Tagged: Wizard World Chicago

Marc Alan Fishman: To Boob or Not To Boob

A short one act play, in response to this recent hubbub during the Wizard World Chicago Comic Con.

To boob, or not to boob, that is the question:

Whether ’tis nobler in the mind of cosplayers to suffer

The slings and arrows of outrageous fans and parents

Or to take arms against a sea of tsk-tsks,

And by opposing, end them.

To diet (to fit in a form-fitting costume) – to sleep on the floor of your con hotel suite –

No more; and by a sleep to say we end

The heartache, and the thousand natural shocks

That the display of flesh is heir to. ‘Tis a consummation

Devoutly to be wish’d of the fans to see.

For those not playing along, let’s cut to the chase. This past weekend, a cosplay maven – with distinct permission to come in her much-worked-upon Silent Hill cosplay – was jeered and leered at by some in the crowd, and ultimately (and incorrectly) walked back to her hotel room to change.

Per her posting, she had gotten the proper clearances, but miscommunication amongst the staff of the convention center and the con itself led to her removal. To her credit, she took the whole debacle in stride. As she commented in the aforementioned post: she expects some of the reactions she gets in her guise. As is her opinion, the human body can become a work of art; as such, her costume (the effort clearly of many hours of construction and creation) is her craft. If convention attendees find her faux – décolletage to be too much so be it. She clearly takes proper steps to ensure she’s meeting the criteria to cosplay by the rules.

This of course begs us to ask questions. Is she bending the rules to the given extreme? Is a well-produced facsimile of a naked body part – aligned to some measure of a costume – an allowable choice of expression within the confines of a convention? And if you personally find something akin to the display of the naked human body to be unsettling or offensive, are your rights inherently more potent than that of the cosplayer?

Let’s be clear: I’m not a show-runner, and thank Rao for that. What I am though, is a parent. My children, ages five and one, were attending Wizard World Chicago at the same time this particular cosplayer was doing her thing. The cosplay-picture-posing thing… not the being politely escorted away thing. Now, amidst snapping pics and moments with Wolverine, Batman Beyond, Deadpool and the like, my children nor my wife happened to see the naked-esque participant.

But what if they had?

Would I be chiding the choices of a fellow artist? Hardly. As it were, I sincerely agree with her opinion. The human body is not offensive. A nipple or breast out in the air – be it constructed, make-upped, or otherwise displayed – is of no more or less value to me personally than an ankle or an earlobe. If the costume itself requires the display of one’s personal nether-regions (augmented as necessary), and it falls within the rules of the given convention? Let it all hang out!

It mostly comes down to the show-runner. So long as their rules are on display in some fashion, the responsibility will fall on the patrons of the con to choose whether they feel they can enjoy the show or not. For a more family-focused show, perhaps there will be need to be more specific about the display of human flesh. But as with all things: we are all in shared space at a convention. Choosing to air your negative opinion in any way shape or form will always be far more offensive to me than any exposed tit.

As a parent, perhaps I wouldn’t make a choice for my kids to see this particular cosplayer – moreso because she looked genuinely scary – but if they had seen her? So what. My job as a parent isn’t to protect my kids from the world. It’s to help them interpret, understand, and appreciate it.

With a bare bodkin? Who would these fardels bear,

To grunt and sweat under a weary costume,

But that the dread of something after death –

The undiscover’d titty, from whose bourn

No traveler returns – puzzles the will,

And makes us rather bear those ills we have

Than fly to others dress as yet-another-Harley Quinn?

Thus conscience does make cowards of us all,

And thus the native hue of resolution

Is sicklied o’er with the pale cast of thought,

And enterprises of great pith and moment

With this regard, their currents turn awry

And lose the name of action. – Soft you now!

The fair Pyramid Head! – Nymph, in thy orisons

Be all my sins rememb’red. Sorry I stared a bit too hard at your cosplay.

Mike Gold: My Timey-Wimey Toddlin’ Town

john-barrowman-chicago-6129660

Well, last Sunday my pal John Ostrander did a lovely and quite informative column around his inability to come up with a topic. And tomorrow, my pal Denny O’Neil has an equally interesting column addressing the same basic issue. So, damn, I’d look pretty lame if I pulled the same stunt today, wouldn’t I?

Yeah, I know. I should be used to that.

