Author: Robert Greenberger

Fincher Declares ‘Rendezvous’ Dead

David Fincher, while promoting his next feature, The Curious Case of Benjamin Button, told reporters that the film adaptation of Arthur C. Clarke’s Rendezvous with Rama was likely dead. Despite the most recent draft of a script being delivered in April, financing proved difficult for the classic novel.

"It looks like it’s not going to happen,” the director was quoted as saying over at First Showing. “There’s no script and as you know, [Morgan Freeman’s] not in the best of health right now. We’ve been trying to do it but it’s probably not going to happen."

The actor was the person to begin developing the property for much of this decade with Fincher coming on soon after. Freeman, though, was badly injured in a car accident back in August.

Freeman told the website last year, that "it’s a very intellectual science fiction film, a very difficult book to translate cinematically." A 30-mile long cylinder is found in the solar system and a crew of astronauts is sent from Earth to explore the extraterrestrial object. Published in 1972, it went on to win the Nebula, Hugo and Jupiter Awards.

Revelations Entertainment, Freeman’s production outfit, holds the screen rights and they contracted with Fincher in 2001.  The most recent screenplay was written by Stel Pavlou, a writer perhaps best known for his prose stories in the Doctor Who Short Trips anthologies.
 

Review: ‘French Milk’

French Milk
Lucy Knisley
Touchstone Books, October 2008, $15

These days, people record their every inner thought and deed via Twitter, LiveJournal, Facebook and other social networking sites.  It’s a fast and easy way to tell the multitudes what you’re up to.  This is especially true for people who travel far from friends and family.

As a result, Lucy Knisley is a throwback.  The 23-year old grew up on comic books and has studied art in Chicago and New York, developing a distinctive style and voice that earned her a small but dedicated following. She recorded her six week sojourn in France by using pen and paper, recording a graphic diary of her trip to celebrate her 22nd birthday and her mother’s 50th.   Upon her return, she gathered up her dozens and dozens of pages and self-published through Monkfish Book Publishing.

While showing [[[French Milk]]] to people at a MoCCA event, she was discovered by Amanda Patten, senior editor at Fireside/Touchstone.  Now, the book is receiving a big PR push and is on sale as today and has already been receiving positive notices.

Knisley has a keen eye for atmosphere and detail, finding joy in the simplicity of a baguette or a rude American tourist. Her observations are sharp and we can share her delight in fresh, unadulterated whole milk, from which the book takes its name.  We follow mother and daughter as they sightsee, shop, dine and relax together.  She does a nice job recording the details to bring their flat to life along with shops, Laundromats and restaurants.

The book’s publicity tells us of the changing relationship between moth and daughter but the book barely scratches the topic.  There’s one sequence when mother tries to discuss financial planning to Lucy but that’s about it.  They share the flat and bed and seem to get along without any tension, quarrel or serious issue.  Lucy Knisley, it seems, missed having sex but remained faithful to her boyfriend, whom she stills has a relationship with. But she seemed content to be a homebody and never craved going out to experience Paris nightlife on her own with people her age. If anything, the relationship seemed very close and stable.

The pair had been to Paris before and her observations about seeing things after a few more years’ growth and maturity is interesting.  But her diary is all surface.  We did this, ate that and went to sleep.  There’s precious little about the culture or differences with her life back in the states.  Her observations are all micro with no attention paid to the larger issues facing a young woman on the cusp of adult independence.

The book benefitted from the occasional photograph so we can compare the real people with Knisley’s fun drawings.  It could have benefitted from some summing up beyond a one-pager at the end.

Knisley has great potential and she’s working hard to achieve her place in the comics field.  This is a terrific, albeit flawed, first major effort. Her current material at Knisley’s website show continued development.

Donner says Gibson is Out of ‘Lethal Weapon 5’

richard-donner-1-1940669Richard Donner has an impressive resume as a director but he seems forever linked to two franchises: Superman and Lethal Weapon.  While chatting with Geoff Boucher at the Los Angeles Times about the former, he let slip the news that Mel Gibson has refused to be in the fifth installment of the latter.

