Author: Robert Greenberger

Indiana Jones Finally Arrives in Blu-ray This October

raidersofthelostark1981-300x199-1388423Not that long ago, Paramount Home Video gave us the four Indiana Jones films in a wonderful box set but even then we began anticipating the eventually release of the movies on Blu-ray. This seems to be the year for Steven Spielberg movies to make their high definition debuts as we get Jaws in August and the Indy movies in October.

These are already being made available for pre-order at Amazon, discounting the list price of $99.99.

Of course, there are some completists out there still waiting for the young Indiana Jones television episodes to be spruced up and released but I guess we still need to wait a bit.

Here’s the official press release:

The man with the hat is back – and looking better than ever! The world’s favorite globe-trotting archaeologist is, at long last, embarking on his greatest adventure – when The Complete Indiana Jones Blu-ray Collection comes to Blu-ray Disc from Lucasfilm Ltd. and Paramount Home Media Distribution. The Complete Indiana Jones Blu-ray Collection will be excavated in the fall of 2012 and will include all four of Indy’s thrilling adventures, using the highest possible high definition picture and audio presentation – along with a “best of” collection of documentaries, interviews, featurettes and a few new surprises.

Production Finally Begins on Disney’s The Lone Ranger

lone-ranger_clayton-moore-mask1-300x178-1762115BURBANK, Calif. (February 28, 2012) — Production has commenced on location in New Mexico, Arizona, Utah and Colorado on Disney and Jerry Bruckheimer Films’ epic adventure “The Lone Ranger.” The film reunites the filmmaking team of the first three “Pirates of the Caribbean” blockbusters—producer Jerry Bruckheimer and director Gore Verbinski—with Johnny Depp, who created Captain Jack Sparrow in his iconic, Academy Award®-nominated performance and contributed the voice of the title character of Verbinski’s Academy Award-winning “Rango.”

Depp plays spirit warrior Tonto in “The Lone Ranger,” with Armie Hammer (“The Social Network,” “J. Edgar”) starring in the title role. Depp and Hammer are joined by a prestigious international cast which includes Tom Wilkinson, two-time Academy Award nominee (“Michael Clayton,” “In the Bedroom”) and Golden Globe® and Emmy® winner (“John Adams”); William Fichtner (Jerry Bruckheimer’s productions of “Armageddon,” “Pearl Harbor” and “Black Hawk Down”); Emmy Award-winner Barry Pepper (TV’s “The Kennedys,” “True Grit,” “Saving Private Ryan”); James Badge Dale (“The Grey,” TV’s “The Pacific” and “Rubicon”); Ruth Wilson (television’s “Jane Eyre” and “Luther”); and two-time Academy Award nominee and six-time Golden Globe nominee Helena Bonham Carter (“The King’s Speech,” “Alice in Wonderland”). The film is slated to open on May 31, 2013.

disney-logo-300x72-7170628“The Lone Ranger” is a thrilling adventure infused with action and humor, in which the famed masked hero is brought to life through new eyes. Native American spirit warrior Tonto (Johnny Depp) recounts the untold tales that transformed John Reid (Armie Hammer), a man of the law, into a legend of justice—taking the audience on a runaway train of epic surprises and humorous friction as the two unlikely heroes must learn to work together and fight against greed and corruption.

“The Lone Ranger” is written by Ted Elliott & Terry Rossio of “Pirates of the Caribbean,” Eric Aronson and Justin Haythe. The executive producers are Mike Stenson, Chad Oman, Ted Elliott, Terry Rossio, Eric Ellenbogen and Eric McLeod.

Jerry Bruckheimer and Gore Verbinski are joined by a remarkable team of behind-the-scenes artists, including director of photography Bojan Bazelli (Verbinski’s “The Ring,” “Mr. and Mrs. Smith”); visual consultant Mark “Crash” McCreery (production designer of Verbinski’s “Rango); costume designer Penny Rose (“Pirates of the Caribbean” films); film editor James Haygood (“Panic Room,” “Fight Club”); visual effects supervisor Tim Alexander (“Rango,” three “Harry Potter” films); Academy Award®-winning special effects supervisor John Frazier, a 10-time nominee whose previous collaborations with Jerry Bruckheimer have included “Armageddon,” “Pearl Harbor” and, with Verbinski as well, “Pirates of the Caribbean: At World’s End”; and stunt coordinator Tommy Harper (“Iron Man,” “Iron Man 2”).

