Category: News

Fandor Hosts Rotating Criterion Collection Films at Hulu Plus

seven-samuraiFandor, the premiere streaming service for independent, classic and critically-acclaimed films, shorts and documentaries, in a partnership with the Criterion Collection and Hulu Plus, is currently home to a rotation of uniquely curated bundles of Criterion films available to watch instantly via desktop, set top and mobile devices.

Every Tuesday, Fandor rolls out a new collection of films that share a common theme, genre, time period, film style, etc. These films are available on the site for 12 days before being replaced by a fresh new batch of featured Criterion masterpieces.

FANDOR’S CRITERION PICKS FOR MARCH

MARCH 17-28: THE SIXTEENTH CENTURY

  • Carnival in Flanders(1935, Director Jacques Feyder): A small village in Flanders puts on a carnival to avoid the brutal consequences of the Spanish occupation.
  • Ivan the Terrible(1944, DirectorSergei Eisenstein): As Ivan ascends to lead Russia, the Boyars are determined to disrupt his rule. Ivan’s relationship with his friends Fyodor Kolychev and Andrei Kurbsky becomes more complicated as well. One departs for sanctity of religious servitude while the other attempts to seduce the tsar’s wife.
  • Ivan the Terrible II: The Boyars’ Plot(1958, Director Sergei Eisenstein): In the second part of IVAN THE TERRIBLE, things become considerably more complicated. The tsar attempts to foil the efforts of the Boyars to disrupt his rule but things are never quite what they seem.
  • Jubilee(1978, Director Derek Jarman): When Queen Elizabeth I asks her court alchemist to show her England in the future, she’s transported four hundred years to a post-apocalyptic wasteland of roving girl gangs, an all-powerful media mogul, fascistic police, scattered filth and twisted sex.
  • Seven Samurai(1954, Director Akiro Kurosawa): One of the most thrilling movie epics of all time, SEVEN SAMURAI tells the story of a sixteenth-century village whose desperate inhabitants hire the eponymous warriors to protect them from invading bandits.
  • Ugetsu(1953, Director Kenji Mizoguchi): “Quite simply one of the greatest of filmmakers,” said Jean-Luc Godard of Kenji Mizoguchi. And UGETSU, a ghost story like no other, is surely the Japanese director’s supreme achievement.
  • Onibaba(1964, Director Kaneto Shindo): Driven by primal emotions, dark eroticism, a frenzied score by Hikaru Hayashi and stunning images both lyrical and macabre, Kaneto Shindo’s chilling folktale ONIBABA is a singular cinematic experience.
  • The Private Life of Henry VIII(1953, Director Alexander Korda): Alexander Korda’s first major international success is a raucous, entertaining, even poignant peek into the boudoirs of the infamous king and his six wives.

MARCH 24 – APRIL 4: ASSASSINS

  • Death Shadows(1986, Director Hideo Gosha): After their executions are faked by the authorities, three criminals are forced to become assassins under the command of the Shogun.
  • Assassin(1964, Director Masahiro Shinoda): Masahiro Shinoda’s ASSASSIN was the director’s first period film, but it is hardly set in the “safety” of a past era, as its story, of a masterless samurai making his way amid the chaotic aftermath of Commodore Perry’s forcible contact with Japan in 1853, seems to resonate clearly in Japan’s post-World War II era.
  • L’assassin habite au 21(1942, Director Henri-Georges Clouzot): Inspector “Wens” Vorobechik and his aspiring actress girlfriend search for a serial killer who leaves mysterious calling cards.
  • Tokyo Drifter(1966, Director Seijun Suzuki): In this jazzy gangster film, reformed killer Tetsu’s attempt to go straight is thwarted when his former cohorts call him back to Tokyo to help battle a rival gang.
  • A Colt is My Passport(1967, Director Takashi Nomura): One of Japanese cinema’s supreme emulations of American noir, Takashi Nomura’s A COLT IS MY PASSPORT is a down-and-dirty but gorgeously photographed yakuza film starring Joe Shishido as a hard-boiled hit man caught between rival gangs.
  • The American Soldier(1970, Director Rainer Werner Fassbinder): Rainer Werner Fassbinder’s experimental noir is a subversive, self-reflexive gangster movie full of unexpected asides and stylistic flourishes, and features an audaciously bonkers final shot and memorable turns from many of the director’s rotating gallery of players.
  • Man BitesDog (1992, Directors Rémy Belvaux, André Bonzel, and Benoît Poelvoorde): Controversial winner of the International Critics’ Prize at the 1992 Cannes Film Festival, MAN BITES DOG stunned audiences worldwide with its unflinching imagery and biting satire of media violence.
  • Branded to Kill(1967, Director Seijun Suzuki): BRANDED TO KILL tells the ecstatically bent story of a yakuza assassin with a fetish for sniffing steamed rice (the chipmunk-cheeked superstar Joe Shishido) who botches a job and ends up a target himself.