We recently reported that the project may be fast tracked but with Shane Black working on another film, people were concerned that Lethal Weapon 5 may be stalled.  Then we heard it was happening.  Now, Donner said, "Mel turned it down," Donner said. "I would like to think that Mel turned it down because I wasn’t involved. Knowing Mel, I would like to think that. Would that be the kind of thing he does? It sure would be." Gibson’s representatives refused to confirm this for the Times.

"Joel Silver tried to ace me out of it,” Donner explained. “He tried to put it together but made sure he didn’t do it until my contract was up. You know, it’s typical of the man. A guy who wasn’t even around at the beginning when we started on the first one. He came in late.

"Yes, the project is pretty much dead in the water unless someone had the sense to come to me."

Boucher got Donner to comment on Warner Bros.’ recent announcement that they envision the next Superman feature film to be a darker look at the Man of Steel. "I do think you could probably take Superman into some other areas today,” he commented. “I think maybe it’s ready to break the mold slightly and bring a little greater sense of reality into it. Not contemporizing it to like today. Just making the heavies — and the situation that is the tension piece — a little more broken away from the comic-book character. It would take some tricky writing, some good acting and some good directing."

As for who should be involved, he has one name. "I’d like to see Geoff Johns take a crack at the Superman…I think he would be startling. Did you read his comics? There it is. It’s there on paper." Johns began his career as Donner’s assistant on Conspiracy Theory and the two have collaborated on a run of Action Comics, which Johns now writes on his own.

"The studio hasn’t gone to him and said, ‘Give us a screenplay.’ That would be the smart thing to do, but that’s show biz. Right? Show biz, that’s our life."

The prolific director is more immediately looking forward to this week.” This Thursday my favorite producer in the world, Lauren Shuler Donner, and I are getting stars on the Hollywood Walk of Fame."
 

Platinum taps Execs for Advisory Board

platinum-studios-logo-1155371Home Media Magazine has reported that Platinum Studios has formed an advisory board, featuring a dozen executives from print and mass media to help CEO Scott Mitchell Rosenberg guide their print-to-film projects.

“The vast experience and success with various forms of entertainment that each advisory board member brings with them will allow Platinum to access additional contacts in the film, television, online, retail and video game industries and in development of the 5,600 comic characters and storylines in the Platinum Studios portfolio,” Rosenberg said. “I am excited by each and every member’s willingness to join the Advisory Board and support Platinum in a more formal role.”

Rosenberg’s ambitious total includes Platinum-generated properties in addition to other comic publishers’ whose film rights they represent such as the forthcoming Witchblade film based on the Top Cow character.

The board is comprised of Richard Fowkes, head of business affairs for Legendary Pictures and former EVP in charge of business affairs for the motion picture group at Paramount Pictures; Andrea Hein, former president of Viacom Consumer Products and current EVP of First Wives World; Mark Canton, former chairman of Sony Pictures Entertainment and current chairman of Atmosphere Entertainment; Michael Helfant, former president and COO of Marvel Studios; John W. Hyde, former president and CEO of Film Roman and current chairman of Rehab Incorporated; Gale Anne Hurd, chairwoman of Valhalla Motion Pictures; Jerry Katzman, former vice chairman of William Morris Agency; Steve Milo, former president of new media for Marvel Comics; Ed Dille, chairman of Fog Studios; Gareb Shamus, founder of Wizard Entertainment; Charlie Weber, former CEO of Lucasfilm; and Glenn Rigberg, president of Rigberg Entertainment Group.

Platinum has angered creators over payments and legal issues stemming form their recent purchase of Wowio.  While they continue to publish comics both in print and on the web, none have broken through as major creative successes. They do have numerous projects in various stages of development.  Most notable among the list is Cowboys & Aliens which DreamWorks is developing and has Robert Downey, Jr. attached to star.

Platinum was formed in 1997 after Rosenberg exited Malibu Comics in the wake of its purchase by Marvel Comics.  He has been slow to develop Platinum through the years and didn’t really begin releasing titles until late 2006 despite years of development. On September 25, 2006, Platinum pruchased DrunkDuck, a webcomics site and began a strong didigtal initiative that led to the purchase earlier this year of Wowio.

Their media initivative has been limited to the Showtime series Jeremiah, based on a European properrty licensed by the studio. Platinum Studios posted net losses of $4.3 million in 2006 and $5.1 million in 2007.
 

