Category: News

Final Four of Mix March Madness 2014 Webcomics Tournament! Vote now!

UPDATE 4/9: Round 6 has ended. Vote in the championship now!

UPDATE 4/5: After conversing with some of the contestants, we decided to extend voting til Tuesday, to give a fairer chance rather than run the thing on a quiet weekend. So you may still have time! Tell your friends!

It’s getting down to the wire! Round 5 is over, and we’ve raised another $42 for the Hero Initiative. Now we’re down to the Final Four! This round Mix March Madness 2014 Webcomics Tournament starts now, and lasts until Tuesday!

We’re down from over 300 nominees to four final contenders— Ava’s Demon, Paranatural, Grrl Power, and Monsterkind! Congratulations to the division winners! And now… the brackets.

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(To see the previous brackets, go back to Round 4.)

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As usual, we’re letting you support your favorite strips by paying for additional votes, with your money going to charity. Simply click on the Donate button below, and during checkout, click on “Which comic are you donating for?” and tell us who you’re voting for. We’re getting down to the wire, so we’re raising the price a bit to 25¢ a vote, with a minimum of four votes purchased at a time, split any way you want. All proceeds from paid votes will go to the Hero Initiative, an organization that helps comic book creators in need. At the close of the round, we’ll add the paid votes to the totals and announce the winners who move on to the brackets. (And yes, your donations to Hero are tax deductible.)




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Again, voting ends at midnight Eastern Time on Tuesday night! Good luck to everyone!

Martha Thomases: MoCCA My Socks Off

mocca_logo-2127279As a writer and a long-time nerd, I’m used to spending a lot of time alone.  Especially after the winter we’ve had, I can go for days not only not leaving my apartment, but not even wearing anything my mother would recognize as pants (sweatpants didn’t count).

And then, this weekend, just as the snow finally melts and the sun comes out, is the MoCCA Festival .  All of a sudden, instead of talking only to my cat (who doesn’t require much sophisticated banter), a lot of people I enjoy will be conveniently assembled in one place.

MoCCA is certainly a lot bigger than it was the first time I went, back in the days when the museum was separate from the Society of Illustrators.  Still, compared to the behemoths in San Diego, Chicago, and even across town at the Javitz Center.  Instead of Hollywood previews and video game demonstrations, MoCCA’s non-comics exhibitors tend to display hand-made crochet monsters or cal figurines.

I’ve seen people I admire on the floor of this show, just as I’ve seen people I admire on the subway and on the sidewalk. But celebrities?  In San Diego and New York, I’ve seen people like Robert Downey, Jr. and Whoopi Goldberg on the floor.  They are easy to spot because they are surrounded by bodyguards.  And they need to be.  Fans have to be kept away or the celebrity will be mobbed, even physically hurt.  This year’s MoCCA celebrity spotting?  Probably the most high-profile will be Macy’s Charlie Brown parade balloon.  Fans aren’t tall enough to maul him.

That’s cool.  At MoCCA, the books are the celebrities.  And this year’s assortment of new books looks especially wonderful.

MoCCA has books for kids and books for grown-ups without either feeling forced, because, for the most part, the people creating the books are creating what they want to read, not (necessarily) what they think the market wants.  MoCCA is fan-friendly in a way that doesn’t require special events for cos-players. Nor do they need security guards to protect women and/or children and/or queer people and/or other minorities from assault.

Sometimes the aisles get too crowded, and sometimes it’s too hot, but it’s a very friendly show, with plenty of good will.  I wish all comic book shows could be this pleasant.

In case that isn’t enough people for me, I’m also going to one of the two big benefits my family enjoys attending every year.  A cancer charity throws a big party that is attended by huge celebrities, like these from last year.

Come by, if you find yourself with nothing to do in the middle of MoCCA.

Mix March Madness 2014 Webcomics Tournament Elite Eight! Vote now!

The Sweet 16 Round 4 is over, and we’ve raised another $125 for the Hero Initiative. Now we’re down to the Elite 8! Round 5 of the Mix March Madness 2014 Webcomics Tournament starts now, and lasts until Wednesday!

It’s getting rough and tough out there! Here are the latest standings.

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It’s the Mix March Madness 2014 Webcomics Tournament Sweet 16! Vote now!

UPDATE 3/31: Round 4 is over. Vote in the Elite 8 round now!

UPDATE 3/28 Midnight: We swear, we don’t know how it happened. But we screwed up the totals from Round 3 on a few of the contests, and reported the wrong winners in some contests.

