Author: Robert Greenberger

Boom!’s Straw Poll Show Comic Book Fans are a Discriminating Lot

  • Uncategorized
  • October 6, 2011

d12obama-8308864d12paul-7035024The following press release just arrived from our friends and BOOM! and it should be noted that it was conducted before yesterday’s announcement that Sarah Palin was not planning to run for President.

October 6th, 2011 – Los Angeles, CA – BOOM! announces the results of DECISION 2012, the comic book industry’s first straw poll: Barack Obama has won, with the top Republican candidacy going to Sarah Palin and a shocking result for last place: Rick Perry!

The results:
1. Barack Obama
2. Sarah Palin
3. Ron Paul
4. Michele Bachmann
5. Mitt Romney
6. Herman Cain
7. Newt Gingrich
8. Jon Huntsman
9. Rick Santorum
10. Rick Perry

As explained in the original press release announcing the straw poll, only candidates who sell more than 1,500 copies of a book will have their biographical comic book printed. As a result, only the top 4 candidates made that benchmark: the other six candidates’ comic books will not be printed.

“I’m really excited about collecting all these comics,” said Brett Schenker, Online Political Strategist who has worked for such political luminaries as John Kerry and Chris Dodd. “I wish this were around when I was working on Presidential campaigns, it’s a fun thing to support, but a great souvenir to remember the people I tried to get elected.”

The DECISION 2012 line of comics and comic book’s first straw poll isn’t just a contest, but also a great way for voters and students to educate themselves on the candidates running in the 2012 Presidential Election. This series of biographical comic books details the history and political lives of the candidates for the 2012 Presidential Election, giving non-partisan background on the candidates. The DECISION 2012 line of comic books is aimed at anyone of any age who enjoys reading and discussing U.S. politics.
More information on the straw poll and the DECISION 2012 line of comics can be found here: http://www.decision2012comics.com

Dragon’s Lair

  • News
  • October 5, 2011

Once upon a time I edited a magazine called Comics Scene and early on, I had the opportunity to be in Ireland where I was invited to visit animator Don Bluth and his operation. At the time, he had left Disney and was busily working on The Secret of NIMH but also interactive animated arcade games. In 1983, he was poised to unleash Dragon’s Lair. After explaining the premise, Bluth let me play the latter for a while.

Boy was it fun.

While it and the subsequent Space Ace made a splash, they didn’t ignite a new generation of gaming, largely I suspect because these were expensive to create and manufacture and were limited by the technology of the day. Still, Dragon’s Lair proved popular enough for it to be licensed for Saturday morning television. Rather than use Bluth’s studio, the weekly work was turned over to Ruby-Spears. They produced thirteen half-hour episodes and as we approached each commercial break, a choice had to be made, emulating the arcade version. After the break, we saw what would happen with either choice and then the adventure would continue. Nice idea, even if it wound up flawed, and the show endured for one season on ABC during the 1984-1985 season.

Warner Archive has just released the complete series as a two disc set so those who recall the game and show fondly, can relive the adventures of Dirk the Daring (Bob Sarlatte). Despite being somewhat goofy, he was the best knight in King Ethelred’s (Fred Travalena) kingdom. Such feats earned him the love of Princess Daphne (Ellen Gerstell), who of course needed rescuing from the likes of the Lizard King, the Phantom Knight, the Giddy Goons, and the Mudmen with regularity.

A faithful adaptation, it is far from the best of Ruby-Spears or Bluth and is strictly for those the nostalgics.

“A Never-Ending Battle” Celebrates Comics’ Super-Heroes and Their Creators

New York, NY  (October 3, 2011)   A Never-Ending Battle, the first episode of a new film from the creative team responsible for the award-winning PBS documentaries Broadway: The American Musical and Make ‘Em Laugh: The Funny Business of America, will be screened in front of an audience for the first time at the New York Comic Con, the East Coast’s largest and most exciting pop culture convention.

Featuring rare footage along with new interviews with legends such as Joe Simon, Stan Lee, Jim Steranko, Neal Adams, Michael Chabon and Jules Feiffer, segments of the first episode – “A Never-Ending Battle: 1938-1954” – will be previewed on Friday, October 14, 2011 at 4PM in Room 1B01 of the Jacob K. Javits Convention Center at 655 West 34th Street in Midtown Manhattan.  An on-stage interview and Q&A with filmmakers and cultural historians Michael Kantor and Laurence Maslon will take place immediately following the screening.

“We’re really excited to preview our film to fans at New York Comic Con,” said Emmy Award winning filmmaker Michael Kantor. “Because so many incredible talents have given us interviews, I think of this screening as kind of like attending six all-star panel sessions at once.  We are also very eager to get fan reactions and feedback.”

