Author: Robert Greenberger

Anthony LaPaglia Shows us his Villainous Side in ‘All-Star Superman’

Award-winning actor Anthony LaPaglia returns to his villainous roots as the voice of Lex Luthor in All-Star Superman, the highly anticipated 10th entry in the ongoing series of DC Universe Animated Original Movies coming February 22, 2011 from Warner Premiere, DC Entertainment, Warner Bros. Animation and Warner Home Video.

LaPaglia is known far and wide for his lead role on the CBS drama Without A Trace, but his fame goes well beyond those 160 episodes over seven seasons on the primetime series. LaPaglia’s career highlights include an Emmy Award as Outstanding Guest Actor in a Comedy Series for his role as Simon on Frasier, a Golden Globe for Best Performance by an Actor in a Television Series/Drama for Without a Trace, and the 1998 Tony Award for Best Actor (Play) for the revival of Arthur Miller’s A View from the Bridge. He has also been honored with two AFI Awards as Best Lead Actor in the films Balibo (2009) and Lantana (2001).

LaPaglia takes the villainous lead in an All-Star Superman cast that includes James Denton (Desperate Housewives) as Superman, Christina Hendricks (Mad Men) as Lois Lane, seven-time Emmy® Award winner Ed Asner (Up) as Perry White, Golden Globe® winner Frances Conroy (Six Feet Under) as Ma Kent, Matthew Gray Gubler (Criminal Minds) as Jimmy Olsen and Linda Cardellini (ER) as Nasty. 

In All-Star Superman, the Man of Steel rescues an ill-fated mission to the Sun (sabotaged by Lex Luthor) and, in the process, is oversaturated by radiation – which accelerates his cell degeneration. Sensing even he will be unable to cheat death, Superman ventures into new realms – finally revealing his secret to Lois, confronting Lex Luthor’s perspective of humanity, and attempting to ensure Earth’s safety before his own impending end with one final, selfless act.
 
 

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Review: ‘[[[Looney Tunes Super Stars: Foghorn Leghorn, Tweety & Sylvester]]]’

Warner Bros. Home Video is sitting on one of the most loved libraries of classic cartoons you could imagine. In many ways, their shorts are superior to Disney’s given the freedom the animators had for decades and the memorable characters generated as a result. At first they released the [[[Golden Collection box sets]]] which were a nice mix of material but they wound that down. Instead, they’ve now opted for a series under the [[[Looney Tunes Super Stars]]] umbrella with the first two releases coming late last year.

While these are welcome discs with cartoons we’ve not previously had available, it is still not the ultimate library we want (and the characters deserve). The two discs — [[[Foghorn Leghorn & Friends: Barnyard Bigmouth]]] and [[[Tweety & Sylvester: Feline Fwenzy]]] – each offer up two hours of cartoons but are a hodge-podge selection.

Foghorn Leghorn was created by Robert McKimson in 1946 and starred in 28 cartoons, good for a two-disc set that would have been complete. Instead, we get nine Foghorn Leghorn shorts plus six cartoons featuring “friends”. These date from the latter part of animation’s golden age, originally released between February 19, 1955 through April 21, 1962. All fifteen remastered shorts can be seen as matted-widescreen versions or the original full screen versions.

Foghorn and his distinctive speech pattern was modeled after Senator Claghorn, a popular character from the Fred Allen radio series. As usual, Mel Blanc handled the voices and made the rooster an oft-imitated classic. Foghorn’s adventures avoided the templating that many of the others experienced although a recurring theme was a rivalry with the Barnyard Dawg/George P. Dog or being sought as a meal by Henery Hawk. The shorts relied less on physical feats as opposed to verbal repartee.

The friends mentioned include Elmer Fudd vs. the Mexican crows Manuel and Jose (directed by the great Friz Freleng); the Goofy Gophers, Mac and Tosh; and even the [[[Honeymooners]]] character pastiches.

