Tagged: United States

Manga Translator Acquitted of Child Pornography Charges In Swedish Supreme Court Ruling

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Swedish news outlet The Local reports that their Supreme Court has overturned the conviction of manga translator Simon Lundström on child pornography charges relating to manga files on his computer. The court’s decision reflects the viewpoint of free speech advocates, including the CBLDF, that sexually explicit manga images are protected artistic expression and not child pornography. The court stated, “The criminalization of possession of the drawings would otherwise exceed what is necessary with regard to the purpose which has led to the restriction on freedom of expression and freedom of information.”

The Local reports:

Lundström, described by Swedish media as a top manga expert, was found guilty by two lower courts of having 39 drawings portraying figures in sexual poses stored on the hard drive of his computer.

In his initial trial, he explained that he had retrieved the pictures in order to stay up to date with the latest developments in the Japanese comic genre.

A district court fined him 25,000 kronor ($3,500) but an appeals court lowered the sum to 5,600 kronor.

CBLDF Executive Director Charles Brownstein welcomed the ruling, stating, “This is an important victory for free expression and for manga. The Swedish Supreme Court has correctly drawn the boundary that governments have a compelling interest in prosecuting criminal behavior, not ideas or expression. Child pornography is an abhorrent crime because real people are harmed, and the creation, distribution and possession of that content are criminal behaviors that contribute to creating victims. Today’s ruling that drawings of an imaginative nature where no victim is created cannot be child pornography is clear-minded and will hopefully provide guidance here in the United States and around the world when similar cases arise in the future. We congratulate Mr. Lundström and his attorney Leif Silbersky for their courageous efforts in reaching this important decision.”

GUEST REVIEW-CHARLES SAUNDERS’ DAMBALLA!

DAMBALLA!
A Review of Airship 27’s Damballa
by Andrew Salmon
We’ve all been thrilled and enthralled by Classic Pulp. It has influenced so much of pop culture today. However for all its ability to be of its time yet ahead of its time, there is one black mark in the history of the form – racism. Now I am of the camp that believes it is not fair to judge the work of decades past with modern sensibilities. The great pulp yarns of yesteryear were products of their time, written for their time and should be read as such regardless of their faults however offensive they may be.
The New Pulp movement, however, allows us to revisit those bygone days and tell adventurous stories based in the past yet geared for the modern reader. And, more importantly, affords us the opportunity to correct the mistakes of pulp’s forefathers.
Enter: Damballa!
All of the wondrous trappings of pulp are here in this incredible work: action, adventure, evil scheming Nazis and a hero determined to foil their plot to embarrass the United States, politically, in the boxing ring – the key component here is that Damballa is a black man.
Given the classic pulp elements present in the novel, it would have been easy for Saunders to just trot out a pulp archetype and just changed the color of hero’s skin but an author of his skill and ability would not be limited to taking the easy way out. Instead Damballa has deep, African roots and an intriguing origin and supporting cast, the surface of which has only been scratched by this first adventure.
Some of you may be thinking, ‘Okay, Damballa makes history as the first black pulp hero, so what? I read pulp to be entertained. Is the book any good?’ All right let’s get down to brass tacks and tackle some questions:
What is the book about? Is it pulp?
Let’s tackle that first one, shall we? Set in 1938, Damballa gives us a fictional retelling of the real boxing re-match between Joe Louis and Max Schmelling. The real life bout had both political and racial ramifications as the German, Schmelling, went toe to toe with African-American Louis at a time when the world was on the cusp of WW2 and the Nazis were keen on proving their racial superiority. In the novel, the fighters are Jackhammer Jackson and Wolf Krieger but the stakes are the same. Thing is, the Nazis are cheating as only they can and it’s up to Damballa to level the playing field before disaster strikes. What follows is an engaging action yarn peopled with characters of every shade of gray. One of the wonderful, telling, modern touches Saunders brings to the pulp form can be found in one scene where Damballa, no slouch in the disguise department, has to masquerade as a white man to enter certain parts of 1930s society unmolested in his quest to stop the Nazis before it’s too late.
Yeah, but is it pulp?
Damballa is a pulp novel and a very, very good one. Punctuated by short, staccato chapters, Saunders keeps the story moving while layering in wonderful historical details that recreate the time period to perfection. Within this framework he inserts memorable characters, crackling dialogue, mysteries and a compelling hero for the ages. By arming Damballa with a wealth of African lore and real science to go along with brains, brawn and physical ability, Saunders introduces us to a costumed hero bad guys do NOT want to mess with. And one adventure fans won’t be able to get enough of. The book features an atmospheric cover by Charles Fetherolf and moody interior illustrations by Clayton Hinkle – the end result is one of the best looking, best reading pulp books of the year.
Damballa is one of the shining lights in the New Pulp movement, a truly exceptional novel you cannot afford to miss.

