About the only reason we’re interested in the remake of Fright Night is because it features the current incarnation of Pavel Chekov and the previous version of The Doctor. The film, opening August 19, the same day as Spy Kids 4, will hopefully be entertaining. We have a newly released clip for you to check out:
The DreamWorks release stars Anton Yelchin, Colin Farrell, Christopher Mintz-Plasse, David Tennant, Imogen Poots and Toni Collette and was directed by Craig Gillespie from a script by Marti Noxon (another reason we’re interested).
Senior Charlie Brewster (Anton Yelchin) finally has it all—he’s running with the popular crowd and dating the hottest girl in high school. In fact, he’s so cool he’s even dissing his best friend Ed (Christopher Mintz-Plasse). But trouble arrives when an intriguing stranger Jerry (Colin Farrell) moves in next door. He seems like a great guy at first, but there’s something not quite right—and everyone, including Charlie’s mom (Toni Collette), doesn’t notice. After witnessing some very unusual activity, Charlie comes to an unmistakable conclusion: Jerry is a vampire preying on his neighborhood. Unable to convince anyone that he’s telling the truth, Charlie has to find a way to get rid of the monster himself in this Craig Gillespie-helmed revamp of the comedy-horror classic.
On August 19, Robert Rodriguez takes his [[[Spy Kids]]] on a fourth mission, All the Time in the World.
The film’s synopsis:
On the surface, Marissa Cortez Wilson (Jessica Alba) has it all…married to a famous spy hunting television reporter, a new baby and intelligent twin step kids. But in reality, trying to mother Rebecca (Rowan Blanchard) and Cecil (Mason Cook), who clearly don’t want her around, is her toughest challenge yet. Also, her husband, Wilbur (Joel McHale), wouldn’t know a spy if he lived with one which is exactly the case – Marissa’s a retired secret agent.
Marissa’s world is turned upside down when the maniacal Timekeeper (Jeremy Piven) threatens to take over the planet and she’s called back into action by the head of OSS, home of the greatest spies and where the now-defunct Spy Kids division was created. With Armageddon quickly approaching, Rebecca and Cecil are thrust into action when they learn their boring stepmom was once a top agent and now the world’s most competitive ten year olds are forced to put their bickering aside and rely on their wits. With a little help from a couple of very familiar Spy Kids, Carmen (Alexa Vega) and Juni Cortez (Daryl Sabara), and some mind-blowing gadgets, they just may be able to save the world and possibly bring their family together while they’re at it.
The cast includes Jessica Alba, Joel McHale, Jeremy Piven, Ricky Gervais, Alexa Vega, Daryl Sabara, Rowan Blanchard, Mason Cook, Danny Trejo, and Antonio Banderas.
It’s interesting to watch how time and again, writers, artists, moviemakers, and studio executives struggle to find ways to adapt the very first comic book super-hero. Superman was something readers (and rival publishers) had never seen before, and he served as the template for the heroic fantasy that followed these last seven decades. When you have powers and abilities far beyond those of mortal men, you need visionaries to bring the character from the printed page to other media. Robert Maxwell figured out how to do that with the popular radio serial. In fact, Maxwell came up with various characters and concepts that seeped into the comics, a symbiosis that made both stronger.
I was given to considering Superman in his many forms when the eight-disc Superman The Complete Anthology Blu-ray set arrived for review. Warner Home Video has taken all the previous versions and spruced them up a bit, added some new features, and placed them in a handsome box. Despite the uneven content, this is a must-have for fans.
When the Fleischer brothers got a chance to animate the Man of Steel, they set the standard that all other animators have emulated or strived to match. It certainly raised the bar when Superman came to the movie serials, with Kirk Allyn looking the part but the low budget and low-tech kept his feats to the above-average, not super-human. Things got somewhat better with the George Reeve television series of the 1950s, imprinting the archetype on two generations of television watchers and comics readers. Again, Maxwell receives credit for his serious translation to the half hour demands of syndicated television before he left and it got dumbed down in subsequent seasons. (more…)
To support The Dark Knight, Warner Premiere offered up Batman: Gotham Knight, a collection of stories from various animators that were dark and largely uninteresting. It’s gratifying to see that they have learned from this rare misfire and have offered up a companion to this month’s The Green Lantern feature film with Green Lantern: Emerald Knights, on sale Tuesday. There are five stories, largely culled from the comic books, with a sixth tale connecting everything together. Essentially, Krona, the fallen Guardian, has come back from banishment as an enormous, angry form, having coalesced within a star. Summoning Shadow Demons from the Anti-Matter Universe of Qward, Krona threatens the Guardians and their world of Oa.
