Category: News

All I can conclude is that James Gordon attended police academy with Steve Guttenberg. That’s the only explanation I can come up with for what he did in Detective Comics #25.

Detective Comics #25 is set during Batman: Year Zero which, despite that title means the story takes place during Batman’s first year, not his zeroth year. At this time, James Gordon wasn’t Commissioner of the G.C.P.D. yet, just a recent transfer from Chicago who found himself in a city overrun by mobsters and crooked cops paid to look the other way while the mobsters mobbed. Gordon wanted to take down both the mobsters and the corrupt cops, starting with Roman Sionis, who Gordon suspected was the secret head behind the Black Mask gang. So what Gordon did was…

Oh, wait. SPOILER WARNING! Leaving your milk out will spoil the milk. Reading this column will spoil Detective Comics # 25. If you don’t want either your milk or comic books spoiled, don’t leave your milk out and don’t read this column. (No, wait. Do read it, just finish reading Detective Comics # 25 first.) (more…)

The Tweeks review “Mr. Peabody & Sherman”.

When Peter Capaldi was presented to us as the new lead in Doctor Who, a tiny bell dinged in the back of my brainpan. I recalled his appearance on Craig Ferguson’s show; he and Craig were in a couple punk rock bands in the 1980s and had remained very good friends. I thought that was amusing as Ferguson is a big Who fan – he’s had a TARDIS on his teevee desk for many years now.

Capaldi’s casting was praised from hither to yon, and initially I dismissed all that for typical showbiz “sincerity.” But this wave expanded and seemed genuine. Since I’ve had little I could do the past month or two outside of annoying my daughter (and I already was pretty good at that), I decided to track down some of his work and determine his worthiness for myself. (more…)

It’s always interesting to see your children grow up. In my case I don’t have any flesh and blood children; I have the offspring of my imagination, of my heart and mind – the characters I’ve created in my stories, especially in my comics. By growing up, I mean seeing them in other media. And occasionally their sending money home.

In that regard, the most grown up of my offspring is, without a doubt, Amanda Waller, a.k.a. the Wall. She first appeared in the DC miniseries Legends but was created for my version of the Suicide Squad. For those of you who don’t know, the Suicide Squad was a covert team that Waller put together using jailed supervillains. They were sent on secret missions pursuing American governmental objectives and, if they succeeded and survived, they were set free or had their time significantly reduced. If they died – no loss. If they failed or were uncovered, they could be easily disavowed – hey, they were bad guys doing bad guy things.

Waller created this version of the Squad and was herself created to do that in the DCU. Len Wein and John Byrne are credited as co-creators since she first appeared in Legends but Amanda originated with me. (The same way that Tim Truman is, rightly, co-credited as GrimJack’s creator although the character also originated with me.) As conceived, Waller was middle-aged, black, heavy set, on the short side, and with no super-powers; just an iron will and a terminal bad attitude which is why her nickname is “the Wall”. I’ve always said that some aspect of the characters we write exist within us; it’s been pointed out to me that would mean that I have an angry middle aged black woman inside of me. Maybe I’m just channeling Tyler Perry.

She’s also one of my favorite characters to write; actually, I don’t so much write her as just take dictation and pay attention to where she wants to go. She gets the job done and doesn’t care what she has to do along the way; she is morally a gray character by design. Some think of her as an anti-hero; the site IGN listed as her 60^th Greatest Comic Book Villain of all time. For my view, she’s not a villain but she is deeply flawed. Just the way I like my characters.

Waller has appeared all over the place – in video games, in animated series (Justice League Unlimited as one example), animated movies, television shows, and movies. I find seeing the different variations of her interesting and gratifying, especially financially. I have what is called “participation” with Amanda; DC licenses her out and I get a taste of the money that comes in because she was an original character. I don’t have the same deal with the Squad itself; there was an earlier version. Amanda, bless her, sends some money home every now and then.

Both Amanda’s appearance on Arrow and in the New 52 DC Universe is changed; rather than older, stouter, and shorter, she’s now model thin and young and, well, sexy. I’ve always thought of Amanda as many things but “sexy” was not one of them.

I don’t control what happens with Waller or where she goes or how she looks; she is owned by DC Entertainment and Warners. I knew that going in. She is their property. That said, I think the changes made in her appearance are misguided. There were and are reasons why she looked the way she did. I wanted her to seem formidable and visually unlike anyone else out there. Making her young and svelte and sexy loses that. She becomes more like everyone else. She lost part of what made her unique.

Still, I look forward to the Squad episode of Arrow and not only because of the eventual check that it will bring in. It’s interesting to see how your children turn out and to see how much of you is in them whether they are flesh and blood or just the children of your imagination.