Jungle Jim’s African Adventure!

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Treacherous mermaids in the Sargasso Sea, mysterious death in Accra, an alien race beneath Mombasa and Voudou sorcery in Haiti? All this and more inside….
Jungle Jim is a bimonthly African pulp fiction magazine featuring genre-based writing from all over Africa. This inaugural issue contains three stories and the first part (in a series) of The White Darkness – a real-life account of cult film-maker Richard Stanley’s extraordinary experiences in Haiti as recorded in his private diaries while filming a documentary on Voudou for the BBC.
Issues 1 – 5 are now available on Kindle through Amazon UK. http://www.amazon.co.uk/Jungle-African-Pulp-Fiction-ebook/dp/B0055SW5NW/ref=sr_1_10?ie=UTF8&qid=1309464363&sr=8-10

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In the United States, you can purchase the Kindle edition for $2.99 at http://www.amazon.com/Jungle-African-Pulp-Fiction-ebook/dp/B0055SW5NW/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1320017518&sr=1-1.

The Jungle Jim editors are constantly looking for writers and illustrators to join their galactic quest. You can learn more about African Pulp Fiction by visiting Jungle Jim at http://www.junglejim.org/. You can also join them on Facebook at www.facebook.com/pages/Jungle-Jim-Magazine/172831502768519.

Meet The Panthans

Cover Art: Mark Wheatley

Cover Art: Matt Wagner
Cover Art: Neil Vokes
The National Capital Panthans, founded in September 1996, are the Washington D.C., Baltimore, Annapolis and Northern Virginia area Chapter of the Burroughs Bibliophiles. Meetings are generally held on the firs…t Sunday of the month and are hosted by various members in their homes.

There are approximately 50 members from around the United States and one each from England, Canada and Germany. The Panthans hosted the 1998 Burroughs Bibliophiles Dum-Dum, the 1999 and 2003 ECOF Gatherings, and will again host the 2006 ECOF in Rockville, MD. Generally so many members go to ERB fan conventions hosted by others that the Panthans can be counted on to assist with registration. The Panthans have published a book, entitled “ERB – The Second Century,” which includes fan-produced fiction, scholarly deductions and many great illustrations!

To become a member and receive a monthly newsletter informing you about Panthans activities send your annual subscription fee of US $15.00 to:

John Tyner, Treasurer
5911 Halpine Road
Rockville, Maryland 20851-2410

For further information check their Web site at: www.taliesan.com/panthans/cover.htm

DENNIS O’NEIL: Universal Upheaval!

So the universe upheaved and a gap appeared in time and here we are, at the far end of that gap. (Or the near end, if we’re looking backwards. But never mind.) We’ve again grubbed residence in Comicmixland and vowed to deliver weekly blather.

But, with a deep bow to Bill Maher, we have new rules—or to be exact, just rules, since when I last did this nobody mentioned rules, though I did promise Mike Gold and myself to do at least 500 words per installment, lest I be mistaken for a carbuncle. The 500 word deal still holds, but Mike has added a new proviso; subject matter should be somehow related to comics.

Pretty draconian, huh?

Actually, Mike’s edict doesn’t much close any doors. First, a lot is happening in comics and related media per se and, second, virtually everything in our media-drenched, perpetual-news-cycling global civilization is connected. Always has been. Really. Remember the butterfly effect: The sumbitch flapping around a garden in Tokyo today will cause your hat to blow off next Tuesday and the breath I just took may have contained an atom that was once part of Cleopatra. (And, more painfully, the monetary crisis in Greece may bump your mortgage.) And we all come from the same place, out there among the stars in the baby cosmos.

