Author: Robert Greenberger

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ROBERT GREENBERGER: Strip show

bobgreenberger100-9341883Johnny Hart passed away the other day and in one of the obituaries I read, it stated Creators Syndicate intended to keep his strips, B.C. and Wizard of Id, still going. It seems Hart had been receiving help from family for some time now and much of his work exists as digital files for repurposing.

Upon reading it, my first thought was, ”Why?” The strips stopped being funny some 20-25 years ago and were coasting on momentum. B.C., which Hart wrote and drew, also was delving into his religious faith with increasing frequency over the years and was far from entertaining.

All of this brings up a host of issues regarding newspaper comic strips and their future. It used to be that the comic strips were a selling point, a way for papers to distinguish themselves. After all, the news, stocks and sports score were the same so why buy the New York Daily News if you also read the New York Post? The News knew comic strips were a key and filled page after page with the best strips possible. The Sunday edition was wrapped in the comics’ section – growing up, the Sundays were started with the latest Dick Tracy on the front and Dondi on the back and in between, there were more than a dozen other features.

The first generation or two of comic strip creators were a fertile, wonderful bunch that gave us enduring figures from Little Orphan Annie to B.C. As a result, as people aged, moved out of their parents’ home and started subscribing to a hometown paper, the comic strips remained a tool to entice and retain readers.

Whenever newspapers conduct reader surveys to figure out which features to drop in favor of new ones, the old standbys still score strongly because of that ingrained habit. Locally, the comics editor at the Connecticut Post admitted that “the blue-haired old ladies” threatened to cancel their subs if beloved strips vanished. And with circulation dwindling, papers have to hold on to every last reader.

The problem, though, has become that many strips have outlived their entertainment value and continue to run only out of habit. B.C. and Peanuts and Marmaduke and many others stopped being entertaining and fresh and interesting decades ago. When the creators have retired, or died, others have continued the features, recycling the same puns, gags and stale humor.

Some of the younger, hipper, creators recognize that such recycling is a kiss of death these days. Jim Davis gave Jon Arbuckle a girl friend in Garfield and Cathy Guisewite married off her pathetic Cathy a few years back, each mining new strip possibilities. (more…)

There’s no need to fear

udog-1-2895355Forget that god awful looking CGI pup we’ve seen in the movie trailers.  The one, true Underdog will be collected on a three volume DVD box set this summer.  Released by Genius Products, under license from Classic Media, the $29.98 collection will feature digitally re-mastered episodes with Wally Cox (the voice of Underdog) sounding better than ever.  Not only that, the DVDs will collect the 1960s television series as originally broadcast so fans can delight in the additional escapades of Hunter, Go Go Gophers, Klondike Kat, Tennessee Tuxedo, King and Odie, Tootie Turtle and Commander McBragg.  The release date has been listed as both July 24 and August 6 while the god awful-looking CGI movie opens on August 4.

Trivia point: did you know that the meek, sheepish Wally Cox once was Marlon Brando’s roommate? Underdog, indeed!

bobgreenberger100-3642068

ROBERT GREENBERGER: Death be not proud

bobgreenberger100-9668217The rule of thumb used to be that the only characters that stayed dead are Uncle Ben, Bucky and Barry Allen.

Some version of Uncle Ben is running around in Friendly Neighborhood Spider-Man; Bucky turns out to have survived and is now the Winter Solider; and if you believe Dan DiDio’s “slip” of the tongue, Barry Allen may be here soon.

It used to be a big deal when a character died. Amazing Spider-Man #121’s cover, as Spidey faced those nearest and dearest to him with a cover blurb promising one was going to die compelled us to buy that month’s issue. It worked, sales spiked, the status quo was different and people were buzzing.

In 1985, I participated in the planning and, ahem, execution of Crisis on Infinite Earths. One of the key housecleaning elements had to be the elimination of both major and minor figures, heroes and villains, civilians and loved ones. The hit list, as seen in the Absolute edition, evolved as editors and management weighed in. Killing the Flash and Supergirl were the shockers while few cared if the Bug-Eyed Bandit survived or not. Still, these deaths were supposed to be permanent changes to the DC Universe, although few of them have remained dead 20 years later.

By the time Superman died in 1992, the freshness had long since worn off as deaths had been faked (Professor X, Foggy Nelson), undone (Jean Grey, Iris Allen), or were too minor to care (I Ching).