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Review: ‘Dances With Wolves’

dances-with-wolves-3990417You never know when magic will happen. You tell a friend to go write a story. He goes and does his research, getting very excited by the prospects and writes. He reads to you the finished novel and it moves you in unexpected ways. Since you’re a film producer, you decide you want to adapt this to the screen. Somehow, you convince someone to publish the book while you go out and raise the $132 million you know in your heart it will take to make the film. Along the way, a third friend, equally moved by the book, convinces everyone that he not only wants to star in the film, but make his directorial debut. Everyone agrees and suddenly, you’re shooting in South Dakota. A year or so later, the movie tests through the roof. Audiences have responded with enthusiasm. Your peers honor you with twelve Academy Award nominations and you win seven. When you weren’t looking, you not only conjured up magic but you made an important film.

And that is what happened with [[[Dances With Wolves]]], the three-hour long story of John Jay Dunbar, a wounded Civil War veteran who asks for a remote assignment out in the frontier, noting he wants to see it before it’s all gone. While out in the wild, he slowly recognizes the beauty of America and the nobility of the Native Americans, many (including Wind in his Hair [Rodney A. Grant] and Kicking Bird [Graham Greene]) who cautiously befriends him. Dunbar also discovers a white woman, who was raised by the Lakota and renamed Stands with a Fist (Mary McDonnell). She serves as his guide to a world he falls in love with, making him unique among his fellow man.

Kevin Costner did a marvelous job taking his friend Michael Blake’s novel and turning it into a movie that reminded Americans of those who dwelt here first and still linger on their reservations. He let the story unfold slowly, with marvelous cinematography, making American the Beautiful once more. He filled the cast with many Native Americans, many who needed to relearn their native tongue. Coupled with John Barry’s stirring score, the movie transports you to another time and another way of life. When it was released 20 years ago, it also sparked a new dialogue over the plight of the Native Americans and just how cruel the settlers were. The Library of Congress thought it significant enough to add it in 2007 as one of the culturally significant films to be preserved.

In case you missed this excellent movie, 20th Century Fox Home Entertainment has released it as a 20th Anniversary two-disc Blu-ray event. The first disc is an extended version of the film, now running 3:54 and frankly the extra 55 minutes Costner tucked back in doesn’t necessarily make it a better story. Instead, we are treated to lots of extended views of the land and the people moving across the land. It’s all beautiful but doesn’t necessarily add to our enjoyment of the story.  The film is brilliantly transferred to high-definition with rich colors. The new DTS-HD Master Audio 7.1 is also most welcome.

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Review: ‘Buffy the Vampire Slayer Season 8 Motion Comic’

[[[Buffy the Vampire Slayer]]] never was a ratings darling but it caught the cultural zeitgeist and was an important factor in pop culture during its seven season run (1997-2003). Thankfully, when the series ended, showrunner Joss Whedon felt the characters weren’t done yet and agreed to continue their story in the pages of the Dark Horse comic. Dubbed Season Eight, the 40 issue run completes its run this month with a ninth season on tap.

20th Century Fox Home Entertainment decided to capitalize on the interest by hiring a company to turn the comics into motion comics but stopped after 19 issues. Available through Amazon Video on Demand and iTunes since July, they generated minimal buzz. They have now been collected on disc and is available as a combo pack (Blu-ray and DVD).

The reason there was so little said about them is that they are pretty mediocre, more reminiscent of the Lawrence Gantry Marvel cartoons of the 1960s than the [[[Watchmen]]] motion comics that are technically far superior. First of all, the characters barely move and speak without any attempt to animate their mouths. CGI-added effects don’t mix well with the blow-ups of Georges Jeanty’s excellent art.

The vocal casting is terrible as no attempt is made to come close to the characters as we’ve come to recognize them. I don’t recognize any of the names in the credits and they probably were hired on the cheap, much like the animation. As a result, the superb scripting from Whedon, Jane Espenson, Bran K. Vaughn, and Drew Goddard is spoiled.

