Yearly Archive: 2008

Hammer Films Lives Again

Hammer Films is back in action as The Wake Wood begins principal photography this week. It’s the first of three new films from the current owner of the production entity. The original story was conceived by producer Brendan McCarthy who cowrote the screenplay with director David Keating (Where do I Begin?). Shooting will take place in Ireland. Vertigo Films has signed on to distribute the film in the United Kingdom in 2009 with a domestic release to likely follow.

The film stars Timothy Spall, Aidan Gillen and Eva Birthistle about parents who are mourning the loss of their daughter to an attack by a dog.  They are suddenly given an opportunity to have three more days with her.

They are also prepping to shoot the English version of the Swedish vampire tale Let the Right One In.  Following, according to Variety will be:

The Resident, a chiller directed by Antti Jokinen (Nightwish: End of an Era) that is described as being in the tradition of The Exorcism of Emily Rose,” according to the trade.  “The Quiet Ones is based on the supposedly true story of a group of Canadian hippie scientists in the 1970s who attempt to create a ghost.” No director has been announced for the final film.

Hammer traces its roots back to the 1930s but really stood out in the 1950s with their color-saturated retellings of the classic movie monsters in films usually starring Peter Cushing and Christopher Lee.  They also were known for their scream queens such as Ingrid Pitt.

The studio more or less shut down after the 1970s and only now is it being resurrected.

Dutch producer John De Mol purchased the Hammer Films rights in May 2007 and this year merged it with Los Angeles-based Spitfire Pictures.

The new Hammer opened for business with Beyond the Rave, a contemporary vampire tale which ran for twenty chapters, each four minutes long and found on MySpace.

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Review: Spaceballs: The Animated Series

spaceballs-animated-8723400There was once a time when Mel Brooks was considered a pioneer of comedy, a trendsetter in satire,  even a spoof master, but if the debut of [[[G4’s Spaceballs: The Animated Series]]], that time has long passed. This was a perfect example of how NOT to reinvent a franchise. It was bound to happen with films being made of Broadway shows and Broadway shows being made of his films that Mel Brooks (who is not only attached as Executive Producer, but also reprises his roles as Scrube and Yogurt) would try to reinvent the [[[Spaceballs]]] film with a poorly produced animated series, but whether it was a lack of his own creativity, or the network’s inane intention to hit a demographic, this show was terrible.

The series is supposed to follow the events of the film, provided that the ending never happened, and Lonestar and his band of heroes gets in wacky misadventures every week to foil the plans of Dark Helmet and President Scrube. There are various minor pop culture and [[[Star Wars]]] references, but it’s hard enough to get through the “jokes” as it is.

It’s unknown what legal issues went on during the production, but this show was originally slated to be released sometime in 2007, and then, without mention, disappeared until recently. The series has the feel of a flash-made web series, and is even edited for release on the G4 network. This only hurts the show more because instead of getting the vulgar visual humor, we get cut-and-paste images and voices that were changed in postproduction for the G4 demographic of boys under the age of 17.

The show could actually work, if they didn’t trade in the impeccable timing and vaudevillian dialogue of the movie with boob jokes and outdated Star Wars Episodes 1-3 references. The voicework falls in line with the poor production, as Brooks comes back to voice his characters President Scrube and Yogurt, while Daphne Zuniga comes back for Princess Vespa. The show, as a whole, is just awful and probably won’t last very long. If one day they decide to drop the censor bars and release the series on DVD or the web, it may be worth a watch, but until then; it should probably be avoided. RATING: 0/10

Brett Ratner NOT Directing Conan…Yet

Brett Ratner gets his name attached to a lot of films, some by design and some through association.  When he took a meeting Nu Image regarding the Conan the Barbarian film, it was suddenly reported everywhere that Ratner was no attached to the film.

According to the Latino Review, Nu Image was talking to Ratner as one of many directors being considered for the revival of Robert E. Howard’s immortal character.  Other directors spoken to include Neil Marshall, James McTeigue, The Strause Brothers, Mark Neveldine, Robert Rodriguez and Brian Taylor. Next on their shopping list is Juan Carlos Fresnadillo.

