Tagged: Wonder Woman

Warner to Release ‘Secret Origin: The Story of DC Comics’ in November

  • News
  • August 11, 2010

The long-awaited documentary, Secret Origin: The Story of DC Comics, screened at Comic-Con International and was previously announced as being included as a bonus in the forthcoming Batman Beyond complete series boxset. Now we have word that the crown jewel of the company’s 75th anniversary celebration will be available on its own this November.

Here are the official details:

BURBANK, CA (August 11, 2010) – Warner Bros. Pictures presents an enthralling examination of the creative forces behind the World’s Greatest Super Heroes in Secret Origin: The Story of DC Comics, an all-new documentary that takes viewers behind the scenes of the iconic company with unprecedented access to the Warner Bros. and DC Comics archives. Narrated by Ryan Reynolds, Secret Origin: The Story of DC Comics will be distributed by Warner Home Video on November 9, 2010 on DVD for $24.98 (SRP). Secret Origin: The Story of DC Comics will also be available On Demand and for Download.

Behind the amazing tales of Superman, Batman, Wonder Woman and a host of other well-known characters is the equally impressive story of the challenges, creativity and triumphs of the company that brought those characters to life. Secret Origin: The Story of DC Comics is both a celebration of the best writers and artists in comics and a thoughtful exploration of 75 years of DC Comics history.

Produced by the Academy Award ® -nominated team behind Spellbound (Feature Documentary), Secret Origin: The Story of DC Comics combines excerpts from comics, films and television series with the insight of some of history’s most influential comic book creators and editors, among them Neal Adams, Karen Berger, Mike Carlin, Dan DiDio, Neil Gaiman, Geoff Johns, Jim Lee, Paul Levitz, Dwayne McDuffie, Grant Morrison, Dennis O’Neil, Paul Pope, Louise Simonson, Mark Waid, Len Wein, and Marv Wolfman.

Secret Origin: The Story of DC Comics is written and directed by Mac Carter. Jeffrey Blitz (Spellbound, The Office) served as executive producer. Producer is Gregory Noveck and co-producer is Ivan Cohen.  Secret Origin: The Story of DC Comics is produced by Sean Welch and Janet Eckholm.

“From the bans to the breakthroughs, from humble pulp beginnings to the literary rise of the graphic novel, the story of DC Comics holds a mirror to an ever-evolving enterprise and the society reflected in its comic book pages,” said Diane Nelson, President, DC Entertainment. “It’s a true American story – Secret Origin: The Story of DC Comics is a riveting, exciting, surprising revelation of that fascinating history and the men and women who forged it.”

Review: ‘Super Friends! Season One Volume Two’

At least one generation of super-hero fans grew up knowing the DC Comics heroes through their appearances on ABC’s [[[Super Friends]]]. Loosely based on the [[[Justice League of America]]],[[[Superman]]], [[[Batman]]], [[[Robin]]], [[[Wonder Woman]]], and [[[Aquaman]]] teamed up in the Hall of Justice and fought all manner of menace. Accompanying them for no rational explanation were Wendy Harris and Marvin White, along with Wonderdog.

The first iteration debuted in fall 1973 and was an hour-long adventure with 16 episodes comprising thefirst season. The series survived in various incarnations well into the 1980s when it finally faded away, ringing down one era of animated heroics. The biggest problem confronting these early missions was the network demand that there be no violence. Threats yes; actually hitting the bad guy, no.

Additionally, the stories were designed to deliver messages such as ecological awareness so the youngsters watching at home could learn something.

What they also learned was that story logic was not required on weekend mornings. The first half-season was collected earlier this year and now Warner Home Video releases Super Friends! Season One Volume Two on Tuesday. Maybe it’s telling that the packaging uses Jose Luis Garcia-Lopez & Dick Giordano style guide artwork than imagery from the series. Despite the fabulous Alex Toth doing design work for the series, the limited, budget conscious animation is pretty atrocious.

The wonderful Ted Knight narrates each episode as if he were reading from a Mort Weisinger script. We’re told what we’re seeing, we see it, and then the characters repeat much of the same thing. His voice, though, is pitch perfect to provide each adventure with a serious tone regardless of how ludicrous the stories are.

