REVIEW: Ghostbusters: Frozen Empire
The surprise success of Ghostbusters: Afterlife breathed new life into a moribund franchise, giving us a new generation of supernatural sleuths to cheer for. It was very touching to see the original quartet (Dan Aykroyd, Bill Murray, Ernie Hudson, and the late Harold Ramis) suit up one more time and kick ghostly ass. But, it was clear the torch was being passed to Egon Spengler’s daughter, Callie) Carrie Coon, and her children Trevor (Finn Wolfhard) and Phoebe (Mckenna Grace), along with their science teacher Gary Gooberson (Paul Rudd). With her inheritance of the original Ghostbusters HQ, the stage was set.
Ghostbusters: Frozen Empire is the result, and the film, out now on streaming and disc, is a hodge-podge of characters, concepts, and conundrums that are so filled with characters the emotional undercurrents are given the shortest of shrift.
Phoebe is clearly the genius, the true heir to Egon, but her youthfulness gets her sidelined by Mayor Walter Peck (William Atherton), who has harbored a grudge against the team, regardless of lineup, since the 1980s. She is also struggling and uncertain of Gary’s role in their family since he and Callie appear romantically involved, but little is said.
Her thread has the most interesting possibilities, especially as she begins playing chess with Melody (Emily Alyn Lind), a ghost. Unfortunately, it is ignored for large stretches as the film tries to service everyone else, including the original team.
Instead, Stantz acquires an ancient artifact from Nadeem Razmaadi (Kumail Nanjiani), who has ignored his family’s history in favor of being a slacker. This artifact contains the trapped spirit of Garraka, an ancient being who wanted to destroy life on Earth. Conveniently, he has started to assert his control just as the containment unit has reached capacity and a new home for the trapped ghostly spirits is located.
Here’s where the story starts to fall apart. We have no idea how Garraka began to assert his control over people or how he knew to target Melody, using her as a pawn. Some new pseudo-science is introduced at Dr. Winston Zeddemore’s upgraded facility in New Jersey, which also brought back Lucky Domingo (Celeste O’Connor) and introduced us to Dr. Lars Pinfield (James Acaster). See? It’s pretty packed. And that’s before we mention the return of Janine Melitz (Annie Potts) and Podcast (Logan Kim) or the unnecessary addition of Dr. Hubert Wartzki (Patton Oswalt).
The film looks great and is stuffed with callbacks to the first two films in the franchise, along with the reappearance of Slimer and Ghostly Librarian. But no one really gets a satisfying story arc; everything is done with shorthand, and believe it or not, some expected moments never come to pass.
It’s entertaining enough, but it lacks the charm and originality that set these films apart. Some of that can be blamed on Jason Reitman, whose father created the series. He and incoming director Gil Kenna share the script credit, so the blame falls to them for a lack of storytelling discipline, which is in favor of more and more spectacle. The $201.7 million worldwide box office may be the scariest part of the film, likely dooming the franchise from moving forward for some time.
Thankfully, the 4K Ultra HD transfer looks spectacular. Every icicle, proton beam, and ghostly reflection looks amazing on the home screen. The 2160p is sharp and amazing with an equally impressive 1080p Blu-ray, part of the Combo Pack, along with the Digital HD code.
The Dolby Atmos audio is up to the task of matching the superb visuals.
The Blu-ray offers all the Special Features and, while plentiful, feels more perfunctory than celebratory. We have Audio Commentary – With director/co-writer Gil Kenan (also on the 4K); Return to the Firehouse (21:00) Busting: Capturing the Ghosts of Frozen Empire (11:00) ; Easter Eggs Unleashed (7 minutes); Manifesting Garraka (3:00); New York, New Gear (7:00); Welcome to the Paranormal Discovery Center (4:00); Knowing the Score (7:00); and Deleted & Extended Scenes (9:00).