Tagged: wrong

The Bootleg War is now Available

  • News
  • June 15, 2012

the-bootleg-war-is-now-available-3296581Latchkeys #4, “The Bootleg War”, is now available for Kindle and Nook. Author Paul Kupperberg talks about the writing experience.

By Paul Kupperberg

For writers, ideas are like stacked up airplanes circling the fogged in airport. We want desperately to have all of them land safely, but some are going to have to stay up in the air a little longer than others until the weather clears or a runway opens up. As a result, we’ve all got lots of ideas circling our brains but no opportunity to bring them in for a landing on paper as quickly as we would like.

A few years back, Steven Savile, on a writers email list to which we both belong, suggested that a bunch of us join forces to take some of those high-flying ideas, throw them into a hat, and pick a few on which a dozen or so of us could work together. The idea was to hasten the development and writing of these various concepts by sharing the workloads. The result of Steve’s suggestion was a collective we came to call the HivemMnd.

While Steve has already related the secret origin of the HiveMind in an earlier post here on the Crazy 8 Press blog, the work of actually writing Latchkeys takes place not as a community activity, but in the individual workrooms, offices, and minds of our fourteen writers. The current episode, “Chapter 4: Speakeasy, Part One: The Bootleg War” began with a story by Kris Katzen, which landed on my desk for fleshing out and was a particularly fun story for me to work on. It incorporates elements that play to several of my strengths as a writer: It takes place in New York, the city in which I was born and about which I have an insatiable curiosity (I have shelves containing nothing but histories and biographies related to this, the greatest city on earth), and is set against a historic backdrop, in this case the Prohibition era of the 1920s (coincidentally, I recently read Daniel Okrent’s fascinating history, Last Call: The Rise and Fall of Prohibition).

I love to pepper period stories like “Bootleg War” with interesting little historic tidbits, whether about its locale or some incidental information (did you know Converse All-Stars sneakers were introduced during the First World War?)…just enough to give it the right flavor and a dash of verisimilitude. Of course, stories have to come from out of the characters first, but those characters need to be rooted in a world that’s as real as they are. The use of the wrong slang or an anachronistic prop and the reader is yanked out of the moment and all the mood and drama the author was hoping to set up is ruined.

And speaking of characters: Latchkeys stars a roster of good ones. I was already familiar with two of them, twin sisters Mercy and Marguerite, from writing one of the later Latchkeys episodes (#13, “Emmett”), but “Bootleg War” gave me the opportunity to get to know a couple of the other fascinating teens who populate this world. I hope you’ll find their intelligence and resourcefulness as interesting as I did while writing them.

So, to torture my opening airplane analogy just a little further, bringing Latchkeys in for a landing has been, in some ways, a long and sometimes bumpy ride, but now that we’re safely home, I wouldn’t have wanted to miss a moment of the trip. For readers, on the other hand, there’s nothing but clear skies and some good reading ahead.

PRO SE PRESENTS #9- THE SONS OF THOR LIVE!

PRO SE PRESENTS 9 FEATURES FIRST PART OF EPIC TALE- ‘THE SONS OF THOR!’
Pro Se Productions, a New Pulp Publisher noted for bringing monthly Pulp magazines into the modern era, releases today its latest issue of its award winning magazine, PRO SE PRESENTS!  The ninth issue of this New Pulp periodical features the first half of an epic new adventure set in the classic era of the Pulps featuring a mix of new characters as well as fantastic original Pulp characters that are now in the Public Domain!
THE SONS OF THOR by noted New Pulp Author Erwin K. Roberts is so much of an epic that it will consume TWO full issues of Pro Se Presents.   Beginning with Issue 9 and finishing in Issue Ten at the end of May, this story looks at the prospect of the villains of a tale being as strong as the heroes who stand against them!
 They are a legend told in fearful whispers- A terror generations old…
They believed that they were the chosen of the old Norse Gods.  They could not fail unless someone touched by another pantheon of gods intervened.  To this end, they trained themselves and their families to such extremes that even the ancient Spartans would have been appalled. 
They believed they would rule first all of Europe, then the entire world.  We thought the sect gone forever.
We were wrong.  The Sons of Thor live!
Heaven Help the Foolish Few Who Dare to Challenge THE SONS OF THOR!
Available now at www.amazon.comand www.prosepulp.com for $6.00 in print! Also available as an ebook from Amazon, Barnes & Noble and www.smashwords.com for $1.99.  Featuring Cover art and design by Sean Ali and Ebook formatting by Russ Anderson! Edited by Don Thomas and Lee Houston, Jr.!
 Pro Se Presents #9 Featuring THE SONS OF THOR Part One by Erwin K. Roberts!
For more information on Pro Se, go to www.prosepulp.com!