So yeah, the world is a vast network of interconnections, and it’s a lot easier to see that now that it was a century ago. It shouldn’t be much of a rhetorical trick to write about comics and still acknowledge that other things exist, and are worthy our notice.

(I wonder: could you have a comprehensive knowledge of comics, beginning with [[[The Yellow Kid]]] and ending with…oh, I dunno – Chris Claremont’s run on [[[X-Men]]]? – could you know that and be ignorant of the history of the United States in the Twentieth Century? Maybe not.)

But where to begin?

Well, this week, nowhere. I’ve already burned away 329 of those 500 words and unless I want to content myself with knocking off a few haiku, there isn’t much room left for pontificating. But next week? Hey, this has been called the summer of the superhero movie, hasn’t it? And although I haven’t seen all of the films in question, and probably won’t in the next seven days (Thor has already hammered back to Asgard, which I think is somewhere just off Sunset Boulevard, and is not available for viewing) but doesn’t utter ignorance of my subject qualify me as a pundit? Darn right! And what’s happening behind the cameras—the changes in management—is worth a bit of uninformed opinionating, too.

A final note: In the previous incarnation of this feature, and in a comic book that the aforementioned Mike Gold and I worked on a couple of decades past, we recommended books we thought might amuse our readers. I’d like to continue recommending reading, but not every week, just when I come across something I think will be of particular interest to y’all.

Happy trails…

FRIDAY… Martha Thomases

FORTIER TAKES ON ‘CRUSADERS OF THE SALTIER’!

CRUSADERS OF SALTIER
By William Speir
Strategic Book Group
230 pages
Release date – 14 April 2011
ISBN 10 – 1612041973
ISBN 13 – 978-1-61204-197-1
Last year William Speir introduced the world to a super secret organization known as the Knights of the Saltier; a group of patriotic men and women dedicated to helping the legal authorities of the world maintain law and order.  Into this highly complex organization he set his protagonist, Tom Anderson, a former military officer looking to find meaning in his life beyond the normal goals of career and monetary success.  By the end of that first volume, Anderson had joined the Knights and discovered his own father was one of the Grand Masters.
At the time I reviewed KNIGHTS OF THE SALTIER, I made a point of applauding it’s originality in giving pulp fans something new and fresh.  Whereas with this second entry in the saga, Speir has inadvertently gone down a very popular plot path considered to be one of the most remembered in the history of the genre.  In 1934 Popular Publications launched OPERATOR 5, the adventures of a Secret Service agent named Jimmy Christopher. The stories were penned by veteran pulp scribes Frederick C. Davis and Paul Tepperman.  Tepperman was responsible for the 13 interconnected novels that make up The Purple Invasion, a series in which the Purple Empire (an unnamed European power) conquers the United States after conquering the rest of the world.  Jimmy then led the insurgency against them.  The saga is often referred to as the War and Peace of pulps.
In CRUSADERS OF SALTIER, Speir has America conquered but not from an outside force.  Rather it is seized from within by a corrupt Washington Administration led by a megalomaniac President set on a course of tyranny and using his power to illegally circumvent the Constitution.  When dissenting Americans begin mysteriously disappearing without due process, the Knights of Saltier must confront their greatest challenge ever, how to battle corrupt government agencies and restore the country to the rightful rule of the people.
This is an intense thriller with a fascinating, and very chilling plot line, extremely well realized.  Speir balances the action sequences with the more mundane occurrences in Anderson’s life, ala his meeting a lovely young woman and falling in love all the while caught up in the Knights’ struggles to save the government.  His skills as a storyteller are growing exponentially with each new book. Once again I heartily recommend this to pulp fans looking for a new twist on action-adventure prose. CRUSADERS OF THE SALTIER is a terrific chapter in a truly excellent series.

Review: ‘Astro City: Dark Age’ by Kurt Busiek

9383_400x600-6430301Kurt Busiek’s brain is about average-sized, I assume. And yet it contains this entire city, detailed down to every last resident’s personality and scrap of trash in the street.

His mastery of [[[Astro City]]] is on full display in the latest collection of the WildStorm series, The Dark Age ($29.99). Busiek ventures back to the not-so-pleasant past to tell the story of two brothers who go on very different paths amidst the chaos of superheroes and villains.

