Tagged: Writers Guild of America

Dwayne McDuffie and Earl Kress to Receive WGAW Animation Writing Awards

Dwayne McDuffie by Glen Muramaki & Andrew PepoyI guess the write-in campaign worked. Applause to the Writers Guild for honoring these guys.

Dwayne McDuffie and Earl Kress are set to receive the Writers Guild of America, West Animation Writers Caucus’ 14th annual Animation Writing Award posthumously. The honor recognizes their animation writing work and their efforts to organize animation for the guild.

“This year, animation lost two talented, hard-working people who have given much of themselves and their talent to our field,” said AWC chair Craig Miller. “Dwayne McDuffie was a talented writer and creator of comics and animation who worked hard for others, particularly for minority writers. Earl Kress was a writer whose career included both feature and TV animation and hard work on behalf of all animation writers as a member of the WGA Animation Writers Caucus and the Animation Guild Board of Directors. Both were people I was glad to call friend and colleague, and whose efforts, it can truthfully be said, made all of us the better for them.”

via Dwayne McDuffie and Earl Kress to Receive WGAW Animation Writing Award – Hollywood Reporter.

On This Day: ASCAP Formed

It seems only fitting that on the week the WGA strike comes to an end, it’s also the anniversary of another organization formed to protect the rights of artists.

The American Society of Composers, Authors and Publishers, also known as ASCAP, was created today in 1914 in New York to help protect the copyrighted musical compositions of its members.

Some of ASCAP’s earliest members include Irving Berlin and John Philip Sousa. ASCAP continues to work for its members’ protection, making sure artists get paid for their creativity.

Really, though — someone should’ve come up with another acronym. To put this delicately, saying "ASCAP" out loud does conjure up feelings of constipation.

 

The Writer’s Strike Is Over, So What About Your Favorite Shows?

With the writer’s strike over, a new contract ratified by the WGA board and a pending vote by the membership at-large looming, I know what you’re thinking: enough of this strike business, when the heck am I gonna see new episodes of Battlestar Galactica, Chuck, Heroes or  "insert name of favorite show here"?

Believe me, I sympathise and apparently so do the folks at TV Guide because they’ve already posted a pretty comprehensive guide to the TV shows that are coming back now, sooner, later or never.

Some of the shows with their fates already determined include:

Battlestar Galactica

Returns April 4 with first half of 20-episode final season. Production on second half could start as early as March. Airdate for those TBD.

Chuck

No new episodes until fall.

Heroes

No new episodes expected until fall.

Lost

Six pre-strike episodes remain. Five additional episodes could air this season.

Smallville

Four pre-strike episodes remain. Expected to shoot 5 or 6 additional episodes to air in April/May.

Terminator: The Sarah Connor Chronicles

Four pre-strike episodes remain. Future beyond that TBD.

Bionic Woman

No new episodes expected. Ever.

Check out the complete list, updated regularly, for more details on your favorite shows.

Common Cast as Green Lantern in ‘Justice League’ Film

Hip-hop musician Common recently confirmed to MTV that he will be playing the role of Green Lantern John Stewart in the upcoming "Justice League" film.

"It’s a blessing really, to know that I could potentially be this superhero,” he enthused. “Justice League itself is an honor, and Green Lantern is an incredible character to play. It’s a blessing to be associated with it.”

As previously reported, "Justice League" production was initially delayed by the WGA strike, but now could begin again this year. The film is tentaively scheduled for a 2010 release, but nothing is certain at this point.

 

Marvel Studios Settles with WGA

United Hollywood, the news blog founded by a group of Writers Guild of America strike captains, is reporting that the WGA has signed an interim agreement with Marvel Studios " that will put writers immediately back to work on the Marvel Studios development slate."

Marvel Studios chairman David Maisel said that they "look forward to resuming work with writers on our future projects including Captain America, Thor, Ant-Man, and The Avengers."

Ant-Man?  Seriously?

The WGA also signed an interim agreement with independent film studio Lionsgate, whose upcoming work includes RamboTyler Perry’s Meet the Browns, Forbidden Kingdom, Punisher 2, and The Spirit.

Superman beaten by WGA strike?

It’s beginning to look like the WGA might have accomplished what years of evil scheming and diabolical machinations were never able to achieve: the death of Superman.

According to Variety, "nothing is happening" with Superman: Man of Steel, the planned sequel to 2006’s Superman Returns. The writers’ strike has proven to be yet another, very large nail in the coffin of Warner Bros. plans for a new Superman franchise, as the picket lines halted studio production shortly after the screenwriters for the 2006 film, Michael Dougherty and Dan Harris, opted out of the sequel. No screenwriters are currently tied to the project, and even the return of Superman Returns director Bryan Singer to the helm of the sequel remains uncertain.

From Variety:

"For now, the next Superman auds will see on the bigscreen will not be Brandon Routh but a younger Superman among a cast of youthful DC superheroes in George Miller’s The Justice League. That movie likely will not be shot, however, until after the WGA strike is resolved."

At this time, Warner Bros. has moved Superman: Man of Steel back to a tentative 2010 release.

Cut Them Off At The Past, by Dennis O’Neil

And the Screen Writers Guild lurches into a tenth week and if there’s any end in sight, I haven’t heard about it.

Last time, I mentioned the Academy of Comic Book Arts and its failure to do any significant negotiating on behalf of its members. ACBA wasn’t the first attempt, though, to organize those glorious mavericks, the comic book community. In the 60s…

Wait! Better issue a warning before I go further. Do not regard anything that follows as gospel. (In fact, you might consider not regarding the Gospel as gospel, but let us not digress.) I have no reason not to believe what I’m about to tell you except one: About a year before he died, Arnold Drake, who was a busy comic book writer at the time we’ll be discussing, told me that the story I had wasn’t the whole story, or even necessarily accurate. I don’t know why I didn’t press him for further information, but I didn’t.

Okay, the story:

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TV Eye by Martha Thomases

A few thoughts on the Writers Guild of America strike, and what it means for comics – and you!

• If the history of comics has shown us anything, it’s the fact that the more satisfied the creative talent is with their deal, the better our choices in entertainment. The rise in independent comics that started with the undergrounds in the 1960s forced innovation on what had been a stodgy industry, not only in terms of subject matter but also in terms of revenue sharing and creator-owned properties.

• Television and movies are much more collaborative efforts than comics, so sharing copyrights and trademarks can be much more complicated. That’s why, in those media, the accepted standard payments are residuals and royalties. Even though the comics industry has been paying royalties for over a decade, I have not seen it make any difference in the bottom line at Warner Bros. or Marvel. When profits are shared, everyone profits. (Aside: Yes, I know studio accountants can magically make profits disappear. That’s a separate rant.)

• It’s kind of hilarious that people expect a flood of Hollywood talent to descend on comics during the strike. For one thing, most of the major publishers book up their talent on regular books for at least six months to a year. For another, the major publishers offer deals that are much worse than what the studios are offering. DC or Marvel may consider original graphic novels, but they’ll want to retain ownership, just as they do with all their other properties. (more…)