Tagged: The Daily Show

John Ostrander: New Boys In Town

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Well, it’s been a few weeks since Stephen Colbert assumed command of The Late Show and Trevor Noah has taken the reins of The Daily Show. In both cases the hosts are taking over from prior hosts who had long tenure at their respective shows (David Letterman and Jon Stewart). The new boys have been there long enough now to form some opinions.  Admittedly, they’re just my opinions but this is my column.

I want to start with The Daily Show and Trevor Noah. To be honest, this was the one that was of greater concern to me because I really loved watching Jon Stewart. I felt that he (and the show) had an important role on television. It was very funny and had a real point of view and delighted in deflating personalities and kicking other networks and other media up the butt when needed (and it has been an ever increasing need over the past few years). Jon Stewart had a keen eye and a well developed sense of outrage to go with his highly developed sense of comedy.

Could Trevor Noah compete? Could he fill those shoes? Would The Daily Show still be a must-see show for me?

Trevor Noah, for those of you who don’t know, is a South African of mixed race parentage. In fact, at the time when Noah was born in 1984, apartheid held mixed race marriages to be a crime. He’s been an actor as well as a comedian. He joined The Daily Show in December of 2014 and was there only a few months when it was announced he would be Jon Stewart’s successor.

So – how’s he doing?

Very well, I think. He is easy and relaxed. He has a knowing smile that he flashes frequently during the broadcasts. He is sharp, witty, and in command. He has shown himself to be adept at interviews which account for at least a third of each show. He is also skilled at playing the straight man for the group of loonies that make up The Daily Show’s corps of correspondents. That’s a significant trick and one that Jon Stewart was very good at playing.

Is the show different? Somewhat, but it still feels like The Daily Show I knew and loved. For me, it’s still something I want to watch.

Stephen Colbert also used to be on Comedy Central as the star of The Colbert Report, a spin-off from The Daily Show. (He had been a correspondent with Jon Stewart.) The Colbert Report was even more satirical with Colbert playing a version of himself that parodied right wing commentators such as Bill O’Reilly and those populating Fox News.

Sometimes he was so good at it that I couldn’t bear watching; a lot of right-wing commentators give me mental hives. The Bush White House evidently bought into the gag and made the mistake one year of inviting Colbert to host the 2006 White House Correspondents’ Association Dinner. That was a large mistake on their part. Using his TV persona, Colbert blistered both President Bush (who was seated only a few feet away from him) and the media. The primary audience was not terribly amused but the tape of it went viral and the rest of us liberal pinko commie types gasped, laughed, and cheered. It was a brave and bravura performance.

I’ll be honest. I always liked The Daily Show with Jon Stewart more than I liked The Colbert Report. I admired Colbert tremendously but The Daily Show made me laugh more. So I had questions when it was announced that Colbert would be taking over for Dave Letterman. The big question was – could he escape the shadow of his own Colbert Report persona?

I think he has and he hasn’t.

Some of the bits Colbert has done on The Late Show could have been done on The Colbert Report. Stephen still likes to grab the mike and sing, usually with his guests. He doesn’t have a bad voice but I don’t think he’s as good a singer as he evidently thinks he is.

When the show started, Colbert would come out dancing, doing high kicks and girly twirls which I found disconcerting. He’s stopped doing that now and that’s for the better. He was also his own opening announcer and the show now has someone else doing that job which I think is a better transition.

His first guest and his first interview was George Clooney who is usually a great guest. He’s very entertaining and can tell wonderful stories and you just point him in a direction and let him go. Colbert, however, was into doing some kind of schtick and it really hobbled Clooney. I’ve seen this continue off and on.

However, I think Colbert is evolving as an interviewer. He had Oprah Winfrey on last week and they got into a discussion of faith and belief.  I’ve noticed when he has guests on like that we see more of Colbert himself. He is evidently a man of deep belief and, with Winfrey, the interview became a conversation. He listened and responded, she listened and responded, and we got to listen in. I think that’s how interviews on these types of shows should be – conversations.