We’ve seen plenty of examples of superhero stories told in a down-to-earth way, or viewed from the average man’s perspective, maybe most notably in Busiek’s acclaimed [[[Marvels]]] with Alex Ross (who provides the killer cover at right). Neither of those elements is what sets Astro City apart, though they fuel its success.

Rather, its the depth to which Busiek explores the brothers’ lives (and those of everyone else). Charles and Royal Williams go through childhood tragedy and end up on opposite ends of the law.

Each is plagued in his own way by the super-powered element, with the bombastic battles tearing Astro City apart.

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A Billion Dollars Worth Of Respect, by Dennis O’Neil

You saw the story, posted here on our own beloved website a couple of days ago: comic book movies have earned over a billion United States dollars this summer, despite an iffy economy that may or may not have something to do with those loveable funsters who frolick near the Potomac.

(I’m writing this Sunday evening. A hundred and sixty nine days. Tickticktick… And please excuse the digression.)

So the aspirations of those folk we mentioned last week – to be respectable and accepted and part of the mainstream – has been realized, though only a few of them are still around to enjoy whatever perks this brings.

Check it out. A billion-with-a-B-dollars! Oh sure, we comics guys have not had to hide our shame for quite a while now. There are the postage stamps and gigs at places like the Library of Congress and the Smithsonian and classes taught at major universities and whole sections of bookstores devoted to comics material and if you donate the graphic novels you won’t read again to your local library, they’ll probably be accepted, maybe even with a smile. But in our world, and in most others that I know about, material goods are the emblems of what the citizenry considers success. And that bil will buy a lot of material goods.

Someone – I have no idea who – observed that one of the ways to discern a society’s values is to look at its architecture: in the middle ages, in Europe, the cathedral was the biggest building in the burg. Now? Well, about a mile from where I’m sitting is the biggest, and some would say ugliest, structure in Rockland County and it ain’t a church, amigos, it’s a shopping mall.

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Review: ‘Bill Mauldin: A Life Up Front’

a-life-up-frontarticle-3552379In many ways, Bill Mauldin lived out the American Dream, starting out as a physically unimposing ‘desert rat’ in the southwest, then joining the army and becoming a star soldier-cartoonist, and retiring as one of the best known editorial cartoonists in the country. He died in 2003.

In his new biography, Bill Mauldin: A Life Up Front, author Todd DePastino takes that famous life and digs out all the strange truths, the contradictions, the unknown motivations. Mauldin was a deeply conflicted man, DePastino finds, alternatively successful and unhappy because of his deep drive for acceptance.

Born in 1921 to a rough and tumble family, Mauldin had little going for him as a child besides an aptitude for art. In his teens, he went to Chicago to study, but despite a prodigious output he had little success landing his cartoons.

With no other options (like many other enlistees), Mauldin signed up for the army and started cartooning for a service newsletter. From the start, his work focused on the lives of the grunts, who trudged through mud and faced the disrespect of superiors.

Using Mauldin’s writings, interviews and those cartoons, DePastino follows the young, driven man as he developed as a person and illustrator. And, soon enough, followed him over the Atlantic into the hell of World War II.

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Cartoonists Of The World Unite, by Dennis O’Neil

The television and movie Writers Guild strike lurches into its ninth week. If it goes on much longer, we may be doomed to even more staged “reality” and contest shows. Might be a good time to rekindle a book reading habit.
 
I’ve heard grumbling from folk who work that side of the street to the effect that the strike could have been better managed. Although I’m technically a member of the Guild, I don’t have an opinion – about the strike, that is. Two years ago, I was told that since I hadn’t done any United States television work for a decade, I was being put on retired status, which means, I think, that I can still benefit from the Guild’s services, but I don’t have to pay dues or have my mail box filled with notices of seminars and other industry events. 
 
All fine with me.
 
About the Guild, as separate from the strike, I do have an opinion. I think the Guild is a noble organization, one that does exactly what a union should do, and no more. It collectively bargains, it protects members’ rights; it offers education and retirement benefits. And membership costs are more than reasonable. The current disagreement is over whether/how much writers should benefit from ancillary use of their stuff, mostly new media and computer related. I can imagine no sane reason why writers should not get such benefits, but I admit to bias.
 

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