Tagged: X-Men

Review: ‘X-Men’ Animated DVDs Volumes 3-4

The [[[X-Men]]] animated episodes from the 1990s continue to be regarded as among the very best adaptation of comics to another medium. The ever-growing cast of mutants, menaces, and alternate timelines was certainly a rich source of material and much of it wound up making the transition from page to screen. Fox enjoyed terrific ratings and it helped push the X-Men from comic cult favorite to mainstream phenomenon. The five seasons were an important stepping stone in getting Marvel’s uncanny heroes from comics to the silver screen.

Buena Vista Home Entertainment this week released volumes three and four of the [[[X-Men – Marvel Comic Book Collection]]] offering up 29 more episodes. There remain enough left over for one more disc which has yet to be announced.

The first of these two-disc sets begins with the Savage Land two-parter and contains the four-part “[[[Dark Phoenix Saga]]]” while the second opens with the Proteus two-parter and also contains the “[[[Beyond Good and Evil]]]” four-part mess.

When the first two volumes were released earlier this year, I wrote, “The voice casting is atrocious and jarring on more than one occasion while the animation direction is lackluster. Too often the team arrives to fight someone and we see them move one at a time rather than in a coordinated team effort, leaving you to wonder what the rest were doing while each hero took a turn.”  Unfortunately, things did not improve with time and experience. Characters continue to stand pontificating while opponents politely waited for them to stop speaking before striking. The animators clearly couldn’t figure out how to integrate the dialogue and action smoothly so decided to take turns much to the stories’ detriment.

The collections contain the episodes in airdate order rather than the production order which results in some head scratching moments when the continuity doesn’t line-up. This is a real shame since BVHE had a chance to correct Fox’s error and give the fans a truly cool collection. Similarly, the discs come devoid of extras save trailers for other product.

The Dark Phoenix storyline deviates markedly from the comic so Jean’s corruption from the cosmic entity and Jason Wyngarde’s manipulation is far less subtle and rushed along. How the team reacts to her change and the ultimate resolution on the blue area of the Moon are closer to the comics but even so, Jean remains alive at the end and this doesn’t really work.

Nor does the “Beyond” storyline because like the comics of the day, it suffers from the everything-and-the-kitchen-sink approach, cramming in multiple timelines, multiple friends and foes and any shred of characterization is ignored in favor or running and blasting.

On the other hand, the episodes do get credit for attempting to keep the themes of alienation ever-present and tries to service each of the characters with personalities that were head and shoulders above the rest of animated fare from the era. It helps that so many of the storylines came from the comics so the efforts of Chris Claremont, Fabian Nicieza, Jim Lee, and others should be acknowledged. Nor did it hurt that Marvel’s EIC and former X-editor Bob Harras was a story consultant, which no doubt kept the scripts better than they could have been.

Still, I wish these were stronger efforts from character design to voice work to actual stories. They don’t hold up in the rewatching despite desperately hoping they’re as cool as viewers recall.

50 comics facts about the Class of 2013

Every year, Beloit College puts together a list of facts regarding the mindset of the class entering college this Fall—the Class of 2013. Their list, as always, is well worth a read, but this is ComicMix, and we’re here to talk about comics, by gum.

So as we get ready to send them off to college, we wondered: what constitutes the comics status quo for them? What’s normal to these kids born in 1991 (he asks, knowing that being born in 1986 puts him in largely the same boat)? So glad you asked.

