Tagged: television

The Point Radio: THE OFFICE Going Dark

pt082412-9376641This week, former show runner for THE OFFICE Greg Daniels returned and dropped the bomb that the upcoming ninth season would be the last. We cornered Greg with all the questions that came up at once – and he answers them all right here. Plus more on the second season of GRIMM, and SyFy brings back a beloved Brit TV legend.
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GREEN HORNET: STILL AT LARGE NOW AVAILABLE!

Cover: Douglas Klauba

New Pulp writer/editor Win Scott Eckert has announced that Moonstone Books release of Green Hornet: Still At Large is now available.

Green Hornet: Still at Large is back from the printer and is now shipping direct from Moonstone Books! (I’m sure it will show up as “available” on Amazon soon.)

NOTE: Green Hornet editor, Win Scott Eckert should have copies available at PulpFest later this week. You can find Win at the Meteor House table. Win will also be doing a “New Fictioneers” session where he will read from his Green Hornet tale, “Progress.”

Edited by Joe Gentile, Win Scott Eckert, and Matthew Baugh, this third anthology featuring the 1960s Green Hornet, based on the television program starring Van Williams and Bruce Lee, follows The Green Hornet Chronicles and The Green Hornet Casefiles, and ships in two editions.

The softcover trade paperback features a cover by Douglas Klauba, while the limited edition hardcover boasts a cover by Ruben Procopio. It is anticipated that as with the prior books, the third volume will also see an eBook edition, although the specific date has not been announced.

Cover: Ruben Procopio

Contents:
“Hero” by S.J. Rozan
“The Black Torpedo” by Will Murray
“The World Will End in Fire” by Richard Dean Starr
“The Man Inside” by Matthew Baugh
“Death from Beyond” by Ron Fortier
“Play the Game” by Thom Brannan
“The Gauntlet” by Bobby Nash
“Chaos and the Year of the Dog” by Bobbie Metevier
“Axford’s Sting” by Dan Wickline
“Revenge of the Yellowjacket” by Howard Hopkins
“The Man in the Picture” by Patricia Weakley
“Masks” by C.J. Henderson
“Bad Man’s Blunder” by John Allen Small
“Losers, Weepers” by Rich Harvey
“Stormfront” by Greg Gick
“The Night I Met The Hornet” by Mel Odom
“Progress” by Win Scott Eckert

The limited edition hardcover also features:

“The Green Hornet Timeline,” a chronology of the Moonstone stories from the three anthologies, fit into the timeline of the original television episodes, by Win Scott Eckert

A bonus story featuring the 1930s-40s Green Hornet from the radio show and serials, “The Green Hornet Meets The Avenger” by Michael Uslan

Ordering information:
Moonstone direct (trade paperback)
Moonstone direct (limited hardcover)
Amazon.com (trade paperback)
Amazon.com (limited hardcover)
B&N.com (trade paperback)
B&N.com (limited hardcover)

FORTIER TAKES ON ‘EMPIRE OF THE SUMMER MOON!’

ALL PULP REVIEWS by Ron Fortier


EMPIRE OF THE SUMMER MOON

By S.C. Gwynne
Scribner
371 pages

I love history, always have.  What has always fascinated me about the people and events of the past is how truly amazing their stories were and sadly how many have been either forgotten in time or completely been altered through the lens of imperfect history.  Thus the true pleasure of this amazing book by S.C. Gwynne in detailing the story of the western plains empire known as the Comencheria that encompassed a giant land mass from Colorado down through Oklahoma, New Mexico, Texas and into Mexico between the years 1836 and 1875.

Of course recalling some truly boring history classes in both high school and college, I long ago learned that the best histories are those that both entail the big picture of the social, cultural and economical movements that have shaped people at the same time refining this focus by spotlighting particular individuals representative of these greater factors.  Gwynne does that to perfection with this book as he sets out to relate the captivating story of the most powerful Indian tribe of them all; the Comanche, considered the best horse soldiers who ever rode into combat. 

Sadly most Americans my age first learned their western history via Hollywood movies and television which over the decades offered up two totally different and conflicting images of the American Indians.  From the silent movie era on through to the 1940s, the red men of the plains were portrayed as merciless savages. Then, after the second World War into the sixties, the pendulum swung radically in the opposite direction and they were showcased as the noble aborigines victimized by the onrushing invasion of the European bred white society and its Manifest Destiny.  Unfortunately both depictions, though containing kernels of truth, are gross exaggerations and for the most part equally untrue.

