Author: Robert Greenberger

Review: ‘Strange New World’

strangenewworldcover1-5495517Gene Roddenberry spent the 1970s attempting to create new series and while many got as far the pilot film, none ever went to series. By the end of the decade he was frustrated and gave up, tying himself to [[[Star Trek]]], riding that cash cow to the end of his life.

His first attempt was 1973’s [[[Genesis II]]], a take on post-apocalyptic life on Earth, starring Alex Cord as Dylan Hunt (a name that got recycled). The CBS movie of the week looked good and almost made the schedule when the network opted instead for [[[Planet of the Apes]]]. Roddenberry continued to rework the notion, revising it into[[[Planet Earth]]], and switching from CBS and Cord to ABC and then rising action star John Saxon.  After that aired and failed, Roddenberry wisely walked away from the idea in favor of [[[Questor]]] and [[[Spectre]]].

Others, though, didn’t give up and tried with Saxon one final time in [[[Strange New World]]]. While the earlier attempts were released as a part of the Warner Brothers Archive program in October, only this week did this final act become available.

The common denominators are that the PAX organization sent astronauts into space in a state of suspended animation. Meantime, Earth was devastated and when the explorers awoke, they had to survive in a world they no longer recognized.

Airing March 23, 1975, we get an info dump narration to open the story of Strange New World, clearly lifted from the opening lines of Star Trek. Similarly, the [[[Enterprise]]] Bridge sound effects that open the telefilm make you think there’s still a Roddenberry connection which there most certainly is not.

Say what you will about him, but when he envisioned the future, he did his homework and researched where we were and where the experts thought we were headed. You see a lot of that especially in Genesis II. Writers Ranald Graham, Walon Green, and Al Ramrus did none of that and as a result the state of the Earth makes little sense after a series of meteors destroyed civilization as the astronauts knew it 180 years earlier.

Saxon, this time, is called Captain Anthony Vico and is accompanied by Dr. Allison Crowley (Kathleen Miller) and Dr. William Scott (Keene Curtis). The movie is actually two stories, neither of which is very good. In the first half, they encounter a utopia only to discover that there comes a price – with the ability to reproduce eradicated, the eternally youthful-looking people have resorted to cloning themselves for an endless supply of body parts. Of course, for some bizarre reason, each swab for more genetic material weakens the donor and eventually, the problems of aging become apparent. The hope is to refresh the supply by capturing our intrepid heroes.

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Review: ‘Avatar’

There’s something to be said for immersing yourself in a new world, letting yourself discover new life forms and new civilizations. Going where no man has gone before is one reason we pay out bucks and attend big screen presentation. James Cameron delivers on that expectation with [[[Avatar]]], the lushly-produced science fiction film that recently was released on Blu-ray by 20th Century Home Entertainment.

Pandora is a colorful world, looking nothing like Earth and yet has a vibrant ecosystem with intelligent life that has found harmony with the flora and fauna. The worst thing that ever happened to them was being discovered by mankind.

By the 2040s, we’re told Earth has ruined its ecology and was a dying world so people needed to spread out, find new resources to let the billions live until solutions could be found. A new mineral discovered in abundance on Pandora brings ship after ship as man invades a new frontier, threatening a way of life.

While this has been an engaging theme in fiction for decades, Avatar offers us nothing new on the subject. The story has been reviled and ridiculed because it evokes memories of better versions of this same story, most notably Dances With Wolves, but even that Kevin Costner epic was retelling an old tale.

Cameron put all the money on the screen. Even on home video, Pandora is a rich world that moves and breathes with grace. The logical extrapolation of technology looks great down to the tiniest of details.

And again, this is why the story fails us so completely. On the one hand we enter an alien world and see compelling imagery and then on the other, we watch every stock cliché and story point telegraphed because of its utter familiarity. While sitting at home seeing the film for the first time, my wife and I were calling out what was coming next because it was so obvious. James Horner seemed equally uninspired, repeating elements of his Glory soundtrack.

There’s a reason Jake, our hero, was only a corporal: he sucks as a strategist.  The final assault to protect Pandora from the humans wasted so much life because he didn’t use the geography and geology to his benefit.

When Colonel Kilgore, I mean Colonel Quaritch, suits up to take on Jake, I uttered, “We have gone from a Cameron film to a Bruckheimer film” and the utterly unnecessary final battle was saved from being too much on-the-nose by Neytiri delivering the killing blow on behalf of her world.

By being given nothing real to play, the performers went through the motions and did the best they could but no one performance stands out as being particularly good or memorable.

Similarly, the Blu-ray had one of the sharpest transfers I’ve ever seen and it made me miss seeing Pandora projected large and in 3-D. The Blu-ray/DVD combo pack lacks a single extra (not even the trailers) so no doubt some collector’s set is in the offing.

