V For Vendetta | ComicMix

Mike Gold: America Drinks and Goes Home

Columns
July 5, 2017

It’s been quite a while since I’ve plopped my butt down on an airline seat. There are several reasons for this, the primary one being I loathe being treated like shit.

As we have seen from all too many recent incidents, once onboard airplane employees have complete control over your fate. If you do not promptly obey their every command or, say, object to their anti-peanut policy, they can and will have you arrested. If somebody on the plane thinks you look weird, or you look like a Muslim or some other type of person they find noxious, they will complain to a flight attendant. If you have yet to take-off, the airplane Nazis will call the goon squad and have you taken off the plane, sometimes by force. If you’re in the air, you likely will be arrested when the plane lands. Paranoid Fox News watchers, and that is redundant, now own your ass.

Ever since my upper left arm and shoulder was replaced with metallic prosthetics, I’ve figured to be safe I need to get to the airport at least four hours before my flight because employees of the government’s Transportation Security Agency, better known as the TSA, are likely to lose their minds when I approach the metal detector machine. Adding four hours to the two hours it takes me to get to the airport and park my car and get to the security line makes my driving anywhere east of the Mississippi and north of the Mason-Dixon line faster and a lot cheaper and much more pleasant.

But now, I no longer have to worry about that. According to our friends at the CBLDF – the Comic Book Legal Defense Fund – the TSA may require passengers to require books and other written materials to be scanned separately.

The TSA already wants to copy or cop our laptop computers, smartphones, and tablets, and that is beyond the pale. It’s also un-American, but since when has our government given a shit about that? But this latest decision is one step beyond. I will no longer voluntarily submit myself to their terror.

According to the CBLDF, “In 2010, for instance, the ACLU represented Nick George, a college student who was handcuffed, detained, and interrogated at Philadelphia International Airport while carrying a set of Arabic-English flashcards and the book Rogue Nation by Clyde Prestowitz – a former Reagan Administration official who was critical of foreign policy under George W. Bush.”

The CBLDF continues: “ACLU policy analyst Jay Stanley outlined just a few reasons that travelers might not want strangers perusing their choice of reading: A person who is reading a book entitled Overcoming Sexual Abuse or Overcoming Sexual Dysfunction is not likely to want to plop that volume down on the conveyor belt for all to see. Even someone reading a bestseller like 50 Shades of Grey or a mild self-help book with a title such as What Should I Do With My Life? might be shy about exposing his or her reading habits.”

If you are boarding with any of several thousand graphic novels – Alan Moore and David Lloyd’s V For Vendetta, published by DC Comics, or Dan Parent’s Kevin Keller, published by Archie Comics, or J. Michael Straczynski and John Romita Jr’s Amazing Spider-Man: Revelations, published by Marvel Comics, or damn near any manga, you may be arrested and imprisoned. That is not an exaggeration.

In recent weeks, our free press has been labeled malicious liars by Donald Trump, our nation’s Man/Baby-In-Chief, and his spokeslackeys. All too many Congresspeople from his party have either chimed in their support or declined to stand up to this sophistry. Our Supreme Court, freshly imbued with a Trump appointee so far to the right that he should have his own talk show, just took a sledgehammer to the truly American concept of separation of church and state. The Supreme Court is the highest court in the land, proving once again – to quote Arlo Guthrie – that not all highs are good highs.

None of this bodes well for our future. The United States of America is rapidly becoming a dictatorship. Fifty years ago, Frank Zappa wrote a song called “Concentration Moon.” It contained the obviously seditious line “American way, try and explain. Scab of a nation, driven insane.” In the subsequent half-century, when it comes to America’s vaunted freedoms we have managed to go backwards.

Oh, yes. And one thing more.

Happy Fourth of July.

Joe Corallo: The Demand for Empathy

Columns
June 14, 2016

Early this past Sunday, the deadliest mass shooting in United States history took place at Pulse, an LGBTQ nightclub in Orlando, FL. It took place during Pride. It took place on Latin night. Estimates so far have 50 dead and 53 wounded.

