Tagged: television

Jane Espenson Tries Her Hand at Comic Book Scripting

  • News
  • November 28, 2008

Jane Espenson has written comedy and drama, science fiction and horror, and blogs regularly about the script writing process.  Having just written for Dark Horse’s Buffy the Vampire Slayer comic, she wrote about the process and does a nice job summarizing it for the curious.

Summing up the experience, she wrote, “I got to weigh in on preliminary drawings and even colors during the latest issue I wrote, and it’s fascinating, seeing it all come together. Comic books feel both very autonomous and very collaborative at the same time — it begins entirely under your control, without the limitations of a filmed production, and it ends entirely in the hands of others. It’s one of the most satisfying final products, too, for a TV writer, since it’s both a physical object and a lot faster than a novel.”

Espenson recently left the completed Battlestar Galactica for Joss Whedon’s Dollhouse.
 

Does Warren Beatty still have the Dick Tracy rights?

  • News
  • November 22, 2008

Reuters is reporting that Warren Beatty is suing the Tribune Company over the film and television rights to Dick Tracy, a character he played in the 1990 film which earned more than $160 million worldwide, but is today most remembered for Madonna’s song "Vogue".

Under the original agreement between Beatty and Tribune, the rights would revert to Tribune if "a certain period of time" lapsed without Beatty having produced another Dick Tracy movie, TV series or TV special, according to court papers.The suit said Tribune sent Beatty a letter on November 17, 2006, that gave him two years to begin production on Dick Tracy programing. Beatty began work on a Dick Tracy TV special on November 8 this year and gave Tribune written notice. Tribune responded by asserting that it still had the right to terminate Beatty’s Tracy rights and effect a reversion, and did so.

The lawsuit seeks a declaration that Beatty’s work on the Dick Tracy TV special precludes Tribune from taking back the rights to the property.

Sadly, I doubt Kyle Baker will want to do the comic book adaptation this time…

Stan Lee to Produce ‘Hero’ for Showtime

  • News
  • November 13, 2008

Stan Lee will executive produce a television adaptation of Hero for Showtime according to Variety. The novel was written by Perry Moore and was released in 2007, telling the story of an “up-and-coming super-hero who struggles to hide his secret identities.”

Moore is writing the script for the hour long series and will also serve as an executive producer along with Hunter Hill.

Hero joins a growing list of pilots announced by the premium cable network, including yesterday’s Camelot.

Lee last worked in television, producing and hosting two seasons of Who Wants to Be a Superhero? for the Sci Fi Channel.
 

AOL Picks TV’s Best Witches

  • News
  • October 31, 2008

samantha-stephens-8960196Being Halloween, lots of places are running themed lists including beleaguered AOL which attempts to list the Top 20 witches on television.  While we don’t find any glaring omissions, we wonder about many of the placements.

 20. Alex Russo, The Wizards of Waverly Place
19. Miss Cackle, The Worst Witch
18. Marge Simpson, Treehouse of Horror VIII
17. Amanda Tucker, Tucker’s Witch
16. Ella, Hex
15. Witch Hazel, Looney Tunes
14. Endora, Passions
13. Paige Matthews (Rose McGowan), Charmed
12. Tabitha Stephens (Lisa Hartman), Tabitha
11. Mildred Hubble (Fairuza Balk), The Worst Witch
10. Prue Halliwell (Shannen Doherty), Charmed
9. Endora (Agnes Moorehead), Bewitched
8. Wilhelmina W. Witchiepoo (Billie Hayes), H.R. Pufnstuf
7. Phoebe Halliwell (Alyssa Milano), Charmed
6. Tabitha (Juliet Mills), Passions
5. Sabrina Spellman (Melissa Joan Hart), Sabrina the Teenage Witch
4. Grandmama Addams (Blossom Rock), The Addams Family
3. Piper Halliwell (Holly Marie Combs), Charmed
2. Willow Rosenberg (Alyson Hannigan), Buffy the Vampire Slayer
1. Samantha Stephens (Elizabeth Montrgomery), Bewitched

We applaud Piper over her sisters given how grounded she was as a character. On the other hand, Willow saved the world more than once and while she didn’t headline her own TV series, certainly has been displayed as the most powerful witch in this line-up.  We adore Samantha and grew up watching her show, but maybe it’s a cultural thing and see Willow having more resonance in today’s television than Samantha ever had.