So, instead of impressing you with my astonishing ability to wax on for 591 words about how there’s an echo chamber between my ears – it’s August; there’s supposed to be an echo chamber between my ears… or, at least, the Attica! chant – I’m going to write up a couple of paragraphs about a comic book show I’ll be doing in 15 days. Stream of consciousness, to paraphrase Kris Kristofferson, means you have nothing left to lose.

Danny Fingeroth, who’s name will magically reappear in Denny’s column tomorrow, finally found the one way to get me out to Chicago’s Wizard World show August 24 – 27. No, it’s not the availability of that wondrous delight, the Italian beef sammich. I get back to Chicago three or four times a year, so that’s not quite a deal maker.

No, Danny suggested we do a panel about America’s first mammoth Doctor Who convention, held as part of the Chicago Comicon (since sold to Wizard World) way back in 1982. Larry Charet, who, along with Bob Weinberg and me, were sponsors of the Comicon back then and Doctor Who had pretty much just taken a serious hold among American geekdom. We massively underestimated the number of folks who would be interested in attending… by… well… a lot. We made the Chicago Fire Department nervous, which, historically, is a dick move. We made the American Nazi Party nervous as well, but you’ll have to attend our panel in order to find out why.

I believe this was one of the first, if not the first, Doctor Who show that attracted the attention of a 15-year old named John Barrowman, who had been living in nearby Joliet Illinois at the time. John also will be a guest at Wizard World, so hopefully, I’ll be able to find out. Not that we’re taking credit for inspiring the man who became Captain Jack Harkness on Doctor Who and on Torchwood… but, with him no longer part of Arrow (at least for the time being), maybe the good folks at BBC-Wales can get him back to the timey-wimey stuff.

Of course, going home for Wizard World puts me back in the neighborhood of a hell of a lot of friends, as well as a gaggle of good folks that I haven’t pissed off for a while. Writers, artists, retailers, media folks, actors, broadcasters – it’s a fun place to be. And I’ve always had a great time at Wizard World Chicago, even though it’s actually in Rosemont Illinois, a town sandwiched in between the City of Chicago and the Airport of O’Hare. If you go there, check out Rosemont’s water tower and, if there are children around, try not to laugh out loud.

A month later, I’ll be at the Baltimore Comic-Con, one of my favorites. A damn good show run by damn good people.

That’s the reason we started these big comic book shows. Friendship, seeing people from all over the planet and making rude and obnoxious comments about the high price of stabbed comic books.

At least, we think those are comic books in there. Outside of the cover… who knows?

Marc Alan Fishman Celebrates the Wee Con

Kokomo-ConAs I fully decompressed from Wizard World Chicago, I looked towards the end of the Unshaven event calendar. On it: the Cincinnati Comic Expo – competing against the Cincy Comic Con, Cincinnati Comic Con, and the Cin City Comic Massacre (I think two out of three of those are real). Then, onto the mammoth New York Comic Con, which will boast near San Diego level of attendance. And, finally, gracefully, completing at the Kokomo Comic Con, in Kokomo, Indiana. You’ll get there fast, but take it slow. Sorry, it had to be said. And with it being said, I’m elated that once again, Unshaven will return.

The show itself feels like the comic cons I only heard about from old timers (like everyone on this site minus the Tweeks, Emily, and myself, heh heh heh). It’s pop-culture D-lister, and flashy/trashy exhibitor free. In their place, small publishers (ahem), independent freelance artists and writers, comic book and toy dealers, and a great handful of truly unique artisans – like the educational toy makers Cogbots, and the Highwind Steamworks, steampunk jewelers extraordinaire. The best part? The guest of honor, one Denny O’Neil.

Perhaps I’m a bit jaded in my love for the show. I was a crucial stepping stone in introducing Mr. O’Neil (who I’ll be uncomfortable calling anything but, until perhaps we shake hands in person) to the show-runners. As Unshaven had previously been attendees at the show for four years running, we had become more than a table-fee to Shawn Hilton and his crew. I dare say we became friends. Sure, his store is always ready to stock our books. And sure, I may have ensured we got prime floor real estate for making introductions for way-more-well-known-legends, but at the core of it all, the Kokomo Comic Con and its purveyors are fans first. I respect that. Hell, I live that.

All buzz marketing aside, Kokomo Con represents something I am coming to cherish more and more: a convention that can be enjoyed in a single day; where comics and community trump blatant commercialism. Before I get too deep into that sentiment, let me make something clear: I’m not saying Wizard or Reed or the San Diego Comic Con (or whatever gigantic conglomerates exist in the comic book convention circuit) are bad for building their Frankenshows.