HANCOCK TIPS HIS HAT TO THE CATER STREET HANGMAN!

  • News
  • March 13, 2012

TIPPIN’ HANCOCK’S HAT-Reviews of All Things Pulp by Tommy Hancock

THE CATER STREET HANGMAN
by Anne Perry
Published by Ballantine Books
2008

Tales set in the Victorian Era are odd creatures, particularly when one tries to identify whether or not they are Pulp.  Using the thumbnail description for New Pulp that I do, most Victorian mysteries and even adventures do not contain most of what’s needed to be called Pulp.   Even those intentionally venturing into that era of contradictory morals and inhibitions attempting to craft a New Pulp tale from the rich, though nearly strangling history and knowledge of society of that era often struggle with striking a good balance between what Pulp demands and what the Era signified.

Anne Perry did not write THE CATER STREET HANGMAN with any intentions of it being New Pulp. The reason I read it, however, was that many readers of New Pulp, including some of you reading this review this very minute, have been after me for awhile to check out Perry’s Charlotte and Inspector Pitt series of Victorian era mysteries, telling me that this series featuring a young socialite in Victorian society reluctantly encountering and teaming up with a gruff, rather ruffian Police Inspector most definitely qualified as a success in that wild effort to blend Victorian Era and New Pulp sensibilities.

Well, if her first novel in the apparently extremely popular series is any indication, a lot of you were slightly off.

THE CATER STREET HANGMAN is the story of the first meeting of Charlotte Ellison, a daughter of a moderately well to do well placed family in Victorian society and the gruff, rather ruffian Police Inspector Pitt, injecting himself into the lives of the Ellison family due to the murders of several young women in a serial style near the Ellison home.  As the mystery unfolds with the practiced, plodding diligence of a Victorian matriarch relating all her forgotten loves, Perry also gives a fantastic glance into the inner workings of a family and a neighborhood during this era.   She shows the veritable caste system that existed while simultaneously illustrating how people, particularly young adults, bucked and pulled at the system, trying to sow oats while staying between the rigid lines set for them.  She uses the Ellison girls, Charlotte and her two sisters, to do this throughout the book and does it quite well.

Charlotte by far is the most engaging character in HANGMAN.  Clearly born in the wrong time, she is headstrong, plain spoken, and uncomfortable being restrained by frills and lace.  When faced with Inspector Pitt, however, she relies on the trappings of her society to protect her from strange feelings she has for him, revulsion bordering on attraction.    By the time the mystery is resolved, she still resists the urge, the draw to Pitt, but it’s clear that will not last much longer.

Now, having said all that, notice I barely discuss the mystery (it’s paper thin and lost in the societal machinations and moanings and its solution is telegraphed way early) or any action (almost a total lack thereof, honestly) that the book contains.  The plot is solid enough, but moves at a snail’s pace.  As mentioned previously, the truly interesting character of Charlotte stands out from the other Victorian shades around her, so there’s not a lot to draw a New Pulp reader in via the characters.   Pitt’s likable enough, but the tension between he and Charlotte is pedestrian at best.

A decent read if you’re interested in traditionally written Victorian mysteries? Yes.  New Pulp?  Not for this reader.

THREE OUT OF FIVE TIPS OF HANCOCK’S HAT- Perry’s grasp on the Victorian Era earns it at least that much.

Guest Review-SALMON VISITS THE WORLD OF ‘THE BLACK STILETTO’

