Tagged: Thor

Watch “Thor: The Dark World” Trailer

Will Thor: The Dark World Be Plagued By Dark Elves?

Just in time for Iron Man 3, we have trailers for Thor: The Dark World, hitting UK theaters on October 30 and US theaters on November 8. Of course, it’s the sequel to Marvel’s Thor, starring Chris Hemsworth, Natalie Portman, Tom Hiddleston and Christopher Eccleston.

Marvel’s Thor: The Dark World continues the big-screen adventures of Thor, the Mighty Avenger, as he battles to save Earth and all the Nine Realms from a shadowy enemy that predates the universe itself. In the aftermath of Marvel’s Thor and Marvel’s Avengers Assemble,Thor fights to restore order across the cosmos…but an ancient race led by the vengeful Malekith returns to plunge the universe back into darkness. Faced with an enemy that even Odin and Asgard cannot withstand, Thor must embark on his most perilous and personal journey yet, one that will reunite him with Jane Foster and force him to sacrifice everything to save us all.

Starring Chris Hemsworth, Natalie Portman, Tom Hiddleston, Stellan Skarsgård, Idris Elba, Christopher Eccleston, Adewale Akinnuoye-Agbaje, Kat Dennings, Ray Stevenson, Zachary Levi, Tadanobu Asano and Jaimie Alexander with Rene Russo and Anthony Hopkins as Odin, Marvel’s Thor: The Dark World is directed by Alan Taylor, produced by Kevin Feige, from a story by Don Payne and screenplay by Christopher Yost and Christopher Markus & Stephen McFeely and is based on Marvel’s classic super hero Thor, who first appeared in the comic book “Journey into Mystery ” #83 in August, 1962 by Stan Lee and Jack Kirby.

Captain America: The Winter Soldier Shooting Underway

captain-america-winter-soldier-teaser-e1365457551173-8280185BURBANK, Calif. (April 8, 2013) – Following in the footsteps of the record-breaking Marvel Studios’ release, Marvel’s The Avengers, production on the highly anticipated release, Marvel’s Captain America: The Winter Soldier has commenced in Los Angeles, Calif., with production also including locations in Cleveland, Ohio, and Washington D.C. Directing the film is the team of Anthony and Joe Russo (Welcome to Collinwood) from a screenplay written by Christopher Markus (Captain America: The First Avenger) & Stephen McFeely (Captain America: The First Avenger). Marvel’s Captain America: The Winter Soldier returns Chris Evans (Captain America: The First Avenger, Marvel’s The Avengers) as the iconic Super Hero character Steve Rogers/Captain America, along with Scarlett Johansson (Marvel’s The Avengers, Iron Man 2) as Black Widow and Samuel L. Jackson (Marvel’s The Avengers, Iron Man 2) as Nick Fury. In addition, film icon Robert Redford has joined the all-star cast as Agent Alexander Pierce, a senior leader within the S.H.I.E.L.D. organization. Captain America: The Winter Soldier is set for release in the U.S. on April 4, 2014.

Captain America: The Winter Soldier will pick-up where Marvel’s The Avengers left off, as Steve Rogers struggles to embrace his role in the modern world and teams up with Natasha Romanoff, aka Black Widow, to battle a powerful yet shadowy enemy in present-day Washington, D.C.

Based on the ever-popular Marvel comic book series, first published in 1941, Marvel’s Captain America: The Winter Soldier features an outstanding supporting cast that includes Sebastian Stan (Captain America: The First Avenger, Black Swan) as Bucky Barnes/Winter Soldier, Anthony Mackie (The Hurt Locker, Million Dollar Baby) as Sam Wilson/Falcon, Cobie Smulders (Marvel’s The Avengers, How I Met Your Mother) as Agent Maria Hill, Frank Grillo (Zero Dark Thirty) as Brock Rumlow and Georges St-Pierre (“Death Warrior”) as Georges Batroc. Rounding out the talented cast are Hayley Atwell (Captain America: The First Avenger) as Peggy Carter, Toby Jones (Captain America: The First Avenger, The Hunger Games) as Arnim Zola, Emily VanCamp (The Ring 2, Revenge) as Agent 13 and Maximiliano Hernández (Marvel’s The Avengers, Thor) as Agent Jasper Sitwell.

