Tagged: X-Men

‘Wolverine: Origins’ #28 gets Second Printing

Wolverine: Origins #28 has sold out at Diamond and will be going back to print with the prologue to X-Men: Original Sin.  The issue cleverly takes readers through Wolverine’s history including his first encounter with the Incredible Hulk, a new point of view ot the classic introduciton of the mutant in Incredible Hulk #181.

Charles Xavier and Logan delve even deeper into Wolverine’s past as they try to save the fragile mental state Daken, WOlverin’es adult son, is in.

The X-Men: Original Sin event will run thorugh the following titles:

X-MEN: ORIGINAL SIN #1
Written by MIKE CAREY & DANIEL WAY
Penciled by MIKE DEODATO & SCOT EATON
Cover by MIKE DEODATO & RICHARD ISANOVE

X-MEN: LEGACY #217
Written by MIKE CAREY
Penciled by SCOT EATON
Cover by MIKE DEODATO & RICHARD ISANOVE
On-Sale—10/22/08

WOLVERINE: ORIGINS #29

Written by DANIEL WAY
Pencils by MIKE DEODATO
Cover by MIKE DEODATO & RICHARD ISANOVE
Zombie Variant by MIKE DEODATO
On-Sale—10/29/08

X-MEN: LEGACY #218
Written by MIKE CAREY
Penciled by SCOT EATON
Cover by MIKE DEODATO
On-Sale—11/19/08

WOLVERINE: ORIGINS #30
Written by DANIEL WAY
Pencils & Cover by MIKE DEODATO
On-Sale—11/26/08

Shuler-Donner Sings ‘Wolverine’s’ Praises

Producer Lauren Shuler Donner spoke with Coming Soon about next May’s X-Men Origins: Wolverine and she admitted the film owes a lot to 2001’ Wolverine: Origins miniseries.

“I guess its closer to the first X-Men in tone,” she said, “because it’s a little darker, but there’s a lot of action. It’s his origin story. It’s really good. I’ve been in the editing room the last couple of weeks and I think that it’s good and that audiences are going to like it. But it’s a little darker.

“There’s an X-Men: Origins that some of it is pulled from, and then it’s sort of an amalgamation of some of them. But X-Men: Origins sort of goes back into his young, young past, and we started there.”

She also confirmed that Ryan Reynolds is terrific as Deadpool and she’s eyeing a possible spin-off for the merc with a mouth. “I hope so. I really hope so. He’s so good at it.”

Shuler-Donner showered praise on director Gavin Hood, saying, “I like taking someone out of the indie world and bringing someone into the action world because it grounds the movie. It gives it a reality. It gives it an emotional core, and then you can have as much fun and action in it as you wants.”

‘The Avengers’ get Assembled & Animated

avengersearthsmightiestheroes-9318417Marvel Comics sent out a press release this morning announcing that production has begun on a new animated series, The Avengers: Earth’s Mightiest Heroes

Film Roman (King of the Hill) has begun working on the 26 30-minute episodes which will air on television in 2011, in the wake of The First Avenger: Captain America and The Avengers live-action films scheduled for that summer. Ciro Nieli will produce the show for the studio.  He’s no stranger to action considering his work on Super Robot Monkey Team Hyper Force Go! and Teen Titans. Christopher Yost will be script editor and his credits include Iron Man Armored Adventures and Fantastic Four: World’s Greatest Heroes.

As a result, there’s little surprise that the line-up resembles the film properties and the very first line-up of the team from 1963: Iron Man, Thor, Ant-Man (called Giant Man in the release but clearyl wearing the cybernetic helmet), Wasp, and Hulk. Captain America joined the team with the fourth issue but will be here from the outset.

"The addition of The Avengers: Earth’s Mightiest Heroes to our quickly expanding animation slate continues our plan to complement each of our tentpole live action features with an animated series," said Eric Rollman, President of Animation.  "This new ensemble series tracks perfectly with our highly anticipated ‘road to the Avengers’ strategy which includes some of Marvel’s biggest and most beloved characters, and which kicks off with two Avengers’ themed feature films in summer 2011.”

While the super-team has been seen on countless Marvel-related series in the past, this will be the first series they can call their own.  Previously, Lionsgate released two animated direct-to-DVD releases based on The Ultimates although branded as Avengers.

Marvel is making major inroads into animation after years of little production. BET will have the Black Panther in early 2009 while later that year Nicktoons will air Wolverine and the X-Men and Iron Man: Armored Adventures. Also coming is Marvel Super Hero Squad, whatever that is.
 

Rothman Talks ‘Daredevil’ Reboot

daredevil100-7771957In an interview with IESB, 20th Century Fox co-chairman Tom Rothman spoke about the possibility of rebooting their Daredevil franchise.