  1. The guy who did the above strip had already ended his daily strip and retired by the time these freshmen started reading newspapers.
  2. There has never been a Miracleman (or Marvelman) comic published in their lifetime.
  3. They have no idea who Don Thompson or Carol Kalish were.
  4. Gambit has always been on the X-Men.
  5. Spider-Man was always married to Mary Jane… until One More Day.
  6. There wasn’t a DC multiverse until the end of Infinite Crisis.
  7. Wally West was always the Flash, and his first sidekick was Impulse.
  8. Adam West has never been Batman—he’s best known as the mayor on Family Guy.
  9. Wolverine never wore a brown costume, and has always had a solo book.
  10. Barbara Gordon has always been in a wheelchair.
  11. Sandman has always been that pale-skinned goth guy with the hair.
  12. Batman has had three Robins: Tim Drake, Stephanie Brown, and Damian Wayne.
  13. Lex Luthor has always been a businessman.
  14. Image Comics has always existed.
  15. So has Wizard Magazine.
  16. New Mutants was a short-lived series from 2003-2004, until the recent relaunch.
  17. Hank McCoy’s always been blue and furry.
  18. Elektra has always been dead.
  19. Frank Miller is the guy who did Sin City, and he never worked with Klaus Janson.
  20. There’s never been a character named “Streaky the Supercat.”
  21. The only composite Batman-Superman was a giant robot.
  22. The original Dove has always been dead.
  23. Thanos has always been searching for the Infinity Gems, so he can impress Death.
  24. Death has always been a goth chick.
  25. Jim “Rhodey” Rhodes has always been War Machine.
  26. S.H.I.E.L.D. has always stood for Strategic Hazard Intervention, Espionage Logistics Directorate.
  27. Kyle Rayner has always been a Green Lantern.
  28. Starman has always worn goggles and a leather jacket.
  29. John Romita. Jr. has always been known as a regular penciller for Amazing Spider-Man. John Romita, Sr. never was.
  30. Ghost Rider was Danny Ketch.
  31. Jean-Luc Picard was the first captain of the Enterprise.
  32. Cerebus the Aardvark was always a classic.
  33. Grendel has always been a Dark Horse title, except for that DC crossover.
  34. Cassie Sandsmark was the first Wonder Girl.
  35. Roy Harper was only known as Arsenal up until the current volume of Justice League of America.
  36. There’s never been a First or Eclipse Comics. Comico only did some of those soft-core Elementals books.
  37. There were originally four Justice League titles on the stands.
  38. The original Teen Titans were comprised of a de-aged Atom (Ray Palmer), Risk, Argent, Captain Marvel, Jr., Omen, Prysm, Fringe, Arsenal, and Joto.
  39. Julia Carpenter was the original Spider-Woman.
  40. The two Avengers teams were the East Coast and West Coast branches. None of this New, Mighty, Dark, Pet, and Caramel Covered.
  41. There’s always been a comic called Love and Rockets.
  42. The superhero cartoons of choice were Darkwing Duck and Fox’s X-Men. For live action, it was all about the Mighty Morphin’ Power Rangers.
  43. Kraven the Hunter has always been dead.
  44. Northstar has always been out of the closet.
  45. Kevin Conroy has always been the animated voice of Batman.
  46. Jim Shooter was the guy behind Valiant, then Defiant, and then he wrote the Legion for a while. Wait, he was at Marvel, too?
  47. Phoenix is Rachel Summers, not Jean Grey.
  48. Karate Kid was Ralph Macchio, and Ralph Macchio was the guy editing X-Men.
  49. There have always been Pulitzer Prize winning graphic novels.
  50. Disney never had a major successful comic book franchise.

What’s yours?

(Alan Kistler and Glenn Hauman contributed to this list.)

Interview: Chris Claremont on ‘X-Men Forever’, part 2

This is the second part of a very long interview with Chris Claremont that started on the topic of X-Men Forever and branched into a number of other areas. Part one of the interview is here, and we recommend reading it to get up to speed. Warning: plot points are discussed up to X-Men Forever #5 at least, do not read this interview if you want to be spoiled.

ComicMix: X-Men Forever– this isn’t just you taking your old X-Men script from 1991 and picking up where you left off.

Chris Claremont: No. The point is that I took my concepts from 1991 and sat down and looked at the team and rethought the whole thing.  The difference is that the scripts in 1991 were a whole series of arcs that in more than a few cases had ended up being echoed, if not outright adapted, by subsequent writers.

CM: In the same vein, since your initial run on the X-Men, a lot of your work and your own style has been adapted in other places; for example, your creation of Kitty Pryde has been cited as an inspiration for Joss Whedon on Buffy. Let’s not even get started on what people have been drawing on for Heroes and Lost.  So now that people know your tropes and it’s become mainstream, what’s next? How do you go beyond that now that the rest of the world is catching up with you?

CC: Well, theoretically the rule we’re running with is if I’ve done it before, I can’t do it here. One of the rules that Mark and I are using is to try as much as possible not to take a story in directions that people anticipate. We’ll see what happens. Part of it is the nature of the characters themselves. My original impulse was to excise Cyclops from the cast because I wanted to focus on someone else– and he just wouldn’t go! Every time I wrote him out, he’d write himself back in. Some part of my brain refused to accept that perception of the X-Men’s reality; its vision was that Cyclops is a key and essential character. There comes a point, as a writer, when you have to listen to that part of your instinct, to ask “why is is saying this?” And once you find the answer, go with it. I am throwing everything up in the air. There are major changes to the eight characters in the series…

CM: Those being Storm, Rogue, Nightcrawler–

CC: Let me start at the top. Cyclops, Storm, Nightcrawler, Beast, Kitty, Gambit, Rogue, Nick Fury, and two others to be named later.

