Author: Robert Greenberger

Review: ‘Hamlet’ starring David Tennant and Patrick Stewart

main-156311-3862409For geeks like us here at ComicMix, a real-life mash-up can be too good to be true. So, the notion of Captain Jean-Luc Picard sharing the same stage as The Doctor is just too good to be true, even if it means watching yet another production of William Shakespeare’s Hamlet.

What many forget, though, is that Stewart is a classically trained actor so this is like mother’s milk to Sir Patrick. Tennant is also an accomplished performer and Shakespeare veteran who most certainly has greater range than what we’ve been familiar with these last five years (I strongly recommend you all go find [[[Einstein and Edington]]] to see what I mean).

When the two genre icons appeared on stage in London, it stirred up quite a buzz. Better yet, it was recorded and broadcast just last week on PBS’ [[[Great Performances]]].

Recognizing the new era we consume entertainment in, PBS immediately made the full show available on their website and this week, BBC Entertainment released the event on standard DVD and Blu-Ray.

I’ll confess: I am not a fan of the Bard’s tragedies, having more to do with the format and its requirements that everyone dies unhappily at the end, requiring things to happen that make little sense. Anyway, this rendition by the Royal Shakespeare Company cleverly transports the setting from 17th Century Denmark to the 21st Century with Tennant as Hamlet and Stewart as Claudius.

As directed for the screen, the three hour production is visually arresting with lots of interesting angles as selected by director Gregory Doran.

Tennant has been singled out for his interpretation of the great Danish prince, with some critics hailing this as the performance of a generation. I’ll leave that to the experts, but it was certainly engaging, making me forget all about the Time Lord, despite his loopy ploy. In jeans and mostly bare feet, he looks more slacker than royalty.

hamlet1-6812122Stewart more than holds his own as the newly appointed King, who quickly marries Queen Gertrude (Penny Downie) while Hamlet is away from court. His sterling work was recognized with the Olivier Award, the British equivalent of the Tony Award.

Interestingly, Stewart played Claudius before, three decades earlier in a different television production, but is continually drawn to the character. “Claudius is a great role because it is a depiction of a gifted, intelligent, bold man destined to be a great ruler who missed out and, as a result of missing out, chose a wicked option to achieve the life he wanted,” Stewart told the press. Strutting around the nourish sets in expensive dark suits, he is every bit the master of his domain.

There are some nice extras including a 40-minute featurette on adapting the stage show for the screen. You can also gain additional insights from the audio commentary anchored by Doran along with Director of Photography Chris Seagar and producer Sebastian Grant.

If it takes a starship captain and a Time Lord to get you to watch this, so be it, but you won’t be disappointed.

Review: ‘Iron Man The Complete 1994 Animated Television Series’

I have enjoyed [[[Iron Man]]] as a character since discovering the Marvel super-heroes through the limited animation shows of the 1960s. That led me to the comics and so on. All along, shellhead has been one of my favorite characters so you can imagine my delight at the Jon Favreau film and the chance to write an original novel adventure.

I’ve been looking forward to this week’s sequel and no surprise; have been sent his animated adventures for review. When the live-action film came out two years ago, the mainstream press kept referring to him as a lesser known character and that may have been true to film critics, but he’s been a well-known television character for decades.

After all, he was seen in the 1960s series plus a guest appearance on [[[Spider-Man and His Amazing Friends]]], before gaining his own half-hour show as part of the Marvel Action Hour from 1994-1996. He has guest starred on other Marvel animated shows, had his own animated feature and most recently, the youthful [[[Armored Adventures]]] show. Not too shabby.

His 26 episode series from the 1990s is available this week as a three-disc set from Disney Home Entertainment. The two 13 episodes are quite different yet neither are very good. On the one hand, the series hews very closely to the comic book look and feel of the era.  The details, though, are very different starting with the green-skinned Mandarin as the main foe throughout. The Golden Avenger’s familiar foes all seem to be work for him as does a diminutive and poorly characterized MODOK. It’s the Mandarin who captures the injured Stark as revealed in the two-part origin story so it focuses their enmity from the beginning, not entirely unlike what Favreau is setting up in the films. Perhaps the biggest origin alteration is that slivers of metal threaten his spine, not his heart. Is it better or more plausible? Maybe.

