Review: ‘Sgt. Bilko: The Phil Silvers Show’ Season One
Phil Silvers perfected his fast-talking, scheming promoter character during his years on the vaudeville circuit and polished it in a variety of feature films so that by the time he debuted on his own television series, it was pitch perfect. His Sergeant Ernest G. Bilko became a template for comedy roles imitated by others across the pop culture spectrum. For example, the Baby Boomers grew up with the Bilko persona imprinted on Hanna-Barbera’s Top Cat. Silvers rarely varied from the character, using it to good effect in subsequent films and even the Broadway play[[[ A Funny Thing Happened on the Way to the Forum]]].
The series was originally called [[[You’ll Never Get Rich]]] but in less than two months after its September 20, 1955 premiere, it was renamed [[[The Phil Silvers Show]]] and was subsequently syndicated as [[[Sgt. Bilko]]]. It won the Emmy Award for best comedy three seasons running with Silvers winning once as best actor. Series creator Nat Hiken was a recognized comedy writer, now a series creator and followed with [[[Car 54, Where Are You?]]] and [[[McHale’s Navy]]]. Such was the show’s fame and success; it was among the first situation comedies to run on the first incarnation of Comedy Central.
To see what the fuss is all about, you can now own the first season, releasing tomorrow as Sgt. Bilko: The Phil Silvers Show, from Paramount Home Entertainment. There are 34 episodes on five discs along with just a handful of extras.
What you get is Sgt. Bilko, head of the motor pool at sleepy Camp Baxter in Roseville, Kansas. He and his platoon of career soldiers never had money and always sought a way to get ahead – one scheme after another from card games to horse racing. Invariably, it meant out thinking the camp commander, Col. John T. Hall (Paul Ford) or fellow sergeants. Aiding him were his corporals Rocco Barbella (Harvey Lembeck) and Steve Henshaw (Allan Melvin). Throughout the season, characters recur such as his occasional romantic foil Sgt. Joan Hogan (Elisabeth Fraser), but all were in support of Bilko.

Batman]]] needs a Robin. It humanizes him, reminds him of the actual people he is sworn to protect. As a result, he welcomed Jason Todd into his life only to see the second Boy Wonder become his greatest failure. The death of Jason, at the hands of both the Joker and the comic book readers, was a major event in the latter 1980s and cemented the notion that comics, as they matured, also grew darker. The glass case with the retired outfit served as a stark reminder of that failure, pushing the [[[Dark Knight]]] to do better.

As promised, Paramount Pictures released more images from Thor, opening May 6, 2011. Director Kenneth Branagh has clearly cleaned up Jack Kirby’s vision of Asgard, making things nice and shiny.




Yesterday, BOOM! Studios joined the growing number of companies to add the rank of Chief Creative Officer to their mastheads. Mark Waid, the publisher’s Editor-in-Chief was named CCO with Matt Gagnon promoted to Editor-in-Chief. Marvel also formalized C.B. Cebulski’s talent scout role by naming him Senior Vice President, Creator & Content Development of Marvel
At least one generation of super-hero fans grew up knowing the DC Comics heroes through their appearances on ABC’s [[[Super Friends]]]. Loosely based on the [[[Justice League of America]]],[[[Superman]]], [[[Batman]]], [[[Robin]]], [[[Wonder Woman]]], and [[[Aquaman]]] teamed up in the Hall of Justice and fought all manner of menace. Accompanying them for no rational explanation were Wendy Harris and Marvin White, along with Wonderdog.
While much attention has been given to Marvel Studios’ ramp up to production on Captain America: The First Avenger and the recasting of Spider-Man, 20th Century-Fox has been making great strides towards repopulating Professor Xavier’s School for Gifted Students.
Brandon Vietti is just two weeks away from his solo directorial film debut with Warner Home Video’s looming release of Batman: Under the Red Hood, a dark, emotionally wrenching journey as Batman’s past and present collide.
No stranger to the fanboy/comics realm, Jane co-wrote his own comic book miniseries, Bad Planet. He played the title character in the 2004 version of The Punisher, starred in Mutant Chronicles, and had roles in both The Crow: City of Angels and Buffy the Vampire Slayer. He has drawn widespread acclaim for many of his non-fanboy roles, especially his turn as Mickey Mantle in the HBO film, 61*. His numerous credits run the gamut from Magnolia, Deep Blue Sea and The Thin Red Line to Boogie Nights and Face/Off.
