Author: Robert Greenberger

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‘Leverage’ Leaps from TNT to RPG

  • News
  • April 17, 2010

leverage-the-ro-md-1892614We here at ComicMix adore Leverage and have been eagerly awaiting tie-ins to the TNT dramatic series co-created by John Rogers. The first such product was announced this week with Margaret Weis Productions scheduled to release Leverage: The Role-Playing Game in June. The RPG will allow players to assume the roles of series regulars Nate, Elliot, Parker, Hardison, and Sophie while attempting to scheme and outwit their targets.

The Quickstart Job, a 16-page full color single scenario adventure, has been designed for June release to act as an introductory game.
 
The Leverage RPG will use the Cortex system as its foundation, and the 192-page, full color core rulebook will give players all the basics. The sourcebook Leverage: Grifters and Masterminds is due in September.  The 112-page full color trade paperback will include expanded rules for staging heists, planning capers, and working cons. 

The second season ended over the winter and will be released on DVD May 25 while the 15-episode third season is scheduled to begin running in June.

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‘Hugo Cabret’ Headed for Silver Screen in 3-D

  • News
  • April 16, 2010

Slipped into the coverage for Kick-Ass was the fact that Chloë Grace Moretz will also be seen in Martin Scorcese’s adaptation of The Invention of Hugo Cabret.

The 2007 novel from Brian Selznick is a quasi-graphic novel mixing prose with long silent stretches of graphic narrative, totaling 284 of the 533 pages found in the Scholastic release.

Scorsese, known for his graphic violence not his graphic fiction, will be making the film in 3-D. The movie will be the director’s first kid-targeted effort, with London production scheduled to begin in June. Sony has already announced a December 9, 2011 release date.

Moretz will play the daughter of Cabret who befriends an orphan (a part yet to be cast) who has been living with his uncle in the great train station. The story is largely based o the life of pioneer film-maker Georges Méliès, known for his silent film A Trip to the Moon. He was also an invention of mechanical, wind-up figures called automata which plays a major role in the story.

The novel has won the prestigious Caldecott Medal and was a 2007 National Book Award Finalist, Young People’s Literature. Scorsese bought the film rights when the hardcover was released and hired John Logan (Gladiator, Star Trek: Nemesis to write the adaptation).

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Are ‘Green Hornet’ and ‘Jonah Hex’ in Trouble?

  • News
  • April 16, 2010

IESB is among the several sites reporting that after years in development, the now shooting Green Hornet film has been underwhelming the suits at Sony. The phrase “displeased with the results” was used. Another was quoted as saying the “tone is too campy, they’re not happy with the work from director Michel Gondry and Seth Rogen does not look the part. At all. In fact, the feeling at Sony is the movie is a disaster.”

Sony of course declared the reports “complete garbage” and went on to say the executives have screened one third of the movie and find the results “outstanding… remarkable”. We’ll get a clearer idea based on what the studio cares to show fans at Comic-Con International in July.

Speaking of films in trouble, the lack of presentations at WonderCon and this weekend’s C2E2 does not bode well for Jonah Hex, the June 18 release based on the DC western anti-hero. After a splashy presentation in San Diego last summer complete with teaser footage and poster, there has been nary a bit of promotion for the Josh Brolin-led production.

Warner Bros. website offers up a synopsis and a link to a Yahoo site showing off the teaser poster from last July. In January it was confirmed that 10 days of reshoots would occur involving Brolin and costars John Malkovich, Megan Fox and Michael Fassbender. Additionally, The Hollywood Reporter noted  “Although no test screenings have taken place, the studio has decided to work on story and action during the shoots, working in 12 pages of additional script mixed in with some reshoots.”

Joining director Jimmy Hayward for the reshoots was Constantine director Francis Lawrence, listed as a consultant.

THR’s Heat Vision blog said, “Some insiders said the new infusion of scenes and money was designed to fix certain problems with the movie; others have said it’s being done to beef up the moderately budgeted pic so that it can stand shoulder-to-shoulder with the big-budget tentpole crowd.”

