Yearly Archive: 2008

On This Day: National Nightmares Paris HIlton and Britney Spears

The stars collided, conspired or what have you on this date, for it can be no coincidence that it is both the birthday of hotel heiress Paris Hilton and the anniversary of the beginning of the end for pop-star Britney Spears. Yes, today in 1981, Paris was born. Who knew that little bundle of joy would grow up to be an amateur porn star, a failed pop singer and a national (hell, global) punch line?

But today, one year ago, was also when Britney Spears, following a one-day stay at rehab, shaved her own head. Hey, that adolescent rebellion stage had to kick in at some point, even if it was latent. Readers, beware the ides of February (ok, two days after the ides), lest your babes grow up to be paparazzi fodder.

He-Man and the Nine Amateurs, by Ric Meyers

 
amateurs-2380932Note to producers: either retire words like “phenomenal” and “unbelievable” from your vocabularies or think thrice before allowing yourself to be filmed for DVD special features. Rest assured it will only help your cause. The aforementioned suggestion comes as a result of watching two long overdue DVD offerings back to back. If you watch only the extras, you’d think The Amateurs was the movie to see rather than The Nines. Neither movie will ever usurp the place of, say, the newly hi-deffed Lawrence of Arabia, but they surely prove how influential special features can be.
 
The Amateurs (known as The Moguls in the U.K. and Australia) is a cute, contrived, long-shelved, high-concept project from the indie upstart First Look Studios, while The Nines is a convoluted, contrived, high-concept project written and directed by the screenwriter of Corpse Bride, Big Fish, Charlie’s Angels: Full Throttle, and Titan A.E. One big difference between the two is that the former has an amazing cast serving a creaky script, while the latter has a small, solid cast laboring to bring home a script that may not be more than a sum of its well-done parts.
 
It’s also great to compare the director/producer relationships. On The Amateurs, novice writer/director Michael Traeger is well served by temperate producer Aaron Ryder. On The Nines, writer/director John August is so outrageously lauded by producer Dan Jinks that the overstatements are hard to accept. Nevertheless, The Nines is the better film, which some critics, at the time of release, had a hard time understanding. 
 
The DVD itself showcases Entertainment Weekly’s review: “You’ll go ‘huh?’ but you won’t feel cheated.” Their confusion is fairly odd, since I felt the twee flick, which obviously took to heart Joan Osbourne’s song “What if God Were One of Us,” straddles the genres of Memento and Meet Joe Black (i.e. Death Takes a Holiday) in a fairly obvious way. In other words, I didn’t go “huh,” but I nearly went “so what?”
 

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Format Wars: We Have A Winner

If you have a HD-TV and you bought a Blu-Ray DVD player to watch Spider-Man 3, 300 or X-Men The Last Stand in all their high-definition glory, congratulations. You win. It looks like Toshiba is about to throw in the towel on their HD-DVD format.

Left at the alter by such outlets as Netflix, Best Buy and Wal-Mart and supported by an ever-shrinking number of studio releases, Toshiba tried slashing the price of their players and their discs – to no avail. Now Microsoft is talking about making its next X-Box compatible with Blu-Ray, a format also supported by a great many computer companies; Toast and other DVD authoring software also burn to Blu-Ray discs.

Sony had hoped for an immediate win with its Blu-Ray, but its delays in marketing the Playstation 3 game machine and software put them in second position. As movies became available and people could see the difference between the two formats, consumers voted with their credit cards.

So when the Iron Man movie comes out on DVD this fall, you won’t have to toss the dice. You’ll be able to see each and every hair in Tony Stark’s goatee with alarming clarity.

Screenwriter Removes Name From ‘Punisher: War Zone’

Kurt Sutter, co-producer and writer for the television series The Shield, has requested that his name be formally removed from the screenwriting credits for Punisher: War Zone.

Sutter claims that, after rewriting a script by Nick Santora for the film, his script was later rewritten and changed to such a degree that he no longer feels his name should be included in the film’s credits.

In Sutter’s post about the decision, he explains that the only piece of his script to appear in the film is the set piece in which Jigsaw, the villain of the film, earns his nickname. Sutter adds that his original vision for the film — a a departure from what he saw as standard comic-book adaptations — is quite different from the actual story used in production.

The other reason I removed my name is because I didn’t want credit. My pitch, my vision, for the Punisher franchise was something much different. I tried to rip Frank Castle from the comic book world and place him in the real streets of NYC. Castle is the only superhero without powers. He’s a tortured, highly skilled soldier with a really bad anger problem. I always felt we should see Frank in some place uber-real and gritty. I threw away the first draft written by Nick Santora and did a page one rewrite. I changed the locations, the characters, the story. I dropped Frank in a real New York City with real villians, real cops, real relationships. To me, the Punisher deserved more than the usual comic book redress. It shouldn’t just follow the feature superhero formula.

Sutter also acknowledges previous Punisher actor Thomas Jane’s disdain for his script, writing, "I’m not saying my draft was perfect or even good for that matter. God knows, Thomas Jane wasn’t fond of it."

It’s also worth noting that Sutter followed up his initial announcement with another post the following day — an apology of sorts — stating that his decision should not be interpreted as a negative assessment of the Punisher: War Zone film or its working script.