Gwynne, employing recorded accounts from various libraries, allows them to detail a race of nomads who lived off the massive buffalo herds that covered the plains and were constantly battling each other for supremacy.  War was their way of life and they were good at it, inflicting as much destruction and carnage on their foes as they were capable of which included killing women and children, enslaving others and torturing captives. They expected no less from their enemies were they to be defeated.  It was a cruel and barbaric way of life totally alien to anything whites of the time had ever experienced.

And as engrossing as this account is, the book then delves into the lives two of the most remarkable characters to have walk across this stage of time; Cynthia Ann Parker and her son, Quanah.  Kidnapped at the age of nine by the Comanche, Cynthia Ann was favored by them and as she matured became a true member of the tribe that had taken her eventually marrying a war chief and having three children with him; two boys and a girl.
The oldest, her son, Quanah, would go on to become the last and perhaps greatest Comanche war chiefs; a brilliant horseman, strategist and fearless in battle.  When Cynthia Ann was recaptured by U.S. Cavalry troops in a raid that killed her Comanche hasband, Quanah, twelve at the time, eluded the soldiers and with his younger brother in tow, escaped to find another related tribe.  From that point on he was on his own, a half-breed having to survive in a society that made no allowance for orphans. Through his inner strength, courage and intelligence, he became the Comanche’s most successful war chief and in the end, when the threat of total extermination loomed on the horizon, Quanah had the foresight to surrender and adapt to the new west; that imposed on him and his tribe by the victorious white invaders.

So much so, that by the time of his death, he was a famous, successful farmer who counted Teddy Roosevelt amongst his associates and allies.

“Empire of the Summer Moon,” was a finalist for the coveted Pulitzer Prize and this reviewer believes it should have won.  It is a truly powerful reading experience proving once again that truth is always stranger than fiction.  Amen.
amazingchanandthechanclan_complete-300x447-1508426

REVIEW: The Amazing Chan and the Chan Clan

amazingchanandthechanclan_complete-300x447-1508426Prime time television in the 1950s and 1960s was packed with family situation comedies, including Hanna-Barbera’s takes on The Honeymooners in the form of The Flintstones and The Jetsons. By the dawn of the 1970s, those situation comedy tropes began to permeate Saturday morning cartoons as funny animal and super-heroic fare began to wane. Then there came Scooby-Doo, the first truly original and fresh concept in ages. The four meddlesome teens, their charismatic canine companion and van became the template for many imitators.

I can therefore imagine the brain trust at H-B trying to find new variations on the successful theme. The idea of combining elements a mystery solving family was a natural but how they ever settled on Charlie Chan and his dozen children remains an, ahem,. mystery.

The Amazing Chan and the Chan Clan debuted in 1972 on CBS and was derived from Earl Derr Biggers literary sleuth, Charlie Chan. Based on Honolulu, Chan was modeled on real life detective Apana Biggers, and was introduced in 1926 but gained greatest fame in a series films featuring occidental actor Warner Oland.

Interestingly, there had not been a Chan movie or television series for quite some time by 1972 so one wonders how familiar the youthful target audience was with the character when the series arrived. Regardless, the sixteen episodes showcased the kids a lot more than they did Mr. Chan and the show featured one of the larger casts of regular characters even if the prose Chan Clan was an even dozen, for this show they trimmed that to ten. In prose and television, the mother is never mentioned.

The stories themselves are filled with harmless action, some mild humor, and plenty of chances for the cast to shine. You can see for yourself in the newly released The Amazing Chan Clan and the Chan Clan — The Complete Series from Warner Archive. For the record, the series is credited for being the first time Charlie Chan was performed by a genuine Chinese actor, Keye Luke, who played Number One Son in many of the earlier features. Other performers were also of Asian descent but were quickly recast when CBS deemed their accents difficult for the audience to comprehend (although you wonder if they actually tested this theory and we won’t know because the original stories were redubbed). Only Robert Ito, as Henry, and Brian Trochi as genius inventor Alan, remained.

Debbie Jue (Nancy), Jay Jay Jue (Flip), Leslie Juwai (Mimi), Leslie Kumamota (Anne), Virginia Ann Lee (Suzie), Michael Takamoto (Tom), Robin Toma (Scooter), and Stephen Wong (Stanley) were replaced, respectively, by Beverly Kushida, Gene Andrusco, Cherylene Lee (as Suzie and Mimi), Jodie Foster (yes, that one), John Gunn, Michael Morgan, and Lennie Weinrib. Don Messick was the required dog companion Chu Chu.