“As a comics fan from back in the days of Second Sundays at the McAlpin Hotel, it was a privilege for me to sit down and hear so many legendary creators spin new tales I had never heard before,” added Maslon, the film’s co-writer, as well as an associate professor at New York University’s Tisch School of the Arts. “This documentary series will mark the first time that we’re able to tell the grand epic of the American comic book heroes on a scale that they deserve.”

The event is open to all registered attendees of the New York Comic Con, space permitting, and has been made possible by special arrangement with Ghost Light Films, Inc., Reed POP and Bonfire Agency, LLC.

The Lion King

The second age of Disney greatness made raising children in the 1990s a real treat. Taking youngsters to an animated film recreated some of the magic the parents experience when they were first brought to the theater. To its credit, Disney continued to carefully curate its collection of classic films, filling in the gaps left by the far more mediocre fare that marked the 1970s and 1980s. Interestingly, one of those final films was where one of the current age’s greatest was born.

I still remember sitting in the theater with the kids and saw the trailer for The Lion King, which consisted of the opening song, a gutsy move but a brilliant one. Everything you needed to know was present; the sheer majesty of the animal kingdom, the quality of the animation and color palette, and the amazing score.

The fourth film from the Jeffrey Katzenberg/Michael Eisner regime, The Lion King felt special from the outset and has remained that way despite repeated viewings. Now finally out on Blu-ray today, the movie looks and sounds better than ever.

One of the reasons, the movie works is that it deals with universal themes, notably those of coming of age and the relationship between father and son. While the notion of the “Circle of Life” may have been beaten to death since it was reinforced here, respecting the life cycle is a good lesson for audiences young and old alike.

In the best of the Disney tradition, the film also nicely blends action, drama, and humor so it has a rhythm of its own. The littlest viewers can giggle at Timon and Pumba’s antics while others can feel the adrenaline pump during the battles, but there is certainly something for everyone, done with style and panache.

What’s interesting is that once the film’s concept was put into active development, it had to compete for animators with Pocahontas, which most saw as the next slam dunk film. Freed from the same level of scrutiny, the younger animators who signed on rose to the challenge and then some. It was inspired to blend Tim Rice and Elton John for the songs while Hans Zimmer delivered one of his finest scores.

The usual array of extras for a Diamond Edition film are all on display, and actually had me ready for more. The package contains Blu-ray and a standard DVD discs and comes with a fine user interface. New to this collection is a 39 minute “Pride of the Lion King” featurette that reunites former Chairman Katzenberg, Zimmer, producer Don Hahn, and co-directors Roger Allers & Rob Minkoff. This is followed with an additional 21 minutes of memories, “The Lion King: A Memoir”, hosted by Han. The co-directors introduce five previously unseen Deleted Scenes, explaining how these did not make the final cut. Also represented is the missing song, “Morning Report”, which was restored for the Broadway adaptation. The affection for the movie is demonstrated with the freshly animated Gag Reel with outtakes produced specifically for the disc.

The extras from the previously released Platinum edition return here so you get the audio commentary, Art Gallery, and the Sing-Along Mode.

If you have an iPad, the film comes with the new Disney Second Screen app stuffed with production art and interactive games. For those who use the BD-Live function, this one comes with  the “Virtual Vault” access which will show you “The Making of ‘The Morning Report'”, three additional Deleted Scenes, “Stage, Film, Story and Musical Journey” featurettes, Elton John’s “Circle of Life” music video, a Film-to-Storyboard Comparison, two short Demo Sequences and an Unfinished Scene.

One thing I wish they addressed head on was an acknowledgement in some way that the film owed a debt to Osama Tezuka’s Kimba the White Lion. The parallels are too striking for it to have been sheer coincidence.

As we enter the holiday season, this goes on your Must Have list.

Warner Announces Aim High to launch as the first ever “Social Series” on Facebook

  • Uncategorized
  • October 1, 2011

Warner Bros. Digital Distribution (WBDD) announced the first-ever “social series” from a Hollywood studio will debut on Facebook starting October 18. Consumers can now become part of the show by seamlessly integrating their profile information – including photos, text and friends – by simply opting into the application on the show’s Facebook page. The action comedy series Aim High produced by Warner Premiere and Dolphin Entertainment, staring Jackson Rathbone (Twilight), Aimee Teegarden (Friday Night Lights), and Greg Germann (Ally McBeal) will debut as the first “social series” October 18 through Facebook.com/AimHighSeries and Cambio.com.

By choosing to watch Aim High in a personalized viewing mode through the show’s Facebook page, viewers will be able to see themselves or their friends integrated into select scenes throughout the series – from their photo appearing on a student body election poster, to having their name seen as graffiti on the bathroom wall. This video application not only allows consumers to have an immersive and engaging viewing experience, but also a social one where they can share comments, scenes and Tweets about their favorite moments from the show.

