Tweeks: iZombie WonderCon 2016 Interviews Part 1
This is what happens when Maddy gets to interview the cast of one of her favorite shows and ask them about their fandoms! Part one of Maddy’s interview with the creators & cast of iZombie!
This is what happens when Maddy gets to interview the cast of one of her favorite shows and ask them about their fandoms! Part one of Maddy’s interview with the creators & cast of iZombie!
The Tweeks would not exist without Archie. These were our first comics and we loved them. We still love them. Archie taught us to love comics and teen drama. So this week we talk all about Archie and make a case for the few kids out there who haven’t read Archie for whatever reason to get on it. We also review Afterlife with Archie (we admit, we were afraid to read it!) and Diary of a Girl Next Door: Betty.
It feels a little fast for us, especially considering how well it performed at the box office,but here’s the formal details for home video release of Paramount Pictures’ World War Z.
HOLLYWOOD, Calif. – August 2, 2013 – “The suspense is killer!” (Peter Travers, Rolling Stone) in the fast-paced, pulse-pounding epic WORLD WAR Z, debuting on Blu-ray, Blu-ray 3D™, DVD and On Demand on September 17, 2013. The pandemic begins one week early on Digital September 10th. Due to overwhelming demand, the film has been digitally re-mastered into the immersive IMAX® 3D format and will be released in select IMAX theaters domestically for an exclusive one-week running beginning today.
Starring international superstar Brad Pitt and based on the best-selling and wildly popular novel, WORLD WAR Z took audiences by storm and was hailed by critics as “thrilling, epic and spectacular” (Owen Gleiberman, Entertainment Weekly) and the “most gratifying action spectacle in years!” (David Denby, The New Yorker). The tense and thrilling film follows a former United Nations investigator (Pitt) as he helps stop the chaotic pandemic that has gripped populations around the world. WORLD WAR Z features stunning visual effects and edge-of-your-seat action and suspense that take the Zombie apocalypse phenomenon to a more extreme and electrifying level.
“I’m really excited for fans to see the new unrated version of WORLD WAR Z on Blu-ray,” said producer and star Brad Pitt. “We were thrilled with the audience response to the film in theaters and wanted to give viewers even more of the action and intensity that they loved when they watch the film at home.”
WORLD WAR Z will be available on Blu-ray Combo or Blu-ray 3D Combo with an Unrated Cut packed with even more thrills and action too intense for theaters, along with the theatrical version of the film. The combo packs feature UltraViolet™ and boast in-depth looks at the making of the film, the seamless blending of practical and digital effects, the science behind the Zombie outbreak and much more. The film will also be available as a single-disc DVD.
WORLD WAR Z Blu-ray/DVD Combo Pack
The WORLD WAR Z Blu-ray is presented in 1080p high definition with English 7.1 DTS-HD Master Audio, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital, Portuguese 5.1 Dolby Digital and English Audio Description and English, English SDH, French, Spanish and Portuguese subtitles. The DVD in the combo pack is presented in widescreen enhanced for 16:9 TVs with English 5.1 Dolby Digital, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital and English Audio Description and English, French, Spanish and Portuguese subtitles. The combo pack includes access to a digital copy of the film as well as the following:
Blu-ray
DVD
WORLD WAR Z Blu-ray 3D/Blu-ray/DVD Combo Pack
The WORLD WAR Z Blu-ray 3D combo pack includes all of the above, as well as the theatrical version of the film in high definition and 3D on a disc presented in 1080p high definition with English 7.1 DTS-HD Master Audio, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital, Portuguese 5.1 Dolby Digital and English Audio Description and English, English SDH, French, Spanish and Portuguese subtitles.
WORLD WAR Z Single-Disc DVD
The single-disc DVD is presented in widescreen enhanced for 16:9 TVs with English 5.1 Dolby Digital, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital and English Audio Description and English, French, Spanish and Portuguese subtitles. The disc includes the theatrical version of the film in standard definition.
The Blu-ray releases available for purchase will be enabled with UltraViolet, a new way to collect, access and enjoy movies. With UltraViolet, consumers can add movies to their digital collection in the cloud, and then stream or download them – reliably and securely – to a variety of devices.