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  • March 4, 2012

COMPLIMENTS OF THE BLACK STILETTO…

A Review of Raymond Benson’s THE BLACK STILETTO by Andrew Salmon
Raymond Benson’s The Black Stiletto (Oceanview Publishing) has a lot going for it but the sum is not quite equal to the parts that make up the novel.
The set up is an intriguing one. Judy Talbot is an elderly woman stricken with Alzheimer’s disease and slowing dying in a hospital. Her son, Martin, is given access to some of her personal effects as he awaits the inevitable end of the woman who raised him. Going through these papers he learns that his mother was a masked vigilante known as the Black Stiletto in the late 1950s and find diaries – the first of which relating her origin and early adventures.
The novel then branches off into three distinct storylines. We follow Martin as he uncovers his mother’s secret lair and costumes, reads the diary and gets bogged down in losing his job, hassles with his ex-wife and his own daughter who seems to have inherited her grandmother’s independent streak. Interspaced with this are the diary entries themselves as we see thirteen-year-old Judy suffer at the hands of her abusive stepfather, run away to New York and begin training as a fighter – picking up skills which will serve her well when the time comes to fight crime. The last storyline concerns the release of an ex-mobster who spent 50 years in prison courtesy of the Black Stiletto and is looking for a little payback in the modern day.
There’s a lot of material to work with here and most of it is interesting. However Martin’s job loss and trials with his daughter come across as needless padding. Judy’s story is where the book really shines although it is not without its shortcomings. There’s a heavy theme of chauvinism here and it’s a testament to her character that she is able to break down barriers, live and train in a all-male gymnasium and hold her head up in what was then a male-dominated world. She also gets a solid base of fight training which takes years and adds credibility to her decision to hit the streets and fight crime. She’s young and she stumbles out of the gate, falling for and eventually living with a mobster. When he is taken out, Judy is looking for revenge and the Black Stiletto is born. Media sensation, crime fighter hunted by the police, champion of the people… these elements are all present and the first person account of the birth of a costumed vigilante make for some interesting reading. When she tosses off a “courtesy of the Black Stiletto” you know the author is giving a nod to the Domino Lady.
It all sounds like fun stuff and, for the most part, it is, but the scenes from the 1950s rang utterly false to this reader. Aside from tossing in old song titles Judy hears constantly, the flashbacks read like modern day prose. I never felt like I was in the 50s reading these sections and that is a major failing of the book. Coupled with the padding I mentioned above and the novel, although short, begins to bog down. Also, as this is the first of a projected series, not a heck of a lot happens for the first 100 pages. This is no lean and mean pulp gripper but rather 266 meandering pages with occasional highlights.
Judy’s story is a compelling one. Watching the ruthless old ex-con drawing closer to a now helpless Black Stiletto in the modern day keeps you turning the pages. However a lack of pace and the author’s inability to capture the 50s authentically take away from what could have been a captivating take on the classic pulp hero.
I give The Black Stiletto a cautious recommendation as it pushes the New Pulp envelope. Hancock’s Yesteryear does it better but that doesn’t mean than Benson’s book shouldn’t find an audience. This reader found it an interesting read and others may find some of what I though detracted from the story riveting, which is why I recommend giving the novel a try. It’s no classic but it does come at the pulp hero from a different angle and there’s nothing wrong with that.

FORTIER TAKES ON TRASH ‘N’ TREASURES!

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  • March 4, 2012

ALL PULP REVIEWS- by Ron Fortier

ANTIQUES DISPOSAL
A Trash ‘n’ Treasures Mystery
Barbara Allan
Kensington Books
230 pages