Review: Glee the Complete Second Season

  • Uncategorized
  • September 30, 2011

glee-season-2-blu-ray-300x400-1878011[[[Glee]]] is an amazing phenomenon, arriving seemingly out of nowhere and immediately capturing the interest of tweens, teens, and adults. Fox had a juggernaut on its hands and rode the wave with tremendous success during its first season.

The second season, though, proved less thrilling, largely due to co-creator/co-producers Ryan Murphy and Brad Falchuk demonstrating an inability to plan character arcs far enough in advance for things to feel organic. The sophomore slump hit this show and like many other fads, appeared ready to burn out quickly. The third season has proven stronger at the start although the ratings have yet to match last year. Similarly, their live tour didn’t fare as well and the 3-d concert movie fizzled in August. (more…)

Nathan Fillion & Tim Daly join heroic cast of Justice League: Doom

Primetime television stars Nathan Fillion and Tim Daly, the reigning voices of Green Lantern and Superman, respectively, join an exciting group of actors reprising their famed cartoon roles in Justice League: Doom, an all-new entry in the popular series of DC Universe Animated Original Movies due in early 2012 from Warner Home Video.

Justice League: Doom finds Superman, Wonder Woman, Flash, Green Lantern, Martian Manhunter, Cyborg and Batman on their heels when a team of super villains discover and implement the Dark Knight’s “contingency plans” for stopping any rogue Justice League member. The story is inspired by Mark Waid’s much-heralded JLA: Tower of Babel.

Fillion, the star of ABC’s hit TV drama Castle, made his debut as Green Lantern/Hal Jordan in the recent Green Lantern: Emerald Knights. Fillion made his initial DCU bow as the voice of Steve Trevor in the 2008 hit Wonder Woman.

Currently headlining the cast of ABC’s popular Private Practice, Daly originated the title character’s voice in the landmark cartoon, Superman: The Animated Series. He has reprised the role in two DCU films: the 2009 extravaganza Superman/Batman: Public Enemies and the 2010 thriller Superman/Batman: Apocalypse.

In addition to current primetime stars Fillion and Daly, the cast is a grand reunion of the original group of actors who provided the voices of the Justice League for the cartoon of the same name and its follow-up, Justice League Unlimited. Reprising their roles are Kevin Conroy (Batman: The Animated Series) as Batman, Michael Rosenbaum (Smallville, Breaking In) as Flash, Susan Eisenberg (Superman/Batman: Apocalypse) as Wonder Woman and Carl Lumbly (Alias) as J’onn J’onzz/Martian Manhunter. Bumper Robinson (A Different World, Transformers: Animated) joins the cast as Cyborg.

The Justice League faces two sets of villainous teams in the film – The Royal Flush Gang and a sextet of notable evildoers. The latter group includes three voice acting alumni of the Justice League animated series: Phil Morris (Smallville, Seinfeld) as Vandal Savage, Olivia d’Abo (The Wonder Years) as Star Sapphire, and Alexis Denisof (Angel) as Mirror Master. Also opposing our heroes are Carlos Alazraqui (Reno 911) as Bane, Paul Blackthorne (The Dresden Files) as Metallo, and Claudia Black (Farscape, Stargate SG-1) as Cheetah.

David Kaufman (Danny Phantom) also reprises his Justice League role of Jimmy Olsen.

The film is executive produced by Bruce Timm (Batman: Year One), and directed by Lauren Montgomery (Batman: Year One), who is also credited as producer alongside Alan Burnett (Batman: The Animated Series). Justice League: Doom is the final script from the late Dwayne McDuffie (All-Star Superman, Justice League: Crisis on Two Earths). Casting and dialogue direction is once again in the capable hands of Andrea Romano (Batman: Year One, SpongeBob SquarePants).

Warner Home Video will premiere the Justice League: Doom trailer during its presentation at New York Comic Con on Friday, October 14 from 3:00-4:00 p.m. in the IGN Theater. Also premiering during that session will be the Catwoman animated short that is attached to Batman: Year One, the next DC Universe Animated Movie (streeting October 18).

The Tempest

thetempestbluray-254x300-1479053You have to give Julie Taymor credit. She rarely repeats herself and brings a sense of creative vision to every project, making each effort unique. For every brilliant stage work, The Lion King, there is a creative misfire, Spider-Man: Turn off the Dark. And on screen, she scored a bullseye with Across the Universe and disappointed with The Tempest. The adaptation of William Shakespeare’s final play is now out on DVD from Walt Disney Home Entertainment.