Rather than focus the series on Tony Stark and his armored alter ego, it includes the West Coast Avengers, er, Force Works so time is given over to War Machine, Century, Scarlet Witch, Hawkeye and Spider Woman. Julia Carpenter becomes Tony’s romantic interest complete with engagement, so that’s different.

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Review: ‘Iron Man: Armored Adventures’ Season One

20650-imaa-s1-2d1-5703603Of course there was going to be a new [[[Iron Man]]] animated series in the wake of the smash success of the 2008 movie. Marvel delivered [[[Iron Man; Armored Adventures]]], airing on Nicktoons as of spring 20098 with a second season promised this fall.  Vivendi Entertainment has also collected the entire first season on five discs, being released today, the week [[[Iron Man 2]]] jets onto screens coast to coast.

Unlike the 1994 series, also being released this week, this one has no connection to the movie reality or the comic book continuity. Instead, the team lead by showrunner Christopher Yost decided to make this an all-ages Iron Man. Possibly inspired by a storyline that reconfigured Tony Stark into a teenaged shellhead, this series introduces us to teenaged wunderkind Tony, his best pal Rhodey and hits the ground running.

In short, Obadiah Stane has engineered Howard Stark’s death and takes over the company. Tony, not yet of age, is now living with Rhodey and attending high school but accesses a hidden warehouse where he had built the Iron Man armor and uses it when its clear Stane has perverted his father’s work.

We get familiar faces in new roles with Pepper Potts as the gosh-wow female love interest and Happy Hogan as the school dumb jock. Stane, played too much like Lex Luthor rather than an original character, is saddled with a daughter. Whitney, who becomes Madame Masque in a key variation from the source material. New to the mix is Gene Khan, son of the Mandarin and desirous to replace his father, obtaining the five rings of power – one of which Howard Stark found and Stane stole.

The entire first season sets up Stark vs. Stane and Gene’s quest for the five rings of power. Along the way many of Iron Man’s classic foes are repurposed and brought in as pawns or distractions. All 26 episodes rocket us along at a quick pace ending with a cliffhanger, keeping people waiting for the second season to arrive.

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Review: ‘X-Men Volume Five’

With [[[Iron Man 2]]] opening on Friday, everyone has decided to jump on the comics bandwagon and is flooding the shelves this week with Marvel-related fare. Walt Disney Studios Home Entertainment joins in the fun with the two-disc[[[ X-Men]]] Volume 5, completing the classic 1990s animated collection.

The 14 episodes presented here are in airdate order and span 1996-1997 and seasons four and five of the Fox series, which has remained the longest running Marvel animated title. The show was incredibly faithful to the source material, with former X-editor and then-Editor-in-Chief Bob Harras working as a story consultant. The show also had the unqiue aspect of having lengthy sub-plots allowing breadth and depth of subject matter most animated fare previously could not enjoy.

Comparing this to the adaptations of the same stories by the more current [[[Wolverine and the X-Men]]] shows the greater freedoms taken by the new creative staff—and not always for the better.

Given a variety of technical production delays, episodes were prepared out of order and writer Steven Melching always directs fans to the script numbers to show the proper story evolution. Instead, the five volumes have presented the shows in airdate order, which could prove confusing.

The series had horrible vocal casting but at least had strong animation direction. However, when Fox belatedly ordered a handful of additional episodes, Saban farmed out the animation to the Philippine Animation Studio, and the inferior quality is marked as you will see upon rewatching.

Disc one opens with the two-part “Phalanx Covenant” featuring the goofy but loveable Warlock. We switch focus to Omega Red, a then popular foe, in the long-delayed “A Deal with the Devil” which nicely spotlights Wolverine, Storm, and Rogue. Also delayed and finally aired at this point are “No Mutant Is an Island” and “Longshot”. The former treats Jean Grey as still dead although the animated continuity at this point had resurrected her but nothing was done to accommodate this. And while Longshot himself was nicely handled, I never cottoned to Mojo, who is played far too broadly here.

Any real sense of episode to episode continuity is gone by the second disc and the inferior animation is truly sad to see. As highlighted on the box cover, “Old Soldiers” is a flashback to World War II and a Wolverine tale. He partners with Captain America to take down a traitorous American scientist and the Red Skull (of course). The dialogue is nicely handled by Len Wein although the story felt tired.

