Tagged: Zack Snyder

Man of Steel Fan Event let the Audience Ask the Questions

Yesterday, Henry Cavill, Amy Adams and Man of Steel Director Zack Snyder sat with special host Kevin Smith for an exclusive fan event on Yahoo! Movies. The cast and crew talked all the things Man of Steel, in anticipation of Tuesday’s home video release of the summer blockbuster.

The event also included a featurette of the sit-down discussion between Zack Snyder and Michael Shannon about the making of Man of Steel.

Man of Steel Infographic Traces Route from Krypton to Earth

mos_lak_4in1_all_pre-e1383776476987-9710957In advance of next week’s release of Zack Snyder’s Man of Steel on Blu-ray and DVD, Warner Home Video has released this infographic. This tells you al you need to know about Krypton, or at least the world as depicted in this past summer’s reimagining of the Action Ace. The film has grossed over $662 million worldwide, which, given its production budget of $225 million, means it is on the cusp of profitability. Ancillary sales, including the domestic home video release, should push it into the black before the year is out. Box Office Mojo notes that it may not have soared to the heights anticipated by Warner Bros and its DC Entertainment subsidiary. In dollars, it ranks tenth as a comic book adaptation, although it is the top grossing Superman film dating all the way back to Superman and the Mole Men.

Rotten Tomatoes says the film was perceived as only 56% fresh, dubbed by major media critics as too somber. Richard Roeper, for example, noted, “There’s very little humor or joy in this Superman story.” Fans were divided over this sterile and somber version of the archetypal superhero, sharply criticism the filmmakers and DC for letting Superman commit murder. In comparison, this weekend’s Thor: The Dark World is already trending at a strong 75% fresh.

DC Entertainment has bet a lot on this interpretation, letting it be known that this should be considered the first installment in a unified DC Cinemaverse. Already shooting for a summer 2015 release is a sequel which will include a Caped Crusader owing much to Frank Miller’s groundbreaking The Dark Knight Returns. Fans already have their knives sharpened for flaying Ben Affleck’s performance as the Darknight Detective without seeing a single frame of film, a habit that can be traced back to the first announcement of Michael Keaton donning the cape and cowl. The sequel is also rumored to be introducing Diana, the Princess of Themyscira with current theory being that Jamie Alexander, Lady Sif in the Thor series, is in talks with the studio.

What is expected to follow would be a Justice League movie while DC and Warner have been coy about whether or not the television reality seen in Arrow and its intended Flash spinoff would also be set in the same reality. Given the success of Disney, Marvel and ABC has had with integrating Agents of S.H.I.E.L.D. with the feature films, one would think they would follow suit.

Look for our Man of Steel review next week.

REVIEW: Immortals

immortals-dvd-7420285Considering director Tarsem Singh and screenwriters Vlas and Charley Parlapanides come from cultures steeped in mythology, you would think Immortals might have a touch of fidelity to the ancient source material. Instead, this incredibly generic looking film barely pays attention to even the most basic elements of the gods, goddesses, and creatures that interacted with man once upon a time. The film, out on home video now from 20th Century Home Entertainment, pays some lip-service to the stories once told to enthrall the masses and focuses on the handsome, well-oiled Theseus, our mortal hero. Played by the Man of Steel, Henry Cavill, he’s used to larger-than-life figures and gamely works his way through a bland script that pales in comparison with the best of Harryhausen and even the various myth-based films of the last few years.

The story in short involves the bad king Hyperion (Mickey Rourke), who wants to bring about the gods’ downfall by releasing their forbearers, the Titans, who languish in captivity within Mount Tartarus. His scheme begins by kidnapping the virgin oracle Phaedra (Frieda Pinto), so her powers can tell him how to bring his scheme to fruition. Along the way, Hyperion pillages a village, killing Theseus’ mother and dragging the peasant into the fray, setting him up to be the hero. While the gods come courtesy of Clash of the Titans, the film’s look owes royalties to 300 (which makes sense since it comes from the same producers without the vision of Zack Snyder) and Gladiator. (more…)

Henry Cavill Forced Out of ‘Superman’… Guess Who’s Wearing the Cape Now

Henry Cavill at the Vanity Fair celebration fo...

Image via Wikipedia

In a bizarre turn of events, Henry Cavill has been pushed out of Zack Snyder’s upcoming “Superman: Man of Steel.” Mr. Cavill’s name had first come up as a likely candidate for Superman when McG was slated to direct in 2002, however as fans remember, McG cancelled out to direct Charlie’s Angels: Full Throttle, and Bryan Singer was locked to replace him in 2004 to direct Superman Returns with Brandon Routh wearing the eminently recognizable red cape and blue tights.