The Bard’s works have been interpreted and reinterpreted since they were first staged at the Globe Theater so it’s no surprise Taymor wanted to bring her own ideas to the script. Her bold move was to turn Duke Prospero into Prospera, the duke’s wife and then cast Dame Helen Mirren. Taymor said at the time that no male actor seemed to fit her idea of the lead so tried a woman for a staged reading and decided the story held up.

Translated to the screen, Prospera, the sorceress, presides over the inhabitants on a small island, dealing with her daughter Miranda’s  (Felicity Jones) romance with Ferdinand (Reeve Carney) while fending off the schemes of Caliban (Djimon Hounsou) and Stephano (Alfred Molina) to do her in. There’s magic galore and Ariel, usually played by a female but here is essayed by Ben Whishaw, is a genuine sprite.

Taymor adapted Shakespeare’s words but they remain familiar ones and she has assembled a fine cast led by Mirren, who is never short of fascinating to watch work. Molina, Hounsou, Chris Cooper and Alan Cumming lend strong support so the overall production should be far more satisfying than it proves to be. There’s a crackle of energy missing from the performances and the CGI effects, which she used so well in Universe, don’t measure up. For a story about magic the effects prove oddly dull and uninspiring.

The pacing moves along but languidly, as if shooting on a Hawaiian island enervated cast and crew.

The movie performed well at festivals before being met with a collective yawn by critics and audiences alike last December making for a poor year end showing for Taymor. The movie plays much the same way on DVD aided by the usually crisp video transfer from Disney and helped tremendously by some terrific audio work.

Students of Shakespeare will want to see this and own the Blu-ray edition which comes with some terrific special features. In addition to Taymor’s perfunctory commentary, there’s a separate track with Virginia Mason Vaughan (Professor of English at Clark University) and Jonathan Bate (Shakespeare Professor at England’s University of Warwick), using their depth of knowledge to informatively discuss the adaptation. It sounds like an English paper read aloud is quite interesting.

Additionally, there’s the one-hour-six-minute Raising the Tempest which covers the production from script to final editing. There’s always something to learn from these but are really for students of film. This one, though, has Brand offering up comedic patter throughout and makes this worthwhile.

You can watch Julie & Cast: Inside the L.A. Rehearsals, a 14 minute look at Brand, Molina and Hounsou getting a handle on their characters under Taymor’s watchful eye. This is a revealing look at the creative process. There’s an additional, more humorous five minute Russell Brand Rehearsal Riff as he improvises answers as Trinculo to Taymor the Interviewer’s questions. The disc is rounded out with Carney’s “Mistress Mine” music video and an assortment of trailers.

Warner Home Video to unveil Catwoman animated short, first ‘Justice League: Doom’ footage at NYCC

Warner Home Video, Warner Premiere, DC Entertainment and Warner Bros. Animation proudly present an action-packed hour of first looks at DC Universe Animated Original Movies properties on Friday, October 14 from 3:00-4:00 p.m. at New York Comic Con.

Central to the panel will be the premiere of the animated short Catwoman, starring Eliza Dushku (Buffy the Vampire Slayer, Dollhouse) as the voice of title character. The 15-minute short will be included on the release of Batman: Year One, which streets October 18 on Blu-ray, DVD, for Download and On Demand.

The panel will also include the very first footage to be seen from Justice League: Doom, the highly-anticipated next entry in the ongoing series of DC Universe Animated Original Movies.

The panelists, which include the ultimate voice of Batman, Kevin Conroy, DCU executive producer Bruce Timm and casting/dialogue director Andrea Romano, will offer a glimpse into the 2012 DC Universe Animated Original Movies slate, give away some exclusive prizes to inquisitive audience members, and quite possibly welcome a few surprise guests to the stage.

An autograph session with the panelists will immediately follow the panel.

X-Men First Class

When we first heard that the reboot of the X-Men film franchise was being set in the 1960s, there was a lot of head scratching going on. But once you stopped to consider the ages of the characters, a lot of it began to make sense. Of course, the first thing you need to do is totally forget about the source material. There are just too many elements that have been radically changed from the comics that it would just hurt your head. Instead, focus on the film as a prequel to a trilogy that more often than not has done a fabulous job adapting the merry mutants to the silver screen.

I’ve been a big fan of Matthew Vaughn’s work for a while now, so I was thrilled that he finally got a chance to try his hand at the X-Men. His work adapting other comics, Stardust and Kick-Ass, prove he has a good handle on what to keep, what to toss, and what to change. Here, he keeps the friendship between Charles Xavier and Erik Lensherr at the core of the story. Thankfully, Vaughn cast Michael Fassbender and James McAvoy as the leads because both do superb jobs.

(more…)

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