Every host on late night TV has their own persona and it’s a question of how comfortable we are with those personas. We need to at least feel we’re getting something genuine about the interviewer. I don’t always get that with Colbert but I think he’s relaxing more into his new role and we may see more of it.

He also has interesting segments I won’t see elsewhere. He often has young entrepreneurs on, people doing things that I never heard about before. I think they’re geared for a younger demographic and that’s okay. It’s a question that most late night TV will have to face – how do they attract the generation that is more likely to be on the Internet?

His musical segments are also varied. There’s been a few too many older musicians who have bad cases of old man’s voice where they sound like aging echoes of who they were and some up and coming people who I don’t know and find it hard to summon an interest. However, he gets the occasional interesting performer as well. For example, he paired Misty Copeland, the first African American prima ballerina for the American Ballet Theater who danced while master cellist Yo-Yo Ma played. That was sublime.

Another musical guest was Michelle Dorrance, a tap dancer who won a MacArthur Foundation genius grant. She gave Stephen a tap lesson (which was great) and then performed with the house band, Jean Baptiste and Stay Human (who are very good). That’s new, that’s different, and very interesting.

Any late night show needs to find a way to stand out from the others, make people want to stay up to see it while, at the same time, be what they want to watch just before they go to sleep. I think the more Colbert shows of himself and the further he gets away from his old persona, the better his show is going to be.

Right now, I think both he and Noah Trevor are doing good jobs. I like The Daily Show a little bit better, I admire The Late Show a little more and I’m interested in seeing what they will be like as the hosts get more settled in.

But I really need to get to bed earlier! Sighhhhhh.

Box Office Democracy: Rosewater

[[[Rosewater]]] is a movie that Jon Stewart basically had to make after The Daily Show played a major role in the imprisonments of Iranian journalist Maziar Bahari. It works really well as an apology and as an effort to further Bahari’s mission to increase the visibility of journalists who have become political prisoners. Unfortunately, it’s not a particularly good piece of filmmaking.

Stewart is quite green and it shows in almost every facet of the movie. The performances he gets from his actors aren’t quite up to the level of the material he’s trying to create. The movie lumbers along at times where they should move faster and speeds through moments I would love to see breathe more. It doesn’t feel like a student effort, that would be a bridge way too far, but it does feel like a movie by a director that’s learning as he goes.

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John Ostrander on… The Substitute!

ostrander-art-130811-8170175On June 10th of this year, Jon Stewart took leave of his job hosting The Daily Show on Comedy Central to go direct his first film, handing the hosting duties over to John Oliver, one of the show’s top “reporters.” This was a big deal to me – I’m a huge fan of the show but Oliver has never been my favorite performer on it. He’s been a little too over-the-top manic, playing at a character rather than being the character as predecessors like Ed Helms, Rob Corddry, Steve Carell and Stephen Colbert have done. Or Samantha Bee who comes off as a genuine lunatic (and I mean that as the highest compliment). I thought he was trying too hard to be funny rather than being funny.

Someone I would have picked over Oliver was Larry Wilmore – the dry and droll “Senior Black Correspondent.” I saw him doing a documentary about African-Americans and the Mormon Church in a Showtime special titled Race, Religion and Sex. His interviews were first-rate. I was somewhat disappointed they didn’t pick him to sub for Stewart.

I was also concerned that The Daily Show itself would suffer. Stewart has been so identified with it, rarely taking a night off even when obviously physically ill. There was simply no one else to do the job. Until now.

So, the summer wanes and Labor Day approaches and with it Stewart’s return to the desk of The Daily Show. How’s it gone without him?

In my view, surprisingly well. Oh, no question that I will be glad to see Stewart’s return but John Oliver has, overall, done a very good job. I get a better sense of Oliver as a person in his work as anchor for the show. He’s also been willing to play the straight man for the gang of comedic lunatics that comprise the show’s “reporters.” He’s been an adept interviewer, which is important because the interview sessions comprise about a third of the show. Stewart is still the better interviewer but Oliver is better than David Letterman. And he’s getting better.