Interestingly, the cinematic dissolves and smash cuts between scenes in the comic, which work well in a static medium, feel jarring and disjointed when animated. Again no effort has been made to smooth over transitions but merely imitate the comic without considering how to adapt from one medium to another. Each issue is adapted in about 11 minute installments and all the art and dialogue are present so the story progresses through the first half of the season. We get new threats, old friends, and a nice mix of humor and high drama as we explore a world with all the slayers active.

Buffy remains front and center with Willow and Xander as her lieutenants but poor Dawn has issues of her own that keep her from being anything but a distraction (and comic relief). Of the 1800 slayers now active, some 500 work directly for Buffy, broken into teams of 10 and under Xander’s one watchful eye. At the time, much was made of Buffy’s one-night stand with Satsu, but Jane Espenson expressed surprise since doing the unexpected is one of the hallmarks of the series. Sarah Michelle Gellar also approved of the character development so let’s move on.

The DVD release comes complete with limited edition Jo Chen packaging and a reprint of the issue. There are minimal extras including five minutes shot at this past summer’s comic-con as Jane Espenson, Jo Chen, John Cassady and some fans natter on about the show’s impact and how cool the comic continuation is (which is absolutely accurate). And now you need the comics to find out what happens since the nineteenth and final motion comics leaves many unresolved threads.

Review: ‘Machete’

macheteblurayart1-1345380Movies and television shows have been created after something has caught the public’s imaginations be it a Twitter feed, a commercial, or a persona. Perhaps the best of the lot, though, is [[[Machete]]], inspired by a fake movie trailer. The film, now out on DVD from 20th Century Fox Home Entertainment, came about when director Robert Rodríguez fashioned a B-film trailer as part of [[[Grindhouse]]], the homage to trashy films of the past, made with Quentin Tarantino. Machete, with Danny Trejo in the lead, captured imaginations so Rodriguez and his brother Alvaro wrote a film to do the trailer justice.

I cannot tell you the last time I saw such an entertaining B film, which made me laugh out loud more than once. The thing is, beyond the gratuitous nudity and over-the-top violence, the film actually addresses a few of the day’s hot button issues giving it more heft than the films it emulates.

Once a Federale in Mexico, Machete watched his wife be killed by a drug lord (Steven Segal) and was left for dead. Three years later, he resurfaces in Texas as a day laborer just trying to get along. As luck would have it, corrupt political operative Jeff Fahey hires him to assassinate Senator Robert DeNiro. Before he can fire, though, someone else shoots the senator and frames Machete, igniting racial tensions throughout the city. At the same time, an independent militia, led by Don Johnson, is in cahoots with the senator and both want to shut down an operation called The Network, which has been helping illegals cross the border and begin a new life. It’s led by one woman, Michelle Rodriguez, and is hunted by another, ICE officer Jessica Alba. The rest of the movie is filled with action and mayhem with a script that barely holds the threads together but has more gaping holes than the border between countries.

Alba looks great and handles her official role well but does so without the requisite gravitas. Rodriguez, though, shines and has never looked hotter, especially during the climactic action sequence. Still, the film is all Trejo’s and he does it with a grim faced countenance that shows he’s taking no joy in doing his job or enacting long-awaited vengeance.

The rest of the cast generally is playing against type and most don’t have a chance to play anything but two-dimension figures but boy are they having fun. Noteworthy is how understated Cheech Marin is as Trejo’s brother and how welcome it was to see FX makeup genius Tom Savini on screen again (although a quick glance at IMDB shows me how many films of his I’ve missed). Lindsay Lohan is here as Fahey’s daughter and she looks fabulous in everything from a nun’s habit to her birthday suit but her character is so poorly written that she has nothing to play and comes across more clueless than calculated.

There’s plenty of blood as Machete fights his way in and out of trouble but there’s one time when he escapes from a hospital that has him use the most imaginative device I’ve seen in years. It’s also been a while since a film was just so pure entertaining and a great way to pass a cold winter’s night.

The Blu-ray transfer looks and sounds just fine. The film comes with a small number of extras but most missed is a commentary track from Rodriguez. We do get the green and red-band trailers, 10 minutes of deleted scenes, and an audience reaction track that is fun but unnecessary. Interestingly, an entirely Alba-centric sub-plot has been excised from the film but preserved through these deletions and you understand why the thread was removed.