Since then, characters have continued to die and come back with stunning regularity. As a result, the death of a major figure has been more of a blip than a major event, making one wonder what it will take to get people really stirred up.

Much has been made of Captain America’s death and I was among those scoffing at the permanence of his condition. Less has been said about the return of their first Captain Marvel, plucked out of the time stream before his death from cancer (as wonderfully told in a Jim Starlin graphic novel), an altogether new kind of cheat.

Marvel isn’t the only company wheeling and dealing with the Grim Reaper. (more…)

BBC America puts on weight

BBC America has announced a revamped schedule that will thrill many fans of different genres.  Beginning shortly, there will be themed blocks airing from 8 pm – 10 pm:

    * Murder Mondays – a night of scripted dramas including new seasons of Wire in the Blood starring Robson Green, and Murphy’s Law with James Nesbitt.

    * Tuesday Nitro – targeting male viewers with such shows as MI-5, which focuses on British intelligence battling international espionage and global terrorism, as well as the drama Ultimate Force about an elite army unit in dangerous situations.

    * Wicked Wednesday – aiming at female viewers with such dramas as Footballers Wive$ with Joan Collins joining for the new season; Hotel Babylon about the antics of an exclusive hotel; Goldplated, a comedy about a rich family who exists on credit cards; and Sinchronicity which follows three young party-goers who are looking for love.

    * Big Thursday – will feature new seasons of "larger-than-life" personalities such as Gordon Ramsay and his two shows: Ramsay’s Kitchen Nightmares and Gordon Ramsay’s F Word in addition to the celebrity gossip program The Graham Norton Show.

    * Crime Scene Friday – back-to-back crime shows including Whistleblower, The Innocence Project, Silent Witness and Waking the Dead.

    * Supernatural Saturday – enters the world of science fiction and the paranormal with such shows as Jekyll, Torchwood, Life on Mars, Hex and Doctor Who.

    * The Brit Movie – a different British movie each week on Sunday nights and prior to the movie presentation, the network will air Adventure Sundays starting at 7p with new seasons of Robin Hood and Wild at Heart set in the South African bush.

Fans hoping for Torchwood to follow Doctor Who at Sci-Fi Channel as well as those of us without BBC America (curse you, Cablevision!) will no doubt be disappointed.

Heroes and live toons

While waiting for Heroes to return on April 23, fans can now help Hana, the former Mossad agent.  She’s looking for interested viewers to aid her attempts to stop Linderman’s still-unexplained plot.  Details are at NBC.com.

Meantime, Susan Sarandon and John Goodman have been named as Speed Racer’s parents.  The Wachowski Berothers’ are set to begin filing this live-action adaptation of the popular Japanese anime this spring for a summer 2008 release.  Whether Goodman will sport Pops Racer’s trademark mustache remains to be learned.

Go Speed Racer!

Emile Hirsch, the relatively unknown actor, has been cast as Speed Racer in Joel Silver’s live-action adaptation of the beloved Japanese anime from the 1960s.

Hirsch has already been seen in Alpha Dog and Lords of Dogtown and will next be seen in Sean Penn’s Into the Wild, opening in September.  He told E!  the film would be “Blade Runner meets Andy Warhol meets pop art.”  No other casting has been confirmed thus far.

Speed Racer is on track for its May 9, 2008 release with filming set for Potsdam, Germany this spring and summer.  Silver has already announced that the film will be intended for all audiences and is aiming at a high octane G-rating.

USA Sci-Fi Summer

The USA Channel announced premiere dates this week for their returning sci-fi series to make summer television watching a little less boring.

The 4400 – fourth season debuts June 17 at 9pm

The Dead Zone – sixth season begins June 17 at 10pm

Monk – sixth season premieres July 13 at 9pm

Psych – returns July 13 at 10pm

Green Hornet stings again!

greenhornet_logo-1632731The Green Hornet has been optioned for feature films once again. Columbia picutres announced yesterday that they have optioned the one-time radio and television hero from Neal H. Moritz of Original Film. Moritz, in turn, picked up the rights from Green Hornet Inc., and will serve as producer along with Ori Marmur.