Sound off below with your own thoughts.

I am Spartacus!

  • News
  • October 27, 2008

The cry of “I am Spartacus!” will once more resound, this time weekly. Starz will air a new 13-episode series from executive producers Sam Raimi, Rob Tapert and Joshua Donen.

The premium movie channel has already produced Crash, a weekly series based on the Oscar-winning film, which began airing several weeks back. This will be the first in-house production for the channel. Steven S. DeKnight (Smallville) will be the head writer and showrunner.

Raimi, Tapert, and Donen developed the series and intend to produce the series in New Zealand in time for debut next summer. Each episode is likely to have a budget in excess of $2 million, surpassing their other series, Legend of the Seeker.  The world of ancient Rome will be digitally rendered, a first for a weekly TV series.

No casting has been announced as yet.

The real story of the slave who led a rebellion against his Roman captors in 73 A.D. was immortalized in the 1960 movie starring Kirk Douglas which won four Academy Awards. It was most recently retold as a 2004 miniseries starring ER’s Goran Visnjic and Rhona Mitra.

"This is not going to be at all like the 1960s Kirk Douglas film," Starz Entertainment executive vp programming Stephan Shelanski told The Hollywood Reporter. "We didn’t want your typical sword-and-sandals. It’s going to be fun, fast-moving, full of action and interesting characters and have a little more depth to it than the 1960s film."

Shelanski says the channel acknowledges the storytelling has to be done for an audience primed by movies like 300.  Being a premium channel, they can go for R-rated violence and storytelling. "It will bring the younger audience who has grown up on graphic novels and video games this heightened reality; it’s not going to look like anything you’ve seen before, especially on TV," said executive vp original production William Hamm. Hamm has previously worked with Raimi and Tapert at Universal TV to produce the similar Xena: Warrior Princess and Hercules: The Legendary Journeys.

‘Sarah Connor’ gets Full Season Order

  • News
  • October 19, 2008

After all the hubbub in recent weeks, it’s somewhat of a surprise to see Fox quietly announcing the full-season pickup for Terminator: The Sarah Connor Chronicles. Just last week, the show was given a sign of hope when additional scripts were ordered but now the full complement of nine episodes have been ordered bringing the full season total to 22.

According to The Hollywood Reporter, the Monday night series has seen only modest ratings in a tough time slot. Just 5.7 million viewers saw the most recent episode which sounds like a lot but in television terms is not.

Details will be formally announced Monday.  Speaking of tomorrow, the show’s blog has a post from Denise Thé, who wrote the episode and says, “’The Tower’ is the first of our episodes to be directed by a woman – the very talented Tawnia McKiernan. In the episode, Cameron fights a female Terminator – our first female-on-female Terminator fight. It’s a knock down, blow-your-hair back, jab-your-eye out (literally) fight scene. Be sure to watch closely – the arm and leg twists are not special effects! It’s also the first peek at The Turk since Samson and Delilah. The first insight into Weaver’s relationship with her daughter, Savannah. And at long last… the first time we address the mystery of who killed Sarkissian.”
 

A Noir Puppet Movie?

  • News
  • October 16, 2008

angel puppetIn an act that almost feels like it should have the name "Joss Whedon" attached to it, the Jim Henson Company has announced the development of a new film project called The Happytime Murders. This original film noir murder mystery will fall under the company’s Henson Alternative banner, a division that develops projects not intended for children (such as Puppet Up! and Tinseltown). From writer Todd Berger:

"In a world where humans and puppets live together (not exactly in harmony), the puppet cast of an ’80s children’s TV show called The Happytime Gang begins to get muderered one by one. It’s then up to a disgraced puppet LAPD detective turned private eye to take the case. Based on a story Dee Austin Robertson and Todd Berger, the original feature film will feature the well-known Henson style of irreverence and parody while presenting a unique twist on the film noir genre. Todd Berger (Kung Fu Panda: Secrets of the Furious Five) has penned the screenplay and Brian Henson (of Muppet fame) is attached to direct."

The plot is said to be a mix between Pulp Fiction and Avenue Q with a plethora of sex, violence, and outrageous puppet-humor. The plot may also seem a bit familiar to fans of the TV series Angel from a episode in season five titled "Smile Time" in which Angel becomes a puppet after investigating a series of murders that take place on a children’s show of the same name (not to be confused with "Happytime"). We’ll be sure to keep you updated on the film as more details develop.