Vivian Borne is an eccentric antiques dealer who lives in Serenity, a small Midwestern  town situated on the banks of the Mississippi river.  She lives with her daughters, Peggy Sue and Brandy.  Together Vivian and Brandy solve murders that in one way or another deal with the business of antiquing.  Which is the simplest way to describe this series, of which this book is the sixth and has been described by other reviewers as being a “cozy” series if anyone really knows exactly what that means.
As a fan of hardboiled detective fiction, I’m assuming “cozy” refers to those mysteries wherein the protagonist is a little old lady ala Agatha Christie’s popular Miss Marple books or the old Angela Landsbury TV show, “Murder She Wrote.”  In other words, not my particular brand of tea; I prefer a headier beverage literature.  Still, every now and then one desires to try something different.  I decided I’d take a chance with “Antiques Disposal.”
It is probably one of the smartest things I’ve done in a while.  Why?  Well simply because the book is so damn funny, I honestly couldn’t put it down.  And the characters!  Oh, my God, is there a more dysfunctional group then the Borne girls?  Remember I said Brandy was Vivian’s youngest daughter?  Well she’s actually Peggy Sue’s daughter.  Yup.  Echoes of “Chinatown.”  You see Peggy Sue got herself “in trouble” as a young, unmarried girl and left her baby with her mother to raise figuring it was best for the child.  Did I mention Vivian suffers from a bi-polar disorder and is on medication?  Never mind that Brandy herself has a daughter….oh, forget it.  Its way too complicated for me to keep track of after only one visit with this eclectic bunch.  The thing is the writing is so clean and precise, even though you haven’t read those first five books  (something I hope to one day correct) the reader just goes with the flow.  There is a charm and decency to these characters that immediately grabbed me and had me caring for them from page one. 
Look, here’s what every true mystery fan knows as a fact, series fail or succeed not on how brilliant the crimes are staged and then solved, but on how appealing and original the heroes are.  Don’t believe me, give this some thought.   Early fans of Sherlock Holmes and Dr. Watson came to demand more stories from Arthur Conan Doyle to read more about them and not the mysteries they dealt with, those became incidental.  The same can be said of every solid mystery series from Sam Spade, to Nero Wolfe and Nate Heller.  In fact one of those famous shamus plays a huge part in this book’s climatic dénouement finale in such a hilarious way, I will not spoil it for you.  It’s just too damn funny.
Okay, if you really need to know the plot, here it is.  Vivian and Brandy go to a storage unit auction, wherein the person who owned the unit stopped paying rental fees on it and the manager is legally free to sell its contents to recoup his or her loses.  These auctions have become very common among antique dealers and I believe there is even a reality show based on the practice.  So our two ladies end up winning the bid, begin transporting the boxed contents to their home and cataloguing them; everything perfectly normal and routine.  Until they return to the storage facility for their second trip and find the manager dead in the now empty unit.  The very next night someone breaks into Vivian’s home, attacks Peggy Sue leaving her unconscious and nearly kill’s Brandy’s loveable little blind poodle, Sushi.
From this point forward, both Vivian and Brandy are on the hunt for the killer and how they go about it so entertaining, pages simply fly by.  Sure, I was playing along and looking for clues too, but honestly, it was the ride I was enjoying to the max.  Bottom line, if all of the Trash ‘n’ Treasures Mysteries are as wonderful as “Antiques Disposal,” then sign me up for the long haul.
Hey, even if you end up not liking the book, did I mention there are recipes for chocolate brownies in it?  Now how can you go wrong with that? 

HANCOCK TIPS HIS HAT TO ‘WHAT IT WAS’!

  • News
  • February 14, 2012

TIPPIN’ HANCOCK’S HAT- Reviews of All Things Pulp by Tommy Hancock
WHAT IT WAS
George Pelecanos
Little, Brown and Company
There are a few tricks to building a character that can maintain and entertain the full length of a novel.  Those and a few other skills come into play when developing a lead that will headline a series of books.   That sort of character requires layers, history, motivation, and secrets.   And best of all, handling by an author who knows when to show what cards and plays them with at just the right pace.
“What It Was” is the latest novel by George Pelecanos featuring Derek Strange, his well known former Washington DC cop turned Private Investigator.  With Strange today framing nearly the whole novel as if telling a story, Pelecanos takes the reader back to DC in 1972.  Strange has left the Police department and has recently started his private career.  He takes on a case that on the surface involves retrieving a ring stolen during the murder of a drug addict.   At the same time, Frank Vaughn, Strange’s mentor and former partner in the Department, draws the case of pursuing the murderer of the junkie, a favorite informant of Vaughn’s.  All of this is stirred by Red Fury, a mad villain who essentially starts a killing spree with the addict and has no fear of being killed, no respect for anything except his own needs, and every intent to add buckets to his growing bloody legend.
There is absolutely nothing wrong with this book if you came to it looking for Pelecanos at the top of his game.  This is a fantastic noir pulpy type crime tale, giving equal focus to the work of the men both committing crimes and those tracking them down.  The action unfolds believably and almost cinematically on a canvas that is 1972.  The attention paid to the music, the cars, the clothes, and the way people in that era paid the utmost attention to all the above, weaving them into their lives as much as the food they ate, the hearts they broke, and the people they killed.
Pelecanos wastes no time with cardboard cutouts.  From the three leads of Strange, Fury, and Vaughn, all the way down to bit parts, he fleshes out every single character, bringing flesh and blood to them with wonderfully chosen words and excellently executed turns of phrase.  Also, he stamps this story with real life.  No one gets out unscathed.  The heroes are tarnished, the villains aren’t vanquished at every turn, and yet people go on, live, and grow, wounds, scars and all.
FIVE OUT OF FIVE TIPS OF THE HAT- ‘What IT Was’ is raw, real, and unforgiving.  A fantastic piece of crime fiction.  Down, dirty, and determined.

NEW SHERLOCK HOLMES NOVEL FROM AIRSHIP 27 PRODUCTIONS!

