Tagged: television

I’m sure you’ve noticed that the holidays are getting earlier every year. As an ex-mall Santa, I know that I had to report earlier and earlier every season, to the point I was in my big red throne practically the day after Halloween.

And speaking of Halloween, Rob Zombie’s needless remake of John Carpenter’s movie of that name showed up in theaters more than a month before the holiday arrived this year. So is it any wonder that it’s not even close to all hallow’s eve and the horror DVDs are already beginning to haunt shelves?

Thankfully, one of my favorites so far is the two-disc Collector’s Edition of Francis Ford Coppola’s Bram Stoker’s Dracula – a very cool package for the very theatrical 1992 movie. One of the reasons so many people liked it (and so many other people didn’t) is encapsulated by one of the very first things the famed director says in the first of four new behind-the-scenes docs. It also stands as one of cinema’s great Freudian slips.

“The whole question of ego…I mean, evil…,” Coppola says, trying to explain the attraction of the much-adapted, much filmed bloodsucker. That sets the stage for the whole ego-driven enterprise, which can be really enjoyed in retrospect once you see how many ideas and creativity they bathed it in. Following the half-hour “making of,” there’s fun ‘n’ interesting docs on Eiko Ishioka’s bold costumes, Roman Coppola’s imaginative special effects, and the entire production’s striking visual approach. You ever notice that the best Dracula movies have the strongest Van Helsings (my favorite’s being Hammer’s Peter Cushing and the BBC’s Frank Finlay)?

But I digress. Anyway, the real revelation for me were the more than half-hour of extended and deleted scenes, which I think improved the film mightily, especially the alternate opening, closing, and excised travails of the abundantly criticized Keanu Reeves. Although his limited acting is the film’s soft core – in a great cast which included Gary Oldman, Anthony Hopkins, Cary Elwes, Winona Ryder, Bill Campbell, Richard E. Grant, Tom Waits, and Sadie Frost – his character’s struggles add an important weight to the tale.

The other major criticism at the time of the film’s release was that Bram Stoker’s Dracula clearly wasn’t, as Coppola and company folded in all sorts of other influences, not to mention his historical inspiration, Vlad the Impaler. Virtually every member of the cast and crew tries to rationalize the title, while, within minutes, admitting how many other sources they were cribbing from.

Finally, Coppola himself puts it to rest with a neat variation on the audio commentary the DVD calls: “Watch Bram Stoker’s Dracula with Francis Coppola.” He simply states that he liked putting the original author’s name above the title, no matter what he wound up doing with the script. That’s part of his filmed intro, which leads seamlessly into his entertaining and informative commentary that weaves Hollywood history, world history, and his encyclopedic knowledge of filmmaking.

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