The additional order did allow for a finale, “Graduation Day”, which saw the anti-mutant prejudice take a decidedly deadly turn as Xavier is fatally shot. Mutants around the world seek a leader and flock to Genosha, looking to Magneto for guidance. The X-Men arrive to solicit his help and Xavier gets a happy ending. He also gets a chance to say farewell to the core X-Men and the viewers, with the series ending on a cautiously optimistic note.

There are no extras on the collection, but if you have the first four volumes, you can’t possibly miss out on this one. 

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Review: ‘Wolverine and the X-Men – Revelation’

We’re nearing the end of the line with [[[Wolverine and the X-Men]]] as Lionsgate releases the penultimate volume of the six volume DVD set comprising the first, and now only, season of the animated series.

Volume five, [[[Revelation]]], is on sale Tuesday and contains five more episodes adapting themes and storylines from across the comic franchise’s storied history. As with the previous volumes, the latest of which we reviewed back in January, the animation is lean and adequate with stronger vocal casting than the 1990s incarnation.

One of the series’ strengths was in the consistent vision and voice of the writing team anchored by Nick Filippi, Greg Johnson, Craig Kyle, and Christopher Yost. As a result, sub-plots run from episode to episode smoothly and characters are consistent throughout.

We open with “Guardian Angel”, focusing on Warren Worthington’s simmering battle with his father over his destiny, leading to the loss of his wings and seduction by Mr. Sinister. You genuinely feel for Warren’s loss and see his fall from the skies as a tragedy, understanding why he agreed to become Archangel. (I admit to always having had a fondness for the red-and-white uniform he sported until this moment.)

Next up is “Breakdown” which gives us one of the more significant departures from the comics as Jean has been missing and Emma Frost has been helping locate her. Her efforts lead to a largely flashback episode showing us Scott Summers’ origins and his introduction first to Professor Xavier, then the initial [[[X-Men]]], and finally Jean. We also see the manifestation of the Phoenix Force which set up Jean’s current dilemma.

We then skip to one of the mutants’ many possible futures in the amusing “Rover” which involves Bishop and other mutants trying to deal with the rogue Sentinels that have overrun the world. Bishop wants to us their pet robot, Rover, to perform a suicide mission against the Master Mold but Marrow has grown fond of Rover and refuses to give it up. Kind of fun, but also annoying since it remains largely disconnected from the present day tale. The notion that Prof. X is in a 20 year coma and can still communicate with Wolverine and Cyclops is odd. This aspect of the series rings false and contrived, once again showing people just don’t know what to do with the powerful telepath.

Gambit is sent to Genosha to steal Magneto’s helmet in “Aces and Eights”, where the Cajun woos the innocent Lorna in order to obtain his goal. The personalities of Lorna Dane and Scarlet Witch are quite different than their comic book counterparts but they play off one another nicely and offer some of the best dialogue in the show. While largely predictable, it has some fun moments. Counterpointing the lighter main story, we end with Magneto and Senator Kelly being shown the disastrous future their actions are steering humanity towards.

This brings us to “Shades of Grey” the final episode, when Jean is finally located and Emma turns on the team. The action-packed episode also offers up the debuts of : Apocalypse, Sebastian Shaw, Selene, Donald Pierce, and Harry Leland, setting up the final episodes of the season.

Unlike the previous volume, this one shows the writers working a little more subtly with the enormous cast. [[[Wolverine]]] himself is actually merely a participant in these five stories. Overall, these are a mixed bag, more entertaining than not and certainly for diehard mutant fans.

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Review: ‘Saturday Morning Cartoons 1980s’

As the 1980s dawned, it was a nadir point for Saturday morning cartoon fare. Concerns over imitative actions by the young viewers led to a decrease in what could be shown on animated series. Additionally, rising costs led to shortcuts and more limited animation, plus the usual cyclic concern over televised violence. Throughout the decade several new trends emerged starting with a greater reliance on licensed properties and personalities to anchor new shows. While the handful of original series showed their allegiance to the latest trends, it also led to a great divide between what was aired first thing in the morning compared with shows for the slightly older audience.

Hanna-Barbera was still the number one provider of fare but Ruby-Spears and the new Marvel Animation proved competitive and they helped changed the look and feel of the cartoons.