Review: ‘Fringe’ Episode #105

Note: Click here for the last mystery!

Autopsy Report: “Power Hungry”
From Fox: “When it’s discovered that a rather simple man has the ability to harness electricity, dangerous and deadly occurrences follow, and our unlikely trio investigates this super-charged oddity. Meanwhile, Olivia has a high-voltage encounter of a different kind when she is rocked by a blast from her past, and Dr. Bishop turns to his feathered friends and enlists homing pigeons to help him break the case.”

Doctor’s Notes
Hot off the heels of Fringe‘s best episode to date comes its worst. “Power Hungry” is a boring, by-the-numbers procedural that weakly nods its head to the previous installment. Just as [[[Fringe]]] proved its merit as innovating and captivating in “The Arrival,” this episode displays just how boring the high concept show can get.

In the episode, the Fringe crew pursues Joseph Meegar, a man who can discharge high amounts of electricity due to the experiments enacted on him by a scientist named Jacob Fischer. Meanwhile, Olivia deals with the ramifications of her strange visions of former lover John Scott, who is thought to be dead. By episode’s end, Walter reveals that part of John’s consciousness is actually stuck in Olivia’s brain as a result of their mind-melding in the series pilot. Mystery solved.

We’ll save you the trouble by answering the obvious question: Yes, that’s really all that happens this episode in terms of any plot movement. It’s true that John literally being inside of Liv’s head is fairly unique, but the whole figment-of-the-imagination thing has been beaten to death before. The fact that “The Arrival” concludes with John Scott showing up at Olivia’s home is resolved by him being a mental projection is very boring. Maybe it would’ve more exciting if the previous episode’s ending didn’t hinge on the reveal, but it did. As a result, the answer is wholly unsatisfying, as the mystery behind why Massive Dynamic has Scott’s body ends up being a completely separate entity.

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Review: ‘Beauty and the Beast’ The Complete Series

batb-s1-3-dvd-front-3128808In 1987, television was evolving.  Thanks to [[[Hill Street Blues]]], the way dramatic stories were presented became more complex, the storytelling more diverse and the stories more compressed. The subject matter was also starting to broaden, moving beyond cops, lawyers and doctors.  It was just before the SF wave kicked off with [[[Star Trek: The Next Generation]]] but that didn’t stop CBS from trying something a little different.

On a Friday night, September 25, 1987, audiences were treated to a different look at the classic [[[Beauty and the Beast]]] tale.  The series starred Ron Perlman as Vincent, the beast, a mutant of some sort, who comes to the rescue of Linda Hamilton’s Catherine, a rich girl turned assistant district attorney.  Their connection became the stuff of fairy tale and from that pilot episode, their fates became inextricable.

It had all the lush romance of a Harlequin book and the action to keep spouses by their side.  The series had its ups and downs, making a star out of Hamilton who left the series after just two seasons, derailing the eternal romance. Jo Anderson was brought in for the third season but that, coupled with CBS’s insistence on increased action for the males, hurt and the series came to an end in January 1990 (although the final two were run that summer).  Its 56 episodes remain a testament to the creative vision of creator Ron Koslow and fantasist George R.R. Martin who wound up penning 13 of the episodes.

Paramount Home Video has released a 16-disc box set of the complete series and it shows its age.  Beauty and the Beast has the look and feel of the 1980s without fully embracing the changing storytelling in television. The storytelling is slow, almost plodding at times, and each week they seemed to focus on some new social ill without really offering long-term solutions.  The threats were fairly standard stuff for the most part, intertwined with the poetry between the characters.  Complete with lush music, long, lingering gazes into character’s eyes, it was truly a romance novel brought to the screen.

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ComicMix Radio: Pixar And The Muppets Go BOOM!

  • News
  • October 4, 2008

Imagine an inter-company "Crisis" style crossover that included The Muppets, The Incredibles, Farscape and even some of the cast of Cthulhu. Ok, farfetched, but all these titles from one company are not. We have the latest from Boom! Studios, plus:

  • Four big sellouts and now variants coming from Marvel
  • Who has the Best Death in sci-fi films and TV?
  • An opera based on the last days of Walt Disney

All presented in living color – just Press the Button!

 

And remember, you can always subscribe to ComicMix Radio podcasts via badgeitunes61x15dark-9412179 or RSS!

 

 

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