I can’t even remember what I was originally going to write about. This news consumed me on Sunday and I knew I had to write about this. This is important. Many other people have and are going to write about this. They should. They need to.

We all have different reactions to this event. Some are graceful, some make the LGBTQ community invisible, while others praise the massacre. Having collected my thoughts on this, I can conclude that one thing we certainly need a great deal more of is empathy.

People fear what they don’t understand. People don’t necessarily get exposed to people that aren’t like them, and thoughts and feelings that go against what they’ve come to believe as truth. We need more people being exposed to more ideas.

When I was going through elementary through high school, there was no learning about the LGBTQ community. There was no LGBTQ club at school. I do know that they have since started a club. I don’t know if they’ve since started teaching more about the community. During my undergrad, they did have specific courses on LGBTQ history and the like, but that attracts people already sympathetic and interested. Those aren’t all the people that need that information.

People need to learn about the Stonewall riots – not just from terrible whitewashing movies, but in the classroom. In our textbooks. They need to learn that trans women of color were pivotal to LGBTQ rights. They need to learn about Harvey Milk. They need to learn about the AIDs epidemic and a president who stood idly by and did nothing even as his good friend Rock Hudson was dying. And they need to learn about the latest transphobia and bathroom bills in the same way I and many others learned about racial segregation. Learning that it was wrong. We need more empathy and understanding, and it has to be taught.

Queer American history is certainly more than just those examples, but it’s a start. And it needs to be taught as American history. Not an elective. Not something that can be passed over. People need to be given the chance to know and understand our history. They need to learn about it when they’re young and as they’re developing thoughts and opinions on the world around them.

People need to be exposed to queer people in their lives. Family, friends, students, teachers, politicians, actors, authors, and other professionals. And not just in a heteronormative fashion demonizing non-monogamous relationships, premarital sex, and other alternatives. Different people lead different lives and we need people to understand and accept that, and the only way that will happen is by seeing people living those lives openly and being happy doing it.

If you have kids that like reading comics, make sure they’re also reading comics with queer characters. If they’re reading Batman, they could be reading about Batwoman as well. If they’re reading X-Men, some of the titles have queer characters. If they’re reading graphic novels like Watchmen or V for Vendetta, they should also be reading Fun Home and Stuck Rubber Baby. Tales with queer characters aren’t just to give queer people characters to look up to, they’re also to show other people that we are humans.

This goes for adults too. Straight cis adults need to push themselves and reach beyond their comfort zones if they haven’t already. And even if they have, they need to keep doing it. Cis queers need to push beyond into trans literature and entertainment. When’s the last time you read a book by a trans author? Seen read a comic by a trans artist? They’re out there and ready to be found. Ready to be supported.

Most important of all, exposing younger people to the queerness around them may help them understand themselves better. I know that if I had queer role models when I was in school that I would have had more confidence in myself. Maybe I’d have even come out at a younger age.

Queer people need to be respected, they need to be empathized, and they need to be given hope.

You have got to give them hope.

Martha Thomases: Defending Peter Pan

Columns
September 19, 2014

Over the weekend, film critic A. O. Scott wrote a long essay in The New York Times Magazine that irked me, and I wanted to use my column to unpack some of my feelings about it. If you have opinions about the state of modern pop culture, you might want to join me.

(I’m now going to paraphrase and reduce his arguments to the bones. By all means, read the entire piece for more nuance.)

Scott seems to think that the modern American adult, by his and her refusal to grow up, has had a deleterious effect on the popular arts. He specifically mentions “bromance” movies, like those produced by Judd Apatow, superhero movies, and adults who read young adult (YA) books like the Harry Potter series and The Hunger Games. In his opinion, the success of these genres means that we, as grown-ups, are rejecting our responsibilities.

As a tax-paying citizen who serves on jury duty, votes in every election, raised a productive citizen and volunteers in my community, I think I qualify as an adult in attitude as well as age. And I like all the things that Scott decries.