As a strict capitalist, Unshaven Comics couldn’t exist without them. But with this past Wizard show, there’s certainly an energy drain when you sit behind the same table for four days straight, and see an unending queue of potential customers. And those customers are always quick to denote that they “just got there”, and are “checking everything out.” Every sale is a war with their desire not to miss some unlit corner of the show before potentially returning for a purchase. But I digress.

The single-day community convention is devoid of such pretense. It exists to excite for one day, and one day alone (duh). Because of that, the attendees tend to enjoy all of the convention. There’s no need to arrive hours early for the potential of snagging that autograph by the third extra in that show you watched back in the eighties.

Even if the entirety of the Kokomo Conference and Event Center is packed to the nines with booths, a show-goer will be able to peruse everything with time to confer with every artist and dealer. The air of the show itself is that which I revert to when I think of comics and my ill-gotten youth: it’s all about discovery, discussion, and debate. Find me a swatch of NYCC floor space where someone is truly digging through a long-box for that Suicide Squad #18, and I’ll eat my beard. At the smaller shows, the fans that arrive at the door are there first and foremost for guys like me (and way more for guys like Mr. O’Neil). And while we’ll never sell as many books in a given day there versus a NecroNomiCon… the sales we do make tend to make us life-long fans in lieu of passersby giving us a pity purchase.

At the end of day, there’s room of course for both kinds of cons (and to be fair, I think the Cincinnati Comic Expo will reside somewhere between the two). But phaser to my forehead? Color me simply. The shock and awe of the major shows has worn me thin, and in their wake, I yearn for intimacy. A show where one need not shout to hold a conversation. A show where you’re invited to learn, to discuss, to debate, and to celebrate specificity. A show where you can get that cherished issue of Green Lantern / Green Arrow signed, and not have a security guard breathing down your neck to move it along. A show where a truer comic book fan may truly be themselves… all without having to drop significant coin on that selfie with the best friend of The Great American Hero.

And that, my friends, is a convention worth looking forward to.

 

What Marc Alan Fishman Looks For In A Comic Book

Following up on my column last week, I had to sit down and really ask myself what it would take to sell me on a comic book. Not to toot my horn of Stereotypical Jewishness, but the thought of wasting as few as five dollars on a product I won’t wholly appreciate causes me to back out of a deal faster than the Marvel greenlights new films. The fact is I am oftentimes a skeptic when it comes to consumption of media. Either the creators have to be known to me previously, or come recommended by a trusted friend or critic.

When I self-discover, it’s typically after I’ve consumed everything else on my personal docket (which, admittedly, is rare). Most recently, I consumed the movie Chronicle. It was on my DVR, when I had two hours of alertness left in me and literally nothing left to watch. I really enjoyed it. And now because of it, I’ll be more inclined to not hiss at the next movie iteration of the Fantastic Four, knowing that the director and one of the announced stars were both great parts of the aforementioned flick. But I digress.

It starts with the pitch.

This year at Wizard World Chicago, I’m going to attempt to be a blank slate in the Artist Alley. Rather than seek out what looks interesting to me (“art first” if you will), I’m going to randomly choose tables with indie comics, and straight-up ask the person behind the table to pitch me their book. If the pitch is tight, the hook is something original, and the book is five bucks or less, I’m taking it home. Regardless of genre, art style, or any other number of factors. This is me trying to break the bad habit of judgment and reward those who know how to represent their product. I wholly understand that artists are not salesman, and I shouldn’t punish someone for not being a huckster (like me…). But in those cases where the pitch can’t sell me on a book, I know then it’ll be my duty to sell it to myself. For that to happen I need something to latch on to.

The older I get, the crankier I become when I consume media I’ve consumed before. I freely admit, I don’t tend to like fantasy, westerns, or horror because of that fact. Each of those genres tends to cling to tropes tightly, and just gnash any number of them into their prose to fill the void where originality might be otherwise. Oh, that medieval epic you’ve penned… does it have dwarves warring with elves? Egad man, it’s never been done! Oh… but this time the dwarves has mastered ice magic?! Sorry, my bad. That being said, noir, superheroes, and hard science fiction concepts wind up on my shelf more often than not. For me, those stories tend to use genre only to set mood or environment, not drive plot. Think Kill Bill vs. any anime revenge story produced in the last decade.