The film ends with a promise of Machete returning for two sequels and trust me, I’ll be among the first to line up to see them.

‘Star Wars’ Collection Comes to Blu-ray

George Lucas may never finish tinkering with his Star Wars series. At the Consumer Electronics Show today, the anticipated announcement was officially made that the six movies will be collected in a nine-disc box set. The original trilogy will be making their Blu-ray debut — but these are the special editions. Apparently, the original elements from the first releases are fragile and need to be recreated or cleaned to properly reproduce in high definition (yes, meaning another opportunity to sell us product).

All the usual websites are now taking pre-orders but the disc won’t be out for months. Here’s the formal release:

LAS VEGAS (Jan. 6, 2011) – The most anticipated Blu-ray release ever – the Star Wars™ Saga – emerges from light speed this September 2011. For the first time, all six of George Lucas’ epic films (Episodes I-VI) are united in one complete set. Fans worldwide are able to pre-order now with online retailers.

Twentieth Century Fox Home Entertainment will release Star Wars in three distinct sets to meet the needs of every Star Wars fan:

–    Star Wars: The Complete Saga on Blu-ray (9-disc Set includes all six films)
–    Star Wars: Prequel Blu-ray Trilogy (3-disc set includes Episodes I-III)
–    Star Wars: Original Blu-ray Trilogy (3-disc set includes Episodes IV-VI)

STAR WARS: THE COMPLETE SAGA ON BLU-RAY will feature all six live-action Star Wars feature films utilizing the highest possible picture and audio presentation, along with three additional discs and more than 30 hours of extensive special features including never-before-seen deleted and alternate scenes, an exploration of the exclusive Star Wars archives, and much more.

Star Wars: The Complete Saga on Blu-ray will be available for $139.99 US/$179.99 CAN and the Star Wars: Trilogy Sets for $69.99 US/89.99 CAN.  Pricing for each set will vary by international territory.

Flanked by a  legion of his finest  Imperial Stormtroopers, Darth Vader himself joined Twentieth Century Fox Home Entertainment President Mike Dunn at the Consumer Electronics Show (CES) to announce the release, vowing  “The forces of the Empire will be at your disposal to assure the success of this endeavor.’’

“The Star Wars Saga is the most anticipated Blu-ray collection since the launch of the high-def format,” Dunn said. “The epic franchise pioneered sound and visual presentation in theaters and is perfectly suited to do it again in the home, with a viewing experience only possible with Blu-ray.”

“With all six episodes available for the first time in one collection, this is a great way for families and home audiences to experience the complete Saga from start to finish,” said Doug Yates, Vice President of Marketing, Online, Distribution, Lucasfilm Ltd. “And with the quality of high-definition, Blu-ray provides the most immersive home experience possible.”

“The Star Wars franchise has been one of the most anticipated Blu-ray releases by Amazon’s customers,” said Bill Carr, Vice President of Music and Video at Amazon. “We think that Star Wars will be incredibly popular with our customers, and we expect pre-orders to be very strong.”

Review: ‘Merlin Season 2’

merlinbbc-s21-9454490When a show deviates too far from the source material, its fate is in the hands of the writing staff who can take the raw elements and run with them or spin their wheels and grind the freshness out of the subject matter. Much as [[[Smallville]]] ran out of steam six seasons back, its spiritual successor, the BBC’s [[[Merlin]]], quickly lost its way in the first season. The second season, out on DVD now from BBC Video, takes great legendary figures and turns them into maudlin soap characters. When the first season came to America, NBC tried it out and the low ratings relegated season two to SyFy where the mediocre can rule.