Indiana Jones and the Army of the Dead
Steve Perry
ISBN 978-0345506986
I was thrilled to see a new Indy novel after many years and even more excited that it was being handled by a fairly “big-name” author.
Set during a period where we really haven’t seen much with Indy (the World War II period where Indy worked as a spy), this novel sends our hero after the Heart of Darkness, which is also being pursued by Germans, the Japanese and a Voodoo priest. The search leads them all into Haiti and the Island of the Dead. Along the way we learn about the Voodoo religion and get to see Indy taking on zombies, both of the living and undead varieties.
Unfortunately, while the story wasn’t bad per se, it didn’t really succeed as an Indiana Jones adventure. There were times when the book’s pacing was too slow and things seemed almost pedestrian (even with Zombies and Nazis running around!). There was no real sense of danger or excitement — it was like we were being told about things that were exciting, but without the excitement being displayed in the prose itself.
It was fun seeing Indy during WW II and there were one or two moments where I could see where the author was trying to go… but overall it fell flat. Go and read the Indy books by Rob McGregor. You won’t be disappointed there.
I give it 2 out of 5 stars.
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Pride and Prejudice and Zombies: Dawn of the Dreadfuls
by Steve Hockensmith
Illustrated by Patrick Arrasmith
Quirk Books; March 2010; $12.95
A year ago, Seth Grahame-Smith and Quirk Books initiated the
Quirk Classics series with the bestselling Pride and Prejudice and Zombies, which
blended the text of Jane Austen’s classic [[[Pride and Prejudice]]]with new scenes.
The result was part romantic comedy of manners, part over-the-top action
thriller in which the bloodthirsty Bennet sisters used their highly trained
martial skills to confront zombies and ninjas, in between searching for
husbands. Other authors in the series moved on with[[[Sense and Sensibility]]] and [[[Sea Monsters]]] and the soon-to-be published [[[Android Karenina]]]. Mr. Grahame-Smith has since moved on to other undead pursuits, but here is author Steve Hockensmith to take up the slack with this prequel to P & P & Z, set four years before those fateful events.
After a lull of many years, zombies (or, as they’re known by
the more genteel, the “dreadfuls,” “unmentionables,” or the “sorry stricken”) have
once again infested England. When Mr. Ford, Meryton’s apothecary, sits up at
his own funeral and begins a frantic search for brains, Mr. Oscar Bennet renews
his once forsworn vow to be a zombie-slaying warrior, and attempts to fulfill
his broken promise to raise his daughters in that tradition.
The five Bennet daughters, previously brought up to be
ladies, not warriors, show some initial resistance to their father’s decision.
Almost immediately, they confront social ostracism; however, they also gain
self-confidence under the harsh tutelage of the handsome, mysterious Master Geoffrey
Hawksworth, who rapidly (somewhat too rapidly, if truth be told), turns these
untried girls into katana-wielding fighters. Putting aside her previous distaste for violence, Elizabeth begins to discover the true spirit of the
warrior within herself and her sisters. She must also sort out her feelings for
Hawksworth as well as the extremely odd Dr. Keckilpenny, who believes that
zombies can be “cured” through behavioral modification. (The reader, of course,
knows from the outset that both of these men must be wanting in at least some
respect; how else will Elizabeth have a free heart for Mr. Darcy?) Meanwhile, Jane
finds herself in the unwelcome role of bodyguard to the lecherous, lazy, and
cowardly Lord Lumpley, the owner of Netherfeld (the future residence of Mr.
Bingley). Lumpley has decidedly unsavory plans for Jane, and is concealing an
unpleasant secret of his own.
The original P & P & Z was an amusing satire, and
for the most part, the violence was played for laughs. In contrast, Hockensmith
chooses to explore in greater depth and with a certain amount of seriousness an
issue I brought up in my review of the original book: how does one maintain an
appropriate balance between the strictures of social propriety and the development
of killer instincts, required if the zombie invasion is to be defeated? Although
there are substantial touches of farce, the book is surprisingly poignant in
many places, and truly seems to mourn Elizabeth’s and Jane’s loss of innocence as
these two girls leave their sheltered life and face danger and heartbreak for
the first time, becoming strong women in the process. He even manages to make
Lydia somewhat more sympathetic by the end, which I didn’t think was possible.
