Tagged: The Spider

Warren Ellis on Transmetropolitan: The Movie?

During a recent appearance in the Something Awful forums, writer Warren Ellis fielded some questions from members about the possibility of a film based on one of his most most popular series, Transmetropolitan.

The forums require a paid subscription, but the crew at Comics2Film has posted some of the highlights of the discussion, including the identity of the actor both Ellis and Transmet artist Darick Robertson would like to see don the red-and-green glasses of the series’ main character.

Q: More generally, who do you have in mind doing Spider so that it gets "done right"?

A: Darick and I both favour the idea of Tim Roth playing Spider.

Ellis also dismisses the rumor that Patrick Stewart, a fan of the series, will play the role of Spider in any form whatsoever.

Gore, Mayhem and Violence, by Mike Gold

Unless you’re new to  or you’ve been avoiding our online comics (hey, c’mon, they’re FREE!) or our comments sections (where the real action is), you’ve probably figured out that I am among a number of cultural recidivists who hang out in this corner of the ether. Mark Wheatley, Andrew Pepoy, John Ostrander… well, damn, most of us, now that I think of it.

So it will come as no surprise that I’ve been reading Girasol Collectibles’ Pulp Doubles series (orderable at your friendly neighborhood comics shop and dozens of other online sources), featuring the original Master of Men, The Spider. The real one. The original. The man who best typifies pulp virtues, where the extreme is commonplace and New York City is destroyed every month.

It’s Jim Steranko’s fault. In the first volume of his History of Comics (and, yes, I, too, have been waiting patiently for volume three for over 35 years), he started off writing about the various costumed pulp heroes who influenced (or, in some cases, were blatantly ripped off by) sundry comic book creations. I had never heard of The Spider before, but Jim praised it as being so purple it would make a French king wince in pain.

Instead of filling space telling you what that means, I will instead tell you some of the plot points in The Spider #49, “The City That Dared Not Eat.” It’s one of my favorites, and it’s in Girasol’s Pulp Doubles #1. I don’t know how you can better that title, but, damn, author Wayne Rogers (no relation to Trapper John) certainly beats it to a pulp. Here’s just a few of the story’s highpoints:

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Master of pulp fiction? It’s The Spider, man!

headone-9091782O.K. If this is a review, it’s of The Spider Chronicles, published by Moonstone Books, released this week, and written by all kinds of wonderful people including Steve Englehart, John Jakes, Ann Nocenti and Robert Weinberg – all under a nifty introduction by ComicMix columnist and gadfly-about-town Dennis O’Neil.

Having a full-time job right here at ComicMix, I’ve only had time to read half the stories thus far, but all were worthy of the task: translating into short story form the most bizarre and over-the-top hero of all time, period.

The concept can be barely contained in the novelette-length stories of the 1930s. In case you’re not familiar, let me ramble off some of my favorite story titles: King of the Red Killers. Slaves of the Murder Syndicate. The City That Dared Not Eat. Machine Guns Over The White House. Hell’s Sales Manager (I think I had that job once.) And my all-time favorite, The Mayor of Hell.

How can you beat titles like that? Only with execution that make those titles seem lame.

There’s usually one madman who pretty much looks like Charles Lane. We may or may not know who he is at the outset, but within several chapters he’s managed to paralyze the city (usually New York or Washington or both), if not indeed the whole quadrant of the nation, if not indeed the entire nation itself. By chapter six, the death count is enough to fill Yankee Stadium to the brim.

Only three people stand in the madman’s way: Nita Van Sloan, a woman as tough and clever as they come; Ran Singh, loyal, faithful assistant to The Spider and an ace at cutlery; and finally, wealthy playboy Richard Wentworth who likes to play the violin, not take advantage of the adoring Nita, and dress up in a variety of disguises – most notably in the monstrous visage of The Spider.

Wentworth’s the one who does the heavy lifting. He doesn’t mind killing each and every person he and he alone deems worthy of killing.

If you could hook your hybrid into a Spider story, the energy would drive you coast-to-coast and back again. Imagine the Kree / Skrull War with all the Kree and all the Skrulls on one side, three people on the other side, and all the battles taking place in an area no bigger than your bedroom. 

There have been any number of Spider reprint projects going on, most notably the double-story ventures similar to Anthony Tolin’s Shadow and Doc Savage reprints (see Dennis O’Neil’s column here at ComicMix this week) as published by Girasol Collectibles (www.girasolcollectables.com/). They’re worth checking out.

But our friends at Moonstone have boldly ventured where no one’s gone for quite a while by commissioning these short stories by such famous authors. Given their length they might be sedate by “Grant Stockbridge” standards (the pseudonym under which all but the first novels were written). Pick up The Spider Chronicles. It’s the heroic ideal taken to its most bizarre limit.