CM: Nick Fury’s a mutant, or just showing up a lot?

CC: Nick Fury’s a member of the cast. He’s the head of S.H.I.E.L.D., but we don’t have a S.H.I.E.L.D. book, so we can use him. His rationale for being there is the X-Men are a critical facet of the world community, just because of the power that mutants represent, and they need a minder. That, plus concerns he’s about to have in terms of S.H.I.E.L.D. itself, make it more convenient/essential for him to stay on scene with the X-Men to figure out what’s going on.

CM: Since you mention Nightcrawler and Kitty Pryde…

CC: They were in Excalibur, yes; they are coming back to the X-Men.

CM: A lot of people have been asking that very question.

CC: The opening circumstances of the book, as seen in the preview, are that this is taking place subsequent to the memorial service for Magneto, where all the X-Men have gathered. There’s one panel on page four where you see the group shot of whole bunches of mutants out back. That explains what they’re all doing there.

CM: So you’ll have all of the X-Men there, you’ll have X-Force there, you’ll have Excalibur…

CC: Those who wish to honor Magneto. Some of them may decide they’re not coming. Anyway, things start to happen from that point on. Essentially, for issue 1, Charlie temporarily closes the school and sends everybody home. He gathers a core team of X-characters to go out after Fabian Cortez, who killed Magneto, to bring him in, and to turn him over to S.H.I.E.L.D. and end this disaster before it gets any worse. Fury is there, saying this: You’re living in a dream world. Magneto threatened the world, and some of you X-Men helped him–you were mind-controlled, but you helped him. The rest of you X-Men stopped him. What makes you think the world’s going to stand back and accept the fact that you guys are unaffiliated, independent operatives and let you go on from there? You represent far too much power.

(more…)

Crazy Sexy Geeks Celebrates 70 Years of Marvel

crazysexygeeks2-8787467In the second episode of Crazy Sexy Geeks, our new weekly series meant for both die-hard fans and people new to comics, hosts Alan Kistler and Carrie Wright head to Barnes & Noble and then Midtown Comics for a two-pronged celebration.

It’s been 70 years since Marvel Mystery Comics #1 came out in 1939, featuring the Sub-Mariner and the original android Human Torch. Since then, hundreds of heroes and villains have been brought to the world through the pages of Marvel comic books.

At a Q&A panel at Barnes & Noble, fans got to speak with Joe Quesada, Klaus Janson, Fred Van Lente, Greg Pak and Chris Claremont. The gang gave some advice on artists and writers trying to make a career out of their hobbies and also spoke about recent projects such as Magneto: Testament, X-Men Forever and attempts to create a new Avengers ongoing cartoon series.

The party then continued at Midtown Comics (Times Square location) where Iron Man and Spider-Man mingled with fans as they looked over the newly-released The Marvels Project #1.

Enough talk. Now watch!

Alan Kistler has been recognized by major media outlets as a comic book historian. Along with writing freelance for ComicMix.com and MTV.com, he hopes to one day write for DC, Marvel and Doctor Who. He also intends to time travel. His web-site can be found at: http://KistlerUniverse.com

#SDCC: Marvel’s Super Hero Squad Show! Hero Up!

If you’re anything like me, your interest in the upcoming animated Marvel Super Hero Squad Show was pretty low, based as it is on a line of toys and comic strips meant for kids too young to know that proper superhero stories involve lots of rape and horrible gory messes. Which is to say, I thought it would be fine for its target demographic, but a little too lowbrow to have the same level of grown men in tights and Neil Patrick Harris musical numbers that the discerning adult requires.

But then there was the Q&A panel at San Diego Comic Con.

Now, what if I told you that Stan Lee was voicing the Mayor?

What if I told you Kevin Sorbo was voicing Ka-Zar?

WHAT IF I TOLD YOU GEORGE TAKEI WAS VOICING GALACTUS?!