Marvel Studios’ President Kevin Feige is producing the film. Executive producers on the project include Alan Fine, Louis D’Esposito, Victoria Alonso, Michael Grillo and Stan Lee. The creative production team on the film includes director of photography Trent Opaloch (Elysium, District 9), production designer Peter Wenham (21 Jump Street, Fast Five), editors Jeffrey Ford, A.C.E. and Mary Jo Markey, A.C.E. (Star Wars: Episode 7, The Perks of Being a Wallflower) and three time Oscar-nominated costume designer Judianna Makovsky (The Hunger Games, Harry Potter and the Sorcerer’s Stone).

Marvel Studios’ upcoming release schedule includes Iron Man 3 on May 3, 2013, and Thor: The Dark World on November 8, 2013. The studio most recently produced the critically acclaimed Marvel’s The Avengers, which set the all-time, domestic 3-day weekend box office record at $207.4 million. The film, which shattered both domestic and international box office records, is Disney’s highest-grossing global and domestic release of all time and marks the studio’s fifth film to gross more than $1 billion worldwide.

In the summer of 2011, Marvel successfully launched two new franchises with Thor, starring Chris Hemsworth, and Captain America: The First Avenger, starring Chris Evans. Both films opened #1 at the box office and have grossed over $800 million worldwide combined. In 2010 Iron Man 2, starring Robert Downey Jr., Gwyneth Paltrow, Don Cheadle, Scarlett Johansson, Sam Rockwell, Mickey Rourke and Samuel L. Jackson as Nick Fury took the #1 spot in its first weekend with a domestic box office gross of $128.1 million.

In the summer of 2008, Marvel produced the summer blockbuster movies Iron Man and The Incredible Hulk.  Iron Man, in which Robert Downey Jr. originally dons the Super Hero’s powerful armor and stars alongside co-stars Terrence Howard, Jeff Bridges, Shaun Toub and Gwyneth Paltrow, was released May 2, 2008, and was an immediate box office success. Garnering the number one position for two weeks in a row, the film brought in over $100 million in its opening weekend.  On June 13, 2008, Marvel released The Incredible Hulk, marking its second number one opener of that summer.

Ultimate Spider-Man: Avenging Spider-Man Comes to DVD Next Week

Over the past year, Peter Parker has been saving New York City from evil villains as the masked hero, Spider-Man while balancing his heroics with homework and friends. When S.H.I.E.L.D. Director, Nick Fury, offers Peter the chance to raise his game to the next level…to become The Ultimate Spider-Man, Midtown High becomes a secret operations base for young heroes under the watchful eye of Fury and the school’s new principal, Agent Coulson. Spidey takes on S.H.I.E.L.D. missions across the Marvel Universe, encounters new villains, and battles his biggest threat yet…teen high school drama, in this funny and action– packed new series!

Click Communications: Marvel Ultimate Spider-Man: Avenging Spider-Man on DVD 2/5/13! &emdash; Nick Fury & Spider-Man

Marvel’s Ultimate Spider-Man: Avenging Spider-Man 2-Disc DVD

PREMIERED APRIL 1, 2012 ON DISNEY XD BY MARVEL ANIMATION STUDIOS

Genre:                                   Animation/Action-Adventure

Rating:                                   TV-Y7 FV

US Release Date:                            February 5, 2013

Feature Run Time:                          Approximately 135 minutes each disc (six 22-minute episodes) – total: 270 minutes

Suggested Retail Price:     2-Disc DVD = $26.99 (US only)

Content:

Disc One: Great Power, Great Responsibility, Doomed, Freaky, For Your Eye Only, I Am Spider-Man

Disc Two: Flight of the Iron Spider, Exclusive, Field Trip, Home Sick Hulk, Run Pig Run, Not a Toy

Voice Cast:

Drake Bell as Spider-Man (Drake & Josh), Clark Gregg as Agent Coulson (The Avengers, Thor), Logan Miller as Sam Alexander/Nova (I’m in the Band), Caitlyn Taylor Love as Ava Ayala/White Tiger (I’m in the Band), Greg Cipes as Danny Rand/Iron Fist (Teen Titans), Ogie Banks as Luke Cage/Power Man (Fatherhood), Tara Strong as Mary-Jane (The Fairy Odd Parents), Steven Weber as Norman Osborn (A Fairly Odd Movie: Grow Up Timmy Turner! Brothers & Sisters), Tom Kenny as Doctor Octopus (Spongebob Squarepants, Dan vs.), Chi McBride as Nick Fury (Human Target, Hawthorne), J.K. Simmons as J. Jonah Jameson (Spider-Man 3, The Closer).

