Manga Friday: Done in One
One of the differences – I won’t say “advantages,” since opinion differs on that subject – of manga from Western-style superhero comics is that manga stories all have endings, eventually. Oh, “eventually” can be a long, long time coming – two decades, in some cases – but manga are created by one person or set of people, and all eventually come to an end, unlike corporate-owned characters, who live as long as their revenue stream does.
Some manga, though, end more quickly than others. Some even end in a couple of hundred pages – a story short enough to fit into one volume. And, by luck, I have two stories just like that in front of me this week.
Haridama: Magic Cram School
By Atasushi Suzumi
Del Rey Manga, May 2008, $10.95
Kokuyo and Harika are childhood friends who both ended up at the Sekiei Magic Cram School – named after its founder and apparently only teacher – studying to be magicians (who, once they’ve climbed the magic ladder as far as they can, we’re told are qualified to open cram schools of their own, which makes the whole thing seem like a pointless pyramid scheme). They’re “Obsidians,” people with only Yin or Yang power – instead of both, like proper magicians – and so they need swords with stones in the hilt to channel their lesser powers.
The other two main characters of this story are Sekiei, their young teacher – there don’t seem to be any other students in the school, in fact – and Nekome, a third-level sorcerer who recently graduated from the rival Torame school. Sekiei pushes Kokuyo and Harika to work harder and achieve more, while Nekome mildly torments them and puts down their abilities. (more…)
Joann Sfar, one of the major lights of the current European graphic novel scene, has written or collaborated on more than one hundred books, but probably his most famous and acclaimed work is the original [[[The Rabbi’s Cat]]], which won the prestigious Jury Prize at the Festival International de la BD d’Angouleme (Angouleme International Comics Festival).
The “Dungeon” series has gotten so full of stories, so complicated, that there’s a diagram on the back of this book to explain how all of the sub-series relate to each other.
Neil Gaiman has been too busy lately to write much for comics unless it’s an event — like 
or his curiously pointless 
Manga Friday returns after a brief hiatus — I was on a secret mission in Darkest Florida, and unable to read manga and coherently think about them for several days — with a look at two very, very different books. We’ll start with the easier one to explain.
Eddie Campbell has always done comics his way, without worrying about other people’s expectations or preferences — one of his two major series has been a fictionalization of his own life as a comics creator, and the other, a superficially more populist sequence about Greek gods in the modern world, was itself about storytelling more often than not. So it’s no surprise that his latest graphic novel — co-written with Dan Best — is more about telling its story than it is the story being told.
We’ve all occasionally wanted to go back in time — to fix something we screwed up the first time, to relive some particular time in our lives, or just to do something differently. But would we be able to do better the second time around? Alex Robinson’s new graphic novel — coming up in July from Top Shelf — asks exactly those questions.
Lemire is in the middle of an impressive thematically-related trilogy of stories about a rural bit of Ontario, Canada – the first book was 
, in early 2007, and the third, [[[The Country Nurse]]], will be along in October of this year. [[[Ghost Stories]]] is the middle book, but it’s a completely independent story – you don’t need to know anything about Tales to read it.
What do women want? Sigmund Freud thought he knew, but we all know about him. After a few decades of feminism, it’s become clearer that the best way to find out what women want is… to ask them.