First, our apologies to Grrl Power and Awkward Zombie for misreporting their results, and our apologies to Order Of The Stick and Saturday Morning Breakfast Cereal for getting their hopes up. Sorry, folks.

Now, how we’re going to solve the problem: we’re going to replace the strips in the contests, and ComicMix is buying votes to match the current votes for Widdershins (72) and Monsterkind (143), effectively setting the contests at dead even. This allows us to start a new poll right now, which makes the contest even again.

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Because of the late start, we’ll extend the voting time for this contest to Sunday at midnight.

Again, our apologies to all concerned.

Round 3 is over, and we’ve raised another $153 for the Hero Initiative. Now we’re down to the webcomics Sweet 16! Round 4 of the Mix March Madness 2014 Webcomics Tournament starts now!

People are now beginning to buy the winning votes, making the difference for Dick Ruby and Widdershins— so get your votes in early and get your friends in too.

In deference to the folks at Emerald City Comic Con voting lasts until Midnight Pacific Time on Saturday, March 29! Here are the latest standings…

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Oculus Rift, Facebook, and Sharing With Crowdfunding Backers

oculus-3794447It’s amazing how money changes things.  Norm McDonald once did a bit about buying a friend a lottery ticket for a Christmas gift – “You don’t actually want it to win…”

Oculus Rift, the latest uber-cool project amongst video game mavens, just hit the jackpot, and a lot of people are annoyed about it.  The VR-goggle system, designed primarily for videogame use, but bursting with potential other uses, got its initial funding via crowdfunding site Kickstarter, much to everyone’s joy.  But this week, the company made news when it was sold for a staggering two billion dollars.

Sounds like good news, right?  A rags to riches, Local Boy Makes Good story, yeah?

It was bought by Facebook.

You can actually hear the Internet’s face fall. (more…)

Mike Gold: Peter Capaldi as the Ultimate Evil

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This is the second part of a two-part look at the actor who has taken over the lead in Doctor Who. The first part discussed his work in Hotel!, In The Loop, and in the Oscar®-winning Franz Kafka’s It’s A Wonderful Life. This week, we focus on another upcoming performance.

There must be a law somewhere that mandates an adaptation of Alexandre Dumas’ The Three Musketeers every several years. Punch it up on IMDB and your computer will explode. Some of these movies and teevee series are quite good, others, well, suck… although I’m quite partial to the movie version that starred The Ritz Brothers. The latest version, The Musketeers, went up on the BBC earlier this year – it will be on BBC America in June – and it’s as rip-roaring as any. I’ve seen the first five, and I enjoyed them. Political and religious intrigue, swordfights, gunfights, fistfights, buxom femme fatales, handsome leading men… what’s there not to like?

Particularly when there’s a great villain in the mix. Only Ming the Merciless tops Dumas’ Cardinal Richelieu when it comes to great movie villains. And when it comes to great Cardinal Richelieus (Cardinals Richelieu?), Peter Capaldi is among the very best.

That’s saying a lot. Recently, Christoph Waltz played the part and Waltz could read off a bowl of Alpha-Bits and make it seem insidious. Other Richelieus include Stephen Rea, Ben Cross, Tim Curry, Charlton Heston, Vincent Price and, arguably, Michael Palin. That’s quite a club.

Capaldi’s performance is more nuanced than most. He can say more with a slight turn of his head than by eating the scenery, befitting a villain who’s in a British television series and committed to the long haul. Richelieu’s lurks over every scene, even in those episodes where he’s only around for perhaps five minutes. He is as smooth, as powerful, and as controlling as a true top-rank villain should be.

Coincidentally, The Musketeers was developed initially to fill the Doctor Who slot (in part) during the latter’s off-season. The Musketeers’ producers did not know Capaldi got the part as the Doctor until… well, until you did. Now they have to plan for a second season without Peter, and without Richelieu.

I find myself of two minds. The Musketeers is great fun and well-made, shot in the Czech Republic with an internationalish cast (mostly British, but many of the leads are from western Europe) and a costume budget that could feed a small nation. Capaldi is so good here that I’d be perplexed if I was the one who had to decide to leave the show for Doctor Who.

After going though all this material, I can understand why Steven Moffat and friends chose Capaldi for the part in Who. I believe he’s likely to bring back a bit of that crusty edge that most of the earlier Doctors possessed while interjecting his own unique quirkiness, just as the eleven – or is it twelve – performers who previously had the job.

Besides, the Millennials deserve a punk rocker Doctor.

Particularly one who will play the part with a genuine Scottish accent.

Michael Davis: Milestone Rising

I don’t get it.

I just don’t get it.

