Author: Robert Greenberger

Spoof Soars, Bat Drops, Clones Sink

The Dark Knight surpassed Star Wars twice this weekend.  First, it firmly grabbed second place on the All Time Box Office charts with a total now estimated at $471,493,000.  Its weekend take of $16,790,000 also surpassed the debut of the CGI-animated Star Wars: The Clone Wars which managed a so-so $15,505,000.  The film received mixed reviews and little in the way of anticipatory buzz so its performance over the next week or two will be telling.

It appears, though, it’s time again for more diverting fare as the actor spoof Tropic Thunder nabbed the top spot with a weekend gross of $26,000,000, and a total of $37,033,000 since its Wednesday opening. The other comedy, Pineapple Express, is holding on with another $10,000,000 for the second weekend.  Its total now stands at $62,932,000 but will reach profitability far faster than Tropic given that it cost one-third of Tropic’s $90,000,000 to produce.

20th-Century Fox, which has had a miserable summer, finally got some good news when Mirrors opened with $11,125,000, exceeding studio estimates by 10%.

Universal’s The Mummy: Tomb of the Dragon Emperor continues to wrap up bucks for the pyramids. The film brought in $8,609,0; its total now stands at $86,649,000.  While it will likely crack $100 million, this is not what the studio had expected.

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The New Star Trek 4

After teasing us with just four close-ups of selected cast members of next May’s new Star Trek film, Paramount has released four additional teases. This time we can see Scotty, McCoy, Chekov and Sulu. While we can’t see the modified uniforms, we can tell the pointy sideburns remain in tact for which there will no doubt be much rejoicing.

 

Paramount’s publicity roll out appears to be carefully designed to release drips and drabs of clips and information before the first full trailer which is now not expected until the holiday season. Word is that a rough assemblage of the film was shown to enthusiastic execs at the studio and director J.J. Abrams indicated the film would have been ready for its initially planned Christmas release. Of course, the last few Trek films to open during the holiday season haven’t fared well so slotting it to kick off the summer 2009 season may actually be a blessing.

 

Dark Knight Rules Fourth!

The Dark Knight continues to rule the box office as it takes the number one position for the fourth weekend in a row, the first time any 2008 release has achieved this.  Its estimated haul of $26,030,000 pushes its domestic take to $441,541,000, faster than any movie in history.

 

Next week, the movie should surpass Star Wars’ $461,000,000 and become the second highest grossing film in American box office history.  Titanic remains on top of the world with its $600 million record and Warner Bros. suspects Batman will not beat the fabled steamliner.  Instead, they now estimate the film will earn $520 million.

 

Now, adjust everything for inflation and The Dark Knight will wind up not second but 49th while Gone With the Wind remains the biggest film of all with $1.4 billion in 2008 dollars.

 

The stoner comedy Pineapple Express opened in second place with a healthy $22,400,000. Counting ticket sales from Wednesday’s opening, the film already has taken in $40.5 million.

 

In its second weekend Universal’s The Mummy: Tomb of the Dragon Emperor dropped 60.2%, taking in just $16,113,000.  With a total of $70,671,000, it chugs along although there has to be some concern that bad word of mouth, poor reviews and steep drop off may mean the franchise is running out of steam despite director Rob Cohen already talking a fourth film.

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Interview: Bob Rozakis on Creating an Alternate History for the Comics Industry

superfriends_dvd-200x-6558086The notion of retelling history with a twist has become a very popular sub-section of fiction, heavily mined by Harry Harrison and by Philip Roth. In comic books, Marvel’s What If? title and DC’s Elseworlds imprint also explored possible scenarios.  But no one has ever looked at how a single element could propel comic book history in an entirely new direction.

Until now, that is.

Bob Rozakis has begun writing a series of articles tracing just such an alternate history for TwoMorrows’ Alter Ego and Back Issue. Rozakis is certainly no stranger to comics, given his lengthy tenure as DC’s Production Manager, co-creator of ‘Mazing Man, and writer of titles such as Superman, Freedom Fighters and Secret Society of Super-Villains.

COMICMIX: As DC’s "Answer Man," what can you tell me about the origins of your new article series?