The entire Green Lantern Corps has been summoned to deal with this cosmic danger but they pause to stand in line to take their turn recharging their rings. While waiting patiently to save all of reality, Hal Jordan (Nathan Fillion) spins tales for his latest recruit, the young, idealistic Arisia (Elisabeth Moss). On the one hand, Krona is a big menace and the climactic scenes are incredibly strong and powerful. There’s a scope to his rising from within the sun that is what animation and comics is all about. That sense of scope, though, is missing from the frame in that in the comics, the central Power Battery was large enough that scores of the Corps could float before it and recharge en masse. Watching them stand in a queue is absurd.
The frame and five stories along with the characterization and visualization of the Corps and Guardians are cherry-picked and modified from the fifty years comics featuring the second incarnation of the Green Lantern. It’s nice to see that several people with comic book roots, including GL editor Eddie Berganza, got a shot at penning some of these stories. About the oddest juxtaposition of realities is seeing Sinestro (Jason Isaacs) still a member of the corps in good standing. Why he’s here is clearly a nod to his role in the live-action film, done so as not to confuse viewers.
We’re told the story of “The First Lantern” (written by Michael Green & Marc Guggenheim) which tells us a variant version of how the Corps was formed. It’s still a solid story showing how anyone can become a hero and show others the way to act. There are mammoth space battles and lots of ring-slinging but why the planet is under attack and the motives of the attackers are never even questioned, let alone explored. (more…)
Cars 2, revving up for release later this month, has sent us this cool new featurette:
Here are the rest of the film’s details:
U.S. Release Date: June 24, 2011
Voice Talent: Owen Wilson, Larry the Cable Guy, Michael Caine, Emily Mortimer, Bonnie Hunt, Tony Shalhoub, Cheech Marin, Jason Isaacs, Joe Mantegna, Peter Jacobson, Thomas Kretschmann, Guido Quaroni, Lloyd Sherr, Paul Dooley, John Ratzenberger, Jenifer Lewis, Michael Wallis, Katherine Helmond, John Turturro, Franco Nero, Vanessa Redgrave, Eddie Izzard, Bruce Campbell, Michel Michelis, Jeff Gordon, Darrell Waltrip, Lewis Hamilton, David Hobbs
Director: John Lasseter
Co-Director: Brad Lewis
Producer: Denise Ream
Story By: John Lasseter, Brad Lewis and Dan Fogelman
Screenplay By: Ben Queen
Composer: Michael Giacchino
Star racecar Lightning McQueen (voice of Owen Wilson) and the incomparable tow truck Mater (voice of Larry the Cable Guy) take their friendship to exciting new places in “Cars 2” when they head overseas to compete in the first-ever World Grand Prix to determine the world’s fastest car. But the road to the championship is filled with plenty of potholes, detours and hilarious surprises when Mater gets caught up in an intriguing adventure of his own: international espionage. Mater finds himself torn between assisting Lightning McQueen in the high-profile race and towing the line in a top-secret mission orchestrated by master British super spy Finn McMissile (voice of Michael Caine) and the stunning rookie field spy Holley Shiftwell (voice of Emily Mortimer). Mater’s action-packed journey leads him on an explosive chase through the streets of Japan and Europe, trailed by his friends and watched by the whole world. The fast-paced fun includes a colorful new all-car cast, complete with menacing villains and international racing competitors.
