Author: Robert Greenberger

Halloween Costume Contest — Send Us Your Marvel Super-Hero Pictures!

Kids and adults are no doubt dressing up for school and office parties in celebration of Halloween. Many of you will no doubt be dressed as Marvel characters and we want to see them.

Not only that, we want to publish your pics and name two as the best, awarding lucky winners with a complete set of [[[Avengers: Earth’s Mightiest Heroes]]] courtesy of our friends at Walt Disney Home Entertainment. That’s right, all four volumes can be yours if you impress us. Just go to our Contact Page, select “I’d like to submit a file for review!”, fill out the form and upload your picture.

Submission constitutes permission to publish your name and picture. The submission must be accompanied with your full name and address so winners may receive discs. Submissions must be timestamped by 11:59 p.m. Monday, October 31. The judgement of ComicMix’s expert panel of judges will be final.

Happy Halloween!

And as part of our Saturday Morning Cartoons section, here are some clips from the DVDs in question:

AVENGERS: VOLUME 3 – IRON MAN UNLEASHED

V3 Clip: Walk in Both Worlds (Iron Man, Thor, Black Panther)

AVENGERS VOLUME 4 – THOR’S LAST STAND

V4 Clip: Stuck in the Realms (Hulk, Black Panther, Iron Man)

V4 Clip: What Needs To Be Done (Giant Man, Ultron, Iron Man, Hulk)

Review: “Government Issue: Comics For The People, 1940s-2000s”

governmentissue_jacketmech_v5_lr-300x418-9870127[[[Government Issue: Comics For The People, 1940s-2000s]]]
By Richard L. Graham
Abrams Comic Arts, 304 pages, $29.95

The rich history of comics is also one of the public’s perception of it being mainly for children. What is only recently being uncovered are the many ways comics have been used beyond cheap entertainment for the masses. As early as 1940, Will Eisner saw their potential and he was among the first to use the graphic form for educational purposes with what became P*S, the preventative maintenance magazine produced by the Army. During World War II, Stan Lee wrote comics to explain how forms need to be filled out and DC Comics did special editions of Superman to help teach America’s soldiers to improve their reading.

Now, we’re learning that the Federal Government has long been a proponent of using comics as educational and propaganda tool, dating back to the field’s infancy. Thankfully, Richard Graham has done the spadework that has uncovered the full flavor of material offered using your tax dollars. Government Issue is actually an important addition to our comics history, demonstrating the reach of the format and the value placed on its ability to communicate with the masses

Graham organizes his book by different subject matter – “military,” “employment and economics,” “Civil Defense, Safety and Health,” and “Landscapes and Lifestyles” – so you can get a better sense of how far-ranging this had become. And like most government operations, there was no central plan or design; no comics czar to ensure federally-produced comics met certain criteria for quality of accuracy. As a result, we see a variety of writing and artistic styles brought to bear in conveying the information to its intended audience. One of the worst results of this lack of control has to be the ham-fisted writing and terrible artwork accepted by the military for a piece on how homosexuals should consider admitting their persuasion to superior officers during the period of “Don’t Ask, Don’t Tell”.

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First look at The Secret World of Arrietty

Walt Disney has released the first images for their forthcoming Japanese import The Secret World of Arrietty.

Residing quietly beneath the floorboards are little people who live undetected in a secret world to be discovered, where the smallest may stand tallest of all.  From the legendary Studio Ghibli (Spirited Away, Ponyo) comes The Secret World of Arrietty, an animated adventure based on Mary Norton’s acclaimed children’s book series The Borrowers.

Arrietty (voice of Bridgit Mendler), a tiny, but tenacious 14-year-old, lives with her parents (voices of Will Arnett and Amy Poehler) in the recesses of a suburban garden home, unbeknownst to the homeowner and her housekeeper (voice of Carol Burnett). Like all little people, Arrietty (AIR-ee-ett-ee) remains hidden from view, except during occasional covert ventures beyond the floorboards to “borrow” scrap supplies like sugar cubes from her human hosts. But when 12-year-old Shawn (voice of David Henrie), a human boy who comes to stay in the home, discovers his mysterious housemate one evening, a secret friendship blossoms. If discovered, their relationship could drive Arrietty’s family from the home and straight into danger. The English language version of The Secret World of Arrietty was executive produced by Kathleen Kennedy and Frank Marshall, and directed by Gary Rydstrom. The film hits theaters Feb. 17, 2012. (more…)

New Trailer, One-Sheet for Hugo

Brian Selznick’s award-winning hybrid novel/graphic novel The Invention of Hugo Cabret is being released this November 23 as Hugo, a big budget film directed by Martin Scorcese. Yes, that Martin Scorcese. Coming from Paramount Pictures, the movie adapts the novel and will be available in (ugh) 3-D and 2-D and the studio kjust released both a new trailer and one-sheet which we present here.

