Tagged: X-Men

ROBERT GREENBERGER talks Civil War

bobgreenberger100-6328820It must come as quite a shock to you. We’re talking about a profound cultural shift for the betterment of mankind, People want this, Richard. They need the superhumans of the world to be responsible, properly trained, qualified…and ultimately held accountable. That’s what the initiative is all about. We’re trying to move out of the dark ages of masked vigilantes into a brighter future where tragedies like Stamford can’t ever happen again.

– Tony Stark to Richard Ryder, Nova #2.

World War Hulk began last week and we saw the jade-jawed giant arrive on Earth with a pretty big mad on. With less than twenty-four hours to evacuate Manhattan, Doctor Strange and his, er, estranged Avengers offer to help Iron Man clear the populace. Shellhead magnanimously offers amnesty for their help.

Welcome to the new status quo in the Marvel Universe. The dust continues to settle from the brawl that was Civil War and with all of Earth confronted by a new menace, now’s not a bad time to assess the new political landscape.

After the Mutant Registration Act, unveiled in Uncanny X-Men #181 and passed into law, required all mutants in America to be registered. Those not complying faced criminal charges. Once that was passed, a parallel super-hero or super-power act was an obvious follow up and came up during the Acts of Vengeance crossover. Fantastic Four #335 began the first serious examination of such an act. Reed Richards addressed a congressional subcommittee saying such an act was unnecessary. His odd argument that such a law wouldn’t be followed by the villains anyway struck an odd chord.

While American legislators dithered over it, the Superpowers Registration Act became Canadian law in Alpha Flight #120.

Years went by without much activity on either front with the Mutant law not being vigorously enforced and the super-human law a mere idea.

Then came the House of M. (more…)

Surfer to fly solo

silver-surfer-requiem-1-2nd-4117378Despite so-so advance buzz and a lack of screening for reviewers, 20th Century-Fox seems to believe in the Fantastic Four franchise.  As reported in the Los Angeles Times on Wednesday, they are already looking to spinoff the Silver Surfer into his own film.

J. Michael Straczynski, already writing a Silver Surfer miniseries, Requiem, for Marvel, has been tapped to script the solo feature.

The Times said, “Well, perhaps the studio has heard the negative static, since it apparently hopes to spin the new Surfer franchise in a darker direction to attract the slightly older demographic of its X-Men films. If so, Straczynski, whose original screenplay The Changeling is on director Clint Eastwood’s slate, is a logical pick for the Surfer story line.” JMS is also the writer of the current Silver Surfer mini-series.

20th has already announced plans for spinoffs from its X-Men film franchise although neither the Wolverine or Magneto features seem any closer to actually being shot.

Next up from Marvel’s production slate will be their first self-produced film, Iron Man, coming in May 2008.

Artwork copyright 2007 Marvel Characters. All Rights Reserved.

Heroic Casting News

william_hurt-2416683For next June’s new Incredible Hulk movie, William Hurt (Lost in Space, Altered States) has been signed to play General Thaddeus “Thunderbolt” Ross.

NBC has announced that Dania Ramirez (Callisto in X-Men: The Last Stand) has been added as a regular on Heroes. Ramirez’s character is name Maya but her place in the tapestry and her powers remain unknown.  Word is that new characters to at least recur in the second season will include a young African-American mother, an Irish mobster and a hunky boyfriend for Claire.

And the DVD for Season One will be out on August 28.

MARTHA THOMASES: Last Man Standing

martha100-5988441When I was a teenager, the environment of my hometown became poisonous. To save me, my parents sent me to an alien environment that seemed to be a universe away, filled with people so different from me they might have been a different species altogether. No one knew anything about my home, nor about my people’s civilization and customs. Instead, I had to hide my true self until I understood how I fit in and what I had to offer the strangers with whom I lived.

No, I’m not Supergirl. I understand how you could be confused, because the resemblance is striking. However, I did find myself in a similar situation to Kara Zor-El. Instead of being a Kryptonian from Argo City sent in a rocket ship to Earth, I was a Jew from Ohio sent to an Episcopalian boarding school in Connecticut. Instead of being part of the majority as I was at my public school in Youngstown (there were so few kids in class during the High Holy Days that they could bring comics to school!), I had to go to chapel five times a week while the priest swung incense.