When Henry Cavill was locked as Superman, he was seen as very appropriate and incredibly humble in casting as reported by MTV.com. Between his casting, Christopher Nolan producing and Zack Snyder directing, the “Superman: Man of Steel” movie was going to be what Batman Begins was for the Dark Knight. Further casting details like actors Diane Lane and Kevin Costner as Martha and Jonathan Kent shaped this revitalized Superman movie into a projected fan favorite, but all of that changed this ominous morning. Dallas Smith, Henry Cavill’s agent at United Agents, was unavailable for comment. Repeated calls and emails to producers Chris Nolan’s and Charles Roven’s offices have not been returned, however an anonymous source directly involved at Chris Nolan’s production company Syncopy said that a formal statement would be forthcoming about Mr. Cavill’s abrupt departure as well as something more odd– a new producer and who would be returning to wear the cape.

Excuse me? RETURNING?

(more…)

FERGUSON SUCKER PUNCHES ALL PULP!

THE LONG MATINEE-Movie Reviews by Derrick Ferguson
SUCKER PUNCH
2011
Warner Bros.
Directed by Zack Snyder
Produced by Deborah Snyder
Screenplay by Zack Snyder and Steve Shibuya
Based on a story by Zack Snyder
Zack Snyder has provided me with two of my favorite movie watching experiences of recent years.  “300” which I fell so in love with the first time I saw it, I wanted to marry it and take it home to meet my mother.  And “Watchman” which I thought was a brilliant adaptation of the graphic novel and actually improved upon it in certain areas, particularly the ending.  Upon hearing that his new movie SUCKER PUNCH was based on an original story by Zack Snyder I was really pumped to see it as I could imagine what his extraordinary visual style could do when applied to characters of his own creation. 
I should have listened more closely to my friend Jason who upon seeing the trailers opinioned that any movie with trailers that kick-ass couldn’t live up to the promise they were making.  Know what?  Jason was totally correct.  SUCKER PUNCH isn’t as kick-ass as those trailers promised.  But neither is it the complete and total disaster some would have you believe.  At most, it’s an interesting experiment by a still young filmmaker who I think was trying to tell a story too ambitious for his still growing talents.  But we’ll get back to that in a bit, okay?  Right now, the obligatory story synopsis…
Baby Doll’s (Emily Browning) life is about as bad as it can get.  Her mother has died, her sister killed in a tragic accident and her stepfather has had her committed to a mental asylum.  The stepfather has bribed the head orderly Blue Jones (Oscar Isacc) to arraign for Baby Doll to be lobotomized.  This way, he can keep control of the vast fortune left to Baby Doll by her mother and she will unable to tell anybody the true circumstances of the death of Baby Doll’s sister.
To cope with her horrific situation, Baby Doll’s mind creates an elaborate fantasy world where the asylum is now a strip club/brothel where Blue is the owner.  The asylum’s chief therapist Dr. Gorski (Carla Gugino) is now the madam.  Baby Doll becomes friends with the club’s top dancers; Amber (Jamie Chung) Blondie (Vaneesa Hudgens) Rocket (Jena Malone) and her older sister Sweet Pea (Abbie Cornish).  Baby Doll is informed that in five days she is to be given to ‘The High Roller’ which is paralleled in the real world by The Doctor (Jon Hamm) coming to give her a lobotomy.  Baby Doll plans to use those five days to escape and enlists the aid of the other dancers to do so.  This involves Baby Doll creating yet another fantasy world where she and her friends, guided by The Wise Man (Scott Glenn) have to collect five objects to aid in their escape. 
That sounds pretty simple and straightforward, right?  Well, it isn’t.  There’s an added dimension to this in that apparently Baby Doll can mesmerize everybody in a room when she dances.  We never see what the dance is but when she does, she and her friends are transported to the world where they have to gather the objects.  That’s at around the point you’ll probably start scratching your head.  I know I did.
Let’s get the good out of the way: I liked most of the performances.  Scott Glenn looks as if he’s having so much fun I was having fun watching him.  Jon Hamm is only in the movie for a few minutes but he really makes the most of his brief screen time to really bring an added note of horror and pathos to the movie’s bleakest moment.  And Carla Gugino is amazing as always.  Why this woman doesn’t have a bigger career infuriates me to no end.  Jena Malone I really liked in this one.  She’s got an 80’s Meg Ryan vibe going here I found appealing.  Abbie Cornish I don’t recall seeing in anything but I’m going to be looking for more from her. 
The best part of the movie?  Undoubtedly the absolutely incredible action sequences where Baby Doll and crew acquire the objects they need.  I especially loved the World War I sequence with automatic weapons, steampunk battle armor, great big honkin’ zepplins porcupined with weapons and clockwork German soldiers.  You see those sequences and you mightily wish that Zack Snyder had built a better story around them.  He’s got an astounding eye for detail that is truly gifted and visually, SUCKER PUNCH is a treat.
The bad?  There was one too many realities to deal with.  Unlike “Inception” which was painstakingly clear about the rules concerning dream worlds, SUCKER PUNCH isn’t.  I took the movie to be an homage to “The Wizard of Oz” more than anything else since it starts off with a very dull gray look to everything but once Baby Doll starts her fantasy in the brothel, the movie switches to vibrant, eye-popping color.
But once I realized that the action sequences were little more than glorified cut scenes from a videogame, I got bored.  Because I knew they weren’t going to last.  And what I wanted to see was a whole movie with these five fightin’ females boppin’ around these incredible worlds kicking every ass in sight.  And I was frustrated because I wasn’t getting it.  I did find it amusing that Baby Doll apparently has learned Jim Kelly’s trick of switching footwear in mid-fight and that kept me active looking for when she would switch from high heels to flats and back. 
So should you see SUCKER PUNCH?  See, that’s a tough one for me to call.  Let me put it to you from both sides of my movie persona:
The cheap-ass, misery, grinchy Derrick Ferguson says: If you don’t want your time or money wasted, wait until SUCKER PUNCH drops on DVD/Blu-Ray or Netflix.  I’m a Zack Snyder fan and there were parts where I was bored so if you’re not a fan, I can’t see where you’d want to see this.
On the other hand…
The artistic, compassionate, film nerd Derrick Ferguson says Zack Snyder has given us something interesting that isn’t a remake or a reboot or dragging out some moldy old franchise, slapping a new coat of paint on it and going “Ta-da!”  He’s done his best to give us something original and he’s to be commended for that.  He stretched himself and didn’t play it safe and I like that.  I’m willing to give him a Not Guilty for SUCKER PUNCH because this is only his fifth film and he’s still growing as a filmmaker.  This one got away from him because I don’t believe he’s built up enough directorial muscle to successfully pull off telling a story like this.  If SUCKER PUNCH is a failure it’s an honest one motivated by creativity and a desire to communicate with a unique storytelling style. 
109 minutes
Rated PG-13