Since then, there remains no obvious marketing campaign to make audiences aware of the movie which was moved from the relatively safe August 6 into the more competitive June 18 slot. That normally shows a sign of confidence in the finished product but temper that with the lack of appealing to the fan masses as convention season continues.

While Hex does not have direct comic book-based competition, it does follow remakes of  The A-Team and  The Karate Kid by a week and will open the same day as Toy Story 3 and is followed less than two weeks later by The Twilight Saga: Eclipse.

Rumors continue to point to disappointment with Hex which may have cooled the studio’s ardor for adapting Lobo. Guy Ritchie had been on board to direct the film but he dropped out to shoot a sequel to Sherlock Holmes. Producer Akiva Goldmsman has yet to land a replacement and Warners doesn’t appear to be in a rush.

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Captain America Gains his Peggy Carter

  • News
  • April 16, 2010

After being turned down by Emily Blunt and possibly others, Marvel Studios issued a release announcing relatively unknown actress Hayley Atwell has been added to the Captain America cast as Peggy Carter.

Atwell is known to some from her work in A&E’s disappointing remake of The Prisoner, but she has also been seen in The Duchess and Brideshead Revisited.

Peggy Carter was introduced as the Star-Spangled Avenger’s love interest when he debuted in Tales of Suspense #64  (April 1965) and was the original spy known as Agent 13. She was later reported to have suffered dementia and was confined to LarkMoore Clinic. Her niece, Sharon Carter, also dubbed Agent 13, is Cap’s enduring romance partner since Tales of Suspense #75 (March 1966).

Here’s the formal release:
 
Marvel Studios announced today that Hayley Atwell has been cast to star as Peggy Carter in the studio’s highly anticipated movie CAPTAIN AMERICA: THE FIRST AVENGER opposite Chris Evans.  In the early comics, Peggy Carter fell in love with Captain America while they fought together in the war effort.  The character will be updated for the feature adaptation.  Joe Johnston will direct the film penned by Christopher Markus & Stephen McFeely.

Marvel Studios’ Kevin Feige will produce CAPTAIN AMERICA: THE FIRST AVENGER.  Alan Fine, Stan Lee, David Maisel and Louis D’Esposito will executive produce.  The film will be released in the US on July 22, 2011 and distributed by Paramount Pictures.

CAPTAIN AMERICA: THE FIRST AVENGER will focus on the early days of the Marvel Universe when Steve Rogers volunteers to participate in an experimental program that turns him into the Super Soldier known as Captain America.
Atwell will next be seen in PILLARS OF THE EARTH, the 8-part miniseries premiering July 23 on Starz and the TV series THE PRISONER.  Her film credits include THE DUCHESS, BRIDESHEAD REVISITED and CASSANDRA’S DREAM.

In addition to CAPTAIN AMERICA: THE FIRST AVENGER, Marvel Studios will release a slate of films based on the Marvel characters including the highly anticipated sequel, IRON MAN 2, starring Robert Downey Jr. and Gwyneth Paltrow on May 7, 2010, THOR on May 6, 2011, and Marvel Studios’ THE AVENGERS on May 4, 2012.

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Kick-Ass Goes Digital

  • News
  • April 15, 2010

In a release from Marvel Comics, just in time for tomorrow’s premier of the Kick-Ass movie:

Kick-Ass fever is sweeping the nation and now you can discover the hit series on your favorite mobile device! The complete Kick-Ass limited series is now available in single issue format for iPad, iPhone and iPod Touch users through the Comixology, Iverse and Panefly applications, while PSP users can download directly to their device!

“I have an ancient cell phone given to me by a relative that’s so old it can’t take pictures so this tech is so far away from me it might as well be science fiction,” said Kick-Ass writer and co-creator Mark Millar. “But I read about it on Comic Book Resources and Marvel.com– the guys seemed excited so consider me excited by osmosis. More readers and new readers is always a good thing.”