Review: ‘Indiana Jones and the Kingdom of the Crystal Skull’

Sitting in the darkened screening room at Paramount Pictures that early May day in 1981, I had no idea what I was about to experience.  Working at Starlog at the time, I thought we were pretty much aware of everything cool that was coming from Hollywood.  But we knew little about this thing called [[[Raiders of the Lost Ark]]].  Then we watched it.

An homage to the action serials of the 1930s and 1940s, director Steven Spielberg and producer George Lucas combined their best skills to produce something iconic and fresh at the same time.  They also did what has become increasingly difficult ever since – create an interesting character from scratch.  Sure, Indy is one of a long line of adventurers dating back to Allan Quatermain if not further back, but still, he was new and cool.

Ever subsequent Indy film has been measured against the original and found wanting. I missed [[[Indiana Jones and the Kingdom of the Crystal Skull]]] when it opened in May so sat with the DVD, on sale today, and was curious to see what sort of experience this would be. After all, the buzz over the summer that while good, it was ultimately a disappointment after waiting so many years.

I was entertained.  The movie wisely moved to the 1950s to reflect the passage of time and evoke an entirely new feeling.  As a result, the Roswell setting, the Crystal Skull possibly being an alien, etc. was all appropriate as was the arrival of the Cold War nemesis, successors to the Nazis for storytelling fodder.

However, Spielberg and Lucas got too cute from the get-go with the Caddyshack-like gopher  popping up as we began the story.  While winks to those no longer with us, such as Marcus Brody were fine at Indy’s home, the statue’s head striking a blow was unnecessary.  While immediately understanding the locale from John Williams’ evocative score, we didn’t need to see the Ark.  Too many winks at the expense of good storytelling.

More should have been done to examine Indy at a point in his life when he was getting a little old of adventure and his life was filled with missed opportunities.   Mutt being his son was telegraphed from the get-go and was totally without nuance.  Marion arrives too late for my taste, trades quips but seems to accept the passage of time with a smile and far more forgiveness than she showed in the first film.  Her spunk and edge, which made her extremely fascinating in Raiders was all scrubbed away, making her likeable and far less compelling.  Thankfully, Karen Allen has aged as gracefully as Harrison Ford and they still have some great screen chemistry.

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Four New Characters Join ‘Torchwood’

Torchwood Magazine has the first scoop on the newest members joining season three of the popular spinoff from Doctor Who. The five-episode serial, Children of the Earth, has been shooting since late August with a 2009 airdate to be announced,

Producer Peter Bennett walked readers through the four starting with Lucy Cohu (Cape Wrath) who will play Alice, "a woman keeping many secrets from the past".

Susan Brown (The Riff Raff Element) will be Bridget Spears – "a character vitally connected to the government, which plays an important part in this story".

First-time performers complete the cast: Cush Jumbo as Lois Habiba, "a secretary who hacks into some vital information", and Rik Makarem, playing Doctor Rupesh Patanjali, a "junior doctor at St Helen’s hospital who gets drawn into Torchwood’s investigations".
 

‘Mutts’ Pushes for Prop 2

This week’s Mutts storyline takes a political tone as creator Patrick McDonnell campaigns in favor of California’s Proposition 2, which is aimed at curbing factory farm abuses. Mutts,  found in 700+ newspapers in 20 countries, is read by four million Californians no doubt distracted more by presidential politics than the proposition.

Michael Markarian spoke with McDonnell at the Huffington Post about this unusual activism for the one page of the newspaper that usually eschews offending anyone.

“In Mutts I try to see the world through the eyes of animals,” he told the site. “This has made me more conscious of how tough many of them have it on this planet. In 2000 I was asked to join the Board of Directors of The Humane Society of the United States, and became even more aware and involved. I felt that my strip could address (hopefully, for the most part, in an entertaining way) some of these issues and help give the animals a voice.

“Prop 2 is just too important to not tackle. Even though the reform will be modest, it puts a stake into the ground that the way we treat farm animals matters…20 million animals will be directly impacted, suffering less, if this measure passes. It will also send a clear message to the factory farm conglomerates that, once people are made aware, they will not tolerate the way most animals raised for food are treated in this country.”