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  • January 21, 2012
THE RETURN OF THE BARON GRUNER!
Following the overwhelming success of the second Robert Downey Jr. film blockbuster, Airship 27 Productions is pleased to present a brand new mystery suspense novel starring the Great Detective; Sherlock Holmes – The Baron’s Revenge by Gary Lovisi.
In 1902 Sir James Damery enlisted the aid of Sherlock Holmes to prevent the daughter of an old friend from marrying a womanizing Austrian named Adelbert Gruner who was suspected of murdering his first wife.  Dr.Watson chronicled the case as “The Adventure of the Illustrious Client.”  By its conclusion, Gruner was exposed to the young lady when Holmes came into possession of an album listing his many amorous conquests.  Then a former prostitute mistress took her own revenge by throwing acid in his face and permanently disfiguring him.
Holmes believed the matter concluded. He is proven wrong when a hideous murder occurs rife with evidence indicating the Baron has returned.  Soon the Great Detective will learn he has been targeted for revenge in a cruel and sadistic fashion. Not only does the Baron wish his death but he is obsessed with causing Holmes emotional suffering.  He desires nothing less than the complete and utter destruction of the Great Detective in body and soul.
Now Gary Lovisi spins a fast paced tale of horror and intrigue that is both suspenseful and poignant, all the while remaining true to Arthur Conan Doyle’s original stories.  “The Baron’s Revenge” is a thrilling sequel to a classic Holmes adventure fans will soon be applauding.
“We are thrilled to have this as both our first release of the new year and also as our first solo effort as a publisher,” Editor In Chief Ron Fortier reported.  “As of Jan. 1st, 2012 Airship 27 Productions titles will be available at the site listed below.”
Airship 27 Productions – Pulps For A New Generation!
+++
We invite you to visit our new website.
Here you will find two links.  One to our PDF digital store were all our titles are on sale for only $3 as downloads.  Please consider registering an account which will put you on our Newsletter mailing list.
The second link is to our Indy Planet pages, where you can purchase Print-On-Demand hard copies of our titles for $14.95 (plus shipping and handling).  At present we have our latest titles available here and hope to have our entire catalogue added by the end of the year.  Thanks for your continued support.

FORTIER TAKES ON TERROR IN ‘JUST BEFORE THE DAWN!’

  • News
  • January 18, 2012

ALL PULP REVIEWS- Reviews by Ron Fortier
JUST BEFORE THE DAWN
By Bonnie Kozek
A while back I read a book called THRESHOLD that impressed me greatly.  It was modern day, grunge thriller written by a truly fearless writer.  Kozek’s prose, like her protagonist, Honey McGuiness, is not for the faint of heart.  Honey is a broken soul, abused constantly by her father as a child, tossed from one foster home to another; her life has been nothing but a constant swim through the sewers of society.  In that first outing, Honey, with the help of a selfless, naïve police officer, helped topple a corrupt administration and almost got both of them killed in the process.  By the book’s end, she was packing it up for parts unknown.
Which, as it turned out, became an out of the way burg called Pie Town.  As this sequel opens, Honey is working in a restaurant/bar in the small hamlet and slowly getting accustomed to the eccentricities of the colorful locals.  Still there is a recurring oddity about Pie Town, all its young people run off the second they finish high school, leaving the town to children and seniors.  But Honey isn’t a private eye and solving mysteries really isn’t her thing.  Getting by is and as a expert survivor who has taken the worst this world can dish out, she’s lulled herself into thinking Pie Town is a safe, boring corner into which she can crawl and disappear.
Sadly that assumption is the furthest from the truth.  Pie Town harbors a dark and unholy secret and when Honey is kidnapped by a psycho killer operating a sex cult in the nearby woods, she begins a descent into a drug induced hell that is both horrifying and mind-numbing.  Kozek doesn’t spare any of the details of Honey’s sexual degradation and continues to explore her twisted, wounded psyche every painful step of the way.  This book is one woman’s personal journey to that hell and the writing is as sharp and brutal as a razor blade.  It cuts…often.  Still, it is never sensationalized and believe me, that is incredible.  Oh, I am positive there will be readers and critics who will decry it as such, calling the shock-value a gimmick.  They’re wrong.  Like any exploration of the human condition, one has to peel away the layers to find then gristle and bone beneath.  That process is never pretty.  It is real.
And despite its in-your-face portrayal of abject cruelty, JUST BEFORE THE DAWN manages to find a glimmer of hope and salvation at its conclusion.  It may be fragile at best, but then again, in the real world, there are no guarantees.  Each of us gets by, if we’re lucky, with a little help from our friends.  Honey McGuinness is one of the most memorable characters you will ever encounter, if you’ve got the fortitude to take the trip.
Good luck.