Each kid had a specialty in addition to a musical talent so they would perform a song in each episode, making for relatively simplified storytelling. The music was supervised by Don Kirshner (who else?) with vocals led by Ron Dante (carried over from The Archies). As for the cases, they mimicked the movies’ international flavor so Mr. Chan and the kids globetrotted after the Crown Jewels or visited Trinidad to find missing doubloons, or joining in for Mardi Gras in New Orleans. The cases were never the reason to watch the show, but instead to see the siblings interact and to find out what goofy new invention would come in handy. None of the songs ever made it to the Top 40 and are pretty forgettable.

If anything, this series is a curiosity from that transitional period between the Golden Age of Saturday morning fare and the watered down pabulum that denoted the ‘70s.

John Ostrander: Pop Food

ostrander-column-art-120610-9001984When I was back in college, a girl I was dating teasingly insisted that if I had to choose between her and a double chocolate cake I would have to think hard. “Nonsense, my dear,“ I told her, “You exaggerate. I would always choose you.” After a beat, I added, “With infinite regret for having lost that double chocolate cake.”

The relationship with that young lady did not last but my relationship with chocolate and, indeed, food in general certainly has. I’ve become a pretty good home cook over the past few years and I credit television for a lot of that.

I was not into cooking all that much for most of my life. Oh. I could feed myself and even – on occasion – make a really good meal. Then one day I was reading in the newspaper an article about a new show coming onto the Food Channel (which at that point I not only didn’t watch but disdained). It was Iron Chef (the original Japanese version) that was described as a cross between a cooking show and a sports event. Well, that intrigued me enough to sample it and, in short order, I was hooked. It was complete with play-by-play announcer, a field reporter, an analyst, and guest commentators who also were part of the judging committee.

The Chairman who presided over it all was also over the top – heck, the whole thing was over the top – with florid weekly attire. Weekly challengers would come in to challenge the three (later four) Iron Chefs and, while the whole thing may have been rigged, it was played straight.

It led me into sampling more of the Food Channel which in those days included Sarah Moulton, Mario Batali, as well as Rachel Ray and Bobby Flay until the Food Channel became one of the most frequent stops for me on the dial. I also started checking out some of the food shows on other channels such as PBS where I discovered America’s Test Kitchen and its sister show, Cook’s Country, which are my two favorites. Sarah Moulton eventually migrated over to PBS as well and there’s the indomitable Lidia Bastianich, the Italian cooking grandma who scares the bejabbers out of me. I would never cross Lidia. However, she’s a great cook, good teacher, and excellent communicator.

I’ve learned things from them over the years, especially America’s Test Kitchen, Cook’s Country, and Sarah Moulton. Tips around the kitchen, recipes, ways to prepare food and even how I think about food. I subscribe to some of the magazines and bought some of the cook books and, in general, have become a much better cook as a result.

Things have changed along the way, some not for the better, IMO. The Japanese producer took Iron Chef off the air. An American version followed, with William Shatner as The Chairman but it was (thankfully) aborted after only a few episodes. It was terrible. Food Network launched its own Iron Chef America and it’s been pretty good. A bit tamer than the Japanese version but very watchable.

The problem is that it also ushered in a generation of cooking competitions that now dominate the network. There are battles over cupcakes, you can get Chopped, there are even competitions to decide who will be the next Iron Chef (whose roster has grown from three to a bloated six or seven). To get a cooking show on Food Network you now have to survive a competition called Food Network Star. Only one winner – Guy Fieri – can honestly be said to have gone on to become a real Food Network Star. The others get a show that seems to last a season or two and they’re gone.

The competition shows so dominate Food Network that the parent corporation had to create a new channel, the Cooking Channel, to house the shows that actually are about cooking. Some of the best cooks who were teachers – Mario Batali and Sarah Moulton – left (or perhaps were forced out). I’m watching less of it.

I know on the regular networks they’re even doing a talk/food show called The Chew. It sometimes has Mario Batali or Iron Chef Michael Symon on it, both of whom I enjoy, and I’ve tried watching it sometimes during my daily lunch break but, in general, I find it unwatchable. I know Rachel Ray has also gotten a syndicated talk show on which she also does some cooking but she’s not a great interviewer. If I want that kind of show (and I don’t often) I’ll watch Ellen.

I’ve watched a fair amount of Gordon Ramsey’s Kitchen Nightmares. It’s formula – Ramsey is asked to come in and help a struggling restaurant, he finds food, décor, and/or sanitary conditions deplorable, hollers and berates everyone in sight, makes things better, and leaves somewhat akin to a surly Scottish Lone Ranger. I mostly enjoy it even though I learn nothing and it’s successful enough to have spawned a rip-off imitation on Food Network and about a bajillion other Ramsey starring shows. You cannot watch all the shows Gordon Ramsey does and have any sort of real life. It would just take up too much of the day. He’ll probably have his own cooking channel shortly – all Gordon Ramsey, all the time. I suspect his ego would like that.