On the other hand, the thin and flat story made me equally happy I didn’t shell out extra bucks for what is ultimately a disappointing experience because the finished product came nowhere close to its potential.

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Review: ‘Valentine’s Day’

As a storyteller, Garry Marshall’s credentials include some of the finest character-driver television of the 1960s. This success with [[[The Dick Van Dyke Show]]] and [[[I Spy]]], among others, led to his chance to produce and direct sitcoms and then feature films. Along the way, he built a reputation as a great person to work for, earning him endless loyalty. His films grew in sophistication without losing the heart and soul, as seen when he turned $3000 into [[[Pretty Woman]]].

With the passage of time, though, it has become clear that while a beloved figure, he has lost sight of the strong and individualistic characters he used to surround himself with. As a result, his more recent offerings have been softer, less interesting, and far less commercially relevant.

When viewers saw the marquee ensemble he assembled for [[[Valentine’s Day]]], it was a guarantee that people would come and see their favorites. There were big names for every demographic from Emma Roberts and Taylor Launter for the tween set to Shirley MacLaine for the seniors. Unfortunately, when we bought our tickets and popcorn and sat down, we were treated to a watered down, predicable story.

The film’s biggest problem is that it poorly compares with 2003’s [[[Love Actually]]], which has become a cable, DVD and sleepover staple. That film focused on a far small cast with much stronger storylines for everyone.

Watching Valentine’s Day on DVD, out tomorrow from Warner Home Video, you are just a tad surprised by how some of the characters intersect but not by what they do. Every storyline is telegraphed and every character is a stock type, yanked from Central Casting.

Katherine Fugate’s story may feel sprawling and at the same time intimate, it also fails to surprise. More, it fails to show us anything but a narrow demographic which was upper middle class to the wealthy. George Lopez, playing the lowest paid character in the film also had the strongest romance and shortest amount of screen time to demonstrate it.

Her story also has logic-defying plot holes such as Jennifer Garner’s 5:30 flight from Los Angeles to San Francisco and yet was able to get humiliated, return to the airport and manage to crash the early dinner seating at a posh LA restaurant.

Several actors were criticized for walking through their parts but then again, when they were given nothing to work with, it’s clear they were there out of love for Marshall. Garner and Anne Hathaway give two of the most honest performances while Taylor Swift shows us what a good singer she is. Even Marshall’s go-to actor, the great Hector Elizondo, gives a fairly rote performance.

This disappointing film comes in the standard combo pack with Blu-ray, Standard DVD and digital copy in a nice package. The Blu-ray video and sound were top-notch, which let us enjoy the excellent sound track. Blu-ray extras include an extensive number of deleted scenes, none of which make the story any deeper or more satisfying, while The Garry Factor clearly demonstrates why people signed on to make this sad effort. The Blooper Reel, a Jewel music video, and The Stars Confess Their Valentine’s Day Stories round out the nice assortment of extras. 

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Disney Announces ‘Alice In Wonderland’ Exhibit in Los Angeles

We call this to the attention of those living on the west coast because it sounds kind of neat:

LOS ANGELES, CA, MAY 10, 2010 – In celebration of ALICE IN WONDERLAND’S Blu-ray™ and DVD debut on June 1, 2010, Walt Disney Studios Home Entertainment (WDSHE), in partnership with Disney Consumer Products (DCP), are unveiling a first-of-its-kind Alice In Wonderland Exhibition in the FIDM Museum & Galleries at FIDM/Fashion Institute of Design & Merchandising in downtown Los Angeles.  The exhibition is free to the public and opens on Thursday, May 27 and will run through September 30, 2010.

Fans of the film and fashion alike will find a new appreciation for the craftsmanship, artistry, and design behind the making of the costumes and merchandise at this particular exhibit that is comprised of three distinct parts: (1) Original costumes from the film designed by two time Academy Award® winning costume designer Colleen Atwood (Best Achievement in Costume Design for Memoirs of a Geisha in 2005 and Best Costume Design for Chicago in 2002),  (2) The Edgier Side of Alice inspired clothing and products from DCP and designed by a variety of celebrities, designers and fashion icons (e.g. Sue Wong, Tom Binns, Avril Lavigne, etc.), and (3) Alice inspired gowns created by FIDM designer graduates with FIDM Fashion Mentor and Instructor Nick Verreos.

Colleen Atwood’s work portrays a reinvention of the madcap look of “Alice in Wonderland” for the 21st Century.  Featured on display will be her original costumes from the film, including Johnny Depp’s original Mad Hatter fighter garment, a few of Mia Wasikowska’s Alice dresses and Helena Bonham Carter’s Red Queen Dress, as well as costume sketches, hats and props from the film. 