Much, but not all of the above, is evidenced in the new two-disc Saturday Morning Cartoons: 1980s, Vol. 1
, being released Tuesday by Warner Home Video. There is an odd sampling of material for all age ranges here, using obscure series and ignoring some better known shows that might have made for a stronger disc.

We open with [[[Goldie & Action Jack]]], which ran from 1981 – 1984. The premise featured 18 year-old Goldie Gold, who used her wealth to run [[[The Gold Street Journal]]] and often accompanied her best investigative reporter, Action Jack. Accompanied by her dog Nugget (every series had o have a pet it seems), they went on adventures around the world. However, as seen in “Night of the Crystal Skull” they often stumbled into adventures and stories and Action Jack is more moron than journalist.

The first of several celebrity series follows with [[[Chuck Norris: Karate Kommandos]]]. The television action star filmed opening and closing bits then a goofy animated adventure followed. He’s accompanied by an odd assortment of followers and at least the animation is pretty sharp and the story moves at a nice clip.

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Review: ‘District 13: Ultimatum’

rsz-district-13u-3d-2-2297357In 2004, action fans were introduced to a brand new style of stunt work, an acrobatic, athletic style called parkour. One of its creators, David Belle, showed off his stuff in [[[District 13]]], which benefited from being written and produced by Luc Besson and directed by Pierre Morel.

Set in the near future of 2010, the French film showed Paris in economic and societal decay with District 13 being overrun by gangs. Rather than deal with the problem the ineffective police wind up building a wall around the ghetto, isolating its two million residents.

The combination of action, adventure, and contemporary issues turned it into a success both in Europe and America. Morel went on to make a domestic thriller, Taken, and skipped returning to the inevitable sequel, [[[District 13: Ultimatum]]]. The film was released last year and is out this week on Blu-ray from Magnet Home Entertainment.

The story, also co-written and produced by Besson, picks up in 2016, with things no better, and possibly worse. Five ethnic gangs vie for control of the lawless land while the police watch from checkpoints. Walter Gassman (Daniel Duval), the leader of the police’s secret service division, has been orchestrating plans to decimate the district and help award the rebuilding contract to Harriburton (not so thinly disguised is it?), with kickbacks making him rich.

To make certain his plans work, Gassman frames Damien Tomaso (Cyril Raffaelli), the best cop in Paris, and has him imprisoned. Meantime, he has his goons kill several policemen, placing them within District 13 so the gangs fire on the vehicle, making it seem the gangs crossed the line. What Gassman didn’t realize was that others witnessed – and recorded – the event. When Tomaso’s former partner Leïto (Belle) is given the footage, he too becomes a target. At much the same time, Tomaso calls for help and the action ignites.

The film cleverly introduces Tomaso on a case, showing some of the underworld life but the movie’s story fails to properly develop the five separate gags and their leaders even though they are pivotal to the final act. Similarly, Gassman is a two-dimensional villain and the only developed character is the unnamed President (Philippe Torreton).

The action and parkour fighting is a marvel to watch but sadly, every bad guy and every cop seems to possess martial arts skills. Five gangs should have had a more diverse assortment of fighting styles, giving some visual variety to the climax. Overall, the themes and basic plot are derivative and contrived but the breathless pacing and buddy chemistry between Belle and Raffaelli helps a lot.

The film, as presented on Blu-ray, is dubbed and the vocal casting is weak throughout. Visually the transfer is adequate and the sound is nicely mixed.

Extras include a nearly thirty minute Making of District 13: Ultimatum which is segmented and fairly ordinary in presentation. Subtitled, it is really only for major fans of the creators. An additional thirty-four minutes of Production Diaries, reusing some of the same footage, provide additional information in the filmmaking process. As you might expect, there are Deleted and Extended Scenes, all of which were additional action moments so the story remains wafer-thin.

Finally, we get French rapper Alonzo performing a Music Video and a useless HDNet: A Look at District 13: Ultimatum, which tells us nothing.