Executive Producers:                    Alan Fine (Marvel’s The Avengers, Thor, Iron Man 2) Dan Buckley (The Avengers: Earth’s Mightiest Heroes, Iron Man: Armored Adventures) Joe Quesada (Ultimate Spider-Man) Jeph Loeb (Lost, Heroes).

Marc Alan Fishman: The Superior Spider-Ploy

fishman-art-121222-1272828SPOILER ALERT: To be fair… if you’ve not read Amazing Spider-Man #700, and care about the ending, and haven’t scoured the interwebs for spoilers previously? Please don’t read this week. Go read Dennis O’Neil’s article instead. It’s better than mine anyway.

Awhile back Michael Davis and I got into a heated argument over balls. Not kickballs. Not softballs. Not soccer balls. Balls. Juevos. Or Huevos, depending on how you look at it. We bickered a bit on whether DC’s New52 was a move made with testicular fortitude. Well, I’d like to think ultimately I won. I said they didn’t use enough man-juice. They got the bump in sales they wanted, but I don’t believe for a second they “changed the industry,” “changed the game,” or did anything more than what they did after the first Crisis on Infinite Earths – but in a significantly more watered down way. But I digress. This week, I’m not here to chastise DC. This week. I’m here to celebrate a bold and ballsy move by none other than Dan Slott. His Superior Spider-Man is a gutsy concept that deserves recognition.

Slott started in on his run on Amazing Spider-Man way back at issue #546. One-two-skip-a-few-ninety-nine-six-hundred. At issue #600 Dan started what would lead to a hundred issue long game wherein he would eventually do the (mostly) unthinkable: he would kill Peter Parker, and in true comic fashion mind-swap Otto Octavious into the titular hero’s body. And he’d keep it that way. Thus, when Marvel launches Superior Spider-Man with Doc Ock as Peter Parker… we have a new(ish) Spider-Man in the 616. Balls, kiddos.

The ideology here is simple. Thwarted time and again, Octavious decided to play one of the longest cons in comic history. In bits and pieces and dribs and drabs, Doc Ock found ways into Peter Parker’s head. And after his nefarious plan succeeds, in very a Ozymandias’ way, we are left with Spider-Ock. But instead of proclaiming potential world domination, instead Slott aims Octavious towards a goal that makes him more a shade of gray than previously thought. To paraphrase: all Otto’s ever wanted (aside from a dead nemesis for years and years, and maybe a better haircut) was to improve the world. Now, with this newfound great power will come great solutions. He has proclaimed that he will be the superior Spider-Man. Natch.

Now, the whole body swap thing has been done before. As has the “replace the title character with character X.” Bucky-Cap. Dick Grayson-Bats. Frog-Thor. And yes, we know that Spidey-Classic will no doubt be back in his own body safe and sound. And let’s even be so bold as to suggest somehow Otto will get himself a new body too. Younger. Stronger. Designed with 100% more lines and angst. It’s just the nature of this business. Don’t believe me? Go look at Frank Castle. Bloodstone my Jewish ass. But that’s a whole ‘nother show, as Alton Brown might say. The key here, and the reason I’m so excited about this, is because of the sheer novelty.

It’s widely known my favorite book of 2011 was Scott Snyder’s Detective Comics, starring Dick Grayson under the cape and cowl. I had not purchased a Batman book for eight years prior. Thank you, Hush. Why did I return? Especially when I didn’t know Scott from a hole in the wall? Because of the opportunity to give me something new. And whereas seemingly all other Marvel titles being brought into the “NOW,” here Slott decided to end his pre-now run with a big bang. Everyone else put the toys neatly back on the shelf. Balls. Of course, it may be a bit unfair to say that. Slott leaves Amazing Spider-Man to go to… Superior Spider-Man. So, perhaps he’s only semi-ballsy? Nay. To start a new number one with such a concept – for however long it goes on for – is a calculated risk.