While Rodriguez is reportedly the most rabidly interested, given his association with the companion Red Sonja film, he’s booked way beyond Nu Image’s time frame.

New ‘Red Dwarf’ Specials Announced

In celebration of it’s 21st birthday, the cast and crew of the popular British scifi comedy Red Dwarf will be coming back to put together four televised specials. They are being made for UKTV’s new free-to-air channel, Dave (interesting name). Series creator Doug Naylor will be taking the helm for the specials and they will go as follows:

Show One – The Making Of The Specials
A highly entertaining look at what goes on behind the scenes on a Red Dwarf production.

Show Two – Red Dwarf Special: Part One
The cast get back into character, and costume, a decade on…

Show Three – Red Dwarf Special: Part Two
The adventure continues…

Show Four – A Clip Show With a Serious Difference
The cast do it their way. Red Dwarf as you have never, ever seen it before!

The shows are currently planned to air sometime next year, and would mark the first time in 10 years since new Red Dwarf material has aired since the eight season in 1999 (unless you count the 1988 "lost" episode which aired in 2005). And if the newfound popularity of Doctor Who is any indicator, this could prove to be the rebirth of the franchise.

Red Dwarf debuted in 1989 and ran for a total of 52 episodes scattered over eight seasons on the BBC. It spawned an assortment of merchandise including the entire series available on DVD.  Four oruiginal novels were also published. An Americanized version never got past the pilot stage in 1992 and a feature film version was written but never got funded.

How to Make a Movie Based on ‘The Sims’

Producer John Davis spoke openly about how he’d make a film out of the interactive video game The Sims. At a roundtable interview for his latest film, The Express, Davis expounded on hi splans and forthcoming slate of films.

“First of all,” Davis told the press, as reported at Collider,The Sims, 65 million units have been sold, the most successful video game ever. Right? Ever.

“And Tom Rothman, the Chairman of Fox said to me, ‘How are you going to take this incredible piece of IP and make it into a movie?’ Right? Because most games aren’t movies, so this is the way I did it: The Sims, as you know, you can control your imaginary world, right? And our movie, a young man, a 16 year old kid of a 14 year old kid and his friend get their hands on this thing called the Sims Infinity Pack, right, which kind of this very strange video game store which was there just for that moment, and seemingly wasn’t all that. But what they realize is that they can scan their world in, because this is the most life like, real Sims game ever. And as they are playing this they are all of a sudden realizing is what they are playing on the game is having an effect on the real world. So in effect, through the game, they are able to control their world. It’s wish fulfillment, and obviously it turns against them.

“And definitely there will be somebody coming out of the game into the real world, like Weird Science did.”

In other news, Davis said there are no plans for a third Aliens vs. Predator film but he thinks the Predator is a great monster and would love to make another solo film with Arnold Schwarzenegger once the California governor is out of office.

Davis also confirmed Zak Penn continues on the new version of Jason and the Argonauts and is hoping to land a Big Name director. “I think that a realistic version of Jason, where you basically deal with a guy who’s a doubter in a world were everybody believes, still, in the gods and the gods influencing our world, and starts to become a believer, but very slowly because he can’t explain all this stuff. And it’s at the time were we were going from the idea of many gods to one, so there’s a lot of historical cool things there. You know, Jason was based on a great Greek myth, right, but it’s that great story of . . . You know, all those Greek tragedies have the greatest of human foibles, the greatest of human downfalls embodied in them, and I think this has that. And so it’s a more realistic version of all that.”
 

A Jihad on Mickey Mouse

Those familiar of Mickey Mouse would usually classify the character as friendly, cheerful, and even funny at times. Well, did you know that he’s also a Soldier of Satan? It also seems that Mickey isn’t held in too-high regard around Saudi Arabia. In a recent interview with Saudi Arabian cleric/diplomat Sheikh Muhammad Munajid he stated that Mickey needs to die. (AP)

A sheik from Saudi Arabia, a former diplomat posted in Washington, has put out a fatwa on Mickey Mouse, calling him the new enemy of Islam. "Mickey Mouse is a soldier of Satan, and everything he touches becomes impure," said Sheik Muhammad al-Munajid.

