Tagged: Wall Street Journal

Michael Davis: Aftermath

davis-column-art-1207171-6118187I’m back from another San Diego Comic Con.

For almost 20 years (since I was five, Jean) I’ve given a party, a dinner, or both. For nearly that long I’ve hosted the Black Panel.

I’ve had some fantastic events to be sure, but I must say 2012 was my best event year ever. My best party, my best dinner and my best Black Panel.

That, if I say so myself, is saying something.

The party and my panel were reviewed by many news outlets including The Wall Street Journal, The New York Times, Entertainment Weekly, Comic Book Resources and the powerhouse Machinima.

Every year after the Black Panel, the haters come out in force. There are black people that hate the panel; there are white people that hate the panel.

Guess what? I win.

Until you haters get your own panel at Comic Con, throw your own party and get reviewed by some of the biggest news outlets in the world you are more than welcome to hate me.

I will endeavor to do what I can to continue to give meaning to your small life. I will continue to do great things so that you can go on the net and bitch that way you will feel important and in your mind you are.

You are a legend in your own mind.

I’ll be happy to comment on your success if in fact you were successful at anything except being a legend in your own mind.

So, haters continue to hate, because I win. Why do I win?

Because you are talking about me.

Who is talking about you?

Tuesday Afternoon: Emily S. Whitten and the Civil War

Wednesday Morning: Mike Gold, Creators’ Rights, and One Big Wrong

 

 

Today’s Stupidly Reductive Quote

e-books EPUB
From a Wall Street Journal article about e-book prices, from some random shmoe-off-the-street:

It’s hard to justify the purchase of e-books that are priced at $10 to $15 when you can buy the real book on Amazon used for $2 or $3.

Compare this to equally truthful pearls of wisdom:

  • It’s hard to justify the purchase of a couch that is priced at $300 to $2000 when you can buy it from Goodwill for $20.
  • It’s hard to justify the purchase of dinner for $50 when you can get it from the restaurant’s Dumpster for free.
  • It’s hard to justify paying rent when you have so many family members to mooch off of.

Feel free to use this line of thinking in all aspects of your daily life! Never buy anything again!

Review: ‘Wall Street: Money Never Sleeps’

The original [[[Wall Street]]] was a reflection of the times, showing how enticing working in the financial sector can be and how the huge sums of money involved can blind people to depths they will sink to chase it. It was a story about seduction and about family. That it came out when the markets were in the headlines gave it additional strength coupled with Michael Dogulas’ winning performance as Gordon Gecko. His “Greed is Good” was the most overused catchphrase in America until “Show me the Money.”

The sequel was almost demanded by the public because they needed some way to better grasp the enormity of the financial market meltdown that began in 2008. Director Oliver Stone was only too happy to respond. Revisiting the former lion of Wall Street in a new era would have made for a fascinating character portrait.

Unfortunately, the sequel, [[[Wall Street: Money Never Sleeps]]], doesn’t know what it wants to be. In some ways, its a repeat of the original as Gordon Gecko once more seduces a hungry, nave trader, this time played by Shia LeBeouf. In other ways, its a story of second chances as Gecko watches the situation that he prophecised and hungers to get back in the game and the choices he makes to accomplish the goal. It’s also a semi-documentary, retelling the Goldman Sachs story, but the message is clouded over with all the other storylines, notably Susan Sarandon as Shia’s mom, a nurse turned real estate speculator who is in over her head. While it reflects a true issue of the times, it doesn’t add anything and actually detracts from the core storyline.

The movie is packed with characters and events and threads but the film doesn’t mesmerize as the first did. Instead, it plods along and feels overlong, making one thankful for the scenes Stone did delete. Screenwriters Alan Loeb and Stephen Schiff needed to decide who to focus on and what was important rather than give us too much. Was it a story of family? Redemption? Second chances? Revenge? We got some of all those themes without feeling it was really about any of them.

Douglas is a welcome treat any time on the screen and he makes Gecko a far more sympathetic figure showing that eight years in prison really did change him. His efforts to reconnect with his daughter Winnie are strong. Played by Carey Mulligan, Winnie is also strong but can’t see that she has fallen for Jake (LaBeouf), too closely resembling her father. Emotionally hardened, Mulligan lets the shell crack bit by bit out of love for Jake and eventually her father. But she remains fiercely independent throughout but needed to have more of a point of view, rather than drift through the story. Josh Brolin is the real bad guy this time and he does a fine job, giving us someone to hiss and pin our personal economic misery on.