Zack Snyder Throws A Punch


This weekend, Zack Snyder‘s eye-blasting SUCKER PUNCH hits the screen., We sat down with the cast, starting today with Emily (“Babydoll”) Browning, for a look at just what you can expect. Plus Roger Corman talks about that one film that gave him a headache (and guess wh0 was in it!)

Seeing SUCKER PUNCH this weekend? Drop us a comment below!

Don’t forget – Pop Culture never sleeps (and neither do we). Catch the latest 24/7 on The Point Radio.

Fox Wants to Delay ‘Watchmen’ Release

Warner Bros and 20th-Century Fox attorneys met with U.S. District Court Judge Gary Feess on Monday for a conference in the wake of the Christmas Eve ruling saying 20th had rights to The Watchmen after all.

Fox’s lawyer indicated that the studio would seek to delay the schedule March 6 release which has sent fans awaiting the Zack Snyder-directed feature into despair.

Warner’s attorney, Stephen A. Marenberg, made it clear they were ready to go to trial, as scheduled for January 20 and remain defiant of the ruling. "We respectfully but vigorously disagree with the court’s ruling and are exploring all of our appellate options. We continue to believe that Fox’s claims have no merit and that we will ultimately prevail, whether at trial or in the Court of Appeals. We have no plans to move the release date of the film," the studio said according to The Hollywood Reporter. "We continue to believe that Fox’s claims have no merit and that we will ultimately prevail, whether at trial or in the Court of Appeals."

When he steered the argument back to the core issues, Feess said, “I have spent more time than I think you can imagine working on your case at a time when I didn’t expect to be working on it.” As a result, he was looking for remedies not rehashing.

"We are gratified by the recognition of our rights in the Judge’s order, which speaks for itself," Fox said in a statement.

Fox’s contention has been that their agreement with producer Lawrence Gordon required him to offer them first dibs on the feature each time it was reconfigured.  They claim the Zack Snyder version, which was ultimately filmed, was never offered to them. Gordon, who has not been named in the lawsuit, did not testify during the hearings to date and Feess said Monday that his silence hurt Warners’ case. “The court takes a dim view of this conduct,” Feess wrote as a footnote to his December 24 ruling, according to The New York Times. “The court will not, during the remainder of this case, receive any evidence from Gordon that attempts to contradict any aspect of this court’s ruling on the copyright issues under discussion.”

Warner has said when they signed with Gordon, he never mentioned his obligation to Fox and if anyone owes the studio money, it should be the producer not Warner Bros.

Zack Snyder on the Altered Ending of ‘Watchmen’

new-watchmen-poster-1196845Zack Snyder spoke with Dark Horizons about the recent sneak of The Watchmen and the audience’s reaction, especially to the altered ending.