Punisher: War Zone is scheduled for a Sept. 12, 2008, release.

 

signal-the-4815394

On the Wavelength of ‘The Signal’, by Michael H. Price

 
signal-the-4815394The dramatis personae roster for a soon-to-open, three-author film called The Signal lists a multitude of roles identified only as “random bodies,” “struggling people,” “deranged people” and so forth. If the casting, as such, suggests chaos, then such must be precisely the intent. From a premise of frenzied malevolence, writer-directors David Bruckner, Jacob Gentry and Dan Bush have crafted a smart and orderly, if cryptic, chiller that owes many debts of influence but also brings some welcome new twists to an old and over-familiar formula.
 
The menace appears to stem from the electronic gizmos that have dominated civilization since the middle of the last century – television as a murderous influence, compounded by telephones and computers and anything else capable of transmitting a disruptive signal. The Bruckner/Gentry/Bush screenplay might trace its ancestry as far back as a 1935 movie called Murder by Television (back when TV, still a dozen years away from commercial acceptance, was popularly regarded as a science-fictional concept), in which a high-tech breakthrough yields “the interstellar frequency that is the death ray.”
 
The Signal is, of course, creepier and hipper by far than the bland and stodgy Murder by Television. The new film imagines a force that transforms ordinary working-class souls into maniacs – borrowing extensively from hither and yon, although co-director Gentry will hasten to point out that “our killers are not mindless zombies.”

 

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Warren Simons on ‘Invincible Iron Man’

Marvel’s new Invincible Iron Man series kicks off this May right about the same time Tony Stark and Co. hit theaters in the live-action Iron Man film.

Over at Marvel.com, series editor Warren Simons explains the connection between the new title and the film, as well as the reasons behind the choice of Matt Fraction and Salvador Larroca as the Invincible Iron Man creative team.

Warren Simons: We’re aiming to provide a kick-ass entry point into the Marvel Universe for fans of the film, while also telling great stories for already established Iron Man and Marvel fans. With INVINCIBLE, we’re focusing on Tony as a super hero, and downplaying the espionage angle and Tony’s role as Director of S.H.I.E.L.D.

Civil War? Never happened.

Even so, the art looks beautiful and Fraction can spin a fun tech-driven tale. This one could be worth keeping an eye on.

 

Geoff Johns on Seeding the Stories of ‘Sinestro Corps War’

In this interview with Publishers Weekly, Geoff Johns reflects on DC’s under-the-radar yet phenomenally successful crossover event The Sinestro Corps War, which unfolded in the pages of Green Lantern, Green Lantern Corps and various other series and tie-ins.

According to Johns, who served as the primary architect for the event, the desire to keep the story centralized among a small number of titles was key to its popularity among readers.

Johns also explains how he approached many of the Sinestro Corps‘ main characters, and touches on the advantages of being able to seed stories that he knows he’ll be around to tell a year down the road.

"I’m trying to pioneer a way of letting people know that there’s a big story here," Johns said. "I know every single broad project and story line I’m working on at DC through 2010. I like plotting far ahead, because I can let things sit in my brain and grow and change, and I can have little things pay off. There’s actually a mention of ‘The Blackest Night’ in Green Lantern #6 [from mid-2006]. It’s much more satisfying for me to work that way."

The first collected, hardcover volume of The Sinestro Corps War is currently available, with the next volume available in June.

 

On This Day: Khan and Kirk First Meet

Today in 1967, Star Trek‘s James T. Kirk met with his future nemesis, Khan Noonien Singh, a genetically enhanced soldier from the late 20th century.

The episode in which this fateful meeting occurred was titled "Space Seed" and was written by Gene L. Coon and Carey Wilber.

Ricardo Montalbán played Khan in both the original television episode, when he was 46, and in the movie based upon the events of this episode, Star Trek II: The Wraith of Khan, when he was 61.

 

Guillermo del Toro on ‘The Hobbit’ Films, Returning Cast

Guillermo del Toro, the rumored favorite to helm an upcoming set of films based upon J.R.R. Tolkien’s The Hobbit, said his presence behind the camera is still uncertain, but if he does take the job, he hopes to bring some of the cast from the Lord of the Rings film trilogy with him.

Empire spoke with del Toro about the possibility of him directing The Hobbit, what he’d like to do with the film(s) and, of course, that massive lawsuit.

“Since that news broke, I have not exchanged a single phone call with my lawyer or my manager or anyone. They talk about it and I have received some emails, but, as far as I’m concerned, until I’m on board I should not worry about it. I read about it, but there’s nothing I can do about it."

The popular director also said he’d like to bring back the actors who portrayed certain characters appearing in both the Lord of the Rings story as well as The Hobbit, such as Andy Serkis (Gollum) and Ian McKellen (Gandalf).

Oh, and Tolkien fans take note: There was no mention of Hugo Weaving reprising his role as Elrond. Interesting.

 

(via CS.N)

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And, on today’s ComicMix Radio podcast, we cover:
• Sean McKeever talks about leaving Birds of Prey, but amping things up on Teen Titans
• Fall Out Boy jumps into comics
•  A Captain Marvel #3 2nd print – are you surprised? 
• CBS starts working on the 2008-2009 TV season
• Ringo remembers doing that historic Ed Sullivan appearance
 
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