"A Daredevil, to use your words, reboot, is something we are thinking very seriously about," Rothman tells the site, though he adds that "[in] the movie business, nothing [happens] soon."

Fox still retains all the rights to the Daredevil franchise, Rothman claims, and thinks that audiences will be receptive to a relaunch if made to a high standard. Further, Iron Man cemented the fact that a second tier hero done well can make a lot of money.

Asked if a new Daredevil would match the dark tone of The Dark Knight, Rothman wasn’t sure that such a tone was the key to that film’s success.

"[Daredevil] needs a visionary at the level that Chris Nolan [director of The Dark Knight] was," Rothman states. "It needs a director, honestly, who has a genuine vision. What we wouldn’t do is just do it for the sake of doing it. Right?"

Not necessarily. Bryan Singer, director of X-Men and X2: X-Men United, went over to Warner Bros. to helm Superman Returns. Fox later signed Matthew Vaughn (Kick-Ass) to replace Singer, but Vaughn also left the project due to creative differences. Rather than wait for Singer to become available again, Fox rushed X-Men: The Last Stand into production with Brett Ratner (rumored Guitar Hero adaptation) behind the wheel. In addition, James Marsden, who played Cyclops in the series, was given an extremely limited (and some might add insulting) role due to his decision to participate in Singer’s Superman Returns. In June 2005, Ain’t It Cool News ran a scathing review of the film’s script and included an open letter to Rothman pleading for him to take his time on the film. X-Men: The Last Stand opened less than a year later to lukewarm reviews.

The Mark Steven Johnson directed Daredevil did not fare nearly as well. The film, starring Ben Affleck, Colin Farrell, Jennifer Garner and Michael Clarke Duncan, was panned by critics and fans alike. Released in 2003, the Man Without Fear graced the screen again briefly in the Elektra spinoff, also starring Jennifer Garner. That movie, too, didn’t fare well with the public.

Daredevil – The Director’s Cut was released on Blu-ray last Tuesday. Reviews of the cut call it "a better film, 30 minutes longer than the original." Could it be true? Buy the Blu-ray and find out!

Anyway, who would you like to see takeover the Daredevil franchise? How ’bout a Ben Affleck-directed Casey Affleck-starring reboot? Sound off on your ideas below!

Iron Man – A Video Game History

iron-man-the-video-game-2008-7831621Today, the world will be purchasing the wildly successful Iron Man film on DVD and Blu-ray and to commemorate the event, we’re taking a look at the hero’s history in videogames.  While his feature film debut was acclaimed by comic fans and critics alike, his video game appearances, while many in number, are spotty at best. Let’s take a look at what ol’ shellhead brought to screens before Downey filled his tin boots.

Captain America and the Avengers – 1991 (Arcade, NES), 1992 (Sega Genesis), 1993 (SNES, Sega Game Gear), 1994 (Gameboy)

Tony’s first appearance was in the arcades in 1991 in a side scrolling beat ‘em up adventure.  He may not have gotten top billing, but he along with Hawkeye, Vision and (obviously) Cap roamed the US bashing baddies like the Wizard and Tornado in an effort to defeat the Red Skull.  It was pretty standard fare as far as action games go: just continue to the right of the screen, defeat miscellaneous thugs and continue to the boss characters.  The formula worked for the time (when brawlers like Double Dragon and Streets of Rage were all the…um…rage) but the home console ports didn’t fare as well. The first on Genesis wasn’t able to match the arcades sounds (not that “Avengers Assemble” and “Oh No!” needed to sound better when repeated ad nauseum) and the control was severely lacking. The SNES version a year later was slightly better graphically, but was still a bit maddening in the control department.  Oddly enough, the best version was on the lower powered NES…but that version only let you select Cap and Hawkeye, as the plot was changed slightly to have you rescue Iron Man and Vision from the grips of the Mandarin. Weird.

(more…)

Oblivion, by Mike Gold

So we’re headed straight into another 1930s-style depression, or so our politicians and the media would have us believe. Maybe that’s true, although the attempted cure – the socialization of our investment bankers and the insurance industry – just might work. It’s the perfect solution in the Age of Irony: our neocon president nationalizing the very companies that control so much of our economy. Franklin Roosevelt must be rolling over in his grave.

But the real question that concerns us is – how might this affect us as comics and popular culture enthusiasts?

First, I’ll address the most obvious. If you lose your job, you will have less discretionary income and, despite our self-image, comics and movies and action figures are more discretionary than the rent, electricity and food. Even if you’re 45 years old and you live in your mother’s basement, if she’s living off of an annuity and her insurance company goes blooie, you might be cutting back on those X-Men titles.