The film, set in early 20th Century France, tells the story of not only a boy who lives in the train station but involves a mystery leading to secrets about pioneer filmmaker Georges Méliès. It’s pretty fun stuff and worth a look.

First, check out this cast:

Asa Butterfield as Hugo Cabret

Chloë Grace Moretz as Isabelle, a friend of Hugo

Ben Kingsley as Georges Méliès

Sacha Baron Cohen as the station inspector

Jude Law as Hugo’s father

Christopher Lee as Monsieur Labisse, the bookshop owner

Helen McCrory as Mama Jeanne, Méliès’ wife

Michael Stuhlbarg as René Tabard, a film historian

Marco Aponte as Julien Carette

Emily Mortimer as Lisette

Ray Winstone as Uncle Claude, Hugo’s deceased uncle

Frances de la Tour as Madame Emile, the owner of the café

Richard Griffiths as Monsieur Frick, the newspaper seller

Johnny Depp as M. Roulea

Some Additional Convention Thoughts

Sometime in the late 1970s, there was a show in New York where DC Comics actually had a booth and I got to wander over as a fan and chat casually with president Sol Harrison. It was the earliest memory I had of a publishing taking booth space on the convention floor. Before then, the tables were given over to fanzine vendors, back issue and new release dealers and that was about it. Little in the way or merchandise and even less original art was being sold.

Fans and creators could mix in the aisles, chat in the lobby, and talk before and after panels. It was a far smaller, more collegial atmosphere and certainly formed relationships with people I still have today.

By the time I joined staff at DC in 1984, the major publishers had been taking booth space with increasing regularity at shows from coast to coast. These were standard trade show booth designs that were decorated with the company’s wares, maybe a TV monitor with a video tape playing but that was about it. Editors and creators sat at tables and signed comics, did sketches, and handed out sampler comics or buttons.

During the 1980s, things continued to grow and more customized booth set-ups were showing up but fans could still walk into a publisher’s booth and talk to editors and talent. That began to change in 1992-1993 when Image arrived with show biz razzle dazzle and DC, flush with Death of Superman profits, gave us a mammoth booth dubbed Wayne’s World, nicknamed after Bob Wayne. Since nature abhors a vacuum, this new space filled with a growing number of fans, but patient ones could still talk to staff and freelancers.

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Boldly Going

star_trek_tos_logo_1-300x120-8362881I wrote a while back, lamenting over not writing much for or about Star Trek these days and it appeared that my involvement in the franchise was going to become a fading memory.

Perhaps I wrote too quickly.

Back in August, I was contacted by an editor at Voyageur Press on the recommendation of fellow Trek writer, and Voyageur employee, Scott Pearson. Grace LaBatt kindly asked if I was perhaps interested in tackling an Unauthorized History of Star Trek, tracing not only the TV series but the movies, the spinoffs, the merchandise and most importantly, the fan following that kept the dream alive.

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NYCC: There and Back Again

My time at the New York Comic-Con has come and gone and a good time was had.

As expected, I had countless whirlwind 30-60 second conversations with people, shaking hands, hugging, kissing, and making rather merry. There were some extended conversations and a few business meetings which was nice.

I arrived early enough on Thursday that getting my badge was a breeze and wish more shows were so well staffed. I began running into people I knew the moment I entered the Jacob Javits Center and was delighted. My first appointment was with an editor about a project I can begin talking about next week. We got to know one another beyond the e-mails and phone calls and I think we got along just swell. She then snuck me onto the show floor two and a half hours early so I got a chance to wander and chat with some people who were going to be otherwise mobbed the remainder of the weekend.

Sure enough, once the doors opened to the four-day pass holders and professionals at 4, the aisles quickly filled and moving around was far less fluid. I did make a point of checking booths that had my stuff on display and was pleased to note DelRey had both The Essential Batman Encyclopedia and The Essential Superman Encyclopedia out for the fans. Across the way, Watson-Guptill had Stan Lee’s How to Write Comics out. And just arrived at the TwoMorrows booth were the first copies of Stan Lee’s Universe, where I acted as a consulting editor in the project’s final weeks (and a spiffy looking book it is, too).

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New TinTin One Sheet and Trailer

TinTin doesn’t open here until December but it begins to play around the world within the next few weeks. The early reviews have gone live and the general opinion is that Peter Jackson and Steven Spielberg have created an energetic film based on the graphic novels from Herge, Beligum’s premiere creator.