For me, it’s about the food, and can a show make me learn something new or does it make me want to run out and cook. My Mary and I saw one of Julia Child’s later cooking shows when she was in a kitchen with her friend, Jaques Pepin, and they were making hamburgers. They concocted what they considered to be the quintessential hamburger. It got us drooling so much that we ran out to find a place that served good hamburgers. What we got wasn’t on the scale of Julia and Jaques’ but we had to have a burger – any burger. That’s how well Julia communicated and why she was the Master Chef of television. Gawd, just remembering it is making me drool some more.

Excuse me, I’ve gotta go find something to eat.

MONDAY: Mindy Newell

Bond 50 Brings 007 to Blu-ray in 23 disc Box Set

We cannot begin to tell you how excited we are that this collection will be out in time for the holiday shopping season. An amazing adrenaline-fueled time capsule, it will give James Bond fans a treat as all their favorite actors, stunts, gadgets, and Bond Girls are in high definition in a complete set. Given the excitement earlier this week when the Skyfall trailer hit, it’s clear the appetitie for 007 has yet to wane. Here are the official press release details:

All the Bonds. All the girls. All the action. All in high-definition. Metro-Goldwyn-Mayer Studios and Twentieth Century Fox Home Entertainment mark James Bond’s monumental golden anniversary with the release of BOND 50, the complete Bond experience showcasing all 22 classic films on Blu-ray together for the first time ever, neatly packaged into one cool, sleek collectable box-set. The collection will be available beginning September 24 in the United Kingdom and September 25 in North America with additional international markets to follow that week. BOND 50 marks the debut of nine James Bond films previously unavailable in high definition Blu-ray and comes with a dossier of more than 122 hours of bonus features.

Set for release just prior to the theatrical premiere of SKYFALL, BOND 50 will offer a look at the latest Bond film through videoblogs shot with the cast and crew. The BOND 50 collection also provides two all-new pieces that spotlight the history of 007. “The World of Bond” takes a look at the style and attitude that is signature to Bond; pulling together the cars, the women, the villains and the music that have been a staple of these films for the past 50 years. “Being Bond” profiles the six distinguished actors that have had the honor of portraying 007.

“We have a whole program of exciting activities planned for our 50th anniversary year, beginning with today’s announcement, by Fox, of the release of all 22 films on Blu-ray for the very first time,’’ added Michael G. Wilson and Barbara Broccoli, with Eon Productions.  “We are also delighted that Fox has unveiled a specially designed anniversary poster which we hope the fans will love as much as we do. Our website, 007.com will be regularly updated with all the latest anniversary news and events.” (more…)

THE GREEN HORNET: STILL AT LARGE – Contents Announced!

Cover: Douglas Klauba

New Pulp writer/editor Win Scott Eckert has announced the writers and story titles for the upcoming Moonstone Books release of Green Hornet: Still At Large.

I’m pleased to announce the final contents for The Green Hornet: Still at Large, due out from Moonstone Books in July 2012.

Edited by Joe Gentile, Win Scott Eckert, and Matthew Baugh, this third anthology featuring the 1960s Green Hornet, based on the television program starring Van Williams and Bruce Lee, follows The Green Hornet Chronicles and The Green Hornet Casefiles, and will ship in two editions.

The softcover trade paperback features a cover by Douglas Klauba, while the limited edition hardcover boasts a cover by Ruben Procopio. It is anticipated that as with the prior books, the third volume will also see an eBook edition, although the specific date has not been announced.

Contents:

Cover: Ruben Procopio

“Hero” by S.J. Rozan
“The Black Torpedo” by Will Murray
“The World Will End in Fire” by Richard Dean Starr
“The Man Inside” by Matthew Baugh
“Death from Beyond” by Ron Fortier
“Play the Game” by Thom Brannan
“The Gauntlet” by Bobby Nash
“Chaos and the Year of the Dog” by Bobbie Metevier
“Axford’s Sting” by Dan Wickline
“Revenge of the Yellowjacket” by Howard Hopkins
“The Man in the Picture” by Patricia Weakley
“Masks” by C.J. Henderson
“Bad Man’s Blunder” by John Allen Small
“Losers, Weepers” by Rich Harvey
“Stormfront” by Greg Gick
“The Night I Met The Hornet” by Mel Odom
“Progress” by Win Scott Eckert

The limited edition hardcover will also feature:

“The Green Hornet Timeline,” a chronology of the Moonstone stories from the three anthologies, fit into the timeline of the original television episodes, by Win Scott Eckert

A bonus story featuring the 1930s-40s Green Hornet from the radio show and serials, “The Green Hornet Meets The Avenger” by Michael Uslan

Pre-ordering information:
Amazon.com (trade paperback)
Amazon.com (limited hardcover)
B&N.com (trade paperback)
B&N.com (limited hardcover)

SONAR ENTERTAINMENT AND ECOSSE FILMS JOIN FORCES TO DEVELOP AND PRODUCE NEW ACTION-ADVENTURE SERIES "QUATERMAIN"

Reports indicate that a new 10 part series is based on H. Rider Haggard’s classic swashbuckling adventures is on the way from Sonar Entertainment and Ecosse Films.

