Tagged: Tom Spurgeon

Tom Spurgeon: 1969-2019

Tom Spurgeon: 1969-2019

Tom Spurgeon, the longtime comics industry journalist, historian, editor and author passed away at the age of 50 today, according to a Facebook post by his brother Whit Spurgeon.

Tom was best known for his comics industry news website The Comics Reporter since 2004, and for his five-year stint as Managing Editor and then Executive Editor of The Comics Journal from 1994 to 1999.  The Comics Reporter won the Eisner Award for Best Comics-Related Periodical/Journalism in 2010, 2012, and 2013.

The last time most of us saw Tom was at Baltimore Comic Con just a month ago. We always thought there would be more time to talk shop, discuss web site migration plans, and to gush about the medium we loved. And now there isn’t.

Karen Green has announced that the Global Webcomics Web Archive members have agreed that, despite it not strictly meeting their criteria, and barring any objections from stakeholders, The Comics Reporter will be archived. She says it’s “Way too important a site to risk losing!” and we agree wholeheartedly.

We’ll all miss you, Tom.

 

Join the CBLDF Website Team!

  • News
  • August 15, 2012

join-the-cbldf-website-team-8176584Just last week, the CBLDF website was recognized by Tom Spurgeon with The Comics Reporter for our “content explosion,” and we want to do more! CBLDF is looking for contributors to add to our already spectacular roster of bloggers. Whether you’re a journalism student looking for experience, a passionate fan of comics and Free Speech, or an educator and librarian who wants to share your experiences, CBLDF is looking for your voice!

Each member of our website team will be asked to identify and/or generate content about relevant Free Speech issues for www.cbldf.org on a weekly or semiweekly basis under editorial guidance from the Web Editor. The Web Editor may assign specific articles for coverage, but contributors will otherwise have flexibility in choosing what they write about. Our current contributors cover stories and generate original posts that run the gamut from the history of comics censorship to the international suppression of cartooning voices.

The blogging positions are voluntary. Articles will be seen by visitors to www.cbldf.org and cross-posted on CBLDF’s Facebook page, Twitter feed, and weekly newsletter, ensuring that several thousand people will see the articles. Contributors will be able to work from anywhere, set their own schedules, build writing and blogging experience, and boost their resumes. In doing so, contributors will support the important First Amendment work of CBLDF.

If you are enthusiastic about the First Amendment, a good writer, and able to take editorial direction, you’re a perfect candidate — apply today!

To apply, please send your resume and a writing sample to betsy.gomez@cbldf.org.

ABOUT THE COMIC BOOK LEGAL DEFENSE FUND
Comic Book Legal Defense Fund is a non-profit organization dedicated to the protection of the First Amendment rights of the comics artform and its community of retailers, creators, publishers, librarians, and readers. The CBLDF provides legal referrals, representation, advice, assistance, and education in furtherance of these goals.

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Tribune Media Services #FAIL on today’s “Broom-Hilda”

  • News
  • July 25, 2012

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Seriously, Tribune Media Services? This Broom-Hilda strip was drawn weeks ago, and with a five day lead time you didn’t think to pull it from today’s newspapers? If I were Russell Myers, I’d be furious.

Hat tip: Tom Spurgeon at The Comics Reporter.

A CLick Survival Guide for Comic-Con International

With Comic-Con International, ak.a. San Diego Comic-Con, now just days, almost hours, away, those traveling to the extravaganza are packing to hit the road. There are several noteworthy survival guides we can recommend to those of you less familiar with what it’s like being there. Tom Spurgeon at The Comics Reporter has his valued 150 tips, the gold standard of advice.

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But our friends over at Click Communications has also assembled a witty Survival Guide of their own. Click is a leading media public relations firm and we’ve been dealing with them for years. They talk the talk, walk the walk, and have plenty of good pieces of advice to share along with thumbnails on many of the properties near and dear to their hearts. While Tom’s tips are good for everyone, even veterans, this guide is great for newcomers and those who don’t speak Geek as fluently as the rest of us.

They explained to us, “This guide began as a way to offer some helpful tips—and a little entertainment—to anyone working the Con who might not count down the days ‘til July the way we do.  Now in its fifth year, our simple How-To manual has grown into something that “n00bs” and nerds alike can appreciate. This year, the guide also features original artwork from some talented, up & coming comic book artists: Tess Fowler, Tony Fleecs, and Scott Arnold.”

Since you’ll be stuck on lines for a good portion of the con, they have even come up with a useful way to pass the time: The Click Communications Comic Con Survival Kit Contest!