Well, if the Marvel liveblog is to be believed, it’s all true. Some other highlights:

  • Steve Blume, who voiced Wolverine in Wolverine and the X-Men and Wolverine vs. The Hulk will be reprising his role here.
  • Tom Kenny, the voice of Spongebob Squarepants, will be playing the roles of Iron Man and MODOK. Other casting announcements here
  • “Over 40 years we have seen many interpretations,
    and Marvel has a history of poking fun at themselves- this is a show I can watch, and want to watch with my 8-year-old.
    There is humor on an adult scale,” said Marvel E-I-C Joe Quesada, who’s also the show’s Executive Producer.
  • The plot, according to producer Matt Wayne: “All the heroes are in Super Hero City, the
    villains in Villainville, Dr. Doom wants all the pieces of the
    shattered Infinity sword, Iron Man is trying to make sure that doesn’t
    happen.”
  • The associated video game is out October 20th and will feature the main voices from the show.
  • You’re going to see the Heroes for Hire, the Fantastic Four, the X-Men, Paste Pot Pete, and Screaming Mimi in the first season.
  • Premieres Sept. 19th on Cartoon Network.

Q&A action, reactions to the teaser they played, and some priceless Stan Lee quotes at the full liveblog.

#SDCC: Is McLovin ready to ‘Kick-Ass’?

27-mclovin-lgl-4797993

Who kicks more ass? McLovin’, or the Red Mist?

“There’s a reason why [Nicolas] Cage ain’t here…” So said Christopher Mintz-Plasse, co-star of Mark Millar’s comic-to-screen adaptation of Kick-Ass, brought to us at the San Diego Comic-Con in that room of rooms… Hall D! Director Matthew Vaughn presented alongside special guest Mark Millar, the aforementioned Mr. Mintz-Plasse (formerly McLovin’ of Superbad Fame…), as well as John Romita Jr., the comic book artist who brings Kick-Ass to life every month(ish) via Marvel’s ICON line.

Showing off Avid-fresh clips to a rabid audience, Vaughn was ensuring a final product that would bring a genuine adaptation that followed the comic to the letter, or in this case… the panels. “We are a genuine comic book adaptation with comic book authors involved
in the production of the movie… It’s really important to me that fans
of the comic like the film. I’ll be more upset if fans of the comic
hate the movie than anybody else.” Vaughn told MTV’s Splash Page blog prior to the screening.

And what a screening it was. Scenes including Nicholas Cage’s Big Daddy shooting his little girl, Chloe Moretz, begarbed in a bulletproof vest. A Paris Hilton joke warmed the crowd. And what of the titular hero? Aaron Johnson plays ‘Dave’, who in clips presented at the con, showed off the straight from panel to screen costume (no leather upgrades ala X-men here.), as well as comic-worthy violence. Tasers to a thug’s forehead? Check. Hit-Girl slicing and dicing bad guys enough to shame Beatrix Kiddo? Check. And McLovin’ as the hot-rodding Red Mist? Double check. The fans in attendance ate it up? How much? They demanded a reshowing of the trailer, and they got it.

But this begs to be asked… obviously Vaughn knew what to say and show the rabid comic fans in attendance, but Millar isn’t squeaky clean when it comes to his adaptations on film… lest we forget the curved bullets of amazing aptitude in Wanted: Not Quite the Comic circa 2008.

Look for ‘Kick-Ass’ at the tail end (sorry) of this year.

UPDATE: Ask Chris Claremont about ‘X-Men Forever’ #1

Due to a family emergency, Chris is running behind on answering your questions on X-Men Forever Alpha & 1. He’ll get to them as soon as he can, and answer those that aren’t answered by issue #2 on sale tomorrow.

Ask Chris Claremont about ‘X-Men Forever’ #1

While we’re still transcribing the rest of the first massive interview with Chris Claremont, he’s graciously agreed to answer questions about X-Men Forever going forward. So here’s what we’re going to do:

We’re going to collect questions from you from now until Sunday at midnight. Then we’re going to present the best questions to Chris, along with a few of our own. We’ll run the answers on Wednesday.

With X-Men Forever running bi-weekly, this will give you a fix to tide you over between issues. And we may work with Marvel to add some of these questions and answers to trade collections of the book.

Oh, and yes, SPOILERS ARE ALLOWED IN THE COMMENTS THREAD. If you haven’t read the issue yet, don’t blame us for any spoiled surprises.