Most of us in comic land know that a shiny new #1 on the shelf is an invitation to hop on board the bandwagon before it’s too late. I missed the boat (er… wagon) already on Daredevil, Hawkeye, and a few others outside the big two. To start a book by throwing out the previously known characteristics of your lead hero is something even more refreshing that Bucky-Cap and the like. Octo-Spidey has a cold and calculating mind behind the bright spandex. He has knowledge of the underworld other heroes would not be privy to. And he has all of Peter’s knowledge on top of his own. That’s two super-scientists for the price of one, for those counting. All of these things contribute to an amazing (superior? Nah, too easy) amount of potential energy. So long as Slott can convert that to kinetic energy he has an opportunity to redefine a hero with decades of backstory (and a ton of it truly despised). Goodbye clone saga. Goodbye “One More Day.” Hello new stories. For however long they last.

Speaking of that length, I cite Señor Miguel Oro. “…It’s not merely a matter of execution: eventually, the readers’ patience will wear out. The trick it to make the arc so compelling you don’t want it to revert. That’s some trick. But even then, you’re racing against the reader’s expectations.”

And therein lies the ultimate question. How long can Dan Slott keep the ball in the air. The longer he does it, the more attention will gather around the book. I mean, with a major motion picture looming not too far off in the distance, can Slott successfully maintain a Spider-Man that isn’t? Only one way to tell. And while I only read “Ends of the Earth” on his Amazing Spider-Man run before being lured elsewhere… I for one will jump on board as long as he delivers.

Dan Slott, the balls are in your court. Now (heh), use them.

SUNDAY: John Ostrander

 

Hey Kids! Topless Pulp Fiction!

0811-i-300x450-5231358During a recent in-house editorial discussion here, the notion was floated that we should be showing naked female breasts on this website, as part of an attempt to increase search engine rankings and site traffic.* To address this lack of undress, we’d like to present you with The Outdoor Co-ed Topless Pulp Fiction Appreciation Society, whose slogan is “Making Reading Sexy”. Their raison d’etre:

We’re a group of friends, and friends of friends, and friends of friends of friends, and complete strangers, who love good books and sunny days and enjoying both as nearly in the altogether as the law allows. Happily, in New York City, the law allows toplessness by both men and women. So that’s the way we do our al fresco reading. If you’re in New York and the weather’s good, won’t you join us sometime…?

And yes, you can go to their website, which features many photos of them in Bryant Park and other New York City locales fulfilling their organizational mission. (Of course, the site is probably Not Safe For Work.) They’ve been working their way through a recent contribution from Hard Case Crime who generously supplied them with free copies of some of their latest, including [[[Seduction of the Innocent]]] from our good friend Max Allan Collins. We hope he got a good back cover blurb out of it.

They don’t appear to have gotten around to comics and graphic novels yet, but we’re sure we can find something for them by the time the weather in New York gets nice again. And no, despite what you might think, we’re not going to send them a bunch of mini-comics. We just aren’t cynical enough for Cynicalman.

* Yes, this is what goes on in our workplace when we aren’t figuring out how many dimensions Cynosure intersects with. Arguing about whether Thor is stronger than the Hulk is for newbies.

John Ostrander: Dueling Capes

ostrander-art-121014-5946860There are the Great Eternal Fanboy Questions. (The Eternal Fanboys sounds like a comic itself or a geek Goth band.) One of them is “Who is stronger, the Hulk or the Thing?” Or the variation “Thor or the Hulk?” You can even ask who is stronger – the Hulk, the Thing, or Thor, but that gets complicated and a little metaphysical.

The Classic Eternal Fanboy question, though, predating the others is “who would you rather be, Superman or Batman?” Supes can fly and has all those powers; he’s become sort of the Swiss Army Knife of superheroes as more and more abilities were added over the years, like super-breath. There are mornings when I’ve had super-breath. Not quite like Superman’s but still pretty potent. It had me grabbing the Kryptonite mouthwash.

Batman, on the other hand, is all dark and moody and mysterious and he has all those wonderful toys! And, underneath that cowl and cape, he’s human. One of the prevailing arguments in the debate is that we could never be Superman because he’s an alien from another planet but if we really worked at it, if we were as dedicated as Bruce Wayne, we could become the Batman.