John Romita Jr, artist and co-creator of Kick-Ass, said, “I’m excited about these advances in technology that I have been hearing about for, what seems like ten years. Now it has arrived, and all I can think of is that it advances the state of ‘comic books’ in that it will direct people to the source material. I believe this will cement the tangible material, the comics themselves, into the hands and minds of future ‘young’ generations! It always comes down to the quality of writing and the sequential art. Holding a comic and turning the page for more will forever be a novelty, even with advanced technology as an option.”

Review: ‘Cocoon’

Ron Howard was a beloved child actor who showed some directing chops with [[[Splash]]], a fantasy-themed comedy but he truly showed that he was a director to be taken seriously with his follow-up, 1985’s Cocoon
. The movie was light-hearted, but a drama, which immediately showed his range. Additionally, Howard worked with a collection of veteran actors and he coaxed terrific performances from them all, resulting in Don Ameche’s Supporting Actor Oscar.

The movie is referenced now and then but has largely slipped from the collective consciousness, which is a shame, because it’s a nice story, well told, and worth seeing again. 20th Century Home Entertainment has released a 25th anniversary edition on Blu-ray and interestingly, rather then now-common combo pack, this a single Blu-ray disc retailing for the reasonable $24.95.

Watching the movie is a delight because we see long-gone veterans like Ameche, Hume Cronyn, Jessica Tandy, Jack Gilford, and Maureen Stapleton in poignant roles as seniors.

David Saperstein’s novel provided the springboard for Tom Benedek’s adaptation which posits that 10 millennia ago, beings from distant Antarea came to Earth and formed an outpost on what is now considered the lost continent of Atlantis. As the cataclysm claimed the land, all but 20 members of the exploration team left the planet. Those who remained behind were shrouded in cocoons, waiting for the day they could be brought home.

When four of their brethren return, led by Brian Dennehy, they rent a home, collect the cocoons and charge a swimming pool with lifeforce to sustain the 20 survivors until the Antareans could bring them home.

Nearby, though, is a retirement home filled with people looking at the twilight of their lives, but some refuse to give up without a fight. Ameche, Cronyn, and Wilford Brimley sneak off and take a dip in the neighboring pool, rejuvenated by the lifeforce. They’re spry, energetic, even amorous and loving every minute of it. When Dennehy discovers them, he decides no harm, no foul and lets them continue to enjoy themselves.

The one who can never take joy from life, Gilford, also learns Dennehy’s secret but stays out of the water. He sees the bleakness of life and inevitability of death so refuses to take a dip or even bring his terminal wife, Herta Ware to heal. Instead, he lets his feelings fester until he blurts out the secret and suddenly everyone else in the home wants a chance at a second life, setting up the moving denouement.

Actions, we’re shown, have consequences and Howard lets things play out nicely. It’s a relatively simple story, using a science fiction setting to tell a story about people dealing with aging and the end of their years. Even this second chance has them reflecting in touching ways, with one another, their alien hosts, and their families. There are many wonderful performances here, capped by Ameche’s winning role, but everyone rises to the occasion, even younger folk like Steve Guttenberg, in one of his less obnoxious roles.

You can’t help but like a film such as this. The video transfer is fine if unexceptional as is the audio aided by the Dolby digital. Sadly, for a 25th anniversary edition, they merely replicated Howard’s commentary and five featurettes from the 1994 DVD release, totaling maybe 20 minutes all told. While many of the performers are gone, some sort of look back was in order and this is a missed opportunity.

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Win a ‘Lord Of The Rings’ Gift Set

  • News
  • April 12, 2010

Warner Home Video is celebrating this week’s release of The Lord Of The Rings trilogy on Blu-ray and iTunes by offering one lucky ComicMix reader with a gift set that will include:

  • The Lord Of The Rings: The Fellowship of the Ring Original Theatrical Poster
  • The Lord of The Rings Playing Cards
  • Along with several other Lord of the Rings themed items including bookmarks, a small candle, a Jade ornament from New Zealand, a choker, and a pin.