Overall, the story needed to be tighter and it needed to avoid repeating threads from the first film. Still, the Blu-ray, now out from 20th Century Home Entertainment, makes for an entertaining way of spending a cold winter’s night.

The blu-ray comes with a variety of extras that you won’t find on the standard DVD. As usual, Oliver Stone provides a fact-filled commentary track that is informative and enjoyable. Stone also conducts a roundtable chat with his cast so hearing the actors hold forth on the complexities of finance seems unnecessary. More fascinating is the 50 minute “Money, Money, Money: The Rise and Fall of Wall Street” feature that is a solid documentary on how the film reflects what really happened and touches on how business and Hollywood intersect. The Fox Movie Channel offers up five mini featurettes that can be skipped. As mentioned earlier, there are  15 deleted/extended scenes, none of which are missed from the final cut. Stone’s commentary here, though, nicely explains his choices.

Overall, the movie helps crystallize the issues we’re still grappling with and is better than one had feared but it still should have been better. The disc’s extras help provide valuable information but you really need to be a serious fan of the material to own this.

Review: ‘Wall Street: Insider Trading Edition’

“Greed is good” and “Lunch is for wimps” became the two catch phrases that helped turn Oliver Stone’s [[[Wall Street]]] into a smash hit. The feature film also debuted at just the perfect moment as Wall Street blazed across the headlines with a serious financial collapse. The film cemented Michael Douglas as the leading man of the decade and gave us a stellar cast of newcomers, most of who have gone on to do other good work.

In time for the unexpected sequel [[[Wall Street: Money Never Sleeps]]], 20th Century Fox Home Entertainment has released [[[Wall Street: Insider Trading Edition]]] and it’s a greedy cash grab without delivering the ultimate edition for fans. Several features found on the standard DVD, 20th anniversary edition, and the Blu-ray release are absent, which is a shame since “Greed is Good”, the nearly one hour documentary is worth seeing.

On this standard DVD set, you get the complete film on the first disc (with Stone’s so-so commentary track) while the second has the Fact Exchange, which is the entire film with a bonus trivia track. There is a constant running commentary placing musical cue and cultural references into perspective. After all, newcomers today may not recognize the early reference to former baseball slugger Dave Winfield. So, this is a nice, welcome addition.

We don’t get the deleted scenes or “Money Never Sleeps: The Making of Wall Street” but do get a trailer for the new film, [[[Wall Street: Money Never Sleeps]]] – A Conversation and “Fox Movie Channel Presents: Fox Legacy with Tom Rothman”. These are fine but are aimed at the new film so the featurettes that help explain why the original is so well-regarded should have been here.

Wall Street depicts an energetic New York City, filled with rich and fashionable and those desiring to be rich and fashionable. The offices of Gordon Gecko are sleek and scream money as does his home and suits. He is knowledgeable, charismatic, and cut-throat, typical of a class of businessmen Tom Wolfe called “Masters of the Universe”. His stratospheric career is enticing to young account exec Bud Fox (Charlie Sheen) who allows himself to compromise his morals and principles just to breathe the same air as Gecko. In so doing, he uses insider information from his dad (Martin Sheen), a 24 year veteran mechanic for a small airline. Dad is centered and content with his place in the world, always having a few bucks to lend his constantly strapped son, who is never content. Gecko and Fox the Elder are competing father figures with Bud lost between them.

Gecko has his own rival in a fellow ruthless wheeler and dealer, coolly played by Terence Stamp. Their enmity plays out across the film and while they say its just business, it’s also clearly personal. Stone plays with the characters and the Wall Street business world with verve, drawing from his experience of watching his father survive in the financial sector. The film is filled with actors such as James Spader, John C. McGinley, Saul Rubinek and others who have gone on to their own fame and fortune. On the other hand, this was one of the final strong roles for Daryl Hannah before she withdrew from an active acting career.

While the film is well-worth watching, owning yet another version is not called for. The $14.98 list price, though, makes this worth investing to fill the void in your library.