BOB ROZAKIS: I had proposed an Elseworlds back in 1998; just after I left staff, in which Green Lantern and Flash were the heroes who survived the Golden Age instead of Superman and Batman. In addition to the story itself, I had created an "outside the box" chunk of history to go with it. The proposal was rejected, but the idea kept percolating.  Finally, I approached Roy Thomas and Michael Eury with the concept of writing the entire alternate history and they were both quite enthusiastic.

CMix: What was the key event that would change comic book history?

BR: In 1946, after spinning off his All-American Comics line from DC, Max Gaines sold his share back to Harry Donenfeld and Jack Liebowitz. In my alternate reality, Gaines buys them out instead… and the DC line becomes part of AA Comics.

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ComicMix Exclusive Interview: Joe Lansdale on ‘Pigeons from Hell’

Joe Lansdale is a prolific author of horror stories, both short and novel-length, including Drive In and Bubba Ho-Tep.  He’s also no stranger to comics, having partnered with Timothy Truman for projects featuring  such characters as Jonah Hex and The Lone Ranger, and has even written for Batman: The Animated Series and other television series.

This spring, Dark Horse Comics is releasing his four-part miniseries, Pigeons from Hell, adapting a story by Robert E. Howard.  It’s Lansdale’s first time working with artist Nathan Fox, and he recently sat down for a brief chat with ComicMix and a preview of the first issue.

COMICMIX: Thanks for agreeing to chat, Joe.  This is not your first work with Robert E. Howard.  You previously wrote a Conan miniseries. So tell me, what is it about Howard that you like?

JOE LANSDALE: Howard has always appealed to me because there is a raw storytelling talent at work, and he has a Texas background, and like me, he lived in a small town where the sort of profession he pursued was not entirely understood. I always thought he appealed to the little boy in all of us, and by that, I mean that part of us that loves a good raw story. He appeals to that aspect in all of us. Like Jack London, The Call of the Wild is eternal. I don’t think Howard had the same depth that some of London‘s work had, but it has the same primal element, if not the social element. Thing is, I don’t consider that bad or lesser, just different.

CMix: Did you ask to write Pigeons from Hell, or was it an assignment?

JL: I think it was mentioned to me by the film company that has Howard’s work, because I had written the Conan miniseries. It had been well-received, and I mentioned Pigeons From Hell, and it was thought an update might be fun, since Dark Horse had already done a literal adaptation, so, it just sort of snowballed from there and Dark Horse was for it. [It was] kind of an accident.

CMix: How did you approach expanding and adapting a prose work into a four-issue miniseries?

JL: I tried to use the original story as the frame, and I tried to bring younger contemporary characters into it. Howard’s work was of its time, and it could be casually racist, so I wanted to avoid that. I also added more mystical elements. Again, a perfect adaptation had already been done for the comics before, and there was a really good Thriller episode of the story years ago, though now it seems a little dated, so I wanted to approach it in a different manner. I think the story is still true to the original in most ways.

CMix: What is it about Howard’s work that you think still makes it relevant today?

JL: I think it’s the pure storytelling. You can learn to be a better writer with effort and time, but that is something that seems almost inborn, though I’m not sure how to explain it. But he has it, and the work is recyclable and constant. (more…)

Superhero Novelizations for 2008

With the summer super-hero blockbusters come the inevitable novelizations. It used to be almost every movie from every genre would receive the prose treatment but with time, that has been winnowed dramatically.  These days it appears just the genre films get the attention and not even all those receive a book. 

The blockbuster, tent pole films for 2008 will be receiving not only novelizations but tie-in and spin-off books galore.  One, Speed Racer, does not have a novelization but a ton of related books for the younger audiences.

Here’s a look at the 2008 novelization list, in order of film release, with some rather familiar names attached:

   

Iron Man by Peter David

Speed Racer, none scheduled

Indiana Jones and the Kingdom of the Crystal Skull by James Rollins

Incredible Hulk by Peter David

Wanted, none scheduled

Get Smart, none scheduled

Hellboy II: The Golden Army by Robert Greenberger

The Dark Knight by Dennis O’Neil

The Mummy: Tomb of the Dragon Emperor, unknown

The X-Files 2, none scheduled

Punisher: War Zone, none scheduled

Star Trek, unknown

A ‘Star Trek’ Fiction Primer

Hitting shelves around the country is Star Trek: A Singular Destiny by Keith R.A. DeCandido, the first novel in the Star Trek universe after the status quo was shaken up in the just-complete Star Trek: Destiny trilogy by David Mack.  When we spoke with Mack a few months ago, he said, “All I’m willing to share at this point is that characters who are dead before the trilogy starts stay dead; characters killed during the trilogy will stay dead afterward; there is no reset button at the end of the story; worlds we’ve heard of before will be destroyed; a species will cease to exist.”