John Lasseter returns to the driver’s seat to direct this follow-up to his 2006 Golden Globe®-winning “Cars.” “Cars 2” is co-directed by Brad Lewis, producer of the Oscar®-winning film “Ratatouille,” and produced by visual effects industry veteran Denise Ream (associate producer, “Up”; visual effects executive producer, “Star Wars: Episode III – Revenge of the Sith”). The film hits the track on June 24, 2011, and will be presented in Disney Digital 3D™ and IMAX® 3D in select theaters.
Notes:
· John Lasseter made his feature film directing debut with “Toy Story” in 1995. He has since directed such Disney•Pixar classics as “A Bug’s Life,” “Toy Story 2” and “Cars” and served as executive producer of all other Pixar films to date. He is currently the chief creative officer of Walt Disney and Pixar Animation Studios and principal creative advisor of Walt Disney Imagineering.
· “Cars 2” is the 12th feature-length animated film from Pixar Animation Studios (its first 11 have earned $6.5 billion at the global box office). Pixar, which has earned 29 Academy Awards® and seven Golden Globes®, celebrates its 25th Anniversary in 2011.
· “Cars” originally released on June 9, 2006, and grossed nearly $462 million worldwide. It was nominated for two Oscars® and one Golden Globe®, winning the first ever Golden Globe for Best Animated Feature Film.
When star racecar Lightning McQueen (voice of Owen Wilson) and the incomparable tow truck Mater (voice of Larry the Cable Guy) head overseas to compete in the first-ever World Grand Prix, Mater gets caught up in an intriguing adventure of his own: international espionage.
Entertainment Weekly dubbed him a “Geek God.” TV Guide seems to document his every move. Firefly/Serenity fans follow him in any direction he goes. We personally enjoy his tweets.
And all the while, Nathan Fillion contines to go his own way, his boyish charm and “ruggedly handsome” exterior constantly reflecting the enchanting attitude of the proverbial kid-in-a-candy-store.
Make no mistake, Nathan Fillion is having the time of his life.
Fillion’s primetime series Castle is enjoying its best ratings, cracking Nielsen’s Top 10 as the popular ABC drama culminated its third season. And despite the five-plus-days-a-week grind of 14-plus hours on set, Fillion still finds time to fulfill his own guilty geek pleasures.
Thus, on the Sunday of the Martin Luther King Day holiday weekend in 2010, the Edmonton-born actor could be found recording the voice of Hal Jordan for Green Lantern: Emerald Knights, an all-new DC Universe Animated Original Movie coming to Blu-Ray™, DVD, On Demand and for Download June 7, 2011.
Produced by Warner Premiere, DC Entertainment and Warner Bros. Animation, and distributed by Warner Home Video, Green Lantern: Emerald Knights weaves six legendary stories of the Green Lantern Corps’ rich mythology around preparations for an attack by an ancient enemy. As the battle approaches, Hal Jordan mentors new recruit Arisia in the history of the Green Lantern Corps, telling tales of Avra, Kilowog, Abin Sur, Laira and Mogo. In the end, Arisia must rise to the occasion to help Hal, Sinestro and the entire Green Lantern Corps save the universe from the destructive forces of Krona.
Fillion has starred in several primetime television series, including Desperate Housewives, Two Guys, a Girl and a Pizza Place and Buffy the Vampire Slayer. He has also developed a popular cult following as a pair of Joss Whedon’s heroic captains: Capt. Mal Reynolds in the space-western series Firefly and follow-up film, Serenity; and Captain Hammer in Whedon’s internet sensation Dr. Horrible’s Sing-Along Blog. Fillion returns to the DC Universe after his successful turn as Steve Trevor in the animated film Wonder Woman, having also performed voice work on Justice League, Robot Chicken, The Venture Bros., and several Halo video games.
The ever-genuine Fillion spent some time following his initial recording session to discuss comic book justice, the perils of space travel, his love of comic books and the origin story behind his famous Green Lantern t-shirt. Read on… (more…)
In 1986, as the Crisis on Infinite Earths was winding down, Marv Wolfman made the radical suggestion that DC indicate the universe had truly changed by altering the numbering on all the titles and restart everything with a #1. For a number of reasons, it was a great idea but the timing couldnât allow the move. Years later, Dick Giordano indicated it as one of his greatest editorial regrets. However, he canât be blamed since the Crisis was wrapping up while DC was still negotiating to relaunch its flagship heroes. At that time, only Frank Miller and David Mazzucchelli had been lined up for Batman: Year One while John Byrne was still being wooed for Superman, and very late in the process, Greg Potter and George Perez were circling Wonder Woman.