"We had the best test scores in the history of Warner Bros. with 300 and I kept telling them look the movie is not like 300, don’t think that it is – it’s not going to be the same experience,” Snyder said. “Some people are going to go ‘what the f**k is this’ and I go that’s ok. That’s the thing that you fight… The one thing that was cool was that anyone who had read the graphic novel who was at the screening rated the film ‘excellent’, for me I’m like ‘I’m done’."

So about the squid and the ending?

"The fans, god love ’em, they’re all up in arms about the squid,” he said. “What they should be up in arms about are things like shooting the pregnant woman, ‘God is real and he’s American’, whether that‘s in the movie. That’s my point of view, maybe I’m crazy.

"The squid was not in the movie when I got the script, the squid was never in any draft that I saw. My point is only that there was this elegant solution to the squid problem that I kind of embraced. I’m a fan of the thing as much as anyone, I was saying what are we going to do about this before I even read the script."

He confirmed a second trailer will be released this coming Friday when Quantum of Solace hits theaters in America. "I just saw the final version of it this morning… it’s a little bit more story, a teeny bit more like a full trailer. This is much more like ‘someone’s picking off costume heroes’. You’ll get a sense of the characters plight you know, ‘we were supposed to make the world a better place… what happened to the American Dream’."

A third trailer will be released in early 2009, prior to the March 6 release date.

"The film’s pretty much done in my book. There’s still some visual effects shots which I’m reviewing… there’s probably close to 2000 effects shots in the film" he added.

Snyder’s next film will be his first animated project, Guardians of Ga’Hoole, coming in 2010.
 

Zack Snyder on ‘300’ Sequel/Prequel

With the wild success of Zack Snyder’s 300, it’s hardly a surprise that there’s a sequel in the works. Yes, most of the cast is dead by story’s end, but before you call call madness, remember that this, is, SPARTA!! we’re talking about here.

IESB caught up with Snyder at a Watchmen event in Hollywood the other day, and got his two cents on the film’s follow-up. According to the director, development on the film project will only occur when Frank Miller has finished writing and illustrating the graphic novel’s sequel. Snyder wants Miller to have full creative control of the novel’s story, as was the case with 300.

It’s hard to imagine a sequel to 300 with Leonidas and the gang considering the film’s ending. There’s been speculation that the project would be a prequel rather than a sequel, thereby allowing Leonidas to return to fight again. Snyder set the record straight by pegging the film’s timeline between the Battle of Thermopylae and the Battle of Platea. In the film’s final narration, which takes place just before the Battle of Platea, Dilios reveals that Leonidas "died barely a year ago." Snyder says that the sequel will take place during this time, so the odds of Leonidas returning are pretty slim unless it’s in rotting carcass form.

300, based on a graphic novel of the same name by Frank Miller, is a dramatization of the famous Battle of Thermopylae where 300 Spartan warriors battled against the Persian Empire. The film, released in March 2007, was the biggest March opening weekend of all time and the third biggest opening for an R-rated picture. The untitled sequel will be based on an as yet completed graphic novel, also by Frank Miller.

Zack Snyder on the ‘Watchmen’ Director’s Cut

watchmenewcover-9620664Director Zack Snyder has said he’s trying to stay faithful to Alan Moore and Dave Gibbon’s Watchmen graphic novel, but that has left Snyder with a whole lot of material and a whole lot of cutting ahead of him.

Slash Film does a good job of sorting through Snyder’s comments about his film adaptation, leading to some speculation on what could be in store for future director’s cut releases.

It was already announced that there would be an animated Black Freighter movie being released around the time when Watchmen hits cinemas, but apparently the extent of its involvement in the Watchmen mythology won’t end there. Snyder made mention that they’ve also filmed the transitions featured in the graphic novel that take the main storyline into the Freighter comic. So even though those wouldn’t be a part of the theatrical cut, they would show up the “super duper director’s cut,” as would the other creations they’ve been working on.

Being that the film is already running at about 3 hours, and Warner Bros. wants to cut it down to 2 and a half, this makes me wonder if they’ll actually be releasing two different director’s cuts: one with the original cut of the film, and one with the extended new cut. If that were the case, that would mean the extended version would probably be running at about 5 hours or more. As much as I love all things Watchmen related, that does not sound ideal. I would love to see Snyder’s full 3 hour cut, but adding in more content beyond that seems excessive. I understand the desire to incorporate the outside footage, but I don’t want to see the flow of the storyline get repeatedly chopped up by hopping between that and stuff that’s only thematically related. I assume it’s issues like these that made creator Alan Moore claim the graphic novel was unfilmable. Some of the things he did with the comic are things you just cannot translate straight to a movie. Which isn’t to say I’m not excited to see the extra footage; I just think the segments will operate more smoothly as its own entity.

Much more at the link, including quotes from Snyder.