If enough people find themselves in that position, the friendly neighborhood comics shop will go blooie as well. If enough comics shops go down, the smaller publishers (the “back of the catalog” people) will see retailers order their wares more conservatively than they did before. Some publishers will vaporize. It’ll certainly be tougher for creators to sell those more interesting yet less commercial projects.

Movies… well, that’s another matter. Movies have this rep for surviving the 30s Great Depression, but only among those who aren’t aware how many movie studios got sold, went bankrupt, or almost went bankrupt at the time. Today’s movie-going experience is a lot more expensive than it was for our grandparents. Even in constant dollars, $10.00 tickets are a lot more than 25¢ tickets… and our grandparents didn’t have to spend as much (relatively speaking) on popcorn and soda. More significant, most were able to walk to their local movie house. Today, we have to drive. Even the low, low price of $3.50 a gallon would crank the entire movie going experience up to $50.00 for a couple; more, with dinner. A movie date will cost you a cool hundred.

Television is no longer free. Sure, only a few people will need to get those digital adaptors for their rabbit-ears this February, but most of the rest of us get our fix from cable or satellite (or, in the case of my bestest friend, both cable and satellite). If food, rent, gasoline and utilities cost a family of four two grand a month or more and either one of the breadwinners is no longer winning bread, those premium channel packages are going to look real expensive.

Comics retailers order their stuff from Diamond on a non-returnable basis and, literally, bet the rent each month on their order form. They will have to be even more conservative. They’ve already been ordering what they know will sell; now they have to factor in the fear factor: how many of their regulars will lose their jobs, how many will be so afraid of losing their jobs that they’ll make immediate cut-backs in their purchases? I already said the “smaller” publishers would suffer; so would those companies that manufacture licensed material – action figures, posters, tie-in apparel, (more…)

Marvel’s Cup of B

Rather than the usual "Cup of Joe" panel, Marvel decided that Baltimore Comic-Con would feature "Cup of B." Marvel super-star Brian Michael Bendis appeared, alongside Dan Slott (Avengers: Initiative), Steve Savolski (X-Infernus) and executive editor Tom Brevoort. 

Bendis confirmed the previously announced departure from Mighty Avengers with #20, the post Secret Invasion issue which will show a dramatic shift in the title. He will then begin Dark Avengers with artist Mike Deodato and Slott will jump into Mighty Avengers, which means he’s leaving Initiative, which Christos Gage will pick up. More Taskmaster is promised. 

Spider-Woman: Agent of SWORD will begin March 2008, full art by Alex Maleev, reuniting the duo since they produced Daredevil. The series promises to be “very different” from others at Marvel. But is it Jessica Drew? No answer was given.

While the Inferno crossover was spread across the DC Universe, it’s follow-up X-Infernus will be more X-Men focused, specifically on the New Mutants, with characters such as Magik showing up. 

On Amazing Spider-Man, Marc Guggenheim and Barry Kitson will present a single-issue story featuring what happened to Flash Thompson. Joe Kelly will be doing a two-part Hammerhead story and then Mark Waid will be introducing new charatecters and secrets to Spider-Man’s universe. Dan Slott promises a “completely logical, non-magical explanation of why Harry Osborn’s alive.” He added that villain Molten Man was returning with the intention of killing Harry Osborn.

Bendis was asked for his reactions to the Secret Invasion Jacket I made. Bendis was a good sport about it and simply laughed, saying "Listen, I love him. You can buy it, roll it up, shove it up your ass. I don’t care.That’s not even in the top 20 sh*t I’ve had to deal with online." I then identified myself to the Marvel panel. When Bendis asked me why I didn’t wear the jacket to the con, I was sad to explain that it was not functional in the rain.

I then asked my own question to Bendis, concerning whether or not the Skrulls now had the Space Gem since they had replaced Black Bolt, the gem’s current owner. Bendis then informed me that he had explained this already but that I must have turned the issue into a pair of shorts. He then admitted that the Space Gem would be a future plot point. (more…)

‘Secret Invasion’ So Far: The Tie-Ins

If you read Part 1 of my report on "Secret Invasion so far", you know I have found a lot of faults with the main series of this Marvel crossover and the tie-ins written by Brian Michael Bendis.

Now, any major crossover these days has tie-ins with other titles. It’s a good marketing idea because it gets readers to check out characters and books they may not have already been reading. And it helps give the story an epic feel when you can show how its effects are felt in various other parts of the Marvel Universe and how other folks are forced to get dragged into it.

A lot of times, these tie-ins are unnecessary and fairly forgettable unless you were already a fan of those books. Imagine my surprise when I found that a lot of these tie-ins were actually enjoyable and greatly enhanced the crossover for me. Frankly, I think some of these tie-ins could have replaced a few issues of the main series.