And they’re pretty terrible. Scientists with idiot henchmen are repeated a lot. Aliens arrive on Earth, telling us it looks pretty clean for settlement then it becomes a story of how humans are polluting the land, air, and sea. Well, which is it?

The heroes apparently hang out in the Hall of Justice, not having a life beyond the heroic personas, and wait for the TroubAlert to selectively tell them of a problem. One episode shows the computer summoning the heroes only after the third identical crime has been committed. Interestingly, Clark Kent is described not as a reporter for a great metropolitan newspaper, but is instead a new commentator on television station WGBS, a nod to the then-status quo.
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Today’s Warner Animators Praise the Past

  • News
  • July 13, 2010

Brandon Vietti is just two weeks away from his solo directorial film debut with Warner Home Video’s looming release of Batman: Under the Red Hood, a dark, emotionally wrenching journey as Batman’s past and present collide.

James Tucker is enjoying another successful season producing the Warner Bros. Animation/Cartoon Network hit series, Batman: The Brave and the Bold, a much lighter take on the Caped Crusader’s adventures

Ironically, the super hero roots of both contemporary animators can be found in the same content – Super Friends, the one-hour ABC series that began in 1973, inspiring generations of young imaginations and spawning numerous cartoon series sequels.

Warner Home Video and DC Entertainment will release Super Friends!  Season 1 Volume 2 on DVD on July 20, 2010. Available for the first time since its debut in 1973, this highly-anticipated deluxe two-disc collector’s set features eight exciting one-hour episodes starring the most recognizable DC Comics super heroes and villains of all time.

Super Friends! Season 1 Volume 2 follows the adventures of Superman, Batman, Robin, Wonder Woman and Aquaman as they join forces to save the world from unthinkable disasters. This crime-stopping squad, along with heroes in training Wendy, Marvin and Wonder Dog, combine their special superhuman skills to defeat the evil villains at hand. The collection also features DC Comics favorites Plastic Man, The Flash and Green Arrow. Each hour is packed with timeless adventures of the universe’s greatest heroes as they pave the way for a brighter future.

Both Vietti and Tucker fondly recall the wide-reaching impact Super Friends had on their young lives.

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Wonder Woman’s Latest Makeover

  • News
  • June 30, 2010

wonder-articleinline-v2-2791466Hey, Wonder Woman! You’re driving me nuts.

DC Comics has announced they’re changing Wonder Woman’s costume. Let’s forget that her costume is truly iconic. Let’s forget it’s been one of the most licensed images in American comic books. Let’s even forget that
artist/co-publisher Jim Lee’s new design isn’t bad at all. Let’s just question the wisdom of capricious change.

We’ve been through this before. In 1968, DC took her out
of her costume and dressed her as Emma Peal from The Avengers teevee show. It didn’t work. In 1982, DC altered the eagle to look like a double-double-you. Since then, that image has been softened to appear almost indistinguishable.

DC has re-launched, re-booted, re-vitalized and changed
Wonder Woman more often than a new mom changes her baby’s diaper. Some incarnations were quite good, but few lasted long enough to establish an audience.

17795-1155072DC has repeatedly proven themselves either unwilling or incapable of developing their artistic successes. It looks like every time somebody new comes in, he’s got to “save Wonder Woman” just to make his bones.
Perhaps the numbers crunchers panic easily – that’s certainly been known to happen. Perhaps they should just focus on making great comics instead of
overdoing lame “events.”

Wonder Woman has been a role model to thousands of young
girls and has been an entry-point for a lot of women into this still-male
dominated medium. DC should honor Wonder Woman and her heritage by treating her with the same reverence with which they treat Superman. The way publisher has treated Wonder Woman for the past couple decades has been quite sad.

Bruce Timm sets the record straight on DC Universe Animated Original Movies

  • News
  • June 24, 2010

Who’s under the Red Hood? Bruce Timm knows, but he’s not telling. However, he answers a bevy of other questions in a Q&A focused on the July 27 release of Batman: Under the Red Hood, the latest entry in the ongoing series of DC Universe Animated Original PG-13 Movies.