Enter to win a Survival Kit of your very own by visiting our blog, or join us in playing Comic-Con Bingo.  Grab the Bingo card from the back of the Guide and share your pics online via Facebook, Twitter, or Pinterest to line up your finds to win fabulous prizes while in San Diego.  For more information, and to enter to win, visit either here or here.

Now for Click’s OBLIGATORY DISCLAIMER:

Click’s Comic-Con Survival Guide is just a little something they put together for your information and our amusement. There’s zero guarantee that the information they found online is 100% reliable.  After all, release dates change, actors need rewrites, directors run out of budget, writers go…insane. Things happen. Since we all know that, no one should take any of the information contained within as locked-in gospel or anything. Okay?  Okay.

ComicMix QuickPicks – January 16-18, 2009

The weekend wrap-up of comic-related news items that might not generate a post of their own, but may be of interest…

* Tom Mason interviews Dan Thompson about his new strip RIP HAYWIRE at Comix 411.

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* The Comics Reporter: Dan Vado on the recent changes at Diamond:

…the thing that slaps us up in the face most is the raising of the Purchase Order benchmark to $2500. What that means is that every book needs to generate $2500 of revenue (that would mean a little over $6000 in sales at retail based on the discount we give to Diamond) in order to be listed with Diamond. That does not mean that Diamond is going to cancel or not carry books which appear in the Previews but do not reach that benchmark, but it does mean that if you have a line of books which consistently do not meet that mark, you will not be getting your books listed in the Previews for long…

…what few books we published as floppies will probably not ever see the light of day. While a first issue might sell well enough to meet the benchmark it is more than likely that everything from a second or third issue on will not. Again, I think your average reader might be shocked at how poorly some comics sell. So, if you’re a small publisher or a self-publisher and your plan is to release a mini-series and then collect it as a trade, those plans might change.

It’s a tough spot for everyone to be in. Diamond is in essence asking everyone to sell more in a recessionary environment or find themselves out of the catalog. Short term, a lot of publishers are going to find themselves with no distribution.

Read the whole thing.

* And while we’re getting depressed on comics economics, we have Ilan Strasser of Fat Moose Comics and Games on the Current State of the Comic Market. Via ICV2. Also, who says the Book Business Is Dead? Why, Jason Epstein does… here’s his Autopsy of the Book Business. I’d be slightly more worried if Jason hadn’t been calling the alarm for 15 years… on the other hand, it doesn’t mean he was wrong then or that he’s wrong now.

* It gets even uglier: Anderson News Warns of ‘Implosion’ in Mag Business:

Magazine distributor Anderson News CEO Charlie Anderson is warning of an “implosion in the business” as his company attempts to impose new charges on magazine publishers, according to a report in Folio. Anderson, which represents over 20% of magazine distribution in the U.S., is demanding that publishers pay an additional $.07 per copy distributed (gross, not net of returns) to return magazine distribution to profitability for his company.  “The business has not been profitable and has not been for a very long time,” Anderson said.  “What we are trying to do is give some stability in the channel.  Short of that, there will be an implosion in the business.”  Anderson says he believes that three of the four magazine wholesalers that distribute magazines nationwide are unprofitable.

* Even uglier than that: theBookseller.com reports that book sales were discounted by nearly a billion dollars in England last year.

* Can it get even worse? According to Tom Spurgeon, yes: more newspapers can fold– the Minneapolis Star Tribune just filed for Chapter 11 bankruptcy– or they could just cut back on their comics sections. And we haven’t even heard about bookstore returns.

* Exhibits examine ties between Jews and comic books — although it amazes me that I find out about an exhibit at Brown University in Providence, Rhode Island by reading a newspaper web site in Richmond, Indiana.

* Sir John Mortimer, the creator of Rumpole of the Bailey, has died.

Anything else? Consider this an open thread.

What’s “Watchmen” About?

watchmen-cover-00-5610748Over at The Comics Reporter, Tom Spurgeon has asked readers to let him know how they would answer the question, "What’s Watchmen about?" It’s a nice feature, as I believe Watchmen to be one of those projects that has been held in high regard by comics fans for so long that it’s difficult to think outside of our comics fishbowl and explain why it’s such an important story to someone with little knowledge of the industry.

Here’s the answer I gave Tom, which I came up with pretty quickly due to having been asked that same question by someone yesterday:

Watchmen examines the relationship between superheroes and society and the ways in which this relationship changes over time given a variety of real-world factors. What would happen when the shine wears off and things like politics, economics, racism and the knowledge of one’s own abilities far and beyond that of everyone else come to the surface? The story examines all of this by way of a noir-style murder mystery in which one of the former "superheroes" investigates the mysterious death of a former member of the superteam "The Watchmen."