Let’s go into a bit more detail, shall we? (more…)

‘Secret Invasion’ So Far: The Main Story

So we’re more than half-way through Secret Invasion, the event that’s supposed to be the biggest thing to rock the Marvel Universe since Civil War, where the question was “whose side are you on?” Secret Invasion’s question is “who do you trust?”, which is almost the same question as Civil War’s but not as grammatically correct ( it’s "whom", people!) and concerns the revelation that several Skrulls (shape-shifting aliens who’ve had their asses kicked many times) have secretly been living among us for a while. This story is the brain-child of Brian Michael Bendis, who has been praised for his series Powers and his run on Ultimate Spider-Man and who has been writing New Avengers and Mighty Avengers since both titles were created.

This plot has been done before to lesser degrees. In the early 90s, the Fantastic Four discovered that the Human Torch’s wife had been impersonated by a Skrull since before they were even engaged. And a couple of years later, the X-Men found out that Wolverine had been replaced by a Skrull who then died because he didn’t know he didn’t have Wolvie’s powers too (idiot).

But there are three major elements that mark this particular invasion story as different from what we’ve seen in comic books a million times over. The first element is that what’s left of the Skrull Empire has now taken up religion. Their holy texts tell them that Earth is theirs by right and they have become quite creepy by habitually saying “He loves you” to everyone they attack. Secondly, they’ve learned how to infiltrate us in such a way that they are now beyond the detection of super-powers, magic and technology – very scary in this post-9/11 world. Finally, the Skrulls have finally figured out how to produce super-powers on a large scale. Where once the Super-Skrull and Power Skrull were unique, now there are thousands of Skrull warriors who have the combined powers of many different villains and heroes.

But how’s the execution? Well, in a nutshell, the main series started off very strong and has recently picked up steam again full force. Even when it was slow, it had some great scenes. But these are over-shadowed occasionally by pages of wasted space and repetitive recaps. And out of the eleven tie-in issues Bendis has written so far, eight of them can be ignored or have a smidge of substance that’s surrounded by filler pages.

But if you are one of those unfortunate souls who bought all the New Avengers and Mighty Avengers tie-ins and then realized you’d wasted over twenty bucks, don’t worry! Just do what I and my good friend Lisa McMullan did. With a little creativity, you can take those pages and make yourself a very smart looking jacket! Now you’re not a sucker, you are actually quite fashionable!

Don’t believe me? Just look at this photographic evidence, nay-sayer! All you need is scissors, tape and maybe an hour of free time.

And when people ask you "How did you think to make such a snazy and debonair sport coat?", you can simply say "I got the idea from those crazy guys at ComicMix and Alan ‘the Sizzler’ Kistler. He’s one nutty guy, that Sizzler."

Not a bad series, but I definitely have some criticisms. Hmmm? What’s that? You want more detail about what my problems are with the main series and the Bendis-written tie-ins? Not a problem, folks. That’s what I get paid for.

By the way, folks, if it pleases you, feel free to check out my old list of the Six Worst Moments in Skrull History! (more…)

Marvel Studios Touts Year’s Successes

Marvel Studios Chairman David Maisel told investors at Merrill Lynch that their debut this year was” arguably the most successful" in modern history. He touted facts and figures for the smash success of Iron Man and coupled it with the so-so performance of Incredible Hulk to show their dominance.  While claiming Iron Man is the 21st top grossing film in domestic history, adjusted for inflation, it’s actually 113th.

According to The Hollywood Reporter, he has compared their 2010 Thor film as akin to The Lord of the Rings.  At present, no director or cast has been attached.

Maisel also indicated the films will continue to seed characters and threads from film-to-film comparing it with the Star Wars films as opposed to the organic manner in which Stan Lee populated the Marvel Universe. The cameos were "a taste of what’s to follow."

While announcing nothing new, he reiterated the planned 2010 releases for Iron Man 2 and Thor and the 2011 releases of The First Avenger: Captain America and The Avengers.  He made no mention of the other films rounding out the 10 films Paramount agreed to co-finance including Ant Man

Nor did he make mention of Sony’s competing 2011 release, Spider-Man 4, or 20th-Century Fox’s Marvel properties including next year’s X-Men Origins: Wolverine.

"And with our track record, we can normally keep those release dates pretty clean," Maisel noted. He also indicated the advance scheduling allows them to line up premiere licensing and merchandising partners.  He pointed to the forthcoming theme parks in Dubai and South Korea as partnerships aiming the studio and its characters for global domination well into the 21st century.

Also yesterday, actress Eva Mendes pooh-poohed the notion of a Ghost Rider sequel, telling MTV, "No, I think Ghost Rider had its moment. I don’t know about a sequel, but I don’t think it needs one. I was so proud of it. It was fun…but I think it’s done…but look, hey, if it’s Nicolas Cage again – I’ll do anything with him."