So, how do you get to be the winner? Be the first person to correctly tell us the following information and you win. It’s that simple.

  1. When was The Fellowship of the Ring released in theaters?
  2. Who portrayed Théoden: King of Rohan in The Two Towers?
  3. Who sang the end credits son in The Return of the King?

First person to post all three correct answers in the comments section (along with a legitimate email address that we can reach you at) wins. Good luck!

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Review: ‘The Thomas Crown Affair’

rsz-thomas-crown-8420147Forget about whether or not this is a good remake of the beloved Steve McQueen. This is a smart, stylish drama that treats its characters like adults as it also respects its audience. The Thomas Crown Affair was released in 1999 and remains one of Pierce Brosnan’s most popular films because of his nuanced interpretation of Crown, a wealthy businessman who steals because the challenge keeps him alive.

When he steals from an art museum, insurance investigator Catherine Banning (Rene Russo) assists Detective Michael McCann (Denis Leary) in the investigation. Banning, an American based in Europe, pretty quickly targets Crown as her man. As she lays her sexy trap, we see them toy with one another, leading to a sexually charged sequence that continues to smolder on the Blu-ray release, out this week from MGM Home Entertainment.

The film is based on the 1968 McQueen box office hit which had Crown portrayed as a bank robber, committing two crimes before the story reached its climax.  The film’s original downbeat ending was tweaked for something more satisfying as you find yourselves rooting for Brosnan and Russo. Faye Dunaway, McQueen’s love interest, returns as Brosnan’s psychiatrist for a handful of scenes that don’t really move things along. In fact, we never really get into Crown’s head; never really get to understand why he needs to break the law to feel alive. Nor do we understand why he never married or had family, great challenges themselves.

Still, the film has interesting twists and while the stakes are high. No one is dead serious, they allow themselves to live and even be humorous.

The climax, as Brosnan honors his commitment to restore the painting without being caught, remains a delight to watch again.

Brosnan’s suave demeanor made him perfect for the remake but he held out for director John McTiernan to come aboard and make sure this was done right. The director insisted on numerous story changes, distancing itself further from the original and keeping it more in line with modern day sensibilities.

No one was happy with the video transfer when the DVD was initially released and people were leery of the Blu-ray’s release given MGM’s spotty reputation. The good news is that this is a superior image compared to the DVD. Not the sharpest Blu-ray release, but certainly an improvement. Additionally, Bill Conti’s excellent score and soundtrack sounds fabulous. Even his choice of songs, such as Nina Simone’s “Sinnerman” shows a decision to appeal to the older viewers, rather than filling it with soft rock or pop numbers. The soundtrack stands out on its own.

Oddly, the only extra is McTiernan’s 1999 commentary, which can be found on the Standard DVD disc. Yes, this is released in the combo pack so Blu-ray, standard and digital discs for a reasonable price of $24.95.

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Review: ‘A Home for Mr. Easter’

A Home for Mr. Easter

By Brooke A. Allen
NBM, 197 pages, $13.99

What’s nice about the graphic novel format is that is can take great children’s book ideas and let them breathe rather than truncate them to fit the slimmer requirements of the genre. Brooke A. Allen is a SCAD student making a splash with her fist book and it’s a fast-paced, somewhat madcap but tender-hearted tale.

Tesana is an oversize adolescent, never fitting in with her peers, which has resulted in her moving from school to school. Whatever is the cause of her physical and emotional issues, she’s clearly a Special Ed student with anger management problems. Her loving mother seems somewhat clueless about getting her proper school supervision and is at her wit’s end regarding her only child. We don’t know where Dad is and what their circumstances, and frankly, little of it matters.

Our heroine is special and despite her best intentions, things always seem to be spiraling out control. When her guidance counselor suggests she try an extra curricular activity in order to make friends, she tries to assist the pep rally club. They don’t want her and her good intentions backfire, resulting in live rabbits being accidentally released. The story really takes off when Tesana discovers one bunny has stayed by her side and she becomes determined to return the animal to its home.