The second season picks up as Uther Pendragon (Anthony Stewart Head) remains closed-minded to the dangers around him, focusing on eradicating witches and wizards despite growing threats, with “The Witchfinder” being particular ludicrous.  After “Sweet Dreams” and “The Witch’s Quickening” you would have thought Uther would have reconsidered his stand but no, the writers don’t seem to want real character growth or characters to act like real people. Throughout the season, Uther continues to act like a moron most of the time, with touching scenes here and there to attempt to round him out. When he reveals he is actually Morgana’s father, it’s done so badly; she overhears and has new cause to hate him. That Morgana (Katie McGrath) has powers does not seem to change his mind and he is blind to Merlin’s own abilities. He’s further blind to the notion that Arthur has fallen in love with Gwen (Angel Coulby) despite the gap in their status. Instead, he’s a writer’s pawn acting like a bastard because it suits them.

Merlin (Colin Morgan), keeping his magical abilities a secret, continues his education under Gaius’ (Richard Wilson) watchful eye. His heavy burden weighs on him throughout the season and he struggles with it, which is about the only character growth we get until the final episode, “The Last Dragonlord”: where he reunites with his father and gains yet another burden. Until he can truly be a court magician, he will continue to appear like a whiny boy.

Instead, the most interesting character development in season two is with Morgana, who comes into her own power after letting her occult abilities bubble near the surface since the earliest episodes. As she learns her true origins and nature, she acts out, angered at those who hid the truth from her and finds herself at odds with Arthur (Bradley James) and Merlin, who had only shown her friendship and support. And Arthur continues to struggle in the shadow of his father, recognizing how cruel he can be. Instead, thanks to Merlin and Gwen, he is displaying a conscience that should make him an excellent king, if he can ever get over his own self-doubt.

All the foreshadowing about the adult roles we know them to play is rich material but the writing rarely lives up to potential. Instead, everyone is flat with little subtlety or surprise. All too often people are enchanted or tricked or misdirected to believe things that beggar the imagination. As a result, the season meanders without much to recommend it.

The five disc set comes complete with a lengthy Behind the Scenes look at the show plus The Making of Merlin, which focuses more on the character. The cast and crew offer up introductions plus there are commentaries but none of the usual deleted scenes or gag reels. You do get a photo gallery and wallpapers. Still, this is a disappointing show that has limped through to a fourth season (the third debuts this week on SyFy).

Rotterdam & Catto Team up to Market Comics

Back in the 1980s, as the emphasis switched from characters and editors to creators, it was inevitable that agents would arrive to help the new super-stars cut favorable deals. As a result, its a little surprising it took this long for a marketing agency to arrive to service the “geek culture”. The principals involved are certainly industry-tested and both are well liked. We wish them and their new endeavor well.
 
NEW YORK, N.Y. (Jan. 3, 2011) – Two veteran New York marketing executives are joining forces to open a new full-service advertising and marketing firm, Bonfire Agency, LLC, specializing in helping brands target highly influential but difficult to engage pop culture consumers.  This demo, labeled by some as geek or comic culture, is comprised of incredibly passionate and highly influential fans of everything from comic books, video games and action films to underground music, sci-fi inspired television and cutting edge adult comedy.

“We’re calling them ‘firestarters,’” said Steve Rotterdam, former Senior Vice President of Sales & Marketing for TimeWarner’s DC Comics and co-founder of Bonfire Agency.  “These are hyper-networked consumers that film studios strive to connect with through events like the San Diego Comic-Con because their endorsement of a project, especially in its early stages, can generate serious heat that can propel a film to box office success or green light a second season for a TV series on the bubble.”

“They’re evangelists for everything ‘awesome,’” said co-founder Ed Catto, former Senior Vice President at Reed Exhibitions and a specialist in uniting brands with pop culture icons.  “They’re the first in line and the first to pass judgment as to whether something is authentic or not – and because of their intense, passionate engagement, they’ll go to incredible extremes to let others know exactly what they think.”

“These are the guys that, in 2009, made Paranormal Activity a surprise hit and sank Brüno,” added Rotterdam.

Industry figures indicate that this core group spends $400 million annually on comics, graphic novels, toys and other pop culture collectibles.  “But the degree to which they influence movies, television, gaming, music, fashion, even food, is immeasurable,” noted Rotterdam.

