Dylan Dog
I first encountered the legend of Dylan Dog back when I was trying to cover foreign comics while at Comics Scene and then wrote about the film adaptation a while back over at Famous Monster of Filmland. A PI in the world of things that go bump in the night sounded like a lot of fun. That the Italian comic has been running for decades also spoke to its creative spark and the genius of Tiziano Sclavi. Then I saw that this was going to Brandon Routh’s third film based on a comic book and figured he was 1 for 2 so far (entertaining in Scott Pilgrim, not served well by Superman Return’s lousy script) and might improve his average. He had certainly improved as an actor, as witnessed by Fear Itself and his recurring role on Chuck.
The trailers certainly made the movie look lighthearted and wonky, much like the comic source material so there was reason to be encouraged. The movie then opened and closed so fast there was little time to determine what went wrong (and if anything went right). 20th Century Home Entertainment pulled out all the stops (including a fun, interactive Facebook page) to promote the DVD, which arrived last week, making you think maybe this was some sort of overlook gem that just needed better marketing.
Nope. The film is still a creative misfire that pays the barest lip-service to the comics and carved its own niche of awfulness. Set in a supernatural New Orleans, the film features Routh as Dylan Dog, a former PI specializing in monsters but now just down on his luck. He’s lured back in to the world of vampires, werewolves, and zombies by those who wish to keep their existence low key so angry mobs don’t show up on a weekly basis. He’s hired by Elizabeth (Anita Briem), who saw a werewolf murder her father and steal the movie’s McGuffin, the Heart of Belial. Yes, rather than your typical investigation, Dylan immediately gets dragged back into the monster realm in time to prevent the end of the world. (more…)

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