Yearly Archive: 2008

‘Fringe’ Gets Full Season Order

Hot off the heels of yesterday’s report that Terminator: The Sarah Connor Chronicles is endangered, word has come in that Fringe is thriving.

According to Variety, Fox has ordered a full season’s worth of episodes for their newest science fiction serial. That’s hardly a surprise, considering Fringe helped put Fox on top in the ratings on Tuesday night with a strong 9.91 million viewers. Of all new shows this season, Fringe has ranked No. 1 among all adults in the 18 – 49 age range. That ranking is in no small thanks due to House, the show’s lead-in. On Tuesday, Fringe retained 78% of House‘s audience in adults 18-49. Looks like Grumpy McGrump House (that’s his name, right?) is good for something.

Fox’s full season order means that nine more episodes will be produced for Fringe‘s freshman season, totaling the usuaal 22 episodes for a full season. There’s no guarantee that these episodes will be made, however, if the Screen Actor’s Guild approves an impending strike order. In that case, viewers will have a lot more to worry about than Fringe. Fingers crossed that those cooky Bishops can rig something up to stop the SAG!

This is the second freshman series to get a full season order, following on the heels of 90210. CBS’ well-regarded The Mentalist is expected to get its "back nine" order shortly.  Of the sophomore shows, Chuck is the only one with a full season order to date.

Fringe focuses on Olivia Dunham, an FBI Agent investigating mysterious happenings known as The Pattern. She’s assisted by Walter Bishop, an questionably sane but brilliant scientist, and his son Peter, an equally brilliant but arrogant mind. To catch up on the show, check out our weekly reviews by clicking here! (Yes, we know it’s a shameless plug-in, but just do it. It feels so right, and you know you want to.)

Mary Sue, Gary Stu: FU, by John Ostrander

Every single person who reads something I’ve written, including these essays, has a right to their own opinion of it – good, bad, indifferent. That goes with the territory. Sure, it’s nice to hear that the reader loves what I’ve done but I’m a big boy; I can take a brickbat or two. My rules are generally 1) actually read what I’ve done, 2) know what you’re talking about and 3) put a little effort into the critique.

That’s part of the reason I dislike the fandom use of “Mary Sue” and “Gary Stu;” its faux criticism. Fan critics tick off check boxes, add up a score – when they bother to do even that much – and then slap on a label.

For those not part of the culture, let me explain. As the all knowing, all powerful Wikipedia states: “Mary Sue, sometimes shortened simply to Sue, is a pejorative term used to describe a fictional character who plays a major role in the plot and is particularly characterized by overly idealized and clichéd mannerisms, lacking noteworthy flaws, and primarily functioning as wish-fulfillment fantasies for their authors.” The male version is frequently referred to as Gary Stu. The characters are also sometimes described as an “author’s pet.” Wesley Crusher on Star Trek: The Next Generation is used as a prime example.

There are several “Mary Sue litmus tests” floating around the Internet to help determine the degree of “Mary Sue-ness” in a character. They’re checklists and were originally designed to help those authors writing fan fiction to determine if their character might be a “Mary Sue” or her male doppelganger. You can find the Original Mary Sue litmus test here, the self designated Universal Mary Sue litmus test here, The “Original Fiction Mary Sue Litmus Test” here, and “The Writer’s Mary Sue Test” here.

What emerges time and again from this various litmus tests is that they are intended to be tools for writers and, usually, for younger and more inexperienced writers, and as such I have no problem with them. Each test that I’ve seen has stated it is not infallible and that a character could conceivably score highly on the test without being a Mary Sue or Gary Stu. One test noted that Bono of U2 scored a 72 and he’s not a character; he’s a real person. Well, allegedly. (more…)

Goofy is Back With a New Animated Short

goofy-post-1-3148449In his first theatrical appearance in nearly 50 years, Disney has brought back Goofy for an all new animated short. Much like others in the "How To" series (such as How to Ride a Horse, How to Play Football, and The Art of Skiing), Goofy learns how to hook up a home theater in How to Hook Up Your Home Theater, released in theaters last Christmas.

Directed and co-written by Kevin Deters in his debut, the short was also voiced by Disney veterens Corey Burton and Bill Farmer with music by Michael Giacchino (Lost, The Incredibles). There are lots of nods to previous Disney favorites and it will bring you back to the last Goofy short you saw in theaters in Aquamania in 1961.

The short was partially produced using a new "paperless" production pipeline for Disney, the first major change in production technique for hand-drawn animation at Disney since the introduction of CAPS, and was also an attempt to see if the new digital animation tools could be used to produce a short with the same graphic look as that of a 1940s cartoon.

It was attached to last year’s National Treasure 2, and was also released with the DVD. As mentioned, this is the first theatrical release of a classic Disney character in years. Enjoy as Goofy goes through the same troubles that many of us go through when trying to buy and/or install our brand new, state of the art, home theater set up.