Hancock Tips His Hat to SUN KOH: HEIR OF ATLANTIS VOLUME ONE!

  • News
  • January 16, 2012

TIPPIN’ HANCOCK’S HAT-Reviews of All Things Pulp By Tommy Hancock

SUN KOH: HEIR OF ATLANTIS, VOLUME 1
by Dr. Art Sippo
Published by Age of Adventure
2010

Although many of us who write and publish New Pulp sincerely and honestly feel we are producing work that needs to be read, stories that people will love to read, and books that bring life back to a genre/arena/style that so many have forgotten or never even knew, it is truly rare that a single book not only does all of that from one cover to another, but does it with such style and finesse that it could simultaneously fit right into the literature of the era which inspired it and stand on its own as a modern novel, cognizant of all the sensibilities and nuances that that would require.

Rare, but not impossible.  How do I know this, you may ask?  Because I’m holding an example of such a feat in my hand right now.  Yup.  Written by the ever fascinating Dr. Art Sippo, whose Pulp Adventures I still hope to write someday, the book in question is SUN KOH: HEIR OF ATLANTS, VOLUME 1!

Sun Koh, a character from the German Pulps of the early 20th Century, is often referred to as Germany’s answer to Doc Savage.   This is most definitely true, as answered by Sippo in his fantastic introduction to this volume, but the author also works wonders with a character that many claim to find abhorrent and reprehensible.   This agitated feeling toward a literary character comes from the fact that with the change of political climate in Germany in the 1930s and 40s, Sun Koh was used basically to further the ideological views of Hitler and his Nazi Party.   What Sippo does with this situation instead of shying away from it in any form or fashion is essentially reboots Sun Koh keeping his Atlantaean heritage intact as well as his rather limited views of politics, women, and humanity in general.  

That is what Sippo does to kick off his volume.  What he does by the end of HEIR OF ATLANTIS is the truly wonderful part of this book.  Through a natural organic process, Sippo builds up Koh as a hero, not so much loyal to Germany, but loyal to his heritage and seeking his true place as Prince of all he surveys.   His time in the modern world (the 1930s) and his interaction with people who become his team of associates, however, changes Sun Koh’s view on several subjects and actually works on the character to bring out questions.  Questions of his own morality, questions of what Hitler’s plans and goals, and most importantly questions about what is truly important to Sun Koh as the hero of the tale.   Like no other writer I’ve ever read, Art Sippo takes a character from being essentially a lifeless automaton with tyrannical tendencies to being a real person, an individual who has an evolving innate sense of right and wrong and is learning, by the end of the book, to follow that compass.

Add into that compelling story lines, exciting and interesting supporting characters that could carry (and did in their original incarnations) stories all their own, and a fantastic pacing and attention to plot, and you have Art Sippo’s SUN KOH: HEIR OF ATLANTIS, VOLUME 1.  You also have one of the best books I’ve ever read, period.  

FIVE OUT OF FIVE TIPS OF THE HAT-Truly deserving of every accolade it has, does, and will receive.

What Publishers Don’t Do

  • News
  • December 23, 2011
300px-chabonsigning1-9190477

Image via Wikipedia

This week’s tempest in a book-pot was sparked yesterday by the fine writer Michael Chabon, but it could easily have been any one of a thousand other authors. In an interview with the Washington Post, occasioned by the upcoming flood of his back catalog into electronic formats, Chabon complained about his royalty rates:

When it’s comes to royalties on a paper book, that rate (25 percent) is completely fair when you think of the expenses a publisher takes on — the delivery trucks and the factory workers and the distribution chains. But it’s not fair for them to take a roughly identical royalty for an e-book that costs them nothing to produce.

There have, of course, already been a dozen or more impassioned blog posts and hurt tweets, from various publishing folks, taking offense at that “nothing to produce.” It is wrong, and horribly wrong, and all of us who work in the business know how much time and effort and agida goes into turning a manuscript into a readable ePub file, or its multifarious brethren. And that’s only the beginning of the process — merely making something exist is the simplest part. One might hope that we all could take that as read by this point — that Publishing, as a verb, is much larger, and encompasses many more complicated, useful, necessary processes than the simple printing and warehousing of books.

(more…)

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