That was my three-sentence answer that skips over so much of what makes Watchmen great to comics fans, but is most likely to hook newcomers to the comics scene. In this case, it seemed to work, as the person I told this to called me up an hour later to say he’d watched the trailer again and now definitely wants to see the film.

You can read more responses over at The Comics Reporter, but feel free to add your own to the comment thread here or email Spurgeon (via the link provided in his post) in order to have your answer added to the feature.

Thomas Scioli on Gødland, Day Jobs and Joe Casey

godland-200-4055403Over at The Comics Reporter, Tom Spurgeon has been conducting a great series of weekly interviews that, for no good reason whatsoever, I’ve been neglecting to point out here on ComicMix. It’s time to change that.

His most recent interview, with Gødland co-creator and artist Thomas Scioli, was a real gem. Much like Spurgeon, I’m not very familiar with Scioli himself, but I’ve enjoyed the way he’s channeled Jack Kirby in Gødland ever since I came across the first issue. However, despite the critical praise the series received, Casey and Scioli recently announced that Gødland would end with issue #36.

Spurgeon has a frank chat with the award-winning artist about Gødland, the reasons behind its cancellation, the collaborative process and what he has planned for the future.

Here, Scioli discusses one of the conditions that led to the series’ termination:

The collections did a lot better than the single issues. The first collection was far and away the most successful book. Most of my earnings from this series are from that single volume. Before this series came out, I had a lot of assumptions about what would sell, and I was pretty much wrong. I thought that there was more of a hunger for this type of material. I know this is the kind of comic I’d like to see more of. Maybe my expectations were too high, though. I mean it is the most successful thing I’ve ever been involved in. We sold a lot of comics, relatively speaking, but the number you need to consistently sell to really make a go of it is awfully high.

The main frustration is that I wish there was more room for us. It’s crowded out there. I kept hearing from people who couldn’t get a certain issue because their store sold out of it, or they ordered it but it never showed up at their store. Hearing that kind of thing makes me crazy.

Head over to The Comics Reporter for the full interview, and be sure to check back there every Sunday for more of Spurgeon’s interviews.

Overheard at San Diego, part 4

  • News
  • July 28, 2007

sdcc2007mystique-8078461Can we hear anything over this much hubbub? Of course we can… and our spies are everywhere.

Around aisle 2300: "I can prove the convention is too crowded. When a pretty girl walks by, and a second pretty girl walks by before you’re done staring at the first one, it’s too crowded."

Marv Wolfman: "The biggest celebrity here is Stan Lee. Everybody, young, old, knows who Stan Lee is, what he looks like, and what kind of personality he is. And of course everybody knows that Stan Lee created Superman."

At the "Writing About Comics" panel:

Tom Spurgeon: "I hope words continue to remain prominent in this field, becuase if we all go to video, I’m screwed."

Glenn Hauman: "Can I quote you?"

Tom: "Sure, and then I’ll link to you."

Douglas Wolk: "Good, and then Dirk can link to you linking to him."

 Douglas Wolk: "I’m a little tired of all these comics that want to a movie when they grow up."

Nisha Gopalan, EW: "Isn’t that Virgin Comics’ business model?"

Tom Spurgeon: "It’s a little amazing that Variety and Enterainment Weekly are covering comics, when distribution is so sporadic– it’s writing about this great book that you might be able to find on such and such a time and maybe in such and such a place."

In the audience at "The Black Panel":

"What is Marv Wolfman doing on this panel?"

"He’s a token."

LA Times claims comic book funk

  • News
  • July 17, 2007

In an op-ed piece in today’s Los Angeles Times, Tim Cavanaugh traces the disconnect between comic book’s influence on mass media and comic book’s actual sales.  He starts out on this up-beat note:  "Dying media don’t come much dying-er than monthly comic books."

He goes on to decry the "cloying, creepy, did-I-accidentally-enter-a-porn-shop vibe" of many comic book stores, and the cautiousness of most publishers.  He talks to Tom Spurgeon and Peter Bagge.

Like so many others, Cavanauagh suggests that the web may be the solution.  Stay tuned.

Convention reports collected

  • News
  • April 10, 2007

Seek and ye shall find!  Yesterday we talked about Heidi Meeley’s efforts at consolidating links to reports about the recent Emerald City Con.  Today we find two more comprehensive ECC link posts, from Laura Gjovaag and Tom Spurgeon, Tom calling his contribution "Collective Memory" which was just what we were hoping someone would start.  We’re sure somewhere on CR Tom has gathered all his Collective Memory posts, but we can’t find them in a cursory glance at his resources page.  Then again, we couldn’t find ComicMix listed either.

Yet.

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