Remembering Irwin Hasen: 1918-2015

At its best, comics is like a family, where people in the field are known by their first names by fans and peers alike. Jerry, Joe (well, several Joes, actually, but context always makes it clear which one), Will, Bob, Bill, Stan, Jack, Steve, Marie, Carmine, Len, Marv, Flo.

Irwin.

Irwin Hasen was my friend, just as he was a lot of people’s friend. Of course, millions of people knew Irwin through his comics (Wonder Woman, Green Lantern, Wildcat, the Fox, and, of course, Dondi). But because he had no children and no local relatives, Irwin’s friends and companions were his cartooning contemporaries, the cartoonists he mentored, and a steady stream of admirers, thirty to fifty years his junior, who crossed his path in various ways. Some were fans, some fellow comics pros. Some were descendants of his contemporaries, seeking information about and connection with their parents or grandparents through Irwin, who had known them all.

Irwin was always a jolly presence at the local New York Big Apple conventions, which is where I first encountered the man (as opposed to his work, which I’d been seeing since I was a kid). But it was on trips to Allan Rosenberg’s conventions in New Jersey where I got to really know him. Ken Wong would drive me, Irwin, Arnold Drake and Jim Salicrup out to those cons, and that’s where I got to spend time with Irwin and Arnold—talk about a ride with history!—and discovered the mischievous marvel that was Irwin Hasen. When not gossiping about some comics figure present or past, Irwin would drift off to sleep, and I’d wonder, “Did Irwin just die?” But then he’d respond to something one of us said with a hilarious one-liner and we’d know he was not only alive, but kicking.

Over the past ten or so years, Irwin was hospitalized several times with various conditions, often dire and seemingly fatal, all of which he rebounded from, until the final one on March 13th. No matter what, though, until the end, his grip was always strong, clinging to life like he clung to a pencil to express his vast creativity. Any number of times I figured I would never see him again, and time after time he bounced back, sometimes better than before, since the doctors would have cleared up whatever was causing him trouble. It was amazing to behold.

For instance, last year, Ed Steckley, president of the Manhattan chapter of the National Cartoonists’ Society wanted to do an event honoring Irwin. I told him I thought that Irwin’s event days were over, but to not take my word for it. “Let’s go to Irwin’s house and you’ll see for yourself.” Well, we went to Irwin’s, and he was totally up and on, energetic and crystal clear. Ed’s Irwin event was held at the Society of illustrators, and Irwin enjoyed every minute of being the center of attention, entertaining the large crowd that turned out to honor him.

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The Point Radio: Freddie Highmore Mastering The Art Of Creepy

We wind up our coverage of the new season BATES MOTEL talking with Freddie Highmore. So is Norman Bates really a bad guy, or just misunderstood and how much of Freddie is really in that character? Plus he may be the real super villain of March Madness. Why does everyone hate Christian Lattener?

In a few days, look for our coverage of GRIMM and where the season will end for that series, plus a look at comics’ newest TV hit, IZOMBIE.
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Announcing the Mix March Madness 2015 Seeding Round! EXTENDED to 3/22!

comicmixmarchmadnessfeatured-550x98-3025878 Yes, it’s that time of year again, the time where bracketology reigns supreme and the cry around the nation is “Win or Go Home!” Last year’s Mix March Madness Webcomics Tournament was incredibly popular, and so we’re doing it all over again– and raising money for the Hero Initiative in the process! Find out how…
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The Point Radio: Still UNDATEABLE Still Funny

UNDATEABLE has returned to NBC with more fresh comedy and a few changes, all detailed for us by cast member Ron Funches and creator/EP Bill Lawrence. Plus ORPHAN BLACK saves the comic stories in February.

In a few days, we circle back to BATES MOTEL for a talk with Norman Bates himself, Freddie Highmore.
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Wolverine vs. Sabretooth: Reborn Coming from Shout! Next Week

Wolverine vs SabretoothThe superstar team of writer and Executive Producer Jeph Loeb (Marvel’s Agents of S.H.I.E.L.D.) and Artist Simone Bianchi (Astonishing X-Men) team up to deliver the highly anticipated sequel to the gripping comic book action adventure WOLVERINE VS. SABRETOOTH.  This brutal, action-packed story deftly captures the epic finale to the biggest rivalry of the Marvel Universe in Marvel Knights Animation’s WOLVERINE VS. SABRETOOTH: REBORN DVD, available on home entertainment shelves nationwide on March 24, 2015 from Shout! Factory.