In your dreams, pal. Never going to happen. All us Eternal Fanboys also have second lives as the Eternal Couch Potatoes. Maybe we could be Herbie the Fat Fury, who got his powers from special lollypops, but not The Batman.

As a comic book writer, I’ve been asked the question more than once (and have pondered the answer a few times) which character would I prefer to write – Superman or Batman? Most of you who know my work would probably guess Batman and, for much of my early career, it was true. My forte are dark, moody, violent characters and Batman certainly fit into that. Superman was this big blue Boy Scout with an annoying girlfriend and a personality almost as thin as the paper on which he was printed.

Over the years, however, that’s changed and these days I find I’m drawn more to the Man of Steel. I suppose it started with Christopher Reeve’s portrayal in the 1978 Superman movie. It was Superman’s humanity that struck me. That also came out in Grant Morrison’s superb All-Star Superman run, simply one of the best incarnations of Superman that I’ve seen.

For me, the heart of Superman, the basis of who he is, is not the powers that he has. It’s that he was raised on a farm in Kansas and those are the values that were instilled in him. At heart, he is Clark Kent. Not Kal-El of Krypton and not Superman. Not even the Clark Kent as perceived at the Daily Planet. At heart, at his core, he’s that Kansas farm boy. There is a humility in him; his upbringing is what defines him as a character and not his powers and that, I think, is how it should be. It’s who he is and not what he can do.

Batman has become a much darker and less human character over the years. It’s his way or the highway. He no longer tries to intimidate just the bad guys but his friends and co-workers as well. Batman is the central personality; Bruce Wayne barely appears and then only to serve Batman’s needs. He’s a compelling character, no question – but not one I feel drawn to as much anymore.

Maybe it’s just that I’m growing older but I value Superman – Clark Kent – for that humility, that humanity, and find that it speaks more to me. For all his being an alien, I think Superman is more human than Batman. So, for me, the answer to the Eternal Fanboy question is – I’d rather be Superman.

Your mileage may vary.

MONDAY: Mindy Newell

 

John Ostrander says “Continuity Be Damned!”

ostrander-art-1209301-9288143Got The Avengers DVD on the day of its release and watched it all over again. My Mary and I enjoyed ourselves immensely and, from all indications, so did a lot of other people since its big screen release made more money than all but two other films.

Yes, previous Marvel films (Iron Man 1 and 2, Thor, Captain America, and the last Hulk film) all built up to it. It was great how it took the basic stuff we knew about all of them, including the initial Avengers comics, and was true to them but do you know what really made The Avengers such a juggernaut?

It was accessible.

You don’t need to know anything about the comics. You don’t need even to know anything about the other films. Everything you need to know to sit back and enjoy the movie is in the movie. Yes, if you know your Marvel lore it adds to the enjoyment but the fun of the movie and your understanding of the story is not predicated on that lore.

Over at DC, the Silver Age began when the legendary Julius Schwartz (hallowed be his name) took a bunch of character titles and concepts from the Golden Age, re-imagined them for what were more contemporary tastes, and re-ignited the superhero comic. He wasn’t concerned with continuity with the Golden Age, which was itself never too concerned with internal continuity; he wanted to sell comics.

When Marvel started (as Marvel) back in the Sixties, it started with all new characters at first so they didn’t have continuity problems. Even when they worked in Golden Age characters like Captain America and Namor, you didn’t need to have ever read any of the old stories. Everything you needed to know about those characters were in the stories.

Say that you’ve seen the movie The Avengers and you’d like to read a comic based on what you saw. So you go into a comic book shop and find: The Avengers, The Uncanny Avengers, The New Avengers, The Secret Avengers, Avengers Assemble, Avengers Academy, Dark Avengers, and, if you hurry, Avengers Vs. X-Men. This doesn’t include The Ultimates, which might be closest to the movie. Which one do you choose? And, if you do choose one, can you understand the story? Is it accessible or so caught up in past or current continuity as to not make sense to a casual reader?

I’m not excluding DC either. Say that you saw and liked The Dark Knight Rises and would love to know what happened next. So you go to the comic book store and you will not only find nothing that would tell you what happened next but nothing that isn’t tied to a crossover.