PRESS RELEASE:

CANNES, APRIL 2 – Sonar Entertainment Inc. and Ecosse Films have joined forces to develop and produce Quatermain. The new 10×60 action-adventure series is based on the classic swashbuckling stories by iconic Victorian-era author H. Rider Haggard. The announcement of the project, which is being introduced at Cannes during MIPTV, 2012, was made today by Stewart Till, CEO, Sonar Entertainment and Douglas Rae, Founder, Managing Director and Executive Producer, Ecosse Films. Rae will serve as executive producer on the project. Richard Kurti and Bev Doyle (Terry Pratchett’s Going Postal) are the writers.

Allan Quatermain, a rugged expedition leader based in the busy, wild port of Durban, has recently turned his back on the lucrative but bloodthirsty practice of game hunts. He is approached by Baron Henry, a wealthy German noble, and Clarice Good, the beautiful but disgraced daughter of a US Governor, to help them find Baron Henry’s brother, who’s been missing since embarking on a dangerous attempt to locate the lost diamond mines of King Solomon.

Quatermain resolves to take on the mission to pay for his young son’s schooling in London – a boy he hopes to give a life very different from his own. Using a rough-sketched map left behind, Quatermain and his African tracker Umbopa lead Baron Henry and Clarice set off across the scorching desert, where they encounter constant dangers and incredible, non-stop adventures along the way.

“Allan Quatermain is one of the greatest adventure heroes in all of literature. In the years since his introduction, he has subsequently inspired many hugely successful characters and franchises, including the Indiana Jones series,” said Till. “We are extremely excited about this opportunity to partner with Ecosse as we introduce Quatermain to a new generation and bring his timeless exploits into the 21st Century.”

“We are delighted to be developing this ambitious new international series with such an experienced and inspiring company as Sonar Entertainment,” added Rae. “Quatermain has huge potential for an international audience.”

About Ecosse Films
Ecosse Films is a multi award-winning company, specialising in high-quality drama for film and television, producing 11 films and over 300 hours of network television for BBC, ITV, Channel 4, Showtime, Starz Channel and WGBH. Credits include the hugely successful film Mrs Brown, starring Judi Dench, Charlotte Gray starring Cate Blanchett, Becoming Jane starring Anne Hathaway and James McAvoy, Brideshead Revisited starring Emma Thompson and Michael Gambon, the global family hit The Water Horse and the BAFTA nominated film Nowhere Boy, the teenage biopic of John Lennon.
TV series include BBC1’s acclaimed long-running drama Monarch of the Glen and more recently the BBC 1 hit series Mistresses. Ecosse’s $50 million international drama, Camelot, a 10 part series for Starz Channel and Channel 4, stars Joseph Fiennes, Jamie Campbell Bower, Tamsin Egerton and Eva Green.

About Sonar Entertainment, Inc.
Sonar Entertainment, Inc. is a leading developer, producer and distributor of award-winning television series, mini-series and movies for the global television marketplace. Sonar owns rights to over 1,000 titles comprising more than 3,500 broadcast hours of programming. The company maintains strategic creative and licensing partnerships with producers and broadcasters throughout the world.

REVIEW: The Muppets

When The Muppets opened in November, I wrote the following on my blog and it holds up now that the film is out this week on home video from Walt Disney.

There has been a tremendous amount of talk in our world about reboots, successful or not, and I just got back from experiencing the year’s single best relaunch of a tired property. Deb, Kate, her guy Mike, and I saw The Muppets and pretty much smiled all the way through, guffawing with pleasantly regularity and wiping away a tear every now and then.

Ladies and gentlemen, please pay attention, because this is how it’s done.

It starts with understanding the property, what has worked in the past and what has not. More than that, though, it is loving the property and all it is about. No one at Disney had the first clue what to do with the property since buying the characters from Jim Henson’s heirs. Yes, Henson wanted the House of Mouse to take care of his people after he was gone, and they’ve held on to them without really having anyone loving them. (more…)