Hockensmith has clearly read both the source material and P
& P & Z carefully, and it shows; actually, his attempt to provide a
background for a throwaway joke in P & P & Z (the Bennet daughters’
pastime of catching a deer and kissing it) drags on for far too long. He does introduce a glaring (but intriguing) inconsistency: he makes it
possible to prevent someone from becoming a zombie by chopping off the bitten
extremity, which leads to some freshly absurd scenarios. However, if that were true in P
& P & Z , than why doesn’t Charlotte Lucas consider amputation when a zombie
bites her on the leg, rather than succumbing to the twin scourges of becoming
undead and wife to the tedious Mr. Collins?
He also suggests that zombies are only a problem in England.
That being so, why is it that the best methods of combating them are sourced in
Japan and China? And given the zombie plague is so pervasive that it outweighs
any danger posed by Napoleon, how is it that the Bennet daughters can be spared
to travel to China for training, as they clearly do between the two books?
But such quibbles are only for the most avid of nitpickers,
who might also question the need for this volume at all, given that it has
strayed substantially away from the initial conceit of mashing up a classic
text with new scenes. Why not put aside such foolish qualms, sit back, and
enjoy the gory ride?
P.S. Visit the Quirk Classics message board, mention that
you read a review of Pride and Prejudice and Zombies: Dawn of the Dreadfuls at
ComicMix and link back here; you’ll be entered to win one of 50 Quirk Classics
Prize Packs, which include an advance copy of the book, a poster, audiobooks of
Pride and Prejudice and Zombies and Sense and Sensibility and Sea Monsters, and
more.
Amy Goldschlager is an editor and reviewer.
Publishers who
would like to submit books for review should contact ComicMix through the usual
channels or email Amy Goldschlager directly at amy.goldschlager (at) gmail
(dot) com
I have to admit, I’m a bit torn about the upcoming, four-issue Marvel Apes miniseries. On one hand, it’s nice to envision a post-Marvel Zombies world. Even though I enjoyed the original Zombies stories (and a few of the dozen-or-so subsequent spin-offs, tie-ins and one-shots), it’s long past time to put the living dead back in their graves and move the heck on.
So I’m glad to see the Merry Marvel Marketing crew find a new shtick.
On the other hand… it’s monkeys. Marvel Apes, in fact.
Well, regardless of how you feel about the notion, EW.com recently posted several cover images from the series and the variant covers that will be popping up on other Marvel titles throughout the Apes run, depicting a variety of simian-styled Marvel characters. Pictured here is one of my favorites, the variant cover to Punisher: War Journal #3, due out September 3 (I’ve posted a larger version of the image after the jump). Be sure to check out the Rob Liefeld ape-ified variant cover to Cable #6, too. Words fail me.
Here’s the synopsis of the Marvel Apes "epic," according to EW:
It begins when Marty ”The Gibbon” Blank, a mutant chump with chimp-like powers, is ensnared in a science experiment gone wrong. He’s jettisoned into a sinister alternate reality devoid of humans; here, all of our crime-fighters are now hirsute anthropoids. Joined by the fetching human scientist Dr. Fiona Fitzhugh, this wannabe villain (the Gibbon founded the Spider-Man hating/baiting Legion of Losers) is, in fact, recruited by the seemingly upright Ape-Vengers as he searches for a way back home.
The first issue of Marvel Apes is scheduled for a September 3 release. You’ve been warned. (more…)

Zombie movies are nothing new. Nor are zombie movies with attitude. But there’s been a preview making the rounds of a movie about a bunch of zombie "eliminators" called Z•E•R•O, or Zombie Emergeny Response Operations for long. Possible another section of the Department of Homeland Security that isn’t being talked about.
Unlike most such pre-distribution movie previews, War of the Dead: Z•E•R•O is very character-based. We know there’s a lot of icky monsters around, but the preview focuses on Z•E•R•O and its team-members: a group of ick-fighters that are probably slightly too good for Reno 911 and certainly too good for their patronizing shrink.
What happens to War of the Dead: Z•E•R•O is up to the usual Hollywood forces, but the preview is fun and worth checking out. Kudos to creator / Executive producer Joe Sena and writer / director Michael Disario for jumping into the shark pool; we wish them the best of luck.
Check ’em out at warofthedead.com.