Many of my classmates had never seen a Jew before. Others, more worldly, would say things to me like, “You’re from Ohio? I have a friend in Wyoming. Do you know her?” For the first time in my life, I wasn’t part of the majority culture. I learned what it was like to be a minority.

There’s a lot to be learned from the majority culture.  Not the least of it is learning where you, as a minority, fit in. You learn your place. You learn how to get by. You learn another point of view, that of the majority.  That’s what taught in school. That’s what you see on television and in movies.

If you’re lucky, you take your experience as a minority and use it to understand how other minorities feel. You know what it’s like to be on the outside, looking in. In my case, as a Midwestern Jew, I could imagine how it would feel to be African-American, or gay, or Asian. I could take my own experience as a minority to imagine the experience of people who were other kinds of minorities.

Fiction helps. For example, when I read Amy Tan’s The Joy-Luck Club, I read about a society where, no matter what you did for your parents, it wasn’t enough, and that it was more important in a marriage to find a husband with money than with imagination. I was convinced that being Chinese felt just like being Jewish.

Comics help even more, if only because they are produced more quickly than novels. In The Legion of Super-Heroes, we can see how Chameleon can shape change to fit in – but chooses not to. Princess Projectra tried to hide her snake form at first, but learned to exult in it. The theme of three X-Men movies has been a metaphor for the dangers of the closet, of hiding your true self to pass for straight or, in this case, non-mutant.

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JOHN OSTRANDER: That’s A (TV) Wrap Part 1

ostrander100-7854594It’s May which means, out in TV-land, it’s the final sweeps period of the season. Yeah, a few of the final shows have yet to air but I might as well look back on what I liked/disliked over the past season. This may not be what you watched, liked or disliked but, hey, it’s my column.

Battlestar Galactica. I finally succumbed and started looking in on the series. I’d been afraid that it would be too dense at this point, that there was too much backstory, to be accessible to late viewers like myself but I found I was able to pick things up as I went. Yes, it would be better if I knew more of the backstory and I plan on picking up the DVDs but I’ve gotten into the series. I’m not certain why finding Earth is such a good idea for these people or why so much of their culture seems to be very post-1940’s American culture but I’m willing to hang in and find out. Yes, I liked it overall.

Boston Legal. A tip of the hat to ComicMix head inmate Mike Gold for getting me to watch this series. Mary and I started watching late last season and it’s become one of our favorites. I was resistant because I’m not really a big David E. Kelley fan but this show causes me to laugh out loud. It makes brilliant use of some old pros – James Spader, Rene Aubenjois, Candace Bergen, and the simply amazing William Shatner – as it talks about current issues, goes consistently over the top, touches the heart and simply entertains me more than almost any other show in a given week.

Deadwood. Big fan of this show and I can’t tell you how pissed off I am that HBO didn’t let it continue. Yeah, they talked about two movies to finish it up but a) that’s not the same and b) I haven’t heard that those are actually going forward. Creator David Milch had said that the concept was the advance of civilization as seen through the focus of the town of Deadwood, South Dakota, originally a boom camp for the gold found in the hills nearby. Real historical figures intermingled with totally fictional creations much the same way real history was mingled with a lot of inventive writing (and serious profanity). It’s not a technique unknown to me; I did the much the same thing when I wrote my historical graphic novel The Kents. The show boasted some fine performances topped by Ian McShane’s incendiary Al Swearingen.

All that said, I have to confess that Season 3 turned out to be a disappointment to me. The through line was the gradual take-over of the town by George Hearst (given a dynamite performance by Gerald McRaney). Hearst was an actual historical figure, the farther of William Randolph Hearst who, in turn, was a model for Orson Welles’ Citizen Kane, and that was both the attraction and the problem. The actual Hearst himself never visited Deadwood, so far as my researches showed, although he did wind up owning several big mines there.

The problem in Season 3, for me, was that it was headed for an almost apocalyptic showdown between Hearst and his men versus the citizens of the town who, although usually at violent odds with one another, were brought together by a common threat. The season built in tension to what should have been a staggering climax and then – Hearst simply decides to leave town. Go on to his next location. The tension dribbles away.