For the purposes of this column, I’m just going to talk about the books Scott talks about. You may assume I have parallel arguments about the other categories, and we can talk about this in the comments, if you like.

First of all, unless we are talking about marketing categories (as determined by publishers, booksellers and librarians), the YA category doesn’t make a lot of sense. When I was in middle school and high school, I read all kinds of books that were not considered to be YA. I read To Kill a Mockingbird, The Catcher in the Rye and The Old Man and the Sea, books that are often read by people in those age groups. I also read Giles Goat Boy by John Barth. I read James Bond and Ray Bradbury and Philip Roth. We can argue about the varying qualities of these books, but none were racked on the children’s shelves.

Today, my reading includes some of these writers, and Neil Gaiman, William Gibson, Neal Stephenson, J.K. Rowling and others who some may perceive to write for non-adults. I enjoy some genre fiction.

And I enjoy comic books. Lots of comic books.

Scott seems to think that graphic novels are not as intellectually demanding as prose novels. Like many, I think he confuses the medium of graphic storytelling with the genre of superhero comics. There are certainly books appropriate for the average young adult, such as March. And there are books that are not easily understood by those who haven’t had a certain amount of real-world experience, such as V for Vendetta or Promethea, which require at least some knowledge of history, linguistics, and adult relationships.

Please note: By adult relationships I mean actual relationships between adults, and not just sex. Thinking the word “adult” only refers to sex is actually kind of adolescent.

Now, I don’t really care what Scott thinks about my personal entertainment preferences. While we know some of the same people, I’m not likely to ever meet him, nor would I begin a conversation by attacking this particular essay.

And I don’t think he’s entirely wrong. Baby Boomers in general don’t like growing up, and we have clung to the remnants of our youth with a death-grip. We can be really obnoxious in our attempts to stay relevant, to the detriment of our popular culture.

Still, that is no reason to dismiss examples of popular culture because they come dressed in the costumes of youth and fantasy. After all, for nearly two centuries grown-ups have taught us that you can’t judge a book by its cover.

HOWARD HOPKINS’ LONE RANGER RIDES AGAIN AT IPULP

News
November 7, 2012

Cover Art: Douglas Klauba

IPulp Fiction has released the ebook version of Moonstone’s novel by the late New Pulp author, Howard Hopkins, The Lone Ranger: Vendetta.

From out of the past comes a mysterious killer systematically murdering anyone with a connection to the Masked Rider of the Plains former identity. When all signs point to Butch Cavendish, a man long dead, The Ranger finds himself trapped in a deadly game of cat and mouse with the life of his faithful Indian companion hanging in the balance.

Learn more about iPulp Fiction at www.iPulpFiction.com.
Learn more about Moonstone Books at www.moonstonebooks.com.

Also, look for more great tales from Moonstone Books at iPulp Fiction.

CBLDF Teams with NCAC and ABFFE in Defense of Alan Moore’s NEONOMICON

Press Releases
June 24, 2012

cbldf-teams-with-ncac-and-abffe-in-defense-of-alan-moores-neonomicon-4485692 CBLDF has joined forces with the National Coalition Against Censorship and the American Booksellers Foundation for Free Expression to write a letter in defense of Alan Moore’s Neocomicon (Avatar Press), which has recently been challenged in the Greenville, South Carolina, public library system. Objections to Neonomicon were raised by a patron after her teenage daughter checked out the book, which contains adult themes. The book was correctly shelved in the adult section of the library, and the teenager possessed a library card that allowed access to the adult section.

CBLDF joined NCAC and ABFFE in sending the following letter to the Library Board of Trustees at the Greenville County Public Library:

Dear Board Members,

On behalf of the National Coalition Against Censorship, the American Booksellers Foundation for Free Expression and the Comic Book Legal Defense Fund we strongly urge you to keep Alan Moore’s Neonomicon in the Greenville Public Library. This book has reportedly been challenged by a member of the community who claims its “sexually graphic” images make it inappropriate for the library.