BookExpo America 2009 recap

As with any convention, a lot of fast, disjointed thoughts kicking around. In no particular order:

  • The most action at the con was in the Diamond Comics aisle and the e-publishers area. Other areas seemed quieter.
  • There seemed to be fewer freebies this year. A lot, in fact. When asking about getting on the press list, most publicists were relieved when I asked for PDFs over paper copies.
  • One paper copy I did get was a preview of IDW’s upcoming adaptation of The Hunter by Darwyn Cooke, taken from the Richard Stark (Donald Westlake) Parker novel. Having read the thing and knowing that they haven’t printed the final version yet, they should just save time and print “Future Eisner Award Nominee” on the cover now. Barnes & Noble is going to move a lot of these babies. (Disclaimer: IDW will be publishing the print version of ComicMix projects, and they picked up the tab for lunch on Friday. We tried, but Ted Adams insisted.)
  • DC did not have an official presence at the con, which considering the amount of backlist books they do is very surprising. Marvel and Diamond did, and seemed to be well rewarded for their efforts, with many people showing up for signings and even more showing up later on Saturday for the finger food and drinks. (Sorry you missed it, Alan.)
  • Lines for comics creators were very long. Neil Gaiman made a “surprise” appearance at the Harper Collins booth signing The Graveyard Book and handing out previews of Odd And The Frost Giants (I say surprise because I don’t remember seeing it on his blog).
    Marvel’s signings for Peter David and Chris Claremont went strongly, Chris estimated that he went through about two and a half boxes of X-Men Forever. I lost track of how many Oz books Skottie Young and Eric Shanower went through.

  • Over at the Image booth, Frank Cho and Chris Giarusso moved a lot of copies of their books as well.
  • The crowd seemed a bit older, even for BEA. Not sure if it’s an actual age difference, or if the young folks got fire from publishing houses, or if everyone at traditional houses were just muted this year.
  • There will be photos surfacing of me and Torsten Adair. I will not say which of us is the evil twin.
  • I had two publishers who knew me from my days as an e-publishing pioneer come up to me and say that their sales in paper were flat and the only bright spots were in e-publishing. Nice to know I’m remembered as a prophet, even if it’s taken a while to get there.

All in all, a decent, if not spectacular, trade show. Always fun to see many of my colleagues in a much less frenzied venue than San Diego or even Wizard World. Hopefully I’ll be recovered in time for MOCCA this weekend. Oy.

Oh, one final shot– this is from Thursday’s CBLDF party, with Denis Kitchen, Heidi Macdonald, Milton Griepp, and ComicMix alumnus Rick Marshall ordering a drink– no doubt steeling himself for the upcoming hell week starting with the MTV Movie Awards and ending with his name being pinned to an idiot in a major motion picture. Pray for him.

Interview: Chris Claremont on ‘X-Men Forever’, part 1

x-men-forever-alpha-4401964

This is the first part of a very long interview with Chris Claremont that started on the topic of X-Men Forever and branched into a number of other areas. We start the interview today to tie in with today’s release of X-Men Forever Alpha, and we’ll be running more as we get closer to the release of X-Men Forever #1 next month.

ComicMix: X-Men Forever Alpha is a reprint of the first three issues plus an eight page bridge to the
new series, correct? What do we need to know going in?

Chris Claremont: Essentially
nothing. Those were the issues going in, to establish all the fundamental
parameters: the X-Men are a team of heroes that are based at Xavier school for
gifted youngsters at Salem center, outside of New York City.

CM: So you’re
starting up right from where you left the book in 1991.

CC: Yes.

CM: Is this House Of C, then, as compared to House of M?

CC: No, it’s the
Marvel Universe, there’s no real change to it, other than the fact that in a
very practical sense that the subsequent sixteen, seventeen years of material
following my departure doesn’t exist.

CM: So this is a
new forked off continuity.

CC: Yes. We’re
essentially picking up where I left off and the only acknowledgment we are
making to the passage of time is that if a label needs to be placed on #1, #2,
and #3, they occurred in the opening months, weeks, whatever of 2009.

CM: Then
everything that happens since in mainline Marvel continuity has not happened
and is not going to happen?

CC: Everything
that relates to the X-Men specifically has not happened. The origins of
characters that were established after I left are not necessarily the origins
that we will encounter here. For example, the reality in this book is that
Sabretooth and Wolverine are father and son. Betsy Braddock has not been
transferred into a cloned dead Asian body.

CM: Do you find
it strange that people are looking at this series and referring back to your
original run as the time when X-Men continuity wasn’t convoluted?

(more…)