"Mickey Mouse has become an awesome character, even though according to Islamic law, Mickey Mouse should be killed in all cases. According to sharia law, the mouse is a repugnant and corrupting animal," he said during a show broadcast by Al-Majd television.

It should be mentioned that this has been translated from it’s original language, and "awesome" probably doesn’t have the same meaning we would give it. Munajjid went on to say that under Islamic law, rats and mice are considered "repulsive" and as "soldiers of Satan" which totally explains the adage "give a mouse a cookie, and he’ll want a glass of milk." Now, those of you who aren’t caught up on your Islamic terminology, a "fatwa" is a ruling on a point of Islamic law that is given by a recognized authority. This essentially means that the religion is calling for the head of Mickey Mouse. Last month Mr Munajid also condemned the Beijing Olympics as the "bikini Olympics", claiming that nothing made Satan happier than seeing females athletes dressed in skimpy outfits. You can only imagine his reaction if he saw this image:

 

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‘Secret Invasion’ So Far: The Main Story

So we’re more than half-way through Secret Invasion, the event that’s supposed to be the biggest thing to rock the Marvel Universe since Civil War, where the question was “whose side are you on?” Secret Invasion’s question is “who do you trust?”, which is almost the same question as Civil War’s but not as grammatically correct ( it’s "whom", people!) and concerns the revelation that several Skrulls (shape-shifting aliens who’ve had their asses kicked many times) have secretly been living among us for a while. This story is the brain-child of Brian Michael Bendis, who has been praised for his series Powers and his run on Ultimate Spider-Man and who has been writing New Avengers and Mighty Avengers since both titles were created.

This plot has been done before to lesser degrees. In the early 90s, the Fantastic Four discovered that the Human Torch’s wife had been impersonated by a Skrull since before they were even engaged. And a couple of years later, the X-Men found out that Wolverine had been replaced by a Skrull who then died because he didn’t know he didn’t have Wolvie’s powers too (idiot).

But there are three major elements that mark this particular invasion story as different from what we’ve seen in comic books a million times over. The first element is that what’s left of the Skrull Empire has now taken up religion. Their holy texts tell them that Earth is theirs by right and they have become quite creepy by habitually saying “He loves you” to everyone they attack. Secondly, they’ve learned how to infiltrate us in such a way that they are now beyond the detection of super-powers, magic and technology – very scary in this post-9/11 world. Finally, the Skrulls have finally figured out how to produce super-powers on a large scale. Where once the Super-Skrull and Power Skrull were unique, now there are thousands of Skrull warriors who have the combined powers of many different villains and heroes.

But how’s the execution? Well, in a nutshell, the main series started off very strong and has recently picked up steam again full force. Even when it was slow, it had some great scenes. But these are over-shadowed occasionally by pages of wasted space and repetitive recaps. And out of the eleven tie-in issues Bendis has written so far, eight of them can be ignored or have a smidge of substance that’s surrounded by filler pages.

But if you are one of those unfortunate souls who bought all the New Avengers and Mighty Avengers tie-ins and then realized you’d wasted over twenty bucks, don’t worry! Just do what I and my good friend Lisa McMullan did. With a little creativity, you can take those pages and make yourself a very smart looking jacket! Now you’re not a sucker, you are actually quite fashionable!

Don’t believe me? Just look at this photographic evidence, nay-sayer! All you need is scissors, tape and maybe an hour of free time.

And when people ask you "How did you think to make such a snazy and debonair sport coat?", you can simply say "I got the idea from those crazy guys at ComicMix and Alan ‘the Sizzler’ Kistler. He’s one nutty guy, that Sizzler."

Not a bad series, but I definitely have some criticisms. Hmmm? What’s that? You want more detail about what my problems are with the main series and the Bendis-written tie-ins? Not a problem, folks. That’s what I get paid for.