An early criticism I had for Oliver’s anchorman duties was that he appeared to be imitating Stewart’s intonations and gestures and even posture. Understandable – you go with what works and you don’t want to lose the audience (I’ll bet that is one of Oliver’s recurring nightmares; that he loses the audience for Stewart). It’s gotten less as the summer has gone on, however.

My larger concern was the show itself. Stewart’s not just the anchorman for the series; he’s a writer and co-executive-producer for the show. He has set the tone for The Daily Show, I think, and that’s important. It’s not only a satire of news programs in general but of the news itself and how it’s covered. There’s a sense of real moral outrage running through the show that gives it the edge it shows. There’s a point of view that is consistently presented.

The show is biased and that’s fine; those who say it should be more balanced forget that this is actually a comedy show and not an actual news show. They proudly proclaim themselves a “fake news” show. However, in 2009 the Pew Research Center for the People and the Press said that 21% of people between 18 and 29 said that The Daily Show was their primary source for news. Stewart and producers of the show have discounted that and suggested those who used the show as their only news source would wind up horribly misinformed.

My concern was, what would the show look and sound like without Stewart, no matter who was in the anchorman’s chair? I’m happy to say it still has the same voice, the same values, the same moral outrage underlying it.

That bodes well for the show’s future. I’m glad Stewart is coming back but, let’s face it, at some point he will leave and not come back. He may want to direct some more (depending on how this first film goes), he may get offered a gig on a broadcast network late night show, he may just get tired and want to do something else. This summer has proven The Daily Show can go on without him.

It will also give him a viable substitute on the nights when he’s too ill to perform or needs to be elsewhere. That’s a good thing; it will help keep Stewart from burning out. Will the sub/heir apparent be John Oliver? It depends; Oliver’s gotten a lot more visibility and credibility as a result of this summer’s experiment. I‘d be surprised if he doesn’t get more offers as well.

So let’s call the experiment a success – John Oliver showed he can do the job and welcome back Jon Stewart. Just don’t go away again too soon, okay, fellah?

MONDAY MORNING: Mindy Newell

TUESDAY MORNING: Emily S. Whitten

 

Getting Catty, by Elayne Riggs

attackofthepumas-8308565Humans have been fascinated by felines both big and small since the beginnings of recorded history. At times we’ve both worshipped them (as did the ancient Egyptians) and reviled them (as did medieval Europeans, thus opening themselves up to the spread of the Black Plague when the witchcraft-associated kitties weren’t around in sufficient numbers to keep the rats at bay). And they’ve probably always been a big part of our mythology and folklore, including making multiple appearances in comics, from superheroes like Catman and Kitten to adult stuff like Fritz the Cat to funny animal and anthropomorphic fare.

But lately two big-cat names have infiltrated our culture to the extent that we’re all probably sick of them by now. I’m secretly hoping for Matt Groening to include them in his Forbidden Words list for 2009 so we never have to deal with them again, because they — like a number of other catty terms (such as, um, “catty”) — are used to impart negative attitudes towards women. And being one of those women-types, I tend not to like negative things directed at me simply because of my internal plumbing.

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Muppet Star Wars Figures Coming

muppetstarwars-5747998Greetings! We here at Muppet Labs have discovered a new way to separate money from your wallet. Using an advanced stimulus-response mechanism called "the Force" and combining it with marketing techniques and a dash of paprika to create the ultimate in licensing tie-ins! My assistant, Beaker, will demonstra– no, no, Beaker, be careful with that lightsaber!

Speaking of stimulus-response, we’ll also be using mice to create versions of these action figures, along with ducks and dogs.

We anticipate great success. This continues with our earlier experiments in turning Muppets into human beings, as witnessed by the transformation of myself, Dr. Bunsen Honeydew, into a correspondent and resident expert for The Daily Show