Removing this book because of objections to its content is impermissible under the First Amendment. As the Supreme Court said in Board of Education v. Pico, the Constitution does not permit “officially prescribed orthodoxy” which limits what people may read, think, speak, or say. The fact that we are confronted with images and not words does not make a difference—the courts have ruled that images, like words, constitute symbolic expression and are protected by the First Amendment.

Neonomicon is a horror graphic novel which explores themes present in the works of fantasy writer H.P. Lovecraft, delving into complex issues of race, crime and sexuality. Moore and artist Jacen Burrows use the visual nature of the graphic novel medium to more fully examine the subject matter found in Lovecraft’s original work, achieving a commentary both on Lovecraft and on the horror genre itself. The authors deliberately disturbing depictions of sexual violence are included as a critical comment on how such subject matter is handled elsewhere within the genre. The book recently won the Bram Stoker award for “Superior Achievement in a Graphic Novel.” Its critical acclaim testifies to its artistic value which is aided, not eclipsed, by its sexual content.

Alan Moore is one of the most influential and acclaimed authors in both the graphic novel category and the larger literary culture. His body of work includes Watchmen, which Time Magazine named one of the 100 best English-language novels published since 1923. His works also include the graphic novels V For Vendetta, League of Extraordinary Gentlemen, From Hell, and Lost Girls, all of which have enjoyed tremendous critical acclaim. Neonomicon continues Moore’s explorations in appropriating classic literary characters and themes in the service of post-modern storytelling. It is an essential work by an author who is indisputably a master within his field.

The book was appropriately shelved in the adult section of the library. The fact that it was withdrawn by a minor, whose mother had given written permission for her to borrow materials from the adult section, is no basis for removing the book—an action that infringes the First Amendment rights of adult library patrons. Indeed, the removal of the book during the review process is itself problematic, since any government suppression of material because of objections to its viewpoint or content transgresses constitutional boundaries. As a legal matter, the harm has been done, even if it is later rectified.

The book meets the criteria that form the basis for the library’s collection development policy. Removing it because of sexual content not only fails to consider the indisputable value of the book as a whole, but also ignores the library’s obligation to serve all readers, without regards to individual tastes and sensibilities. If graphic violent and sexual content were excluded from the library because some people object to it, the library would lose ancient and contemporary classics, from Aeschylus’ Oresteia to Toni Morrison’s Beloved.

We strongly urge you to respect the rights of all readers to read and think freely, and to reject the notion that the views of some readers about the value of literature, or its “appropriateness”, maybe imposed on all. By keeping the books on the library shelves you will demonstrate respect for your readers and their choices, for the professionalism of the librarians who serve the reading public, and for the First Amendment and its importance to a pluralistic democratic society.

Please consult NCAC’s resource “Graphic Novels: Suggestions for Librarians” (http://ncac.org/graphicnovels.cfm) or contact us if there is anything we can do to help.

Sincerely,

Joan Bertin
Executive Director
National Coalition Against Censorship

Chris Finan
President
American Booksellers Foundation for Free Expression

Charles Brownstein
Executive Director
Comic Book Legal Defense Fund

You can view a PDF of the letter here.

Please help support CBLDF’s important First Amendment work and defense against library challenges such as this by making a donation or becoming a member of the CBLDF!

“V For Vendetta” And #OWS Makes Cover of Bloomberg Business Week

News
October 27, 2011

“There’s no flesh or blood within this cloak to kill. There’s only an idea. Ideas are bulletproof.”

—V, [[[V For Vendetta]]]

Next Saturday is going to be very interesting, isn’t it?

NYCC 2011 Cosplay, Part 1: Deadpool, Taskmaster, Darkwing Duck and the TARDIS

News
October 19, 2011

To my mind, these NYPD cosplayers were pretty good… but if they were really going for authenticity, they’d be beating on the people in the V For Vendetta masks.

Here’s even more wackiness…