Author: ComicMix Staff

kyle-rayner-death-2098757

Comic MMIX Year-End Picks: Favorites (and not-so-favorites) of 2009, part 1

Now that 2009 is officially over, we can do a year in review. This is by no means a definitive list of “the best of the year” as we’d never come to a consensus, just think of it as our varied and individual take on what stuck out in the minds of everybody here at the Mix. After all, as the song says, it’s a mixed-up, muddled-up, shook-up world. Onward!

kyle-rayner-death-2098757Shortest Death of the Year: Kyle Rayner. Green Lantern Corps #42/43 (DC)

For those who know me well, I was offered quick condolences when I picked up Peter Tomasi’s Green Lantern Corps
#42. Kyle Rayner, my personal favorite ‘Super Hero’ was given a
decidedly trite death; sacrificing himself with an exploding Alpha
Lantern Core in order to blow up a smattering of not-so-easy-to-kill
black lanterns and their Nekron inspired construct. Gaping plot hole be
damned! Sure Mr. Rayner was one of two honor guardsmen, who we’d
‘assume’ knew how to wield the emerald light with a little flair, might
figure that the ring could make a nice bubble to contain the
aforementioned big-bada-boom, and NOT include himself… But it was far
sappier dramatic
for Kyle to tell Natu (his current, non-refrigerator-bound-beau) and
Guy (his best-buddy-with-a-bygone-bowlcut) that he ‘wuved them. And
guess what? Not twenty pages later, Kyle was resurrected by Star
Sapphire Miri Riam, who showed us yet another unknown power from the
crystal spewing pink ring club. It seems that ‘True Love’ allows a Star
Sapphire to combine hearts, and save a dead lover. I guess Miri wished
she could have done that when he husband died, a few issues ago.
Whoopsie! –Marc Alan Fishman

Most overlooked of the year: Final Crisis Aftermath: Run (DC)

It’s easy to hate event books–especially one as polarizing as Final Crisis–but it’s hard to deny that sometimes damn fine things come out of them. Zero Hour gave us James Robinson’s Starman, Secret Wars gave us Spider-Man’s black costume (even if it was retroactive), and now Final Crisis has given us Run, a tale of the Human Flame, the most unrepentant bastard in the DC Universe, on the run from the Justice League following the death of the Martian Manhunter. It’s funny, it’s fast-moving, and it’s smart as a whip, thanks in equal measure to Matt Sturges’ (Blue Beetle, JSA All-Stars) script and the perennially underrated pencils of Freddie E. Williams II (Robin). Besides, it has the Condiment King. Who can say no to the Condiment King? –Matthew Weinberger

Favorite dialogue of the year: from Irredeemable #5 (BOOM!), written by Mark Waid, when the winged Gilgamos meets the black super-hero Volt:

“I know you! You’re Black V—“
“That’s the other guy.”
“From Philadelphia?”
“That’s the other other guy. Look, I am solidly aware that an electromagnetic African-American super is a total cliché. My apologies. I didn’t order this power off the menu, I swear.”

–Howard Margolin

(more…)

miracleman-1-8932833

Marvelman / Miracleman to the Big Screen?

miracleman-1-8932833A highly placed source with one of Hollywood’s leading film production companies has revealed to ComicMix that an agent for a Scottish businessman has been offering around to studios and producers the purported feature film rights to Marvelman, the superhero property whose rights status has been in limbo since publisher Eclipse Comics went into bankruptcy in the middle of Neil Gaiman’s iconic run as its writer more than twenty years ago.

Any movement tending to resolve the rights to Marvelman – and to bring it back into print – would be welcome news for fans who have been following the Marvelman saga for more than two decades and been put through a roller coaster ride of ups and downs as a litany of claimants to the rights to Miracleman have continually come out of the woodwork.

When the title was first brought into the United States from England, Eclipse Comics prudently changed Marvelman to Miracleman to avoid obvious potential trademark issues with Marvel Comics, and the series has continued to generate interest in the comics world more than twenty years after it was last published. One top comics editor, speaking not-for-attribution, told ComicMix that “If a publisher could actually be assured that they had the rights to publish the title, and most importantly, if Neil would license the rights to his scripts and would agree to finish the scripts for the story he started but never got to finish, the book sales would be through the roof – we’re talking astronomical. The fact that the title got into the Gaiman/McFarlane litigation has kept it in the spotlight. And Alan Moore wrote issues of the title before Neil, and Alan still has a bit of a following. But Alan isn’t the key to the deal. It’s all about Gaiman.”

(more…)

terminator-season-2-2363631

Review: ‘Terminator: The Sarah Connor Chronicles’

By Allan Lamberti

terminator-season-2-2363631Easily one of the highest anticipated returns for this fall season, Terminator has been a franchise that has kept fans interested since the mid 80’s (despite the backlash against the third film). When the television series was announced, fan curiosity piqued immediately, and we all became hooked to the all-too-short first season. From the clever time-traveling aspect of the pilot (that does in fact work well within the continuity of the films), straight through to the awkward season finale (clearly shortened due to the writer’s strike), they sold the fans on another season to watch the continuing saga of the Connor family.

The first episode of this season, entitled “Samson and Delilah,” gets off to an interesting start. Picking up immediately where the first season ended, a group of men attack Sarah (Lena Headey), John (Thomas Dekker), and terminator Cameron (Summer Glau). The men are killed, but as a result of the battle, Cameron’s chip is damaged and her mission has been altered from protecting John to terminating him. Ms. Glau, doing her best Schwarzenegger impression from the first film, is hunting them through the streets while they are injured and on the run. We also see the return of Derek Reese (Brian Austin Green) who is hiding in Sarah’s former lover’s ambulance hoping to get the Connor’s to safety before Cameron finds them. FBI Agent Ellison (Richard T. Jones) returns, as does the other terminator Cromartie (Garret Dillahunt, who has been promoted to series regular). We also meet Shirley Manson of the band Garbage, seemingly playing an evil corporate version of herself.

The good: the action and effects budget has certainly been amped up for this season, a very good sign that Fox actually has some faith in the show continuing on for a longer run. The actors have also grown into their roles a lot more. Ms. Headey is still very capable in her interpretation as Sarah, while Mr. Dekker is gradually becoming a better future-leader John Connor. Ms. Glau’s Cameron actually behaved far more like a “classic” terminator should, slow-moving and menacing – my guess is that the show runners made the decision to tone down the more comical aspects of her from last season and make her more like the film terminators we’ve come to enjoy. While Cameron’s “panic” and begging while pinned between the two trucks was becoming slightly ridiculous and stupid, thankfully the writers had John do the right thing in not listening to her.
 

(more…)

Native Americans in Comic Books

Michael Sheyahshe has a new book that features interviews with ComicMix creators Tim Truman and John Ostrander and explores the role of Native Americans in comics.

According to the website for the book:

Native Americans in Comic Books, published by McFarland Publishing, is a unique study and critique of the way in which we Indigenous people are represented in the popular medium of comic books. This work takes an in-depth look at the world of comic books through the eyes of a Native American reader and offers frank commentary on the medium’s cultural representation.