In addition to the original costumes on display, there will be modern-day “Edgier Side of Alice” inspired clothing, jewelry, accessories and collections designed by fashion icons such as Sue Wong, Tom Binns and Avril Lavigne.  This display by Disney Consumer Products illustrates its collaboration with these renowned designers in order to create an interpretive line that brings the allure and mystery of the film and characters to life.

FIDM will also play an active role in the exhibition. In collaboration with Disney’s fashion team, the college challenged six Designer grads to partake in a FIDM SuperLab project led by Nick Verreos (Star of “Project Runway”, Graduate and Instructor at FIDM/Fashion Institute of Design & Merchandising and NIKOLAKI Owner/Designer).  Since the ALICE IN WONDERLAND film is all about discovery, FIDM Fashion Designers were challenged to discover their talents in the world of Alice by designing and producing couture gowns inspired by six iconic characters in the film.  Garments are couture glamour meets the red carpet – unconventional, unexpected, Alice in “Underland” – where nothing is what it seems! Their creations will be on display for all to see alongside Colleen Atwood and DCP’s collections.

Exhibition Gallery Hours & Details:

Admission to the exhibition is free of charge to the public and opens on Thursday, May 27 and runs until September 30, 2010. Gallery is open Tuesday – Saturday from 10 a.m. – 4 p.m. FIDM Museum & Galleries Is located at FIDM/Fashion Institute Of Design & Merchandising, 919 S. Grand Ave. Los Angeles, CA 90015. For more information about this exhibition, please visit FIDMmuseum.org or call 213-623-5821.

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‘Spartacus’ Prequel Announced with Lucy Lawless and John Hannah

spartacus-lawless-2-thumb-550x305-32042-1335810While we eagerly await next week’s upfront announcements to see which of our favorite genre shows survive or vanish, one series has figured out their next step. During production of Starz Network’s Spartacus: Blood and Sand, its title star Andy Whitfield was diagnosed with Non-Hodgkin Lymphoma. As he undergoes treatment in New Zealand, there remained question as to how long it would be before the second season could begin production.

The producers came up with a clever filler by striking a deal to produce a six-part prequel that would require no more than a cameo from Whitfield. Instead, the focus will be on the randy pair played by Lucy Lawless and John Hannah as the story chronicles the rise of the House of Batiatus in the days before Spartacus arrived as a captured Thracian slave.

The producers, writers, and production crew will continue with their roles while a new actor will be added to play the pre-Crixus champion. Production will start this spring with Starz scheduled to air the series beginning in January 2011.

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‘Human Target’ gets second season

human-target-full-cast-1178189With the upfront announcements for the major networks rolling out starting Monday, pick-ups and renewal notes have been arriving all week. This morning, it appears Fox has given a green light to a second season of Human Target.

The series, starring Mark Valley, Chi McBride, and  Jackie Earle Haley, debuted to positive reviews and middling ratings this spring. The first season ended on a cliffhanger with the producers hoping for a positive response. Instead, the origin story garnered the lowest ratings to date but still received the thumbs up.

While the show bears little resemblance to the Len Wein/Carmine Infantino character, it remains an enjoyable hour drama. The show will evolve a bit now that Matthew Miller, formerly co-executive producer of Chuck, will be joining the team as co-showrunner with Jonathan Steinberg.

Fox also announced a new series pick-up to Wilde Kingdom from Arrested Development creator Mitch Hurwitz. The series will star Keri Russell, in her return to series television, alongside Will Arnett. Steve Wilde is a wealthy, self-centered Beverly Hills playboy who falls for a selfless humanitarian and hilarity ensues.

Chuck, one of our favorite series, is on the bubble but all signs point to its return to NBC. On the other hand, Greg Grunberg, one of the stars of that network’s Heroes, tweeted this morning, “The ‘Fat Lady’ is doing her vocal warm-ups!!” There had been talk of a thirteen episode wrap-up mini-season but that seems less likely now.

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‘Three Musketeers’ 3-D Film Builds Cast

Now that the Robin Hood legend has been mined once more for the screen, attention has pivoted from England to France as director Paul W.S. Anderson has begun casting for The Three Musketeers, a 3-D extravaganza.

To date, he has envisioned Logan Lerman (Percy Jackson & the Olympians: The Lightning Thief) as his D’Artagnan with Ray Stevenson (The Book of Eli), Luke Evans (Clash of the Titans) and Matthew Macfadyen (Robin Hood) as Porthos, Athos and Aramis, respectively.