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Comics panels at WisCon

Karen Healey of GirlWonder reports on a few comics-related panels in which she’ll be participating at the upcoming annual WisCon feminist SF convention, May 25-28.  Here’s the full panel schedule.  My favorite is the one she’s moderating:

Sarcasm and Superheroics: Feminism in the Mainstream Comics Industry

2006 was declared the year of Women in Comics. Alison Bechdel’s Fun Home was one of Time’s 10 Best Books, best-selling authors Jodi Picoult and Tamora Pierce were signed up to write for DC and Marvel, and DC announced a new Minx line for girls. However, 2006 was also a year of increased feminist activism in mainstream comics. New websites "When Fangirls Attack" and "Girl-Wonder.org" collected and encouraged feminist debate on issues of diversity and sexism in comics, and there seemed to be plenty to talk about. Moreover, the Occasional Superheroine confessional memoir recounted a disturbing tale of abuse and misogyny within the superhero industry that was reflected on the pages of its comics. What has improved in the comics industry? What is yet to be done? What challenges are posed by the industry’s peculiar institutional structure? How can women break into the comics mainstream? How can we critique it? And what comics can you buy for your kids? M: Karen Elizabeth Healey, Charlie Anders, Rachel Sharon Edidin, Catherine Lundoff, Jenni Moody

There’s also an interesting-sounding X-Men panel on Sunday.  I’m officially jealous; it sounds like another great year for the WisCon folks.

2006 Eagle Awards Announced

eagleawardslogo2-6744532

Since you couldn’t watch a new episode of Doctor Who this past Saturday, maybe you were at the Eagle Awards, as part of the Bristol International Comic Expo.

Established in 1976 by Mike Conroy, the Eagles are the comics industry’s longest established awards. Acknowledged as the pre-eminent international prizes, they have been featured on the covers of leading US and UK titles across the last three decades with such diverse titles as X-Men, Swamp Thing, Preacher, 2000 AD and MAD among those proud to display the Eagle Award emblem.

Winners are after the jump.

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Magneto Returns To Hollywood

goyer_david_02-6540584Sometime following the release of the next X-Men movie – a solo Wolverine feature starring Hugh Jackson – noted comics writer (JSA) and movie producer / director / writer (Batman Begins, Blade, Ghost Rider, The Crow: City of Angels, Nick Fury, The Dark Knight, plus last week’s The Invisible) David Goyer will be directing the second X-Men spin-off, Magneto.

The movie will focus on Magneto’s "origin" – the time he spent in a Nazi concentration camp (as seen in both comics and the X-Men movies) and the years following his liberation. Whereas Sir Ian McKellen has gone on record saying he wanted to star in the movie and that they could "de-age" him with the sort of CGI effects used in X-Men III, it is expected he will only appear in framing sequences and another actor will play the younger character.

Perhaps Christopher Eccleston would do?

(Photo copyright Variety; All Rights Reserved)

MICHAEL DAVIS: You’ve got a friend in me… a comic book story

michael-davis100-2510136For most people, comics are a small part of their lives. By that I mean if your comic book collection and your girlfriend were hanging by a cliff and you could only save one your choice would be simple.

Your choice would be simple, right? If not then you should really seek some professional help.

As much as I love comics I have never thought that comics would affect my life in any significant personal way. By personal I mean that outside of my love for the medium and income from the business, comics would not play a major role in my life. I have always thought that comics were an important but small part of my life.

Boy, was I wrong. Sometimes it’s the small things that lead to the big things.

My birthday is Sunday and I have been thinking about my life and my friends lately. Everybody in the comic book industry who knows me knows that Denys Cowan is my best friend. I don’t have a lot of friends (insert your joke here) but those friends I do have are great people. I know I’m a bit hard to get to know-truth be told people meet me and they either love me or (insert your next joke here) hate me.

Of those friends I consider among my best friends: Mike Stradford, Lovern Kindzierski, Roger Klohr, Jason Clark, Ehrich Van Lowe, Lee Speller, Len Wein, Marv Wolfman, David Quinn and Denys. Of those guys Denys has been around the longest except for Lee, and we go back to Junior High. I would take a bullet for every one of those guys. That said, Denys and I grew up and went to school together – even if we did not know it.