Just one thing. The rabbit is magical and may well be the proverbial Easter Rabbit, especially since it appears to be laying brightly colored Easter eggs that contain special gifts. Oh yeah, and it talks to Tesana. As she attempts to find the rabbit’s habitat, she encounters a crooked stage magician, animal rights’ activists and a lab using animals as test subjects. With Tesana missing, her mother and the police are also part of the chase, sort of bookending the comical procession.

The evolving relationship between the girl and the rabbit, dubbed Mr. Easter, forms the emotional core of the story. Allen’s storytelling propels the pair from place to place in a somewhat breathless manner but never forgetting to fill each encounter with detail. Her black and white artwork is unqiue and comical, with enough realistic touches to ground the story in our world, without telling us when or where this story takes place. That in itself makes it both magical and timeless.

Her characters are not terribly deep and we don’t stop to learn much about any of them, even Tesana, but they have specific speech patterns and appearances giving the book a nice variety. We’re given pretty much exactly what we need to see and read before moving towards the inevitable and most satisfying conclusion.

This is a terrific first effort and I look forward to more from Ms. Allen. This book is good for early graphic novel readers right on up. 

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Review: ‘Steel’ on DVD

  • Uncategorized
  • April 6, 2010

Less than five years after his introduction in comics, [[[Steel]]] made it to the feature film pantheon of super-heroes. At one point, Warner Bros. was intending to produce a film adaptation of the best-selling [[[Death of Superman]]] storyline and it was decided that a Steel spinoff movie made sense. When it became clear that major [[[Superman]]] buff Shaquille O’Neal was serious about an acting career and that the Death movie was not going to happen, Warners decided to go for a modestly budgeted film anyway.

The $16 million project was handed to science fiction television veteran Kenneth Johnson whose only previous feature experience was directing [[[Short Circuit 2]]]. They were betting that he would bring the same magic here as he did with the[[[ Incredible Hulk]]]. He wrote and directed a film that was lambasted upon its August opening, earning a meager $1,686,429.

Now, as a part of the Warner Archive series, Steel comes to DVD this Tuesday. You have to love the basketball superstar or the character to put up with this poorly conceived adaptation.

Here’s the official synopsis: When evil scientist Judd Nelson ([[[Jay and Silent Bob Strike Back]]], [[[The Breakfast Club]]]) begins selling top-secret weapons to LA’s street gangs, former military researcher Shaq joins forces with a brilliant electronics expert to build an invincible suit of armor. Layered in his magnetic metal sheath and armed with his own hi-tech weaponry, Shaq transforms into his mythic alter-ego, Steel. From a secret command center, Steel sets out on a high-powered silver motorcycle to confront Nelson and rid the city of crime.

As you can see, it has no bearing on the Steel spinoff comic book that at least had Steel taking on a company did that him wrong. Instead, you have Nelson as an unconvincing evil genius who lacks any sense of threat.

Shaq is physically fine as John Henry Irons but the man can’t act and once he donned the armor, couldn’t move with the grace we saw for over a decade on the basketball court. His armor looked fake and the hammer just didn’t have that menacing feel.

The best thing about the film was Annabeth Gish as Susan Sparks, a wheelchair bound ally who evokes thoughts of the comics’ Oracle. Her performance was the most convincing in the largely flawed film which was shot like a TV movie, not a big screen feature. You would have thought[[[ Quincy Jones]]], who co-produced the movie, would have insisted on a little more gravitas or at least made some connection between Steel and his namesake, the American folklore hero John Henry. Instead, they drag in Richard Roundtree to lend the movie some street cred (audiences could see him and think, “ooh, Shaq and Shaft, this could be good” then get disappointed).

As an Archive film, you get an adequate transfer and zero extras. If you are a DC super-hero completist, then this film’s for you. For people looking for action and adventure, look elsewhere.

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