For many intrigued by this, the prose works can seem daunting since they carry the storylines forward from the last season of Star Trek: Voyager, Star Trek: Deep Space 9 and The Next Generation feature films.  DeCandido provided ComicMix with a reading list for those interested in seeing what’s been happening:

Pre-Nemesis

There was a nine-book series that set the groundwork for Nemesis as well as many of the post-Nemesis books. None of them are critical. All nine provide some nice background, particularly on Christine Vale, the security chief on the Enterprise-E who goes on to become Riker’s first officer on Titan, and the final five books set up Riker’s captaincy and engagement to Troi (both established in Nemesis), as well as the political situation we see going forward. It’s also, in essence, Data’s final arc, which runs through all nine.

These books take place from late 2378 to late 2379 (the film took place in late 2379).

A Time to be Born by John Vornholt
A Time to Die by John Vornholt
A Time to Sow by Dayton Ward & Kevin Dilmore
A Time to Harvest by Dayton Ward & Kevin Dilmore
A Time to Love by Robert Greenberger
A Time to Hate by Robert Greenberger
A Time to Kill by David Mack
A Time to Heal by David Mack
A Time for War, a Time for Peace by Keith R.A. DeCandido (more…)

Romance! Action! Prose!

It used to be, the most successful comic book heroes would eventually wind up in prose.  These days, with superheroes fully integrated into mainstream America, it’s no surprise that several novelists have taken their own, unique looks at the genre.  Already this year we’ve had the well received Soon I Will Be Invincible by Austin Grossman and Perry Moore’s Hero.  It’s no surprise, then, that the romance genre would also introduce their own take on the subject.

 

Long-time comic book fan and one-time DC Comics staffer Elizabeth M. Flynn, writing as Ellis Flynn, has produced Introducing Sonika.  The novel is an eBook, available from Cerridwen Press as of December 13.

 

According to the publisher, “Sonika is actually 28-year-old Sonya Penn, a Gen Y gal working hard as a physical therapist in order to pay off the enormous medical bills that remained after her parents’ deaths. Like so many of her generation, her career has left her no time for romance. But unlike so many others like her, the medical bills she’s working hard to pay off were incurred when her super-hero parents were killed by their arch-nemesis, Gentleman Geoffrey.

 

“Sonya could hardly know that when she met her newest client, he would not only turn out to be John Arlen, the heir to an engineering fortune, but that he, too, was injured by a super-villain. (more…)

Is Manga a Passing Fad?, by Robert Greenberger

bobgreenberger100-1138724Well, duh.

That was my first reaction when I read USA Today’s story regarding Manga’s loosening grip on readers in Japan.

After all, we lived through it in America starting some 30 years ago, where three things happened around mid-decade:

  1. Cable television was introduced and began snaking through the country, suddenly captivating television watchers and keeping them watching with extra channels, premium movies and so on.
  2. At much the same time, the first home video games were also capturing peoples’ attention.  I still remember being fascinated playing Pong on the playroom television and then flipping to watch an uncut movie on HBO.
  3. The rise of the direct sales distribution system for comic books, which began an evolution away from readers finding comics at the local stationary shop and towards hole-in-the-wall outlets that sold comics and related stuff.

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Superhero Casting Announced

While Mike Gold shared the news about the honest-to-goodness JLA movie, another project was also announced yesterday.

Dimension Films will be producing the inevitable spoof entitled, what else, Superhero. The casting has been completed with filming about to begin and a March 28, 2008 release date set.

The film features perennial spoof master Leslie Neilsen, in addition to Brent Spiner (Star Trek: The Next Generation), Marion Ross (Happy Days), the amazing Jeffrey Tambor (Arrested Development), Drake Bell (High Fidelity), Sara Paxton (Sydney White), Christopher McDonald (Fanboys), Kevin Hart (Scary Movie 4), and Ryan Hansen (Veronica Mars).  The satire will be written and directed by Craig Mazin (Scary Movie 3 and 4).

Of course, Mystery Men was a wonderful superhero spoof ahead of its time, so we’ll reserve judgment until next spring.