The property has been under repeated option since the 1990s. At one point, George Clooney was ready to portray Brit Reid, newspaper magnate and secret crimefighter, with Jason Scott Lee as Kato, his faithful manservant. In 2004, Kevin Smith was signed to write and direct the film with Jake Gyllenhaal and Jet Li in the main roles. Smith then backed off the directing aspect and in 2006 announced he was no longer attached to the property.

The Green Hornet debuted on WXYX radio in Detroit back in January 1936 and quickly went network. The creation of George W. Trendle and Fran Striker, the two already had a hit with The Lone Ranger. In addition to the long-running radio show, the Green Hornet has appeared in movie serials, a long running and a frequently reprinted newspaper comic strip distributed by King Features and later revived under the pen of Russ Heath. The feature also enjoyed numerous comic book runs, last seen in the popular series from Now Comics. The television series on ABC lasted one season but gave the world Bruce Lee. The theme music, "Flight of the Bumblebee" (the television version was recorded by Al Hirt) has continued to thrill movie-goers, as most reccently heard in Kill Bill: Part 1.

ROBERT GREENBERGER: Super-Heroes D2DVD to your home!

We’ve spent the last few weeks looking at how Hollywood operates, optioning properties, including comic books, which they think might work as a movie or television series. With the success of 300, we also paused to examine how full the calendar was getting the next few years and wondered if a glut was coming.

If that’s the case, what alternatives might there be?

Television remains skittish with comic book properties despite the runaway success of Heroes. Beyond Smallville, there are no comics-related shows on prime time and none likely to be added to the 2007-08 schedule (to be announced in May). Cable, with dozens and dozens of channels, has one: Painkiller Jane on Sci-Fi.

Animated fare, either for Saturday mornings or weekday afternoons, has turned away from comic books for source material, preferring anime imports or original productions. The last handful of attempts have not been resounding successes such as the WB’s Legion of Super-Heroes.

But there are new signs of life in the still growing Direct to DVD market, a.k.a. D2DVD. Here, producers go for the familiar as they crank out sequel after sequel on shoestring budgets and churn them out like so much shovelware, clogging the shelves at mass merchandisers from Sam’s Club to Best Buy. In 2006, D2DVD releases generated $1.3 billion in revenue, and that’s expected to grow 5% to 7% this year, according to Variety.

This is fertile ground for all the comic book publishers but so far only the majors are exploiting it to the fullest.

The earliest releases were not from DC, but from Warner animation, starting with Batman: Mask of the Phantasm. The story worked and the look matched that of the successful Bruce Timm/Paul Dini animated series and played better than expected so got upgraded to feature film release. Unfortunately, the subsequent efforts: Batman & Mr. Freeze: Sub-Zero, Batman vs. Dracula and Batman: Mystery of the Batwoman fared less well both creatively and financially.

The nadir may have been hit last year when they rushed out the ill-conceived Superman: Brainiac Attacks which resembled neither the animated continuity nor the Superman Returns feature film. Both were played off on the Cartoon Network.

Fortunately, it came and went with little fanfare and was totally eclipsed last summer when DC announced they were finally working as full partners with Warner animation in creating animated adaptations of classic DC stories from the company’s rich and deep library.

The first four announced releases, for those who missed the news, are:

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ComicMix flicks hits!

With 300’s $70 million opening weekend, everyone’s eyes lit up. No one expected this number, with the best estimates at least $20 million lower. Now everyone is scrambling to read the tea leaves and try to understand what just happened.

A few thoughts from our corner of the universe. First, this will make 2007 the best year ever for comic book movies. There are six feature films scheduled for release this calendar year and I will guarantee you that combined, they will add up to huge box office receipts.

As a result, this will fuel future comic book-into-movie activity. It also makes Frank Miller a suddenly bankable name. Forget his work on Robocop 2 and look at Sin City and now 300. Once he begins directing The Spirit later this year, expect that to get onto a release schedule ASAP.

Projecting ahead, there are five more comic book movies have firm release dates for 2008 with at least two others penciled in (see schedule, below).

I’ve said all along that the comic book adaptations will continue until there are enough flops to sour Hollywood on the genre. This year opened with Ghost Rider opening to surprisingly huge numbers and then had legs. With 300, the reverse seems to be happening. I suspect production heads will fast track properties in the various studio pipelines and we’ll see one or two more movies added to 2008 and 2009 could possibly get jam-packed even though all that’s for certain that far out is the next Bryan Singer Superman release and Captain America.

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