Academy Award®-winning filmmaker Gore Verbinski has enjoyed tremendous box office success as the innovative director of both character-driven franchises and thoughtful genre-bending fare.  Most recently, Verbinski released his first animated film, the smash hit “Rango,” starring Johnny Depp. Grossing over $240 million worldwide, the film won the Academy Award for Best Animated Feature Film, as well as BAFTA and Annie awards, and received Golden Globe® and PGA nominations. Verbinski previously helmed the hit franchise “Pirates of the Caribbean,” directing the first three films starring Johnny Depp and Keira Knightley. The films have collectively grossed nearly $3 billion worldwide since release. He made his directorial debut with “Mouse Hunt,” starring Nathan Lane, followed by the road movie “The Mexican,” starring Julia Roberts, Brad Pitt and James Gandolfini. He also directed the smash horror film “The Ring,” starring Naomi Watts.

Verbinski is also a successful award-winning commercial director, having been honored with four Clio Awards and a Cannes Silver Lion Award for his work on an assortment of memorable advertising spots. In addition, he directed music videos for bands including Bad Religion and Crystal Method.

First in partnership with Don Simpson, and then as the chief of Jerry Bruckheimer Films, Bruckheimer has produced an unprecedented string of worldwide smashes, impacting not only the industry, but mass culture as well. Bruckheimer’s films include (producing with Don Simpson) “Top Gun,” “Beverly Hills Cop,” “Beverly Hills Cop 2,” “American Gigolo,” “Flashdance,” “Bad Boys,” “Dangerous Minds,” “Crimson Tide,” “The Rock,” and (producing solo) “Con Air,” “Armageddon,” “Enemy of the State,” “Gone in 60 Seconds,” “Coyote Ugly,” “Remember the Titans,” “Pearl Harbor,” “Black Hawk Down,” “Pirates of the Caribbean: The Curse of the Black Pearl,” “Bad Boys II,” “Veronica Guerin,” “King Arthur,” “National Treasure,” “Pirates of the Caribbean: Dead Man’s Chest,” “Pirates of the Caribbean: At World’s End,” “National Treasure: Book of Secrets” and the 2011 blockbuster “Pirates of the Caribbean: On Stranger Tides.”

On television, Bruckheimer had an unprecedented 10 television series airing in the 2005-6 season, a record in the medium for an individual producer. JBTV’s series include “C.S.I.: Crime Scene Investigation” and its spinoffs “C.S.I.: Miami,” “C.S.I.: NY” and “Without a Trace,” “Cold Case” and the eight-time Emmy® Award-winner “The Amazing Race.”

Jerry Bruckheimer Films and Television have been honored with 41 Academy Award® nominations, six wins, eight GRAMMY® Award nominations, five wins, 23 Golden Globe® nominations, four wins, 105 Emmy® Award nominations, 21 wins, 30 People’s Choice nominations, 15 wins, numerous MTV Awards, including one for Best Picture of the Decade for “Beverly Hills Cop.”

“The Lone Ranger” will film exteriors and studio work in New Mexico, followed by locations in Arizona, Utah and Colorado.

Smallville star Michael Rosenbaum reprises role of Flash for JUSTICE LEAGUE: DOOM

flash-mirrormaster-300x168-6903310Michael Rosenbaum makes his triumphant return as the beloved voice of The Flash in JUSTICE LEAGUE: DOOM, the next entry in the popular, ongoing series of DC Universe Animated Original PG-13 Movies. The film will be available everywhere on Tuesday.

Rosenbaum brought his own playful, gregarious, sometimes sarcastic personality to Flash for the Justice League and Justice League Unlimited animated television series, setting the standard as the voice behind the “fastest man alive.” Rosenbaum is one of eight actors returning to their original animated voice from the Justice League series.