If the plot doesn’t grab my gonads off the bat, then it’s time to just look at the damned book. On a purely aesthetic level if the comic is doing something visually I’m not seeing elsewhere? That’s a big step in the right direction. Moreso, if the medium being used is wholly uncomicy then I’m even more apt to perk up. Not to namedrop my own books, but screw it. The Samurnauts continues to sell well – beyond the well-practiced pitch – because we combine painted panel art for half the book with more typically sterile digital fare. Should I see a book rendered originally in paint, charcoal, or mixed media? It’s going to ring a bell or two near my buying hand because the creators are changing the language necessary to enjoy their piece.

Ultimately what will sell me a comic will be the passion on the page. Certain comics and concepts just ring true when you hear them come from their creators. I’ve mentioned more often than I’d care to admit that Touching Evil by Dan Dougherty is one of the best books I’ve read in the last decade. And truth be told, the pitch did nothing for me at first. But even a single page in, after Dan let his guard down, and gave me a glint of his creative process, I was sold. And one issue later? I was a card-carrying member of the Touching Evil Empire.

So, by the time these words will hit your eyes, I’ll be milling about the Artist Alley. And next week, you’ll hear all about my exploits amongst my brethren. Until then, I bid you good reading.

 

Marc Alan Fishman: Con Shopping Extravaganza!

While I am buried deep under a pile of production – completing “The Samurnauts: Curse of the Dreadnuts #3” in time for Wizard World Chicago later this month – Editor Mike reached out to inspire me. In other words, he didn’t want me to bore ya’ll one more time with my annual bitching session regarding the passion of the indie creator. Instead, he suggested I suggest to you, my adoring public, a few books that I’m reading and loving right now… that do not come from the big two publishers. There was only one problem with this prompt.

Since I’ve been knee-deep in digital art-ing, lettering, editing, coloring, and laying out(ing?) a comic for the last month or so… I’ve basically all but stopped reading comics.

Of course I could fall back on my staple suggestions: Touching Evil by Dan Dougherty, Solution Squad by Jim and Rose McClain, Product of Society by Cheeselord Comics, and Monkey Fist by Sun Bros. Studios. But then it dawned on me, I could kill two birds with one stone! I could excite the masses about the passion of indie comics without suggesting any particular book at all. Indeed kiddos, I could be that good.

When the book is off to the printers and my life is freed up once more to consume amazing comics, I’ll find myself at Wizard World Chicago. And where better than the annual comic con to take a chance to immerse myself in sequential fiction not otherwise touched by Mickey Mouse or Brother Warner. My plan is simple:

Seek books within Artist Alley, and Artist Alley alone.

Across dozens of tables will sit books built first and foremost out of passion. While it’s likely true that Scott Snyder is symbiotically betrothed to Batman, at the end of the day the caped crusader is not Mr. Snyder’s own creation. Not to get all Robert Kirkmanny here, but there’s something to be said when a book is wholly the idea of a given writer (and/or artist). Without the constraint of an editorial office, calendar, or marketing strategy, an indie title has the least weight on its shoulders to succeed. Of course the alley cat who peddles the pulp sure wants due-payment and fortune. Suffice to say though, there are far fewer hands in the cookie jar wanting their rightful crumbs. Because of that, I’ve found that the independent book tends to push the edge harder conceptually speaking. And because of that, the books may not be as polished on the page, but they read incredibly in the mind.

Set a budget, and buy a breadth of material – not pour a fortune down one well.

As a creator I want nothing more than passersby to be so enamored with The Samurnauts that they feel compelled to purchase every last ounce of material available at the table. But turn that table around and I’m often a misanthropic cheapskate. In a case of “Fool me once, shame on me…” a few times I got snookered into less-than-stellar indie titles in my early twenties. Because this was well before the near-affordable print-on-demand days, these indie rags went for double the price of a typical DC or Marvel book. And they weren’t in color. And they were poorly written, drawn schizophrenically, and sold to me under false pretense.

Well, a decade later, and I’ve crawled out from the behind the rock. My tactic is simple: Get the pitch, agree with the pitch, look over the product, ensure the product is priced appropriately, and make the damned purchase. But I digress.

The key to making the most out of exploring the Artist Alley is as I’ve noted above: it’s all about trying out a ton, not committing to an entire series without first enjoying only a taste. If an artist is worth their salt, they’ll make their line of work available to me after the show is over, or at very least offer up to me the next shows they’ll do. In the day and age in which we live, social media is the great uniter. And any artist in the alley not taking advantage of the free services that open their art and products to the world simply do not deserve my continued business.