The movie blends live-action and CGI motion-capture work with kudos going once more to Andy Serkis, who this time portrays Captain Haddock. Of the actors working today, none have done more work with motion capture than Serkis, known best as Gollum and more recently as Ceasar in the latest Planet of the Apes movie.

Paramount has released a new trailer for American audiences.

And the production team has offered up a brand new featurette entitled Fanboys.

The Godfather’s Alex Rocco returns to his mobster roots in Batman: Year One

byo-55-300x168-5896443Alex Rocco, best known for his role as gangster Moe Greene in The Godfather, returns to his mobster roots as Carmine Falcone in Batman: Year One, the next entry in the popular, ongoing series of DC Universe Animated Original Movies.

The appearance in a Dark Knight-related project brings Rocco’s 44-year career full circle. The Massachusetts-born actor, who was once an adjunct member of Boston’s Winter Hill Gang, got his first on-screen role in the 1960s Batman television series.

Rocco appeared as the thug Block in the back-to-back episodes “A Piece of the Action” and “Batman’s Satisfaction,” which premiered on March 1 and 2, 1967.  The episodes also featured the first true crossover appearance of Green Hornet and Kato on the Batman series (aside from a cameo popping out a window in the first season).

Since then, Rocco has been seen on primetime in everything from Get Smart, The F.B.I. and Kojak to The Mary Tyler Moore Show, The Rockford Files and Baretta. He has had recurring roles on The Facts of Life, The Famous Teddy Z, Sibs, The George Carlin Show and The Division. His voice is easily recognized as Roger Myers Jr., the head of Itchy & Scratchy Studios on The Simpsons.

In feature films, Rocco’s most notable roles include Moe Greene (and his gruesome demise) in The Godfather, the comically curious police chief in The Stunt Man, and as over-the-top Sol Siler, the head of Playtone Records in That Thing You Do!

Produced by Warner Premiere, DC Entertainment and Warner Bros. Animation, the all-new, PG-13 rated Batman: Year One arrived this week from Warner Home Video as a Blu-ray™ Combo Pack and DVD, On Demand and for Download. Batman: Year One is also available in a special download-for-purchase early window (starting October 11) through iTunes, Xbox Live, Zune, VUDU HD Movies and Video Unlimited on the PlayStation Network & Sony Entertainment Network.

Rocco, an agreeable and funny man in person, spent a few extra minutes after his initial recording session to chat about mob bosses, Burt Ward’s whining, Julie Newmar’s sex appeal, and how to get ahead in Hollywood when your bartending partner takes a bathroom break. Take note … Moe Greene, er, Alex Rocco is speaking. (more…)

“Justice League: Doom” Trailer Unveiled

Warner Home Video has released the official trailer for Justice League: Doom, an all-new entry in the popular series of DC Universe Animated Original Movies due in early 2012 on Blu-ray, DVD, OnDemand and for Download.

Justice League: Doom finds Superman, Wonder Woman, Flash, Green Lantern, Martian Manhunter, Cyborg and Batman on their heels when a team of super villains discover and implement the Dark Knight’s “contingency plans” for stopping any rogue Justice League member. The story is inspired by Mark Waid and Howard Porter’s much-heraldedJLA: Tower of Babel.

Primetime television stars Nathan Fillion (Castle) and Tim Daly (Private Practice), the reigning voices of Green Lantern and Superman, respectively, join a group of eight actors reprising their famed cartoon roles, including Kevin Conroy (Batman: The Animated Series) as Batman, Michael Rosenbaum (Smallville, Breaking In) as Flash, Susan Eisenberg (Superman/Batman: Apocalypse) as Wonder Woman and Carl Lumbly (Alias) as J’onn J’onzz/Martian Manhunter. Also returning to their Justice League animated series roles are the villainous voices of Phil Morris (Smallville, Seinfeld) as Vandal Savage, Olivia d’Abo (The Wonder Years) as Star Sapphire, and Alexis Denisof (Angel) as Mirror Master. David Kaufman (Danny Phantom) also reprises his Justice League role of Jimmy Olsen.

The film is executive produced by Bruce Timm (Batman: Year One), and directed by Lauren Montgomery (Batman: Year One), who is also credited as producer alongside Alan Burnett (Batman: The Animated Series). Justice League: Doom is the final script from the late Dwayne McDuffie (All-Star Superman, Justice League: Crisis on Two Earths). Casting and dialogue direction is once again in the capable hands of Andrea Romano (Batman: Year One, SpongeBob SquarePants).