Look, I’m well versed in the ways of continuity. I’ve mined it for my own uses. However, when I started my run on Suicide Squad I essentially dropped everything but the title, even redefining the concept. Yes, I made use of continuity but I never assumed that the reader of the new book would know anything about the old series or care about the old characters.

I work in Star Wars and believe me when I say that the continuity there is as dense and complicated as anything at Marvel or DC. I’ve learned how to negotiate those reef filled waters by either creating new characters or going forward or backwards or even sideways in time. I research the continuity where my stories touch upon it but I don’t get tied down to it.

The ones who care about continuity are the fans and the hardcore fans care about it most. I’ve had all sorts of fans who want to tell a story based upon some obscure plot point that doesn’t fit quite snuggly enough into continuity (or how they perceive it) and explains it all. It’s hard to tell stories based on continuity alone. They’re bloodless. Story comes from characters and their desires and interactions.

This summer we’ve seen a load of very successful superhero movies – The Avengers, The Dark Knight Rises, The Amazing Spider-Man (itself a reboot from the last Spider-Man movie which was out only about five years ago). So there is a market out there. Yes, yes – comics and movies are two different media but the concepts are the same in both. Do we want to attract even a portion of that audience? For the survival of a medium we love, all of us – fans and pros alike – need to say yes.

The way to do that is with well-told stories that are accessible to all readers. Mary and I know a friend who watched The Avengers with her grandson and both enjoyed it. And they enjoyed watching it together. That’s something we should aim for.

In the end, if continuity gets in the way of a really good, accessible story, then I say – continuity be damned.

MONDAY: Mindy Newell

TUESDAY MORNING: Emily S. Whitten

 

Captain Action Offers NYCC Purchasers Free Comics

ca-nycc-autog-thor-269-simonson-e1348688177214-5813542New York, N.Y. (September 25, 2012) –Captain Action Enterprises is proud to announce a New York Comic Con convention-only offer: fans and collectors receive free comics with every Captain Action toy purchase.  These comics include comics showcasing characters featured in the toy sets, including Spider-Man, Captain America, Hawkeye, Thor, Loki, and Captain Action.

And the first 66 customers will receive special autographed comics.  These comics are signed by top creators including Walt Simonson, Roger Stern, Beau Smith, Sean Chen, Mark Wheatley and more.

“New York Comic Con and ReedPop have been very good to us, and this is one small way of giving back,” said Ed Catto, Retropreneur and co-founder of Captain Action Enterprises.

Additionally, the Captain Action booth will be giving away stress ball “brains” to celebrate the return of Captain Action’s arch-foe, Dr. Evil. As an insidious alien, Dr. Evil’s striking countenance is topped off by his creepy exposed brain.  Available while supplies last, these Brains will be given away to all fans and no purchase is necessary.

“This will be a busy year for us at NYCC”, said Joe Ahearn, co-founder of Captain Action Enterprises.  “We’ll be debuting our second wave of Toys featuring Dr. Evil, Thor and Loki and our new merchandise from Titan. We’ll also have the legendary Walt Simonson and pulp author Jim Beard on hand to autograph copies.  Oh, and we have a panel and a big announcement too!”

Captain Action is based on the action figure created in 1966 by Stan Weston for Ideal Toys and sold internationally. The hero came equipped with a wardrobe of costumes allowing him to become many different heroes such as Batman, The Lone Ranger, the Green Hornet and many more. In 1967, Captain Action proved so popular that the line was expanded to include a sidekick, Action Boy and a blue skinned alien foe with bug eyes, the nefarious Dr. Evil.  The following year, DC Comics licensed the character from Ideal and published five issues of Captain Action featuring industry luminaries such as Jim Shooter, Wally Wood and Gil Kane.

The line has experienced as strong resurgence, complete with an all-new toy line that debuted earlier this year.

“For our gift-with-purchase, we’re offering the best recent comics as well as vintage treasures.  Some gems include vintage Kirby Thors and a Romita Captain America, guest-starring Spider-Man.  We even have a few Wally Wood issues in there.  It’s our hope that we’ll reward collectors and provide a unique gift to younger fans, “ said Catto.

Captain Action is at booth #3136. The New York Comic Con is held at the Javits Center in New York City, from October 11 – 14, 2012.