By the way, folks, if it pleases you, feel free to check out my old list of the Six Worst Moments in Skrull History! (more…)

‘Lost’ loses Emilie de Ravin

With so many questions looming about Lost’s impending fifth season, there’s at least one mystery that can be solved right now: we won’t be hearing a certain cry to "stay away from my bay-bay!"

At the Emmy awards last night, Entertainment Weekly‘s Michael Ausiello had the chance to interview actress Emilie de Ravin who plays young mother Claire Littleton on the hit island drama. Claire was last seen as hanging out with her spooky ghost father in Jacob’s cabin, leading many to theorize that Claire herself had sailed off to that big island in the sky. Now comes word from de Ravin herself that fans won’t be seeing Claire as a regular in the new season, starting in January, causing further speculation that the young Aussie is toast.

"I’ll miss everyone," de Ravin says of her departure, "but it’s also great for me, because I can go and work on some other things."

That doesn’t mean she’s walking off into the sunset completely. When asked if she’d be returning for the show’s final season, she answered a resounding "Yes."

While we’re in the process of bringing out our dead, now’s a good time to bring out our possibly living, too. Daniel Dae Kim, who plays Jin Soo Kwon on Lost, also spoke to Ausiello on the red carpet about his status on the show. He acknowledge that Jin’s fate was "up in the air" after potentially blowing up in last season’s finale (gee, ya think!?!) but he swore that "if you keep watching, you’ll be rewarded."

Pressed if he’d completed any actual filming on the show, Kim coyly replied, "I just came from Hawaii. One could interpret that as [a good sign]."

There you have it. One character lost, another one found, and the rest of us thoroughly on the brink of madness waiting for some frickin’ answers!

Paramount to Fund ‘Tintin’

tintin-2615020The saga of Tintin continues to unfold as it now appears that Paramount Pictures will cover the $130 budget for the Steven Spielberg/Peter Jackson Tintin movie. As reported at Deadline Hollywood, the deal calls for Paramount to produce the movie entirely on its own as long as the principals remain on budget. Filming remains on target to begin in October.

Concern remains that the popular European character has yet to penetrate the American consciousness despite previous attempts, which made Universal skittish over the price tag since it meant the film would have to gross in excess of $400 million to show a profit.  Without a huge American contribution, there was concern on this issue.

Meantime, this is only secondary to the split of DreamWorks from Paramount as they ally with India’s Reliance Media to once more become an independent production entity.  The messy breakup will take weeks to resolve all the details including which film properties will remain with DreamWorks and which will be retained by Paramount.  The studio is claiming rights to at least three Spielberg projects including the story of the Chicago Seven trial.

At present they have yet to sign a distribution deal for DW films but Universal remains the odd-on favorite with 20th-Century Fox also reported to be interested.
 

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Review: ‘Journey, Vol. 1’ by William Messner-Loebs

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Journey: The Adventures of Wolverine MacAlistaire, Volume 1
By William Messner-Loebs
IDW, July 2008, $19.99

Historical fiction is the odd duck of literature; it inevitably ages twice – once just because it’s set in a past milieu that even the original audience will be unfamiliar with, and a second time because it was really written for that original audience…and their society and expectations and ideas will age and become unfamiliar as well. Today’s historical fiction shows us the past through a lens of today, but yesterday’s historical fiction has a double lens – the historical era it was set in, and the one it was written in.

[[[Journey]]] is set nearly two hundred years ago, on the old Northwestern frontier of Michigan, soon after the election of 1808. And these stories were created twenty-five years ago, in black-and-white comic books, as part of a burst of creativity and possibility in the comics industry, originally driven by a wide array of idiosyncratic creators each telling their own particular stories but eventually buried (within another three years) by piles of cheap knock-offs of “hot” ideas. (Some things never change.)

Messner-Loebs’s hero is a legendary trapper and outdoorsman, Joshua “Wolverine” MacAlistaire – and 1983 is about the last time any comics character could be named “Wolverine” completely independently – who doesn’t dislike people, though he does prefer his own company.

(more…)