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Disney Promises 15 3-D Blu-ray Releases in 2011

Personally, I could care less about 3-D movies let along 3-D television, but as this technology rolls out and we’ll be hearing more about 3-D TV during this week’s Consumer Electronics Show, expect more announcement such as the one below.

BURBANK, Calif. — January 3, 2011 — Continuing its leadership in the advancement of 3D entertainment and marking the most significant title commitment to the growing Blu-ray 3DTM market, The Walt Disney Studios today announced plans to release at least 15 of its films for in-home viewing on Blu- ray 3D in 2011.

Among the stellar list of films to debut on 3D include beloved and celebrated animated classics THE LION KING and BEAUTY AND THE BEAST, recent theatrical releases including the visually stunning high tech adventure TRON: LEGACY and acclaimed box-office smash hit TANGLED, plus many others to be announced that will release day-and-date and packaged with the Blu-ray 2DTM version.

“As our contemporary library of 3D content continues to grow, and the original artists and filmmakers meticulously „dimensionalize‟ their work for release on the Blu-ray 3D format, we will be offering movie- lovers the most incredible in-home entertainment experience they will ever have,” noted Lori MacPherson, Executive Vice President and General Manager, Walt Disney Studios Home Entertainment. “In addition to offering new releases day-and-date in 3D and further cementing our leadership in the marketplace, we‟re thrilled that consumers will have the exclusive Blu-ray 3D experience of two of the most celebrated Disney animated features, THE LION KING and BEAUTY AND THE BEAST, in their homes.”

Also included among the titles slated for release in 2011 are BOLT, MEET THE ROBINSONS, TIM BURTON’S THE NIGHTMARE BEFORE CHRISTMAS, G-FORCE and CHICKEN LITTLE. These titles will join Walt Disney Studios‟ recent 2010 Blu-ray 3D releases ALICE IN WONDERLAND, DISNEY’S A CHRISTMAS CAROL and STEP UP 3, bringing Disney‟s list of available Blu-ray 3D titles for the home to nearly 20 in all.In addition to the film being in 3D, each disc will include thematically linked 3D menus, 3D previews of coming-attractions trailers and an introduction to the eye-popping world of Disney Blu-ray 3D featuring beloved characters Timon and Pumbaa from THE LION KING.

Review: ‘Missile Mouse Rescue on Tankium3’

[[[Missile Mouse: Rescue on Tankium3]]]
By Jake Parker
Scholastic/Graphix, 160 pages, $10.99

missile-mouse-gn-vol-2-nov100949-2749266Aimed at readers 7-9, Missile Mouse is a cute, bright and colorful space adventure series. Jake Parker, who works at Blue Sky Studios, home to the [[[Ice Age]]] movies, certainly knows how to tell a story and create visually interesting worlds.

His first offering, last year’s [[[The Star Crusher]]], introduced us to the maverick law-enforcement agent, Missile Mouse, who works for the Galactic Security Agency. Why he does not wear their uniform or follow the rules is never explained but clearly he’s one of those can-do heroes despite fighting with the higher ups.

Parker has publically stated his love for creating the worlds and races that make up the Galactic Union but while they look interesting, they’re thin as paper with no depth to them. The first book was wall-to-wall action with a mystery that was obvious. This time, it’s an equally obvious straight adventure with 10 page left over for character designs and background to some of the races seen in the story.

For the second mission, Missile Mouse has to find out who has been enslaving the residents of Tankium3. The world is significant because it is the only one with an element needed for the commercially successful Cosmic Cola. Our hero is paired with a GSA robot, Unit 44, despite his dislike for mechanical agents who only see the world in their binary programming. Of course, he learns a valuable lesson along the way.

In the course of 160 pages, Parker rushes us from thrill to thrill but it’s all surface. We never get to understand the culture of Tankium3 let alone how the Galactic Union works and how King Bognarsh enslaved a planet with no one noticing. There’s a lack of distinction and originality to the storyline and storytelling that keeps this franchise from being anything more than mildly entertaining.