Fanboy crowds also hold Rosenbaum in high esteem for his impressive performance as Lex Luthor for seven seasons of Smallville. He’ll soon be seen opposite Bradley Cooper and Kristen Bell in ‘Outrun,” and he’s currently in production on “Old Days,” a triple threat for Rosenbaum as he is writer, director and star of the film

Justice League: Doom finds Superman, Wonder Woman, Flash, Green Lantern, Martian Manhunter, Cyborg and Batman on their heels when a team of super villains discover and implement the Dark Knight’s “contingency plans” for stopping any rogue Justice League member. The story is inspired by Mark Waid and Howard Porter’s much-heralded JLA: Tower of Babel.

Produced by Warner Premiere, DC Entertainment and Warner Bros. Animation, the all-new Justice League: Doom arrives today from Warner Home Video as a Blu-Ray™ Combo Pack and DVD, On Demand and for Download. Both the Blu-Ray™ Combo Pack and DVD will include an UltraViiolet™ Digital Copy.

Any interview with Rosenbaum is well worth the price of admission, as you just don’t know which direction the answer might come from. (more…)

REVIEW: JLA: DOOM

justice-league-doom1-300x4021-2474974When Mark Waid joined the creative team on JLA, he told a pretty terrific story about Batman’s secret protocols for neutralizing the Justice League of America falling into Ra’s al Ghul’s hands. In the “Tower of Babel” story, he used it to take out the League in order to execute a plan for world domination.  It made for a fine story arc that allowed Batman to leave the team for time and resonated with fans given the weighty thematic material. It has endured in memory and prompted Warner Premiere to approve JLA: Doom, an adaptation as a part of their ongoing series of direct-to-DVD animated features

The resulting production, on sale tomorrow, is bittersweet because it marks the final script from the talented Dwayne MacDuffie. And it needed series editing which clearly was not done, making it a deeply flawed adaptation of the source material. The dramatic core is here, but given short shrift in two brief scenes while the remainder of the story is a series of chaotic and badly choreographed fights strung together. Any semblance of characterization for the heroes or villains is seemingly accidental as the story allowed the JLA to trade blows with a variety of familiar villains. (more…)

Steven Spielberg’s War Horse Coming to Video on April 3

war-horse-dvd-7204576BURBANK, Calif., February 21, 2012 – Legendary Academy Award®-winning motion picture director/producer Steven Spielberg presents the critically acclaimed and multi Academy Award®-nominated epic adventure “War Horse” on Blu-ray™, DVD, Digital and On-Demand, April 3. This newest home entertainment release not only enthralls viewers once again with its visually stunning and emotionally heartwarming story on the Blu-ray, but also offers an unprecedented look into the making of the film by Spielberg himself.

The extraordinary journey of courage and friendship as seen through the eyes of one unforgettable horse named Joey and his miraculous journey to find his way back home, “War Horse” is a must own contemporary classic for everyone’s home entertainment collection. Spielberg’s renowned creative passion and artistry not only shine throughout the film but are also evident in all the fascinating bonus features included exclusively on the Blu-ray disc. (more…)

Mission: Impossible – Ghost Protocol Coming to VIdeo on April 17

mi4_bd-combo_3d_skew-300x369-9063482HOLLYWOOD, Calif. – (February 21, 2012) Called “a powerful thrill ride that is simultaneously gritty and dazzling” (Claudia Puig, USA Today) the global smash hit MISSION: IMPOSSIBLE—GHOST PROTOCOL explodes onto Blu-ray and DVD (both with UltraViolet™), On Demand and Digital Download April 17, 2012 from Paramount Home Media Distribution.  Boasting “a bullet train of action and an arsenal of cool gadgets” (David Germain, Associated Press), MISSION: IMPOSSIBLE—GHOST PROTOCOL delivers non-stop thrills and breathtaking stunts, including a dizzying ascent up the world’s tallest building that Roger Ebert called “one of the most spellbinding stretches of film I’ve seen.”  The extraordinary Tom Cruise returns as IMF agent Ethan Hunt, along with an exceptional cast of actors including Jeremy Renner (The Hurt Locker), Simon Pegg (Star Trek), Paula Patton (Precious) and Michael Nyqvist (The Girl With The Dragon Tattoo).  With a worldwide box office take of more than $650 million, MISSION: IMPOSSIBLE—GHOST PROTOCOL is the must-own action-thriller of the year. (more…)