Had the stars aligned, it could have avoided two decades of constant revisions to the reality.
It now seems DCâs executive team has spent the last year moving the stars around. Todayâs bombshell announcement indicates the rebooted line will kick off in September, with Justice League #1 previewing the new order on August 31.
I can only hope that DC has its house in order and can avoid embarrassing fill-ins and radical creative team changes early in a titleâs run â problems which have plagued the core titles for the last few years. Â The worst example may well be Batman: The Dark Knight, written and drawn by David Finch. After debuting in November, the fifth issue of this monthly series is not coming out until August and only then with a fill-in artist.
That aforementioned new Justice League book is coming from DCâs two busiest executives: Geoff Johns and Jim Lee. Sure, itâll read well and look great, but will it be a monthly and for how long will the talent remain intact? At minimum, these new titles, all 50 of them, need consistent talent on board for at least the first six issues and fill-ins need to be carefully integrated. (more…)
Warner Digital and Warner Home Video celebrate the 40th Anniversary of Stanley Kubrick’s A Clockwork Orange with the film’s release not only on Blu-ray but also available for download via iTunes with over 38 minutes of bonus content.
Our friends over at Warner Digital have provided us with a free download to give to a loyal ComicMix reader. Here’s what you need to do:
Go visit the official iTunes page and answer the following question: Which actors from the film are listed under CREDITS on the iTunes page?
You have until 11:59 p.m. on Saturday, June 4 to enter the contest and a winner will be randomly selected from the correct answers supplied.
Shout! Factory releases [[[Transformers: Beast Wars]]]– The Complete Series Collector’s Edition on DVD on June 7. This 8-DVD box set is full of content including extras, retrospectives, art galleries, a special collectible 24-page comic book and more as people anticipate the forthcoming release of the third love-action Transformers feature film. If you donât remember the series, check out this handy trailer:
Shout! Factory has provided ComicMix with three sets of the DVDs and we want to give them away. Hereâs what you need to do: tell us which is your favorite Transformer from this series and why. Give it a think and post your comments here no later than Friday, June 3 at 11:59 p.m. The judgment of ComicMixâs panel of judges will be final and the DVD prizes will be mailed sometime in June. And hereâs the formal press release with all the details. (more…)
Disney has done such a spectacular job with their upgraded high definition releases of their classics through the years so each announcement is most welcome. Personally, I question the value of a 3-D home video release but it’s nice they have the option for those interested. Here’s the official release:
BURBANK, Calif. (May 26, 2011) — Simba, Mufasa, Nala, Timon and Pumbaa are back and better than ever this fall when Disney’s The Lion King roars into theaters and homes in breathtaking 3D. A special two-week theatrical extravaganza kicks off Sept. 16, 2011, showcasing the Oscar®- and Golden Globe®-winning film on the big screen in Disney Digital 3D™ for the first time ever, and its highly anticipated home entertainment debut kicks off October 4, celebrating the Diamond Edition release of the epic movie “The Lion King” in high-definition Blu-ray™ and Blu-ray 3D“The Lion King is the best-selling home entertainment release of all time—and this is The Lion King like never before,” said Bob Chapek, president of distribution, The Walt Disney Studios. “The all-new 3D format immerses viewers in the epic settings and puts them face-to-face with these beloved characters. We’re showcasing one of the all-time favorite Disney movies in theaters and making it available in Blu-ray hi-def and in Blu-ray 3D—it’s the must-see, must-own title for everyone.”
Nearly a decade since The Lion King last appeared on the big screen, the upcoming theatrical release invites new generations into the “Circle of Life.” The two-week, 3D-only presentation is a planned wide domestic release—the biggest since the film’s 1994 debut—and the film’s first-ever 3D release.
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