This thrilling Marvel Knights Animation adventure boasts unparalleled storytelling combined with rich visual animation and insightful bonus content. This deluxe DVD is collected in a unique comic book style packaging that bridges the comic book to DVD concept. Marvel Knights Animation’s WOLVERINE VS. SABRETOOTH: REBORN DVD is priced to own at $14.98 SRP.

Wolverine and Sabretooth have been locked in an endless grudge match that goes back longer than either can remember – or even imagine. The key to victory is eons old, and it’s certain to rock their world. It’s the epic finale to the duo’s greatest battle!

Total Feature Running Time: +/- 44 minutes

Irwin Hasen: 1918-2015

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Comic artist Irwin Hasen, who helped create one of comics’ most famous orphans, Dondi, and created the DC Comics character Wildcat, died Friday morning at the age of 96.

There’s no way to do his history and storied life justice in a fast blog post, so we’ll be providing much fuller remembrances later.

Our condolences to his family and many friends.

Irwin Hasen photo by Luigi Novi.

Fred Fredericks, 1929 – 2015

Legendary comics artist Fred Fredericks died this week.

After attending New York’s School of Visual Arts in the period following the Korean War, Fredericks started drawing historical comics that attracted the attention of comic book editors. Before long, Fred was a regular at Western Publishing (Dell, Gold Key), where he drew such titles as The Twilight Zone, The Munsters, Mighty Mouse, Rocky and Bullwinkle, Mister Ed, Nancy, and Snuffy Smith. After working on several short-lived Civil War newspaper strips, Fredericks created the comics feature Rebel for Scholastic Scope, which ran for 30 years.

mandrake-the-magician-9171843In 1965, the year following the start of Rebel, Fred was selected by writer / playwright Lee Falk to take over the art chores on his daily and Sunday Mandrake The Magician newspaper strip. Fred drew Mandrake until the Sundays ended in 2002, but he continued drawing the daily feature until his retirement in 2013. Fredericks took over the writing chores when Falk died in 1999; he already had been lettering the strip. Overall, his stint on Mandrake ran nearly a half-century.

For 10 years Fred also inked George Olesen’s pencils on Lee Falk’s The Phantom Sundays, until Graham Nolan took over following Olesen’s retirement.

Fredericks returned to comic books in 1987, inking Alex Saviuk’s pencils on Marvel’s adaptation of the animated series Defenders of the Earth – a show that featured Mandrake, The Phantom and Flash Gordon. He went on to work on such Marvel titles as Punisher War Journal, Daredevil, Quasar, G.I. Joe, and Nth Man: the Ultimate Ninja. Around this time Fred also did a fair amount of work for DC Comics, including Who’s Who, Secret Origins, Showcase, and Black Lightning.

After his retirement in 2013, King Features put Mandrake The Magician into reruns, reprinting Fred Frederick’s work.

A personal note.

Around the time the Sunday Mandrake was coming to an end, I received a phone call from Lee Falk asking me if I knew where Fred might land some assignments. I gave him a few ideas, and later told Fred of a few more. As a “reward”, Fred sent me a package of original Mandrake art. Quite frankly, his entertaining me for decades was more than enough, but I was greatly moved by his generosity.

A man of great kindness and skill, Fred Fredericks played an important role in the world of post-WWII American comics, both strips and books. He kept Mandrake The Magician alive when all but a small handful of adventure strips fell by the wayside. Fred Fredericks will be missed by his great many fans worldwide.

(Photo above, left to right: Lee Falk, Lothar, Mandrake, Fred Fredericks)

 

 

 

 

 

The Point Radio: Getting POWERS On TV – Finally

The process of turning the Image Comics hit POWERS from book to TV wasn’t an easy one. Co-creator Brian Michael Bendis talks about all the bumps along the way, plus Susan Heyward and Eddie Izzard from the new Sony TV series share how they came on board. Plus Nestor Carbonell from BATES MOTEL talks about the path his character is on this season and what is really behind his relationship with Norma.

In a few days, we look at UNDATEABLE, headed back to NBC, and we head to the set with creator Bill Lawrence and comedian Ron Funches.
Be sure to follow us on 
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The Point Radio: Check In For More Creepy At BATES MOTEL

It’s a sure sign that spring is on the way when the doors open for a new season of BATES MOTEL. Show runners Carlton Cuse and Kerry Eihern, along with the main momma herself, Vera Farmiga, lay out what is coming up this year. Plus remember Trapper Tice and the boys from AIMS? They’ve decided to focus their creature capturing activities on one target this year, Big Foot. It’s all on a new season of MOUNTAIN MONSTERS and we have a preview.

In a few days, more BATES MOTEL as we sit down for an exclusive talk with Nestor Carbonell who finally reveals the connection between his character and Norma. And POWERS debuts on Playstation this week and we go behind the scenes for a look.
Be sure to follow us on 
Twitter @ThePointRadio.