REVIEW: Mad Season One, Part Two

madseason1part2-8929497Mad Magazine worked in the 1950s when it debuted because it was subversive in its own way. At a time when conformity was the ideal, Mad went out of its way to skewer that very conformity, poking at the pop culture icons of the day, from its comic book brethren to movies and the nascent field of television. But it was smart humor, written and illustrated by some of the greatest talents working in the field. Its shift to black and white magazine was a desperate move at the time, avoiding the coming of the Comics Code Authority, but it also let the magazine grow in scope and influence. Being skewered by Mad’s usual gang of idiots was a badge of honor, usually proudly worn.

With time, the magazine became stuck in a pattern while the world around it changed and only offers up occasional bursts of brilliance these days. Still, it remains a cultural touchstone and spawned a long-running late-night sketch show that bore little resemblance to the magazine. More successful was the animated version of Mad, produced by Warner Bros. Animation for its sister division, Cartoon Network. Made up of eleven minute shorts, it has relied heavily on only parody since its September 2010 debut. Other carryovers from the magazine have included Spy vs. Spy and some of Don Martin’s cartoon panels coming to life.

The pedigree here comes from executive producer Sam Register, who has normally handled the more action-oriented fare; and Kevin Shinick (Robot Chicken) and Mark Marek (KaBlam!), far more accustomed to comedic stuff.

Recently, Warner Home Video released Mad Season One, Part Two, containing thirteen episodes of the show, which ran between February and June 2011. The parodies range from kid-oriented shows like Pokemon to older-oriented offerings including The Social Network (The Social Netjerk). Sometimes, the titles are funnier than the episodes themselves, especially Smallville: Turn Off The Clark. You wonder if some of the audience watching gets that Law & Ogre is Law & Order?

While the parodies tend to be smirk inducing to laugh out loud funny, they are only a small piece of what Mad is all about and it’s a shame that some of the mainstream social mores the magazine was brilliant at puncturing is totally absent here. There was an edge and bite to the mag at its best but all a new generation is learning is that everything they watch, read, and hear is ripe for parody. I think they knew that.

The quality of the animation is fine but the eleven minute structure needs to be more flexible so the jokes are made and we move on. Interstitials, like the Sergio Aragones margin pieces, would have been nice to have to connect everything.

The only bonus you get on the disc is a Mad digital comic which proves to be funnier than some of the installments themselves.

REVIEW: J. Edgar

j-edgar-blu-ray-300x407-4286327J. Edgar Hoover has been demonized for his many excesses and lapses during his distinguished career as director of the Federal Bureau of Investigation. He seemingly turned a blind eye to organized crime after Prohibition ended, focusing instead on gaining information to use as leverage against political rivals and rooting out Communism long after it stopped being a domestic threat. What few appreciate is that he was the figure to move law enforcement from a collection of theories to a disciplined, trained force that embraced forensics and dogged detective work to build cases against their suspects.

Clint Eastwood took on an examination of this complex figure in J. Edgar, a deeply flawed film that was released in the fall and is out now on disc from Warner Home Video. The movie is constantly shifting from Hoover’s early days as a fed to the 1960s and the time frame jumps proved jarring as you needed a snippet of dialogue or visual clue to figure out if it was 1932, 1963 or 1968. The screenplay, from Dustin Lance Black, bookends the man’s career but we the audience are left wondering what happened between the election of Franklin Delano Roosevelt and the presidency of John F. Kennedy. Surely, Hoover and the FBI did something of note during this era but there’s not a single clue. (more…)