Check out the video below, thanks to our friends at JoBlo, or you can purchase the video for multiple viewings through iTunes for $1.99. Enjoy!

 

Meltzer and Friends Raise $117,222

The four-week auction to raise $50,000 to fix up the exterior of Jerry Siegel’s boyhood home ended on Monday and raised a total of $110,772.  Additional funds were raised through t-shirt sales and general donations which brought in another $6450.  As a result, a total of $117,222 with more expected.

The most money earned by a single item during week four was $14,100 for a walk-on part during this season of NBC’s Heroes. At $14,101, the largest donation made for any time was the original commission from Jim Lee depicting the winner with the Man of Steel. The same bidder won both items.

Jefferson and Hattie Gray, currently occupying the house, will be the immediate beneficiaries as renovation work has already begun.  This past weekend, some 100 volunteers arrived to clean and paint.  Kimberly Avenue is scheduled to be renamed Jerry Siegel Lane while Amor Avenue, where Joe Shuster grew up, will be renamed Joe Shuster Lane.

The Siegel & Shuster Society will have first rights to purchase the home whenever the Grays are ready to sell.

Brad Meltzer, who used the death of Jerry’s father Mitchell to propel his latest novel, The Book of Lies, spearheaded the campaign.  He made a moving video to make people aware of the situation then called on friends throughout the comic book community to participate,  Not only did his efforts work, but many other creators contacted Meltzer to offer their wares.

And if you’re wondering, naming rights to a character in my 2009 Iron Man went for $512. Not bad.
 

Stoker Descendant Writes ‘Dracula’ Sequel

Dracula lives again, this time authorized by Bram Stoker’s family.  His great-grandnephew, 50-year old Dacre Stoker has teamed with author Ian Holt to write Dracula: The Undead which has been sold to Harper UK for August 2009 publication.

The story, set 25 years after the original book, sees the vampire arrive in London, seeking Mina in 1912. Told from the point of view of Quincey Harker, son of Mina and Jonathan Harker, it goes into more detail about the original characters from Bram Stoker’s 1897 book.

Stoker grew up in Canada and now lives in South Carolina and always knew of his literary ancestor, who died in 1912 and the legacy he left behind.  He never thought about continuing the Dracula tale until he received an e-mail from Holt."I got in touch with Dacre and he thought I was this nut job. But after listening to me and discussing my vision of what I had in mind, he got very interested," Holt told the Globe and Mail. The movie pithc evolved into a 568-page novel.

Holt, an actor, may get his original vision fulfilled as Hollywood studios have already begun talking optioning the book.

"I’ve got a fascination with the body, having been a coach and athlete … the role of getting your blood in really good condition to compete. And here I am with this other side of me," Stoker told the paper.

"Yeah, I’ve got a lot to live up to."

 

 

Cameron: ‘No Blessing’ on ‘Terminator 4’

At this year’s San Diego Comic-Con, Terminator Salvation director McG spoke to E! Online about the upcoming installment in the franchise. During the interview, he mentioned how James Cameron imparted his blessing upon the new director’s vision for the series. Longtime fans had previously been squeamish about the former Charlie’s Angels helmer bringing his perspective to the beloved science fiction world that Cameron had so carefully crafted. But the combination of high profile casting, solid early footage and this news of Cameron’s approval stole many disheartened sighs from nervous fans and replaced them with hollers of anticipation.

If that was a deal breaker for you, then you might wanna sit down for this one. James Cameron himself is denying that he ever gave McG his seal of approval.

"It could be a big steaming pile or it could be brilliant," Cameron tells the National Post. "Sam Worthington is in the Avatar and the new Terminator and he likes the script, but I never saw it. There was no blessing involved."

Is Cameron’s blessing completely necessary? Maybe not. Plenty of folks get married without parental approval, and they end up being nice and cozy in their new life. Why should Terminator be any different?

The real worry here is that McG fibbed about Cameron’s seal of approval. Perhaps he confused earlier words from Cameron as a blessing. Maybe he felt he needed to lie to win over the skeptics. Either way, devoted Cameron stalwarts are bound to be troubled by this news.

‘Steve Canyon’ TV Series to DVD

Steve Canyon is a classic comic strip hero, created by Milton Caniff.  Since his debut in 1947, the hero was a mainstay until Caniff’s death and the strip’s cancellation in 1988.  Interestingly, there was little merchandising done with the character through the years with the notable exception of being part of the personas to be played by Captain Action in the 1960s and the short-lived NBC live action television series from 1958.

Being the series;’ 50th anniversary, the Caniff Estate has authorized a complete restoration and collection of the 34-episode series on DVD. The estate even established a blog to keep fans updated on progress.

According to TV Shows on DVD, work is nearing completion and the prototype package art was recently released. Plans now call for the series to be released in three volumes with the first due out on November 18 (same day as the 75th anniversary DVD collection of The Lone Ranger). Sales are limited to the website at present with no other retailers involved to date.