Batman: Under the Red Hood is just the latest finished product to come from Timm’s canon of super hero vehicles at Warner Bros. Animation. A veritable legend among the creative forces in animation today, Timm has spearheaded the elevation of DC Comics’ characters to new heights of animated popularity and introduced generations of new fans to the characters via landmark television series and made-for-DVD films. The latter task includes the creation of the current series of DC Universe Animated Original Movies, which now number eight in total and each has been greeted with critical acclaim and nifty sales.

Warner Premiere, DC Entertainment and Warner Bros. Animation, will be distributing Batman: Under the Red Hood as a Special Edition version on Blu-Ray™ and 2-disc DVD, as well as being available on single disc DVD, On Demand and for Download.

Timm paused long enough in his unthinkably busy schedule for a few cigarettes and a battery of questions, responding in true Timm form – whether it be discussing the casting and art direction, revealing his across-the-board love for all versions of Batman, or setting the record straight on quotes attributed to him from a certain widely reported interview-that-never-was. This is vintage Bruce Timm – read what the man has to say …

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Exclusive: Hallmark Ornaments to debut at SDCC 2010

Hallmark will return to Comic-Con this summer with a line up of exclusive DC Comics, Star Wars, and Simpsons products for the event to introduce enthusiastic collectors (that’s you,
fanboys…) to the world of “Keepsake Ornaments”. Just in case your calendar isn’t marked yet, Comic-Con
International falls on July 21-25 this year, at the San Diego Convention Center in California. Here’s the run-down:

75 Years of DC Comics features the publisher’s three most iconic heroes bursting into action from the very comic books in which they made their first cover appearances—Wonder Woman in Sensation Comics No. 1 (January 1942), Superman in Action Comics No. 1 (June 1938) and Batman in Detective Comics No. 27 (May 1939). Limited run of 750. (more…)

Joss Whedon to direct the ‘Avengers’ movie?

  • News
  • April 14, 2010

That’s what Entertainment Weekly is hinting at.

As usual, I’ll believe it when I see much more confirmation, as I’m still old enough to remember when Joss was supposed to direct Wonder Woman.

On the other hand, I’m sure he’d pass muster with Marvel’s crew pretty quickly, and Joss is known for doing well with keeping things under budget, which is always important, particularly with Marvel Studios known tendencies towards penny pinching.

Review: ‘Lord of the Rings Original Animated Classic’

Ralph Bakshi has been a visionary filmmaker and animator, whose ambitions always seemed larger than his talent. After cutting his teeth at Terry Toons, he talked his way into running Paramount’s dying animation arm before moving on to work such as the ABC Saturday morning [[[Spider-Man]]] series. He finally gained recognition when he set out to make feature-length films, beginning with the X-rated [[[Fritz the Cat]]].

Bakshi’s tastes have always run towards edgy fare and he’s produced animated film son subjects Walt Disney or Don Bluth would never have approached, such as [[[American Pop]]] and [[[Hey Good Lookin]]]’ and for that he deserves credit. Unfortunately, in just about every case, the projects have been flawed, largely because not enough money was spent on the animation or the story so they never felt finished.

In the 1970s Bakshi was in the right place at the right time when he managed to get the rights to adapt J.R.R. Tolkien’s [[[Lord of the Rings]]], a project that had previously stymied filmmakers such as Stanley Kubrick and John Boorman. He set about to create a new look for Middle-earth by using the rotoscope technique, to shoot large portions of the film as live-action and then provide the footage to his animators to essentially trace.

The results arrive Tuesday as Warner Home Video releases a combo pack edition containing Blu-ray, DVD and digital copy discs, the same day it also debuts the Peter Jackson trilogy on Blu-ray.

Tolkien fan Chris Conkling was first hired to do research then was given a shot at writing the first screenplay which oddly decided to tell most of the story in flashback from Merry’s point of view. Bakshi wisely shelved it and brought in fantasy master Peter S. Beagle to rewrite the script. Beagle, of [[[The Last Unicorn]]] fame, followed Bakshi’s instructions to preserve as much of Tolkien as was possible.

What’s interesting is how Beagle and Jackson made many of the same decisions regarding what to drop or change. While there was a huge cry about the absence of Tom Bombadil in the live-action film, he’s also gone in Bakshi’s film and no one screamed in those pre-Internet days. They also both chose to have the Ringwraiths themselves seen attacking the seemingly slumbering hobbits at Bree.

