Yesterday, we began chatting with British creator Bryan Talbot about the creation of The Adventures of Luther Arkwright, now celebrating its 30th anniversary. Today, we look at the remastered edition and more.
CMix: You actually went back after 20 years and did a sequel, Heart of Empire, but that doesn’t seem to resonate in the same way. How do you view it today?
BT: I’m very proud of the story and the way I told it. I wasn’t interested in repeating Arkwright. I wanted to use the sequel to tell a different story in a different way. Perhaps, if I do another Arkwright, I’ll go back to experimental mode and just let rip. Any sophistication in the storytelling techniques of Heart of Empire is beneath the surface, not in your face. It shouldn’t be consciously visible.
CMix: Luther Arkwright has endured and you even adapted it for BBC radio with a Pre-Doctor Who David Tennant as the lead. Was it easy to adapt?
BT: I didn’t adapt it. They used their own scriptwriter. I sent a list of suggestions as to how they could make it work better as audio but when I eventually met the writer, after it was produced, they hadn’t passed the suggestions along. I still quite enjoyed it though. David Tennant and the other actors were great, the music and sound FX were fine. My only criticism is that it was too faithful to the original. Most of the dialogue was my speech balloons word-for-word. While these work fine on the comic page I feel that they should have made them more naturalistic for the spoken word.
Big Finish have also bought the rights to adapt Heart of Empire and Tennant has agreed to reprise his role as Arkwright but they’rehaving to fit into his now busy schedule.
CMix: There’s been talk for years about a film adaptation. What’s taking so long?
BT: That’s the film industry for you. Things seem to move at a glacial pace.
There’s always something supposed to be just about to happen, some big name writer’s become involved or a big production company is desperately interested but nothing seems to actually happen. Hollywood people seem to suffer from verbal diarrhea. About a year ago a producer got in touch with me to say how passionate he was about The Tale of One Bad Rat and how he had a director on board who loved it and so forth. I’ve never heard a thing from him since.
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