Review: ‘Iron Man’ DVD

I’ll admit it right up front; I grew up with [[[Iron Ma]]]n as my favorite Marvel super-hero. I can’t say why exactly, although I really liked the armor and the gadgets and when Gene Colan began drawing his adventures, I loved the artwork.

So, you might imagine, I was predisposed to enjoy the movie now out on DVD. The idea that Iron Man would ever become a feature film was one I never really imagined and all through the years o development, I kept hoping. Still, as cool as it might have been to see Tom Cruise as Tony Stark or see what Nick Cassavettes would have done as a director, I was perfectly content with Jon Favreau as the director. After all, from the moment he started writing on MySpace, you could tell he got it. He understood what set the character apart.

Whereas fantastic things happened to Peter Parker, Susan Richards and Bruce Banner, among others, what happened to Tony Stark was very real world. The notion of shrapnel threatening the munitions manufacturer was a just irony and showed that Stan Lee was very plugged into the Cold War fears of the day.

It took All-American ingenuity to fashion the crude armor that allowed Stark to escape his captors and return to his Military-Industrial complex. However, the experience changed him and he knew he had things to atone for.

Favreau updated the worldview to today and the switch from Vietnam to Afghanistan was smart. Seeing so much of Stark Industries’ wares in the hands of the bad guys was also a great wakeup call and yes, the near-death experience made him a changed man.

All the elements of those early Iron Man stories are excellently updated and made to feel fresh after the previous Marvel films. This one felt more grounded in our world and we could easily accept the higher level of technology. He made Stark Industries cutting edge and by integrating Obadiah Stane into Stark’s life is the one major change and it works for a film.

Robert Downey Jr. superbly inhabits Tony Stark and makes us care for him as he evolves from the callow genius to the responsible global citizen. He’s aided by Gwyneth Paltrow as the sharp-tongued Pepper Potts and Terence Howard, a tad underused as James Rhodes (although when he looks at the Mark II armor, he tells the audience, “Next time”). There’s another tip to the comics as Stark’s chauffeur, Happy Hogan is there, played quietly by Favreau himself (he’s now a sidekick in two Marvel franchise films, a neat trick matched by Sam Elliot).

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Seven Doctors, No Waiting

We mentioned a rumor that the annual BBC charity special for Children in Need this year might feature a reunion of previous doctors along with the current Doctor, David Tennant.  Now London’s Telegraph is report that the seven surviving actors who have played the Doctor will be reunited for the special, to air November 14.

An insider at the BBC told the paper, "It’s a pretty ambitious idea and it’s still being finalized. Everything is being kept under wraps but Doctor Who fans are in for a big treat."

The Doctor has been seen on the special for the last several years and the producers have carefully woven his short escapade into the current dramatic series continuity.  Last year, for example, saw Peter Davison meet Tennant.

Reportedly joining those two will be Tom Baker, Colin Baker, Sylvester McCoy, Paul McGann and Tennant’s predecessor in the current revival, Christopher Eccleston.

The first trio of performers to essay the role — William Hartnell, Patrick Troughton, and Jon Pertwee – have all passed away.

Davison’s daughter, Georgia Moffett, has been seen on the current series and is currently dating Tennant.

In related news, Tennant and his most recent companion, played by Donna Tate, have been nominated for the National Television Awards’ Outstanding Drama Performance. Tennant has won twice before and will go head-to-head with Tate who played Donna Nobel.  There’ll be no Doctor Donna winner in this, the first time male and female stars will compete in the same category. The Doctor Who stars face competition from Ashes to Ashes’ Philip Glenister and The Bill’s Alex Walkinshaw.
 

Juan Antonio Bayona Turns into ‘Hater’

One film Guillermo del Toro will not be directing for Universal is the adaptation of Hater, the film he will produce with Mark Johnson. Instead, Variety reports that Juan Antonio Bayona has been signed to direct the movie based on David Moody’s thriller and adapted to the screen b Glen Mazzara (The Shield).

Bayona is best known for The Orphanage, which del Toro also produced, and this will be his English-language debut.

"I like the idea of a movie that talks about the state of fear we live in nowadays," Bayona told  Variety.

The novel and screenplay tells of people suddenly committing random acts of violence with no provocation. “What I loved about Hater is it recognizes the reality that we live in, where it is incredibly easy to polarize, to hate for gender, race, age,” del Toro told the trade over the summer.