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Review: ‘Justice League: Crisis on Two Earths’

jl-crisis-bd-3dskew-42-3085184DC Comics brought the notion of parallel universes to comics, beginning with the classic “[[[Flash of Two Worlds]]]” and then began the annual team-ups between the Justice League of America and the Justice Society of America. Since then, the inhabitants of Earth -3, the Crime Syndicate of America, have been interpreted and reinterpreted with regularity. As a result, they have remained a popular aspect of the multiverse and certainly ripe for use in animation.

[[[Justice League: Crisis on Two Worlds]]] brings us a brand new take on the CSA, using Grant Morrison’s [[[JLA: Earth-2]]] graphic novel as a launching pad and going in a brand new direction.  The original animated feature goes on sale this month in a variety of formats from Warner Premiere and Warner Home Video. With a script from veteran comics and animation writer Dwayne McDuffie, the story posits an early version of the JLA with a limited membership. We open as they are still building their satellite headquarters only to have their work interrupted by the arrival of the parallel universe Lex Luthor.

On his world, the CSA has effectively taken control of the world, dividing it in six sections with each member exerting control through ten super-powered “made men”. Luthor and the Jester were the last of the metahuman resistance but the Joker-doppelganger sacrifices himself, taking their version of the Martian Manhunter with him, to allow Luthor to escape.

The JLA argues whether or not their mission should include other realties and when Batman is outvoted, he remains behind to oversee construction. The others cross the barrier and the action begins, rarely letting up. Overall, it’s a swift story that’s very entertaining with some playful touches including Slade Wilson as Earth-2’s US President. We see many “evil” versions of familiar JLAers in addition to the addition of new heroes to the JLA, so we get to watch the growth of the World’s Greatest Super-Heroes.

It’s far from perfect including my dislike for the character designs. Each of the Warner Premier videos is stand-alone and that seems to mean they are forced to reimagine how the heroes appear. This time, they’re a little too lean, too angular to appear as powerful as they should be, notably Superman. While a stellar alignment of voices is used, most feel miscast or bad matches to the characters designed. For me, the best characterization, dialogue and voice work are seen in Superwoman, performed by Gina Torres.

The overall threat, put into place by Owlman, has a poor rationale while the resolution leaves huge dangling threads. It’s a good effort, overall, but also not WP’s strongest offering.

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Bruce Timm offers New Insights

  • News
  • February 19, 2010

Executive producer Bruce Timm offers new perspective on the creation of Justice League: Crisis on Two Earths, the latest entry in the ongoing series of DC Universe animated original movies,  and The Spectre, the inaugural DC Showcase animated short, in an all-new Q&A with the guru of super hero animation provided to ComicMix by Warner Home Video.
The full-length animated Justice League: Crisis on Two Earths on February 23 as a Special Edition 2-disc version on DVD and Blu-ray, as well as single disc DVD, and On Demand and Download. We will be reviewing this on Sunday.Timm, the executive producer has been the creative force behind many of Warner Bros. Animation’s modern-day successes, elevating DC Comics’ canon of super heroes to new heights of animated popularity and introducing generations of new fans to the characters via landmark television series and made-for-DVD films. The latter task includes the creation of the current series of DC Universe animated original movies, which have drawn critical acclaim and further whetted the public’s appetite for comic book entertainment.

Question: What excites you about Justice League: Crisis on Two Earths?

Bruce Timm: In a weird kind of way, this is a return to my favorite show Justice League Unlimited. The original script was intended to be the bridge story between Justice League and Justice League Unlimited to explain how we went from seven heroes to more than 50 super heroes. We loved the story and the script, and it floated around here for years while we tried to figure out what to do with it – it was considered for a comic, but fortunately that got shot down. Then we took a look at it and, with just a few slight tweaks, we jumped at the chance to make it a DC Universe movie.

Question: What sets it apart from the TV version of Justice League?

Bruce Timm: It’s a very satisfying, grand scale adventure movie with a big cast of interesting, quirky characters. It’s amazing how much it feels like a great episode of Justice League Unlimited as a big, epic film with slightly different visual stylings. That’s a good thing.

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