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Warner Premiere Formally Announces ‘Batman: Under the Red Hood’

rh-canon-fire-8845946We were teased with the next direct-to-DVD animated feature when Justice League came out a few months back. Personally, we never understood why Jason Todd was resurrected or why DC and Warner Home Video considered this story worthy of adaptation, but here is comes. What follows is the press release with the details:

BURBANK, CA (April 27, 2010) – Batman confronts new enemies, old foes and painful memories when a powerful vigilante with a penchant for violence comes to Gotham City in the intense graphic-novel-come-to-life Batman: Under the Red Hood, the next entry in the popular ongoing series of DC UNIVERSE Animated Original PG-13 Movies coming July 27, 2010 from Warner Premiere, DC Entertainment and Warner Bros. Animation. The full-length film will be distributed by Warner Home Video as a Special Edition version on Blu-Ray™ and 2 disc DVD for $29.99 (SRP) and $24.98 (SRP), respectively, as well as single disc DVD for $19.98 (SRP). The film will also be available On Demand and for Download.

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James Marsters Discusses Villany

James Marsters has been added to the cast of the pilot remake of Hawaii Five-0 for CBS, portraying a villain. He told Australia’s Herald Sun, “They saw me in a fight sequence and something about it made them think ‘Let’s keep him around for a little bit’. I’m like a poor man’s Jackie Chan. But I have to say of all of the pilots that I knew about this year, this one stands the best chance of actually making it to the light of day. So I’m pretty hopeful.”

Pop culture reinventors Alex Kurtzman and Roberto Orci wrote the pilot for showrunner Peter Lenkov. The series picks up from the original by focusing on Chris McGarrett, son of Steve McGarrett (Jack Lord). Casting includes Alex O’Loughlin as Chris, Lost veteran Daniel Dae Kim as Chin Ho Kelly and Battlestar Galactica’s Grace Park as Kono Kalakaua. The remake is likely to make the 2010-2011 prime time schedule, although formal announcements are not expected until mid-May.

Marsters, who appeared with Kim in Angel, reflected on constantly being cast as the heavy. “I think frankly it’s because I got known for a villain early on,” he told the paper. “When I first came to LA, the only job on TV I’d had was as a very nerdish priest on Northern Exposure. I really lucked into that role. I was actually playing a killer on stage at the time for John Pielmeier who wrote Agnes of God, but I just happened to score this priest role on Northern Exposure.

“So when I came down to LA the only thing I had on my reel was this nerd character, so I got put up for a bunch of nerds. I scored a couple of guest spots as people who were uncomfortable in their own skin. Then Buffy was looking for somebody at the last minute, and I don’t know why but they thought I could do accents, so they called me in. And I lucked into that role, and ever since everyone thinks of me as a villain. So, I’ll take it man. The villain is a good role.

“Cos when you’re a villain, you’re standing in the shadows, not having to do much, then when the hero walks by you pop him a couple of times, big music sounds, and you go home. Whereas if you’re the hero, you have to have long scenes with guilt, and you have to be running around all night sweating, and then at the very end of the night you get popped in the face by the villain, who looks cool and gets all the credit.”

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20th Century Fox Announces 75th Anniversary Video Releases

Twentieth Century Fox Home Entertainment has kicked off a 12-month marketing, promotions, publicity and media campaign to honor and promote the studio’s legacy and library. The celebration will include the release of more than 300 films on Blu-ray Disc and DVD, showcasing a remarkable, rich and unparalleled heritage of great movies, Academy Award®-winners and box office smashes featuring a cast of the greatest movie stars and directors from yesterday and today.

Fox’s year-long celebration will include extensive catalog releases of more than 300 of the studio’s most notable films on Blu-ray Disc and DVD and will be supported by event publicity campaigns, national advertising, retail and account specific promotions, internal and studio driven special events and limited-edition gift with purchase promotions.

The studio has launched a dedicated Web site that will feature information about upcoming Blu-ray Disc and DVD products, theatrical releases and national and local events and promotions tied to the 75th Anniversary campaign.

The website provides consumers with a chance to win a prize daily from Fox Home Entertainment. Prizes include a chance to instantly win $75,000 or a special limited edition poster, Blu-ray Disc or DVD.

PRODUCT HIGHLIGHTS

Fox Home Entertainment will release a selection of seasonally timed singles, double and triple features and classic quads on DVD representing some of Fox’s most recognizable films. Each product includes a gift with purchase offer to redeem a limited edition 75th anniversary commemorative movie poster. Each poster features a globally recognized and iconic film image from Fox’s 75 years of glamour, dynamic duos, rebels, cult classics, screams, sci-fi and music.

The first product wave representing critically acclaimed films timed to awards season is available in stores now. (more…)