING: The Creators, by Daniel J. Boorstin

Dennis O’Neil is an award-winning editor and writer of comic books like Batman, The Question, Iron Man, Green Lantern and/or Green Arrow, and The Shadow, as well as all kinds of novels, stories and articles.

Artwork copyright Tribune Media Services. All Rights Reserved.

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