J.J. Abrams takes on the Micronauts

J.J. Abrams (Star Trek, Lost, Alias) is reported to be in discussions to produce a feature film based on the Micronauts toy franchise, according to the Wall Street Journal.

The Micronauts toy line was created by Takara, later acquired by Tomy, and debuted in 1974 in Japan, where the line is known as Microman. Two years later the Mego Corporation introduced Micronauts to the US, and released five series of toys through 1980.  Palisades Toys acquired the right to reproduce the toys in 2002, and the entire line was recently acquired by Hasbro.  Additionally, Marvel Comics, Devil’s Due and Image Comics published Micronauts comic books, with several paperback books based on the property published by Byron Preiss Visual Publications.

At one point, they were so tightly integrated with the Marvel Universe that they crossed over with the X-Men and spun out a character that has crossed over with most of the rest of the line, Captain Universe.

No word yet on who will actually write or direct the film. But should we worry about these robots being handled by a production company named Bad Robot?

Disney Eats Marvel – Update 1

One minute after today’s Wall Street opening, Marvel Entertainment’s stocks jumped 25%, to over $48 a share. 

Disney will be allowing Marvel to continue to operate under its own name.

Debbie Schlussel takes more shots at comics

air-2729750She’s baaaaaack.

Debbie Schlussel, the woman who claimed you were "probably a moron and a vapid, indecent human being" if you saw Watchmen, now has trained her sights on this Wall Street Journal piece on G. Willow Wilson and her book Air, calling it "ipecac in print". Why? Because Wilson’s a convert to Islam, and Debbie really doesn’t like Muslims. Oh, and according to Debbie, Obama’s a Muslim too. I think she also thinks Obama’s in thrall to his radical Christian preacher, and he’s probably a Marxist. Usually, you can only be one of those things at a time at most, but Debbie doesn’t let things like logic stand in her way.

This quote jumped out at me, though:

I’ve repeatedly written on this site how Marvel and DC–the two major comic book hero publishers–have repeatedly pandered to Muslims of the extremist variety (as if there’s any other kind) in storylines, characters, and even internships at movie studios.

Debbie, Marvel and DC do a lot of pandering, but trust us, it ain’t to Muslims.

Reading through her archives looking at her arguments, you can almost have fun if you do what I do: replace every instance of the word "Muslim" with "Mutant" and pretend you’re reading X-Men. I promise, it makes the reading experience bearable. And comical– you keep waiting for her to announce the Sentinel program to round up all the dirty Muslims. Mutants. Whatever.

ComicMix Quick Picks: 8/7/08

The collection of posts that may not warrant a full entry of their own. Excelsio — er, onward and upward:

When I saw this bit about Franklin turning 40, I have to admit that wasn’t the Franklin I was thinking of… yes, Franklin Richards is 40 years old too. And people complain about Bart Simpson never aging?

The Skiffy Channel’s top 10 brilliant but cancelled sci-fi shows. Also known as their regular line-up.

Lost in all the San Diego shuffle, MTV of all people have started a comics/movies blog called Splash Page, and have gone so far as to hire former Wizard and DC Comics staffer Casey Seijas. We welcome them to the blogosphere, but would like to remind them that hiring ex-DC and Wizard employees to run a weblog is our shtick.

Paul Levitz interviewed in the Wall Street Journal. Surprise note: yes, he’s another alumni of Frank McCourt’s english classes. I always wondered where Paul picked up the Irish brogue.

Robert Downey Jr. trying to keep his ego in check for Iron Man II:

"Suddenly, for a minute, I felt like everyone needed to take a knee and listen to what I had to say, because I f–kin’ made it, and my way works and all this stuff. Then I go home and I go, ‘Oh my God, what’s happening to me? I gotta get grounded here.’ "

Downey got Tropic cowriter and actor Justin Theroux the gig writing Iron Man 2. Theroux is just crawling out from under the pile of Iron Man comics as we speak.

"I’ve just stopped marinating in all the Iron Man lore that I didn’t know, and I’m sort of firing up the chainsaw and ready to attack it," said Theroux. "You’re writing for Robert Downey Jr., so, at the end of the day, that’s an enormous amount of fun."