Last week I wrote to both my audiences at ComicMix  & Bleeding Cool that I’d answer any and all Milestone questions. (Well, that’s any and all questions except the ones I won’t answer.)

Over at Bleeding Cool I got a TON of questions. So many in fact I’m missing my weekly deadline so I can better organize my responses.

And what about ComicMix?

ONE guy supplied ALL the Milestone questions.

WTF?

Translation…WHAT THE FUCK?

I just erased a few hundred words of righteous WTF wisdom. Why? What’s the point? I’ll just answer Doctor R-Man questions and spend the rest of the week pouting.

Does DC have to pay Milestone any amount of money to either publish Milestone titles or have Milestone characters appear in their books? i.e. in teams or in guest appearances? Hence, no Icon in the Justice League or no Static in Teen Titans?

Sorry doctor-that’s a business question best left alone.

Going from the previous question, is the reason DC isn’t publishing Milestone     titles or having Milestone characters make appearances in DC books because there’s not enough people purchasing them or enough demand to justify publishing them, as a result of those fees DC has to pay? Hence, little return on their investment?

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Jen Krueger: Fan to Fan, or Performing Doctor Who for Fellow Whovians

doctor-who-live-at-comikaze-550x550-6345618Thinking about my favorite of the Doctor’s adventures, one that immediately comes to mind is his journey to Tudor England. Crossing paths with an aging Henry VIII on the verge of a final marriage, the Doctor stumbles on a Dalek plot to kill him while companion Brianna is killed by the King’s Guard. Resurrected by the Pope, Brianna saves the day by brokering peace between Henry and the Catholic church, and using her love for the Doctor to melt the Dalek in disguise. If you’re a fan of Doctor Who but don’t remember this episode, that’s probably because this adventure was presented for the first and only time in Los Angeles for a single night in September of 2013. Also, it technically wasn’t an episode of Doctor Who. It was an installment of Doctor Who Live!, an improvised version of Doctor Who that I perform in twice a month.

As a Whovian for several years and an improviser for even longer, I was really excited when I was invited to join a group that would allow me to bring together two of my favorite things. I thought doing a show that would let me transform the things I wish the Doctor would do from idle thoughts into reality (albeit reality limited to 45 minute non-canon installments) would be a blast. After all, every fan has opinions on how the object of their fandom could be improved or expanded upon, but how often does any fan get the chance to actually play out those opinions by dictating what their favorite fictional characters will see, say, or do? Almost never, at best. I was pumped. So, so pumped.

And then, the pressure hit me. Because the more I thought about how cool it was going to be to make up and play out an episode of Doctor Who, the more I realized how difficult that would really be. Walking on stage with nothing more than the TV show’s conventions as a bare foundation on which to build comedy with twelve other people means there’s as much of a chance for failure as there is for success. I’m strictly a 2005 and on fan, so there are decades worth of episodes that I know nothing about yet, our audience may expect to see references from. Thankfully, a lot of the cast knows classic Who, so I can count on them to catch me up quickly in the wings if the audience’s suggested title for our episode contains something I don’t know much about, like the Sea Devils (and man, does our audience love to bring up the Sea Devils).

But my worries about representing Doctor Who faithfully went beyond just nailing the right references. Knowing how strong my feelings about the TV show are, it seemed fair to me that our Doctor Who Live! audience could hold us to the same standard they have for the real thing. We promise an improvised episode of the TV show and the TV show is phenomenal, so we’ve set an incredibly high bar for ourselves and have to figure out how to clear it. Before my first performance with the group, I was a bundle of nerves thinking about falling short of that bar. I wanted the show to be perfect because I didn’t want to disappoint myself or the audience. And with all this worrying going on, I was overlooking a very crucial fact: in that theater, we’re all fans.

After all, while it takes an awful lot of fandom to put on an improvised episode of a TV show, it takes even more to watch an improvised episode of a TV show. And Doctor Who Live! isn’t just lucky enough that there are big enough fans of Doctor Who to make doing our own version of it viable, but luckier still to have fans of our own. We have wonderful audience members who come regularly, encourage our silliest bits, and even let us be part of their birthdays by celebrating at our show. If we didn’t all love Doctor Who, none of that would be possible. I have to admit that despite regularly performing in front of audiences in various forms of improv for the last five years, it always feels weird to me to be recognized for a show I’ve done since improv is, by nature, so fleeting. But I’m starting to enjoy getting recognized for Doctor Who Live!, because being remembered as part of that group is, by nature, being recognized as a fan of Doctor Who, and usually leads to conversations about the real show. Now what kind of Whovian would I be if I didn’t like that?

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