In essence, my trip through the convention will be amassing an unencumbered anthology specific to the genres, art styles, and creators I find most akin to my wants and desires. And with an open mind (and an empty stomach…), I’m going to make it a mission to be social. To look every creator in the eye, and proudly ask them to tell me about their comic.

And in a few weeks, I’m going to let all of you know exactly how it went. Excelsior.

 

Wizard World Chicago, the Photos (Day 3)

  • News
  • August 26, 2010

Whilst walking the show floor today, the last day, at the 2010 Chicago Comic Con, we Unshaven
lads did our duty (one final time) to bring you the shots you know you love
to see. So, enjoy the final cavalcade of comic enthusiasts who went
that extra mile… and brought delight to all those on the floor who finally gave up looking around for DC, Marvel, Image, Dark Horse, IDW, Boom! or
Dynamite. Kudos to these cosplayers for being the bright spot
in a convention of tremendous letdowns.

(more…)

Wizard World Chicago: The Photos! (Day 2)

  • News
  • August 22, 2010

Whilst walking the show floor today at the 2010 Chicago Comic Con, we Unshaven lads did our duty (once again) to bring you the shots you know you love to see. So, enjoy the continued cavalcade of comic enthusiasts who went that extra mile… and brought delight to all those on the floor who were looking around for DC, Marvel, Image, Dark Horse, IDW, Boom! or Dynamite. While they weren’t there for this COMIC convention, at least these awesome cosplayers were. Kudos to them for being the bright spot in a continuing convention of letdowns.

(more…)

Wizard World Chicago: The Photos! (Day 1)

  • News
  • August 21, 2010

Whilst walking the show floor today at the 2010 Chicago Comic Con, we Unshaven lads did our duty to bring you the shots you know you love to see. So, enjoy the cavalcade of comic enthusiasts who went that extra mile… and brought delight to all those on the floor who were looking around for DC, Marvel, Image, Dark Horse, IDW, or Dynamite. While they weren’t there for this COMIC convention, at least these awesome cosplayers were. Kudos to them for being the bright spot in an ever dimming convention.

(more…)

Chicago Comic & Entertainment Expo coming from Reed in 2010

  • News
  • February 3, 2009

c2e2-1264395The city of big shoulders will soon hold up a second "as major as you can get in the midwest" comic convention. As announced today by the fine folks who bring you the New York City Comic Con, the newly dubbed Chicago Comic & Entertainment Expo (or for us locals, the aptly catchy ‘C2E2’) will take the city by storm April 16th-18th, 2010 in the ‘As Deep As Our Pizza’ McCormick Place Convention Center.

Boasting the fastest growing attendance list in recent memory, Reed Exhibitions promises to come to town with guns a’ blazing, Capone style. Lance Fensterman, Vice President and Show Manager (for this year’s impending New York Comic Con, and the aforementioned Chicago show) wants to let the fans know that they are “aiming big”:

“We plan to apply everything we have learned in launching and building New York Comic Con to our Chicago event and we intend for it to be a major attraction right out the gate. Of course, this not only means providing a customer friendly atmosphere but also providing dynamic programming that boasts top talent from across the pop culture spectrum, including artists, creators and celebrities from Hollywood, TV, comics, books, video games, toys,  Anime, Manga and all other applicable aspects of the popular arts.  But, most importantly, we will also seek to make adjustments so that our show reflects the essence of Chicago.  This will be critically important.  The city itself will form an important part of our identity.”

Prior to this, Chicago has been host to Wizard World Chicago, as well as the new-and-not-created-by-corporate-overlords-grassroots Windy City Con. Given the recent announcement of Wizard World Austin’s demise and the postponing of Wizard World LA, it seems the wave of change hitting the nation is hitting the con circuit too.

(more…)

Wizard closes Texas show, postpones Los Angeles

  • News
  • January 10, 2009

image-254-6300200Hate to say it, but I did predict this back last year, albeit a few days late for ‘08.Straight from Wizard’s press release:

Wizard Entertainment announced today that it has postponed its 2009 Wizard World Los Angeles show slated for March 13-15 and cancelled the Wizard World Texas show  November 6-8 due to the current economic climate.
 
The successful Philadelphia and Chicago shows will go on as planned. Wizard World Philadelphia, featuring Guest of Honor Garth Ennis, is June 19-21 at the Philadelphia Convention Center and Wizard World Chicago, featuring comic legend George Perez, is August 6-9 at the Rosemont Convention Center.

The shoes, they begin to drop…

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