Volume one will contain the first 12 episodes starring Dean Fredericks as the Air Force plot and adventurer for $24.95.  The second and third volumes will each follow some 60-to 90 days later and the blog says the episodes are being collected in their proper order for the very first time. The final volume will include as an extra the original unaired pilot plus a custom slipcase to hold all three sets.

Brett Ratner Directing ‘God of War’

God of War fans have been clamoring for a film adaptation of the hit video game for years now. Honestly, who wouldn’t want to see the God-hunting warmonger Kratos ripping off Medusa’s head on the big screen? If that’s something that might interest you, then get ready, because that movie is on the way.

UGO has the exclusive that Brett Ratner is set to direct God of War. That’s right, the Rush Hour guy. Same dude who drove X-Men: The Last Stand straight into the box office — or straight into the ground, depending on who you talk to.

Though Ratner did confirm his involvement to UGO, no official announcement has been made regarding the project. In their exclusive video, Ratner mentions his upcoming projects in stride.

"[I’m working on] a few movies, waiting for scripts and greenlights to come in," Ratner says. "A few good things… Playboy, Beverly Hills Cop, [and] God of War. Some really cool movies." Ratner’s had his name attached to most genre-related films and some oddities such as Guitar Hero. He’s said to be developing Valiant’s Harbinger as his first super-hero franchise to call his own.  Ratner is also attached as producer on numerous projects including the big screen adaptation of the animated series Hong Kong Phooey.

Fans of the franchise and Ratner’s detractors will likely be up in arms over this announcement. Still, the director knows how to shoot action sequences, which will be a lot more important to a God of War flick than yielding Oscar-worthy performances. Not to say that this film will be any good, but anything that distracts Ratner from working on Beverly Hills Cop is a-OK by us.

God of War focuses on Kratos, a Spartan warrior who pledges servitude to Ares, the God of War. In order to make him a better warrior, Ares deceives Kratos into slaughtering his own wife and child. Kratos is cursed to have the ashes of his wife and child stain his skin, making him look like a ghost warrior. Now, armed with the Blades of Chaos, Kratos vows to avenge his family by killing the God of War.

Special Effects Guru Talks ‘Watchmen’ Motion-Capture

dr-manhattan-3-9899349Don’t let anyone tell you that being a superhero is easy. Just look at Billy Crudup who plays Dr. Manhattan in the hopefully upcoming Watchmen. UGO has an interview up with Alan McFarland, the special lighting effects supervisor for Dr. Manhattan, in which he details how Crudup became the big blue atomic man.

"Billy wore a white spandex suit … covered with blue LED [lights] and tracking markers that would be used in post production to reconstruct his performance in the computer," says McFarland. "Billy also had a number of carefully calibrated dots on his face to assist in capturing his expressions and dialogue."

McFarland says that Crudup was very in tune with Dr. Manhattan’s "pathos," noting that "rarely did anything go past a few takes." Nothing like strapping your actor in an uncomfortable suit to get those thespian juices flowing.

As for the most technically challenging scene in the film, McFarland cites the moment in Manhattan’s "laboratory when you see four of him. You see a glimpse of that in the trailer. We had to have Billy plus three other body doubles in identical mo-cap suits to pull that off, and it was very early in shooting Dr. Manhattan, so we were new to the process. It was a real trial-by-fire on that day."

Click here
for more of McFarland’s thoughts on the superhero epic, including his predictions for Watchmen‘s potential fashion influences!

Review: ‘Locke & Key: Welcome to Lovecraft’

locke-and-key-cover-3276813Locke & Key: Welcome to Lovecraft
By Joe Hill & Gabriel Rodriguez
IDW Publishing, October 2008, $24.99

Horror in comic books have always been an uneven affair.  These days, horror comics tend to feature zombies or H.P. Lovecraft adaptations but there’s so much more that can explored.  Fortunately, Joe Hill doesn’t mind going where others fear to tread.

His [[[Locke & Key]]] miniseries at IDW was a chilling affair, as much for its fresh take on the supernatural as for the superb art from Gabriel Rodriguez.  The six issues are collected today for the first time in a handsome hardcover volume that comes well recommended.

Too often horror offers you stock characters in a stock situations and how A Meets B is about the only variable.  You tend not to care a whit for the hero or victim and too often gore for gore’s sake overwhelms the storytelling.  Hill, instead, takes his time setting up the characters, the Locke family, and as wee progress through the 158 pages, we learn things.  As a result, we get to care for the three children whose father dies at the story’s beginning.  There’s Ty, the eldest who is conflicted over the father he had come to hate; Kinsey the young teen figuring out her place in the world and young Bode who becomes our focal point.

After their father is killed, Nina takes her children to live with her brother-in-law at Keyhouse in Lovecraft, MA. The large ramshackle property comes complete with a well house and its while visiting there that Bode comes in contact with a spirit. The growing relationship truly begins our story as the secrets of the Locke family and their connections to the other residents of the small island town are doled out in bite-sized chunks. 

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