Monthly Archive: June 2009

The Point – Pat Cooper Sez Comedy Sucks!

For over four decades, PAT COOPER has made audiences laugh, but when it comes to the state of comedy today, Pat isn’t amused. His no-holds-barred opinion on today’s comics is red hot plus DOCTOR WHO gets a companion at last and something BIG is going on with CAPTAIN AMERICA #600!

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Review: ‘Funny Misshapen Body’

One of the really interesting aspects about the growth in graphic novels is that more and more people are using the form for memoirs and autobiographical works. Will Eisner explored growing up in the tenements, kicking things off, and since then we have had utterly fascinating works that detail romance, aging, life on the streets and the like.

Jeffrey Brown has been mining his experience in numerous works and has made a name for himself with his books, beginning with [[[Clumsy]]], which has been acclaimed since its release in 2005 and has remained in print since Top Shelf acquired rights in 2007. Brown has done short and long works, all with observations on life and work and art. His work has won him numerous accolades and he has even gone on to direct a music video for Death Cab For Cutie.

Before Funny Misshapen Body hit my desk, I knew nothing about Brown. As a result, the book, now available from Touchstone Books, was a window into a new world and one I was pleased to visit. Brown’s growth from doodler to artist no doubt mirrors the journey many working artists took, but watching him lurch from school to work to art was interesting, since they all wound up informing his work.

Brown’s style is a little on the crude side, but he keeps his page design fairly consistent, mostly the six panel grid. He doesn’t try and confuse with pyrotechnics but fills every panel with detail. His simple style manages to convey time, place, and emotion so one is never confused. The lettering could be cleaner and better space for legibility, but there’s an earnest feeling to the drawings, letting us watch him try and fail, finding his way. The story is told in chapters and in a non-chronological way but by the time you finish the 308 pages, you can put the pieces together and see what he has accomplished.

The adversity he faced included his own slacker ways through college, fueled by disinterested and clueless art professors. His diagnosis and handling of Crohn’s Disease is largely confined to one chapter but clearly affected everything that followed. Similarly, we get glimpses at friendships and lovers, all of which were influential but the book keeps returning to Brown’s herky-jerky path towards working as a professional artist. His trial and errors are exposed along with the tremendous support he received from artist Chris Ware.

There are moments of humor and times you shake your head at how stupid he was for wasting so much time getting drunk, but all in all, you find yourself cheering Brown as he found acceptance for his work, and finally a point of view to his artwork that culminates with the arrival of Clumsy from the printer.

For those who aspire to working in the field, this is a good travel guide and for those of us who like to see how others live and learn, this is a good picture of life in the 1990s. The engaging book can turn most into fans of Brown’s work.

Bleeding Cool debuts

So. The longest running comics column on the internet has now become the newest comics blog on the internet, Bleeding Cool.

If we bloggers were truly as high school as everyone claims we are, we’d be taking the new transfer student’s lunch money. And while that’s tempting, we shall refrain. Rich Johnston will have enough grief learning how the blog will become a 24-hour a day time suck, eating up every last piece of his life until there is nothing left, lurching around as a shambling mass that will make his former sickly British constitution look like a California muscle man in comparison. Not that we know anything about that, hack cough wheeeeze.

I mean, if he’s already resorting to mentioning Susan Boyle on the first day, just to get Google traffic…

We will, however, pick on his logo. Black bleeding? Have you been rereading Frank Miller’s Elektra again? It doesn’t cost anything extra to print red on the Internets.

BookExpo America 2009 recap

As with any convention, a lot of fast, disjointed thoughts kicking around. In no particular order:

  • The most action at the con was in the Diamond Comics aisle and the e-publishers area. Other areas seemed quieter.
  • There seemed to be fewer freebies this year. A lot, in fact. When asking about getting on the press list, most publicists were relieved when I asked for PDFs over paper copies.
  • One paper copy I did get was a preview of IDW’s upcoming adaptation of The Hunter by Darwyn Cooke, taken from the Richard Stark (Donald Westlake) Parker novel. Having read the thing and knowing that they haven’t printed the final version yet, they should just save time and print “Future Eisner Award Nominee” on the cover now. Barnes & Noble is going to move a lot of these babies. (Disclaimer: IDW will be publishing the print version of ComicMix projects, and they picked up the tab for lunch on Friday. We tried, but Ted Adams insisted.)
  • DC did not have an official presence at the con, which considering the amount of backlist books they do is very surprising. Marvel and Diamond did, and seemed to be well rewarded for their efforts, with many people showing up for signings and even more showing up later on Saturday for the finger food and drinks. (Sorry you missed it, Alan.)
  • Lines for comics creators were very long. Neil Gaiman made a “surprise” appearance at the Harper Collins booth signing The Graveyard Book and handing out previews of Odd And The Frost Giants (I say surprise because I don’t remember seeing it on his blog).
    Marvel’s signings for Peter David and Chris Claremont went strongly, Chris estimated that he went through about two and a half boxes of X-Men Forever. I lost track of how many Oz books Skottie Young and Eric Shanower went through.

  • Over at the Image booth, Frank Cho and Chris Giarusso moved a lot of copies of their books as well.
  • The crowd seemed a bit older, even for BEA. Not sure if it’s an actual age difference, or if the young folks got fire from publishing houses, or if everyone at traditional houses were just muted this year.
  • There will be photos surfacing of me and Torsten Adair. I will not say which of us is the evil twin.
  • I had two publishers who knew me from my days as an e-publishing pioneer come up to me and say that their sales in paper were flat and the only bright spots were in e-publishing. Nice to know I’m remembered as a prophet, even if it’s taken a while to get there.

All in all, a decent, if not spectacular, trade show. Always fun to see many of my colleagues in a much less frenzied venue than San Diego or even Wizard World. Hopefully I’ll be recovered in time for MOCCA this weekend. Oy.

Oh, one final shot– this is from Thursday’s CBLDF party, with Denis Kitchen, Heidi Macdonald, Milton Griepp, and ComicMix alumnus Rick Marshall ordering a drink– no doubt steeling himself for the upcoming hell week starting with the MTV Movie Awards and ending with his name being pinned to an idiot in a major motion picture. Pray for him.