So how do you grow up together and not know it? Here’s how. I grew up in Queens, New York: Jamaica, Queens then Rockaway, Queens then back to Jamaica, Queens. In all the years I lived in Jamaica, Denys literately lived around the corner from me and we NEVER met.

That’s nothing special until you consider that we went to the same specialized high school, The High School Of Art & Design in Manhattan and we still never met.

cowanzaffino-8503686Consider this: Denys and I lived around the corner from each other, we rode the same bus, from the same bus stop took the same subway train from the same subway station everyday. We then had to walk the same blocks to the same school in Manhattan. We did this for years and never met. What are the odds?

How did we meet? Why did we meet?

Comics.

We literally met at Marvel Comics years after high school because a mutual friend of ours thought that two black guys working (or in my case trying to work) in comics should know each other. We both resisted that meeting but our friend Darlene was smarter than both of us and arranged it. She asked me to have dinner with her one day and told me to meet her at Marvel where she was the receptionist. When I got there she asked me to Xerox something for her. I went to the Xerox machine and standing there was Denys Cowan.

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JOHN OSTRANDER: Odd Delights

getcrazy4-4703726I hesitate to recommend films these days – what I like you may well loathe. That said – having burdened you with a collection of “perverse pleasures” recently, I thought I’d devote this column to films that I own that I truly do enjoy, that I think are good films, and which you may not know.

Get Crazy is a 1983 film from Allan Arkush, who also directed the cult classic Rock And Roll High School and is an executive producer of Heroes. I came across it in the company of Timothy Truman while we were at a convention. We were staying at a distributor’s house and were too tired after the day’s proceedings to move. The distributor had the (then) novelty of projection screen TV and cable and Tim and I had a few beers as Get Crazy came across the screen. It sucked us in. At the time, we couldn’t decide if it was the beers or because we were exhausted but it seemed to us to be one of the funniest movies ever made. I’ve watched it many times since and it wasn’t the beers or the exhaustion; this is a damn funny film.

IMDB posts this plot synopsis of the film: “Mega-promoter Colin Beverly plans to sabotage the New Year’s 1983 concert of small-time operator Max Wolfe. Wolfe’s assistants Neil Allen and Willie Loman find romance while trying to save the drugs, violence, and rock and roll from Beverly’s schemes.” Fair enough so far as it goes but it barely scratches the surface.

To start off with, Colin Beverly is played by white-on-white Ed Begley Jr. in a terrifically manic mode. In a stroke of brilliance, his two henchman are played by two former teen idols, Bobby Sherman and Fabian Forte. That is hip, intelligent casting and a great joke in and of itself. The movie is full of little nods like that. Lee Ving, the frontsman for the punk band Fear, plays a punk musician called Piggy who has to be chained up when not performing. (Ving was also in another fave film of Brother Tim and myself, Streets of Fire.) Howard Kaylan of The Turtles plays a Jerry Garcia-ish Captain Sky. You don’t have to get all the in-jokes and references for the movie to work but boy do they add to the movie.

Malcolm McDowell plays Reggie Wanker, who is an amalgam of Rod Stewart and Mick Jagger. One of his band mates – Toad – is played by John Densmore of The Doors. How damn hip do you want a movie to be? And he looks so much like Keith Richards in the film, he could be Keith’s long lost brother. One of the best scenes is late in the movie when Wanker has a talk with himself in the men’s room after getting very high. I can’t tell you why without spoiling the joke but, trust me, it’s LOL funny.

But the absolute best guest shot has to be Lou Reed playing a character named Auden who is heavily modeled on Bob Dylan circa 1983. The in-joke is that you have a recluse (at the time) playing a greater recluse (at the time). Even if you don’t know the reference, the part is written and performed as to have its own laughs. Plus, Reed has a great song by the end of the film, "My Little Sister."

There’s others such as Paul Bartel of Eating Raoul in a bit part as Max’s doctor, Bill Henderson as King Blues and Franklin Ajaye as his driver, and more. There’s tons of music including at last three versions of “Hoochie Koochie Man.” And as much schtick as in any Police Squad movie. (more…)