For the villains, it’ll be Academy Award winner Christoph Waltz (Inglorious Basterds) as Cardinal Richelieu and Mads Mikkelsen (Casino Royale) as Rochefort.  Orlando Bloom (Lord of the Rings) has been offered the role of the Duke of Buckingham. Milla Jovovich, Anderson’s wife, will portray Milady de Winter, Athos’ former lover.

The Alexander Dumas novel has been adapted for movies and television dating back to 1903 and was most recently seen in the crowd-pleasing 1993 Disney attempt. The Alexander Salkind two-film production is being dusted off for a Blu-ray release on June 1 from Lionsgate.

Anderson cowrote the script with Andrew Davies and the filming is expected to begin in September. Summit will release the film domestically but has yet to announce a date, which is likely to be in 2011.

This is the second modern adaptation with the other being mounted by director Doug Liman (The Bourne Ultimatum) and Warner Bros. with a 2012 release planned. No casting has been announced and this too will start shooting in the fall.

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Review: ‘Elektra: Director’s Cut’

elektra1-6100608The idea of Jennifer Garner playing Elektra to Ben Affleck’s Daredevil may have seemed a great idea at the time, given her athletic prowess in [[[Alias]]]. And unlike so many supporting characters who get eyed for spinoff movies (Jinx from the [[[Bond]]] series, [[[Silver Surfer]]], etc.), she actually got featured in a 2005 feature from director Rob Bowman.

The movie was a critical and financial disaster, performing worse than Mark Steven Johnson’s [[[Daredevil]]] feature. Now, Elektra: Director’s Cut
is out on Blu-ray from 20th-Century Home Entertainment and the three minutes added do not make it a substantially better experience.

The problem with the Zak Penn, Stuart Zicherman and Raven Metzner screenplay is that it never tells us anything about Elektra Natchios as a person. We’re shown flashbacks to her upbringing without detailing why her father was so hard on her. We’re shown she has OCD but where it comes from and why it’s even mentioned is never explored since it never plays a part in the film.

The story is a muddled mess with too many things going on at once, little of making any sense. The Hand, an evil organization of black-clad ninja controlled by business-suited masterminds, and the Kimagure, which is more of a martial art and philosophy as embodied by Stick (Terence Stamp). You know they’re the good guys since they dress in white.

Caught in between is the Treasure. We’re led to believe it was likely to be Elektra herself but no, the treasure turns out to be Abby Miller (Kirsten Prout), a 13-year old who has already lost her mother to the battle between forces and is on the run with her father Mark (Goran Visnjic). Elektra is lured into their world through needlessly complex ways and then has to defend Abby from a quartet of barely named super-powered assassins.

There’s plenty of fighting and plenty left unexplained. And frankly, as the film ends, we know nothing more about Elektra or the real struggle between Roshi (Cary-Hiroyuki Tagawa) and Stick.

In one sequence, Elektra turns on the gas stove, tosses a candle into the kitchen and causes a devastating explosive blast to stop the Hand from entering her ancestral home. With the gas still on and flames everywhere, one would think the house would catch fire but no, miraculously, we never see the flames or see anyone concerned about the fire. Its this sort of story illogic that mars what could have been an interesting story about a fascinating character.

The acting is stiff and we’ve seen better from the more familiar names, especially Garner who has range if allowed to use it. Stamp is appropriately gruff as the blind teacher but with the cap of white hair and black outfit, I mistook him for Marlon Brando.

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‘Swamp Thing’ Volume 3 due on DVD in June

Shout! Factory has announced a June 22 release for the third volume of the Swamp Thing television series on DVD. The set was being offered as part of their Shout! Select online exclusive line of product.

The first volume, comprising seasons one and two of the USA cable series, and volume two (beginning the third season) were released in 2008. This volume would complete the third season and series.

The series, featuring the character created by Len Wein and Bernie Wrightson, debuted on July 27, 1990 with a total of 72 episodes. The series largely followed the continuity of the horrid film adaptation by Roger Corman and starred Dick Durock who portrayed the misunderstood creature in both feature films.

While the show was once a top-rated hit for the fledgling cable channel, it was poorly received by critics and fans of the source material.

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‘Captain America’ Will Likely Sling Shield in 3-D

Marvel’s super-heroes continue to dominate the headlines as Iron Man director Jon Favreau told MTV he imagined it was time for the Mandarin to step front and center in Iron Man 3. After setting up the Ten Rings in the first film, it was clear he was already heading in that direction.

Meantime Marvel Studios president Kevin Feige confirmed to the Los Angeles Times that they were studying 3-D technology and were likely to let Captain America: The First Avenger be the first film in the new format. With Thor already shooting, an up-conversion was not ruled out.

“The team has been doing a lot of research into 3-D processes, and we’re looking at it on future films when we have the time. We will be doing it at some point,” Feige told Geoff Boucher.

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